13 July 2012 Page 1 of 8
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Maii Attraction
2C cii J BRITAIN'S BIGGEST WEEKLY STUDENT NE PER Incorporating:rate le magazine October 20, 1995 \ 41111..■.. THE MAII ATTRACTION 05. Brad Pitt, Robert De Niro and Dustin► Hoffman star in Hollywood's hottest film of the year Juice magazine speaks to the man who made it possible Exclusive preview: segment one DE TRU TIVE RIVALRY' RUINS COURSE -LEAKED REPORT Selfish managers damage teaching miNn Kii MEDICS are facing the collapse of their training schemes because of FRESHERS SPLIT CONDOM SALES selfish university hospital bosses, it is claimed this week. Fswillial on-the job trainim2 l: Inc ins jeopardised as Leeds University hospitals battle each other for clinical prestige and government cash. according to an unpublished report leaked to Leisytv,tirridem. Divisi•e "us earl them- attitudes wean teaching setision are being camelled and lectures disrupted by 111\1110; anti jibes :timed at rival tini ■erstIN hospitals frame': sargems are angry and upset .it the %ORM is blamed on hustile markt.' I'. tmvs in the h•altb Rivalry i k. I cols Resto, riptirt .'ll•stitedtve IN•h.kocn I I wilei:11 .111q1 1111t — b, Ifii‘ersit ■ I lospthils is so liartntul as ti, wean II.uumc irroiaiiimus, err S■1.1111. ha‘u 1111.7 ..1 mired h, 1 eels 1. 1■01.•1-,11.■h c,1111101i III) 11.11t1111.2 .In• fourth year. alai did tint wtsb to he n'„uncii It terrible that consultants ,u I'm:\ lighting In proji-up the 101 111•1f 111,Ati hits/mud that the) no longer bother With teachtttg. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Fist of Fun Press Release
Fist of Fun Press Release Fist of Fun was on TV in 1995. And since then, despite the popularity and artistic credibility of its writers and stars Stewart Lee and Richard Herring, it has never been repeated, never been released, and never been included as part of those 100 best sketch programs that turn up from time to time. So finally, on 6th December 2011, Go Faster Stripe will be gambling its economic future by putting that right, and releasing a four disc set of the first series. Late last year GFS heard that the BBC’s DVD making department had a meeting where they decided “neither Sales nor Marketing believed that Lee & Herring had much sales potential in the current market” leaving the door open for an idiotic independent producer to licence the material. So Stew and Rich clubbed together with Go Faster Stripe and stumped up the money and bought the rights. And they have made a beautiful thing. The set contains all the episodes, each with commentary tracks from Rich and Stew. And there’s a couple of commentaries from Kevin Eldon and Ben Moor too. There’s the unbroadcast pilot episode, a modern day interview with the pair as they go though a box of 90s memorabilia, and there’s even the disappointing live show recorded at the height of their TV fame. On discs 3 and 4 – in what they think is a first – they have included all the surviving studio tapes from the show recordings. That’s all the retakes, all the between take banter as well as a load of deleted scenes. -
Players of Shakespeare
POSA01 08/11/1998 10:09 AM Page i Players of Shakespeare This is the fourth volume of essays by actors with the Royal Shake- speare Company. Twelve actors describe the Shakespearian roles they played in productions between and . The contrib- utors are Christopher Luscombe, David Tennant, Michael Siberry, Richard McCabe, David Troughton, Susan Brown, Paul Jesson, Jane Lapotaire, Philip Voss, Julian Glover, John Nettles, and Derek Jacobi. The plays covered include The Merchant of Venice, Love’s Labour’s Lost, The Taming of the Shrew, The Winter’s Tale, Romeo and Juliet, and Macbeth, among others. The essays divide equally among comedies, histories and tragedies, with emphasis among the comed- ies on those notoriously difficult ‘clown’ roles. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages. POSA01 08/11/1998 10:09 AM Page ii POSA01 08/11/1998 10:09 AM Page iii Players of Shakespeare Further essays in Shakespearian performance by players with the Royal Shakespeare Company Edited by Robert Smallwood POSA01 08/11/1998 10:09 AM Page iv The Pitt Building, Trumpington Street, Cambridge , United Kingdom The Edinburgh Building, Cambridge , United Kingdom West th Street, New York, –, USA Stamford Road, Oakleigh, Melbourne , Australia © Cambridge University Press, This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeset in ./pt Plantin Regular A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data Players of Shakespeare : further essays in Shakespearian performance /by players with the Royal Shakespeare Company; edited by Robert Smallwood. -
SAM PINNELL Producer / Writer
SAM PINNELL Producer / Writer Producing 2020 – 2021 PRINCESS SERIES PRODUCER BBC STUDIOS for APPLE+ TV 2020 THE FIRST TEAM SERIES PRODUCER FUDGE PARK for BBC TWO 2019 MOTHERLAND SERIES TWO: BBC2 SERIES PRODUCER MERMAN 2018-9 DERRY GIRLS SERIES TWO: C4 SERIES PRODUCER HAT TRICK PRODUCTIONS 6 x half hour comedy series written by Lisa McGee 2017 FLOWERS SERIES TWO: C4 SERIES PRODUCER HOOTENANNY PICTURES / KUDOS LTD 6 x half hour comedy/drama written by Will Sharpe Director: Will Sharpe. Executive Producer: Naomi De Pear 2016 DRIFTERS SERIES FOUR: E4 /C4 SERIES PRODUCER BWARK/FUDGE PARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Al Campbell. Executive Producers: Iain Morris, Simon Wilson 2015 DRIFTERS SERIES THREE: E4 SERIES PRODUCER BWARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Al Campbell. Executive Producers: Damon Beesley, Iain Morris 2014 DRIFTERS SERIES TWO: E4 SERIES PRODUCER BWARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Tom Marshall. Executive Producers: Damon Beesley, Simon Wilson 2013 DRIFTERS SERIES ONE: E4 SERIES PRODUCER BWARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Simon Delaney. Executive Producers: Damon Beesley, Simon Wilson 2012 CHARLIE vs THE INTERNET : BBC AMERICA SERIES PRODUCER TWO FOUR Pilot clips and chat show hosted by Charlie Baker with guests from USA and UK. Director Paul Wheeler. Executive Producer: Darren Smith DRIFTERS: E4 SERIES PRODUCER BWARK PRODUCTIONS 30 min sitcom pilot written by and starring Jessica Knappett Director: Chloe Thomas. Executive Producers: Damon Beesley, Simon Wilson BITESIZE SERIES 3: BBC ONLINE SERIES PRODUCER ZEPPOTRON Comedy sketches based on classics of English Literature 2011 THE BRITISH COMEDY AWARDS NOMINATIONS SHOW: C4 PRODUCER UNIQUE 70 min special featuring clips and interviews from the award nominees THE INBETWEENERS TOP TEN MOMENTS: E4 & CHANNEL 4 SERIES PRODUCER BWARK PRODUCTIONS 1 hour special. -
Janeuary? All Screenings Will Take Place at 2:00 P.M
Thursday Film Series What is JANEuary? All screenings will take place at 2:00 p.m. at the Williamsburg Library Theatre We're getting cozy with Jane JANEuary Austen in a month-long celebration at Williamsburg Regional Library January 5 - Persuasion of the life, times, and evergreen novels and cultural influence of As one of three daughters of the wealthy one of our favorite authors. All Sir Walter (Corin Redgrave), Anne (Amanda Root) is a privileged member of events are presented free of charge the English aristocracy. Though she at the Williamsburg Library and do rejected her ex-fiancé's (Ciarán Hinds) not require advanced registration. because of his poor social standing, he has since become very successful, leaving Schedule At-A-Glance Anne to confront the life she left behind. January 5 Persuasion (1995) 2 p.m. January 12 - Love & Friendship "Jane Austen and the Challenge of Film Adaptation" 4 p.m. In the 18th century, the seductive and manipulative Lady Susan (Kate January 12 Beckinsale) uses devious tactics to win the Love and Friendship (2016) 2 p.m. heart of the eligible Reginald De Courcy (Xavier Samuel). January 19 Austenland (2013) 2 p.m. January 19 - Austenland "Jane Austen and Her Fans: Does Austenland Get It Right?" 4 p.m. Socially awkward Jane Hayes (Keri Russell) is obsessed with the works of Jane January 26 Austen and fantasizes about the character of Mr. Darcy. She scrapes together as Sense and Sensibility (1995) 2 p.m. much money as she can and takes off for Austenland, a British theme resort where January 29 guests immerse themselves in a romantic Austravaganza 1-5 p.m. -
David Lynch: Elephant Man (1980, 124 Min.) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
October 30, 2018 (XXXVII:10) David Lynch: Elephant Man (1980, 124 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY David Lynch WRITING screenplay by Christopher De Vore, Eric Bergren, and David Lynch; Frederick Treves (book) (as Sir Frederick Treves), Ashley Montagu (in part on the book "The Elephant Man: A Study in Human Dignity") PRODUCED BY Stuart Cornfeld (executive producer), Jonathan Sanger (producer), and Mel Brooks (executive producer, uncredited) MUSIC John Morris CINEMATOGRAPHY Freddie Francis (director of photography) FILM EDITING Anne V. Coates PRODUCTION DESIGN Stuart Craig ART DIRECTION Robert Cartwright SET DECORATION Hugh Scaife COSTUME DESIGN Patricia Norris MAKEUP DEPARTMENT hairdressers: Paula Gillespie and Stephanie Kaye; makeup artists: Beryl Lerman and Michael Morris; makeup application: 'Elephant Man' / makeup supervisor: Wally Schneiderman; makeup creator: 'Elephant Man' / makeup designer: 'Elephant Man': Christopher Tucker The film received eight nominations at the 1981Academy Awards: Best Picture: Jonathan Sanger; Best Actor in a Leading Role: John Hurt; Best Director: David Lynch; Best Writing, Screenplay Based on Material from Another Medium: Christopher De Vore, Eric Bergren, David Lynch; Best Art Direction-Set Decoration: Stuart Craig, Robert Cartwright, Hugh Scaife; Best Costume Design: Patricia Norris; Best Film Editing: Anne V. Coates; Best Music, Original Score: John Morris. CAST Anthony Hopkins...Frederick Treves John Hurt...John Merrick Alfie Curtis...Milkman Anne Bancroft...Mrs. Kendal Bernadette Milnes...1st Fighting Woman John Gielgud...Carr Gomm Brenda Kempner...2nd Fighting Woman Wendy Hiller...Mothershead Carol Harrison ...Tart (as Carole Harrison) Freddie Jones ...Bytes Hugh Manning...Broadneck Michael Elphick...Night Porter Dennis Burgess...1st Committee Man Hannah Gordon...Mrs. -
Reminder List of Eligible Releases for Distinguished Achievements During 1996 A
Reminder List of Eligible Releases for Distinguished Achievements during 1996 A ACROSS THE SEA OF TIME Peter Reznik. Abby Lewis. Dennis O'Connor. THE ADVENTURES OF PINOCCHIO Martin Landau. Jonathan Taylor Thomas. Genevieve Bujold. Udo Kier. Bebe Neuwirth. Rob Schneider. Corey Carrier. Marcello Magni. Dawn French. Richard Claxton. Griff Rhys Jones. John Sessions. Jean-Claude Drouot. Jean-Claude Dreyfus. Teco Celio. Wilfred Benaiche. Erik Averlont. Vladimir Koval. Daniela Tolkein. Anita Zagaria. Lilian Malkina. Vaclav Vydra. Petr Bednar. Stefan Weclawek. Zdenek Podhursky. Jiri Kvasnicka. Gorden Lovitt. Jan Slovak. Dean Cook. Joe Swash. Oliver Barron. Jake Court. Luke Deleon. Kevin Dorsey. Thomas Orange. Sean Woodward. Jiri Patocka. Lida Vlaskova. Paavel Koci. Voiceovers: Jonathan Taylor Thomas. David Doyle. ALASKA Thora Birch. Vincent Kartheiser. Dirk Benedict. Charlton Heston. Duncan Fraser. Gordon Tootoosis. Ben Cardinal. ALL DOGS GO TO HEAVEN 2 Animation voiceovers: Ernest Borgnine. Bebe Neuwirth. Charlie Sheen. Hamilton Camp. Steve Mackall. Dan Castellaneta. Dom DeLuise. Tony Jay. Jim Cummings. Wallace Shawn. Sheena Easton. George Hearn. Adam Wylie. Kevin Michael Richardson. Pat Corley. Marabina Jaimes. Bobby DiCicco. Annette Helde. Maurice La Marche. ALL'S FAIR IN LOVE & WAR Sartaj Khan. Miki O'Brien. Bill Trillo. Christopher B. Aponte. Tony Pressman. Angela Mia. William Night. Jerry Mullen. Robert Mont. Andy Innes. Jenny Z. Barbara Nelson. Rick Nardi. Steven Sahar. Giuliano Belle. Robert Donovan. Art Samuels. J. Paul Vincent. Doug Crews. Gene Ober. Blu Bluestein. "TR" Richards. Dug Credit. Tom Gumpper. Marge Ann Windish. Adam Gordan. Nicola Kelly. Craig Walker. Gary Sohl. Sam Sarpong. Michelle Chastain. Annette Harper. Jason Graziano. Gil Ferrales. Kevin Scott. Carl Thibault. -
Openness, Otherness, and Expertise: Uncertainty and Trust in Stewart Lee's Comedy Vehicle Rob Hawkes in '90S Comedian, A
Openness, Otherness, and Expertise: Uncertainty and Trust in Stewart Lee’s Comedy Vehicle Rob Hawkes In ’90s Comedian, a live stand-up show recorded for DVD on 10 March 2006 at the Chapter Arts Centre, Cardiff, Stewart Lee pauses during a long and, in many ways, harrowing story about a drunken encounter with Jesus Christ (which involves the inebriated Lee – “at his apparent insistence” – vomiting “into the open mouth of Christ”) to deliver this aside: Now, right. I’ve been doing stand-up for seventeen years, OK? And I can sense when there’s tension in a room. And I know why it is and I un–, I understand it. Basically there’s a performer-audience bond of trust built up. We have worked on that together over the last hour. And, and, and you think, “Yes, there is, Stew, but you’ve broken that bond of trust. Because we weren’t expecting to be made to visualise this image. There was no warning of this, it wasn’t flagged up. There was no indication that you would do something like this, especially when you opened with all that light-hearted material about the bombings.” (Lee 2010a, 213; see also Lee 2006) As Lee highlights, this moment comes after about an hour of stand-up comedy. It also performs an important structural function in the show, relieving the tension that surrounds the telling of the Christ story and the issues it raises of religion, blasphemy and offence. This apparent diversion allows Lee to return to the story after a five-minute interlude and to push it to an even more extreme conclusion, whilst also referring to a promise made earlier in the show that nobody in the supposedly divided audience (split by Lee into “Team A” and “Team F”) would be left behind by the end of the evening. -
Production Images Released for Racing Demon at Theatre Royal Bath
PRODUCTION IMAGES RELEASED FOR RACING DEMON AT THEATRE ROYAL BATH PRODUCTION IMAGES RELEASED FOR RACING DEMON BY DAVID HARE, DIRECTED BY JONATHAN CHURCH THE PRODUCTION WILL STAR OLIVIER AWARD WINNER DAVID HAIG RACING DEMON WILL RUN AT THEATRE ROYAL BATH UNTIL SATURDAY 8 JULY IMAGES AVAILABLE TO DOWNLOAD HERE Production images have today been released for David Hare’s Racing Demon, directed by Jonathan Church, which plays at Theatre Royal Bath until Saturday 8 July, with opening night on Wednesday 28 June. Olivier Award-winner David Haig will star as Lionel Espy in the multi-award winning play. He will be joined by Sam Alexander, Michelle Bonnard, Anthony Calf, William Chubb, Paapa Essiedu, Andrew Fraser, Ian Gelder, Rebecca Night, Amanda Root and Ashley Russell. Four clergymen seek to make sense of their mission in inner-city London whilst facing their own personal crises. There’s Lionel Espy, a cleric whose faith is wavering as his parishioners dwindle; tabloid-hounded gay vicar Harry Henderson; ‘Streaky’ Bacon, a genial reverend with a taste for tequila, and a charismatic young curate, Tony Ferris whose arrival is set to fan the flames, whilst his sexual relationship with his lover turns to ash. The day of judgement is at hand for all. Racing Demon is the first production in Jonathan Church’s inaugural season as Artistic Director of Theatre Royal Bath’s annual Summer Season. The programme of five plays will also include Sand in the Sandwiches by Hugh Whitemore from Tuesday 11 July – Saturday 15 July, the UK Premiere of Alfred Hitchcock’s North by Northwest from Friday 21 July – Saturday 12 August, Looking at Lucian by Alan Franks from Thursday 3 August - Saturday 2 September and Alan Bennett’s The Lady in the Van from Wednesday 16 August – Saturday 2 September. -
Mary Wollstonecraft and Jane Austen
ENG 486 | WMS 500 Prof. Jennifer Jones Spring 2011 [email protected] T/R 11:00 – 12:15pm Swan 308-F Quinn 103 Office Hours: T 3-4pm and by appointment R British Authors: Mary Wollstonecraft and Jane Austen This course gives you the opportunity to engage in concentrated study of two key women writers in England during the period around 1800, both of whose works were published and read in their own historical periods; both of whose biographies exercised a strong influence on how and when people read their works; and both of whom have strong effects in, around, and on the contemporary world of the 21st century in which we currently live: Mary Wollstonecraft and Jane Austen. We will study major works of both authors and situate these works historically, politically, culturally, and critically. Readings by Wollstonecraft include Mary: A Fiction (1788), Vindication of the Rights of Man (1790), Vindication of the Rights of Women (1792), The Wrongs of Women; Or, Maria (1798). Readings by Austen include “Love and Friendship”; Sense and Sensibility (1811), Mansfield Park (1814), and Persuasion (1818). We will also read influential biographies of both Wollstonecraft and Austen, including William Godwin’s Memoirs of Mary Wollstonecraft and James Edward Austen-Leigh’s Memoirs of Jane Austen. Finally, we will think, both directly and indirectly, about how these figures and their texts have been put to work in late-20th- and 21st-century culture, which will include thinking about recent biographies, criticism, adaptations, and mash-ups. Required Texts Memoirs of the Author of the Vindication of the Rights of Woman. -
Appendix: What Happened to Jane Austen's Books?
Appendix: What Happened to Jane Austen’s Books? Biographers of the twentieth and twenty-first centuries inevitably touch on one of the few known facts of Austen’s life – the sale of ‘her’ books (books actually owned by her father) prior to the family’s removal to Bath in 1801, when Austen was 25 years old.1 The newspaper advertisement offering the books and other house- hold effects for auction is displayed at Austen’s cottage in Chawton, and in his Bibliography of Jane Austen David Gilson lists these volumes, including those that survive in libraries and in private collections.2 Apart from the records of this sale, however, Gilson and other researchers have recourse only to the occasional men- tion of books in Austen’s letters for her purchases after 1801. However genteelly poor the all-female Austen household was, some book buying would not have been unreasonable, and we know Austen occasionally gave books as gifts. As H. J. Jackson writes, ‘new books were luxuries but not out-of-reach luxuries’.3 It seems improbable that an author – and, moreover, such a keen reader – would have limited her read- ing to the selections available from circulating libraries, however well stocked, or to borrowing from family members, however generous. Although, so far, only one or two explicit records have been found of Austen’s book purchases in propria per- sona, I believe that Austen – like any literary middle-class woman of the period – is likely to have bought a few books during her lifetime, especially after her move to Chawton and the success of her early publications provided her with some domestic and financial security.4 Positing such a collection of volumes, it remains to determine which novels Austen may have bought for herself (we know she purchased books as gifts5), and what became of them after her death.