Multimedia-Assisted Language Learning the Journal of the Korea Association of Multimedia-Assisted Language Learning
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The Korean Internet Freak Community and Its Cultural Politics, 2002–2011
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 by Sunyoung Yang A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Anthropology University of Toronto © Copyright by Sunyoung Yang Year of 2015 The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 Sunyoung Yang Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract In this dissertation I will shed light on the interwoven process between Internet development and neoliberalization in South Korea, and I will also examine the formation of new subjectivities of Internet users who are also becoming neoliberal subjects. In particular, I examine the culture of the South Korean Internet freak community of DCinside.com and the phenomenon I have dubbed “loser aesthetics.” Throughout the dissertation, I elaborate on the meaning-making process of self-reflexive mockery including the labels “Internet freak” and “surplus (human)” and gender politics based on sexuality focusing on gender ambiguous characters, called Nunhwa, as a means of collective identity-making, and I explore the exploitation of unpaid immaterial labor through a collective project making a review book of a TV drama Painter of the Wind. The youth of South Korea emerge as the backbone of these creative endeavors as they try to find their place in a precarious labor market that has changed so rapidly since the 1990s that only the very best succeed, leaving a large group of disenfranchised and disillusioned youth. I go on to explore the impact of late industrialization and the Asian financial crisis, and the nationalistic desire not be left behind in the age of informatization, but to be ahead of the curve. -
Archival Documentation, Historical Perception, and the No Gun Ri Massacre in the Korean War
RECORDS AND THE UNDERSTANDING OF VIOLENT EVENTS: ARCHIVAL DOCUMENTATION, HISTORICAL PERCEPTION, AND THE NO GUN RI MASSACRE IN THE KOREAN WAR by Donghee Sinn B.A., Chung-Ang University, 1993 M.A., Chung-Ang University, 1996 Submitted to the Graduate Faculty of The Department of Library and Information Science School of Information Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH DEPARTMENT OF LIBRARY AND INFORMATION SCIENCE SCHOOL OF INFORMATION SCIENCES This dissertation was presented by Donghee Sinn It was defended on July 9, 2007 and approved by Richard J. Cox, Ph.D., DLIS, Advisor Karen F. Gracy, Ph.D., DLIS Ellen G. Detlefsen, Ph.D., DLIS Jeannette A. Bastian, Ph.D., Simmons College Dissertation Director: Richard J. Cox, Ph.D., Advisor ii Copyright © by Donghee Sinn 2007 iii RECORDS AND THE UNDERSTANDING OF VIOLENT EVENTS: ARCHIVAL DOCUMENTATION, HISTORICAL PERCEPTION, AND THE NO GUN RI MASSACRE IN THE KOREAN WAR Donghee Sinn, PhD University of Pittsburgh, 2007 The archival community has long shown an interest in documenting history, and it has been assumed that archival materials are one of the major sources of historical research. However, little is known about how much impact archival holdings actually have on historical research, what role they play in building public knowledge about a historical event and how they contribute to the process of recording history. The case of the No Gun Ri incident provides a good example of how archival materials play a role in historical discussions and a good opportunity to look at archival contributions. -
Gender and Class and Class Gender Edited by Choo Hae Yeon John Lie Laura C
Gender and Class in Contemporary South Korea Gender and Class in Contemporary South Korea Intersectionality & Transnationality Choo, Lie, and Nelson INSTITUTE OF EAST ASIAN STUDIES INSTITUTE OF EAST Edited by Hae Yeon Choo John Lie Laura C. Nelson INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA ● BERKELEY TK 4 TRANSNATIONAL KOREA 4 TK 4_ FIN.indd 1 2/20/2019 9:57:55 PM Notes to this edition This is an electronic edition of the printed book. Minor corrections may have been made within the text; new information and any errata appear on the current page only. Transnational Korea 4 Gender and Class in Contemporary South Korea: Intersectionality & Transnationality Hae Yeon Choo, John Lie, Laura Nelson, editors ISBN-13: 978-1-55729-183-7 (electronic) ISBN-13: 978-1-55729-182-0 (print) ISBN-10: 1-55729-182-9 (print) Please visit the IEAS Publications website at http://ieas.berkeley.edu/publications/ for more information and to see our catalogue. Send correspondence and manuscripts to Katherine Lawn Chouta, Managing Editor Institute of East Asian Studies 1995 University Avenue, Suite 510H Berkeley, CA 94704-2318 USA [email protected] TRANSNATIONAL KOREA 4 Gender and Class in Contemporary South Korea Intersectionality and Transnationality Edited by Hae Yeon Choo, John Lie, and Laura C. Nelson IEAS-TK4GenderandClass-Text.indd 3 2/22/19 11:26 AM A publication of the Institute of East Asian Studies, University of California, Berkeley. Although the institute is responsible for the selection and acceptance of manuscripts in this series, responsibility for the opinions expressed and for the accuracy of statements rests with their authors. -
Download and Upload Speeds for Any Individual Device That Is Connected to the Network
UC Irvine UC Irvine Electronic Theses and Dissertations Title Acceleration and Information: Managing South Korean Online Gaming Culture Permalink https://escholarship.org/uc/item/2204k0wv Author Rea, Stephen Campbell Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Acceleration and Information: Managing South Korean Online Gaming Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Anthropology by Stephen C. Rea Dissertation Committee: Associate Professor Keith M. Murphy, Chair Professor Tom Boellstorff Professor Bill Maurer 2015 © 2015 Stephen C. Rea TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi CHAPTER 1: Playing at the Speed of Life: Korean Online Gaming Culture and the 1 Aesthetic Representations of an Advanced Information Society CHAPTER 2: “Slow to Industrialize, but Let’s Lead in Informatization”: The Korea 31 Information Infrastructure, the IMF, and Online Games CHAPTER 3: Situating Korean Online Gaming Culture Offline 71 CHAPTER 4: Managing the Gap: The Temporal, Spatial, and Social Entailments of 112 Playing Online Games CHAPTER 5: Crafting Stars: e-Sports and the Professionalization of Korean Online 144 Gaming Culture CHAPTER 6: “From Heroes to Monsters”: “Addiction” and Managing Online Gaming 184 Culture CONCLUSION 235 BIBLIOGRAPHY 242 ii ACKNOWLEDGEMENTS This dissertation would not have been -
UC Santa Barbara Dissertation Template
UNIVERSITY OF CALIFORNIA Santa Barbara Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by David Hur Committee in charge: Professor Yunte Huang, co-Chair Professor Stephanie Batiste, co-Chair Professor erin Khuê Ninh Professor Sowon Park September 2020 The dissertation of David Hur is approved. ____________________________________________ erin Khuê Ninh ____________________________________________ Sowon Park ____________________________________________ Stephanie Batiste, Committee Co-Chair ____________________________________________ Yunte Huang, Committee Co-Chair September 2020 Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Copyright © 2020 by David Hur iii ACKNOWLEDGEMENTS This journey has been made possible with support from faculty and staff of both the Comparative Literature program and the Department of Asian American Studies. Special thanks to Catherine Nesci for providing safe passage. I would not have had the opportunities for utter trial and error without the unwavering support of my committee. Thanks to Yunte Huang, for sharing poetry in forms of life. Thanks to Stephanie Batiste, for sharing life in forms of poetry. Thanks to erin Khuê Ninh, for sharing countless virtuous lessons. And many thanks to Sowon Park, for sharing in the witnessing. Thirdly, much has been managed with a little -
Kim, Se Young Accepted Thesis 11-13-09 Fa 09
A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Se Young Kim June 2010 © 2010 Se Young Kim. All Rights Reserved. 2 This thesis titled A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy by SE YOUNG KIM has been approved for the School of Film and the College of Fine Arts by Louis-Georges Schwartz Assistant Professor of Film Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT KIM, SE YOUNG, M.A., June 2010, Film A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy (90 pp.) Director of Thesis: Louis-Georges Schwartz This article situates the three films of Park Chan-wook’s, Sympathy for Mr. Vengeance (2002), Oldboy (2003), and Sympathy for Lady Vengeance (2005) within recent South Korean history and offers a historicized analysis of the films’ substantial use of violence. Through contextual analysis that looks to the films as well as the history and society that produced them, this article discovers that the violence is an allegorical tool which serves to convey social commentary pointed at the processes of democratization and capitalism in South Korea. Approved: _____________________________________________________________ Louis-Georges Schwartz Assistant Professor of Film 4 TABLE OF CONTENTS Page Abstract ............................................................................................................................... 3 Introduction ......................................................................................................................... 6 Methodologies and Approach ......................................................................................... 7 Chapter Summary ......................................................................................................... 16 Chapter 1: The Equal Inequity In Sympathy For Mr. -
SEHUN OH, Ph.D. the Ohio State University College of Social Work 1947 College Road, Columbus, OH 43210 Office: (614) 292-5239 Email: [email protected]
Updated on August 27, 2019 SEHUN OH, Ph.D. The Ohio State University College of Social Work 1947 College Road, Columbus, OH 43210 Office: (614) 292-5239 Email: [email protected] EDUCATION May 2019 The University of Texas at Austin Doctor of Philosophy in Social Work Dissertation Title: “Helping Americans achieve sustainable economic self-sufficiency: A reevaluation of the effects of human capital development approaches on employment and substance misuse” Committee: Drs. Diana DiNitto (Chair), Daniel Powers (Co-chair, Sociology), Cynthia Franklin, Yolanda Padilla, and Cynthia Osborne (Public Affairs) August 2014 Yonsei University, Seoul, South Korea Master of Social Welfare Concentration: Family Welfare and Social Insurance October 2008 University of Rochester, Rochester, New York Master of Arts in Economics June 2006 University of Wisconsin at Madison, Madison, Wisconsin Bachelor of Arts in Economics: Mathematical Emphasis (with Distinction) ACADEMIC POSITIONS June 2019 – Assistant Professor Present College of Social Work, The Ohio State University June 2009 – Lecturer May 2012 Department of Law and Economics, Korea Military Academy, Seoul, South Korea GRANTS AND RESEARCH SUPPORT August 2018 – Developing Collaborative Research Partnerships in Greater Boston (KL2 December 2018 TR001411) Funding agency: National Center for Advancing Translational Sciences (NIH) Total award amount: $247,442 Role: Statistical Consultant January 2010 – An analysis of the cadet-selection system at Korea Military Academy December 2010 Funding agency: Hwarang Dae -
Ecstatic Space NEO-KUT and Shamanic Technologies
Ecstatic Space NEO-KUT and Shamanic Technologies A thesis submitted for the degree of Doctor of Philosophy by Haein Song Department of Arts and Humanities College of Business, Arts and Social Sciences Brunel University, London May 2018 Abstract The present thesis formulates an approach towards ecstatic space in the context of a combined performance of kut, a Korean shamanic performance ritual, and digital practices. Here, the coined term, ecstatic space, is not confined to the mental state or spiritual sphere of shamans in a trance but indicates an alternative and metaphoric environment mediatised by ecstatic technology – a vehicle for conjuring the mythical worlds of kut via shamanic media including divine objects, dancing and singing rituals. This research also adopts digital technology, a modern approach for accessing imaginary virtual space through digital media, especially technical images – the technologically produced and programmed/computational images. Ecstatic space enables the creation of interstitial and fecund space situated between performer/audience reality and imaginary spheres, representing the technological aesthetics in- between kut and digital performance. This enabling is theoretically and historically grounded in media and performance/ritual frameworks that are explored in the early chapters of the thesis. Ecstatic space contextualises through the careful exposition of Korean scholarship on kut, and shamanic performance rituals read and interpreted alongside international performance/cultural studies and media theories including Vilém Flusser, Marshall McLuhan, Guy Debord, Roy Ascott and others. My methodologies of creating ecstatic space are formulated by investigating the artistic potential of an interpenetrative relationship between these two technologies. The five core SUI (Shamanic User Interface) designs of kut are identified to outline an embodied understanding of the ecstatic technology. -
South Korea's Online Feminism Movement: Megalia
Responding to Misogyny, Reciprocating Hate Speech - South Korea's Online Feminism Movement: Megalia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lee, Wonyun. 2019. Responding to Misogyny, Reciprocating Hate Speech - South Korea's Online Feminism Movement: Megalia. Master's thesis, Harvard Graduate School of Arts and Sciences. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37366046 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Author Responding to Misogyny, Reciprocating Hate Speech South Korea’s Online Feminism Movement: Megalia A Thesis in the Field of Anthropology for the Degree of Master of Arts Harvard University November 2019 Copyright 2019 [Wonyun Lee] Acknowledgements The year in Harvard for me had been an incredibly rewarding experience. Looking back, I cannot believe how much I have learned and grown. This is, for the most part, thanks to my two advisors: Pr. Arthur Kleinman and Pr. Byron Good. I learned so much from them. I have the greatest respect for Arthur Kleinman for his academic rigorousness. His classes were intellectually insightful and resolute with political engagement. His commitment to academic integrity taught me to become a better anthropologist. I express my deepest gratitude to Byron Good, for his classes as well as many hours of our personal conversations. His penetrating wisdom shaped and refined my thesis. -
Tales of Cinema: the Films of Hong Sang-Soo,’ a Complete Retrospective of the South Korean Director
FOR IMMEDIATE RELEASE ‘TALES OF CINEMA: THE FILMS OF HONG SANG-SOO,’ A COMPLETE RETROSPECTIVE OF THE SOUTH KOREAN DIRECTOR Sixteen features including the director’s earliest works The Day a Pig Fell into the Well and The Virgin Stripped Bare by Her Bachelors, through recent films Hill of Freedom and Nobody’s Daughter Haewon and others, many of which never received a U.S. release June 3–19, 2016, at Museum of the Moving Image PRESS SCREENING, TUESDAY, MAY 31, AT 10:30 A.M.: NOBODY’S DAUGHTER HAEWON (90 MINS, DCP) AND HILL OF FREEDOM (66 MINS, DCP) Astoria, Queens, NY, May 27, 2016—Museum of the Moving Image is pleased to present a long overdue complete New York retrospective of Hong Sang-soo, one of contemporary cinema’s most distinctive filmmakers with an oeuvre characterized by an unending fascination with the complexity of romantic longing, a playful subversion of narrative structure, and a layered approach to emotional revelation. The series, Tales of Cinema: The Films of Hong Sang-soo, runs June 3 through 19, 2016, and will include all of Hong’s films, sixteen features and two short works, dating from 1996 through 2014, many of which only screened in the United States at film festivals. The retrospective coincides with the theatrical release of Hong’s latest film, Right Now, Wrong Then, which opens on June 24, from Grasshopper Films. The films of Hong Sang-soo are at once deceptively simple and dense with subtle shades of meaning. Hong is often compared to legendary French filmmakers Éric Rohmer—for his extended dialogue scenes and his acute moral vision—and Alain Resnais—for his abiding fascination with the function (or malfunction) of memory and the structure of storytelling. -
The Best of Korean Cinema Returns to London
THE BEST OF KOREAN CINEMA RETURNS TO LONDON 제 9회 런던한국영화제 / OFFICIAL FESTIVAL BROCHURE / 6-21 NOVEMBER 2014 14�OZE�454 .pdf 1 10/10/14 1:53 PM An introduction by Tony Rayns You wouldn’t know it from the pro- It’s a sad fact that not many of these gramming of this year’s other film fes- films will go into distribution in Britain, tivals in London, but 2014 has been a not because they lack audience ap- terrific year for Korean cinema. Two peal but because the ever-rising cost home-grown blockbusters have domi- of bring films into distribution in this nated the domestic market (one of country makes it hard for distributors to them has been seen by nearly half the take chances on unknown quantities. entire population of South Korea!), Twenty years ago the BBC and Chan- C and there have also been outstanding nel 4 would have stepped in to help, M achievements in the art-film sector, the but foreign-language films get less and indie sector, the student sector – and less exposure on our television. Maybe Y in animation and documentary. And just the decline in the market for non-Hol- CM as you begin to salivate over all those lywood films will mark the start of new films you’re afraid you’ll never get to initiatives in on-demand streaming and MY see, along comes the London Korean downloading, but those innovations are CY Film Festival to save the day. still in their infancy. And so the London CMY I’ve said this before, but it bears Korean Film Festival has an absolutely repeating: London is extremely lucky crucial role in bringing new Korean K to have the largest and most ambitious movies to the people who want to see of all the Korean Film Festivals staged them. -
The Causes of the Korean War, 1950-1953
The Causes of the Korean War, 1950-1953 Ohn Chang-Il Korea Military Academy ABSTRACT The causes of the Korean War (1950-1953) can be examined in two categories, ideological and political. Ideologically, the communist side, including the Soviet Union, China, and North Korea, desired to secure the Korean peninsula and incorporate it in a communist bloc. Politically, the Soviet Union considered the Korean peninsula in the light of Poland in Eastern Europe—as a springboard to attack Russia—and asserted that the Korean government should be “loyal” to the Soviet Union. Because of this policy and strategic posture, the Soviet military government in North Korea (1945-48) rejected any idea of establishing one Korean government under the guidance of the United Nations. The two Korean governments, instead of one, were thus established, one in South Korea under the blessing of the United Nations and the other in the north under the direction of the Soviet Union. Observing this Soviet posture on the Korean peninsula, North Korean leader Kim Il-sung asked for Soviet support to arm North Korean forces and Stalin fully supported Kim and secured newly-born Communist China’s support for the cause. Judging that it needed a buffer zone against the West and Soviet aid for nation building, the Chinese government readily accepted a role to aid North Korea, specifically, in case of full American intervention in the projected war. With full support from the Soviet Union and comradely assistance from China, Kim Il-sung attacked South Korea with forces that were better armed, equipped, and prepared than their counterparts in South Korea.