The Passing of Emperor
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Virtual Museum Scavenger Hunt
Virtual Museum Scavenger Hunt Musee d’Orsay, Paris, France The French Art of the Musee d’Orsay Welcome to the Musee d’Orsay Scavenger Hunt! This museum is located in Paris, France. In its past life, it was a railway station until 1939. During World War II, the French used it as a mailing station. Today, it holds French art from 1848 to 1914. The French wanted to create a museum that had pieces that other museums did not have room for. Quick Fun Facts about the museum! This museum has the largest 35,000 Square Meters of the It is one of the largest art collection of impressionist building is made of glass museums in Europe. masterpieces It took 6 months to place all of It has more metal than the Eiffel It was the first museum in the paintings and art into the Tower France to have a photography museum exhibition Start by going to this link: https://artsandculture.google.com/partner/musee-dorsay-paris?hl=en Part One: 1. You will need to select Canvas. Find the painting titled “Self Portrait”. a. Can you tell me when the piece was painted? b. Can you tell me who painted it? 2. Return to the home page through the link above. Then select Modern Art. Find the painting called “Magpie”. a. What season is portrayed in the painting? b. Who painted it? 3. Return to the homepage through the link above. Then select France. Search for the painting called “The circle of the Rue Royale”. a. Can you count how many people are in the painting? 4. -
Application to Become a Member of International Safe Community Network
Application to Become a Member of International Safe Community Network Wanlian Subdistrict, Shenhe District, Shenyang, Liaoning, China October, 2010 1 1. Overview of Wanlian Subdistrict Located in the central part of Shenhe District of Shenyang City, Wanlian Subdistrict covers an area of 1.004 square kilometers with four communities. By February 2010, there are 16,921 households and 38,398 residents, among which 8,277 old people account for 21.5% of total residents; 3,126 children 8.1%; 514 disabled people 1.3%; 339 poor people 1.9%. (Community Figure of Wanlian Office ) Population Statistics of Wanlian Community from 2007 to 2009 Population 2007 2008 2009 Statistics vs Age Groups 0-14 4221 4247 4590 15-24 4493 4521 4886 25-64 29545 29724 32120 65-79 5430 5464 5904 80- 943 949 1025 1 Total 44632 44905 48525 The community is abundant in science, technology and education resources. There are such large scientific research units as 606 Institute, Middling Shenyang Design Academy, Photosensitive Academy, Vacuum Academy and so on with the military unit- Shen Kong Headquarters. There are all kinds of schools and 18 kindergartens as well as 363 small medium and large sized enterprises and public institutions. The community health station can provide services for the whole community, which develops the six-in-one hygienic service integrating prevention, medical care, recovery, healthy education and family planning at regular intervals. The citizen fitness ground is the largest one in Shenyang, which covers an area of 10,000 square meters in the community. Almost 5,000 exercisers are attracted by 354 fitness facilities every day. -
Urban Megaprojects-Based Approach in Urban Planning: from Isolated Objects to Shaping the City the Case of Dubai
Université de Liège Faculty of Applied Sciences Urban Megaprojects-based Approach in Urban Planning: From Isolated Objects to Shaping the City The Case of Dubai PHD Thesis Dissertation Presented by Oula AOUN Submission Date: March 2016 Thesis Director: Jacques TELLER, Professor, Université de Liège Jury: Mario COOLS, Professor, Université de Liège Bernard DECLEVE, Professor, Université Catholique de Louvain Robert SALIBA, Professor, American University of Beirut Eric VERDEIL, Researcher, Université Paris-Est CNRS Kevin WARD, Professor, University of Manchester ii To Henry iii iv ACKNOWLEDGMENTS My acknowledgments go first to Professor Jacques Teller, for his support and guidance. I was very lucky during these years to have you as a thesis director. Your assistance was very enlightening and is greatly appreciated. Thank you for your daily comments and help, and most of all thank you for your friendship, and your support to my little family. I would like also to thank the members of my thesis committee, Dr Eric Verdeil and Professor Bernard Declève, for guiding me during these last four years. Thank you for taking so much interest in my research work, for your encouragement and valuable comments, and thank you as well for all the travel you undertook for those committee meetings. This research owes a lot to Université de Liège, and the Non-Fria grant that I was very lucky to have. Without this funding, this research work, and my trips to UAE, would not have been possible. My acknowledgments go also to Université de Liège for funding several travels giving me the chance to participate in many international seminars and conferences. -
Annual Report 2010 Report Annual Museum the Palace of the Forbidden City Publishing House City Publishing the Forbidden
Annual Report Annual Annual Report 2010 of The Palace Museum The Forbidden City Publishing House 2010 of The Palace Museum The Palace of The Forbidden City Publishing House City Publishing The Forbidden 定价: 68.00元 Annual Report 2010 of The Palace Museum Annual Report 2010 of The Palace Museum Director: Zheng Xinmiao Executive Deputy Director: Li Ji Deputy Directors: Li Wenru, Ji Tianbin, Wang Yamin, Chen Lihua, Song Jirong, Feng Nai’en ※Address: No. 4 Jingshan qianjie, Beijing ※Postal code: 100009 ※Website: http://www.dpm.org.cn Contents Work in the Year 2010 8 Collection Management and Conservation of Ancient Buildings 12 Exhibitions 24 Academic Research and Publication 42 Education and Public Outreach 54 The Digital Palace Museum 62 Cooperation and Exchange 68 Financial Statements 82 Work in the Year 2010 n 2010, the Palace Museum took advantage of the occasions of celebrat- Iing the 85th anniversary of the founding of the Palace Museum and the 590th anniversary of the construction of the Forbidden City, involved itself in such undertakings as public security and services, preservation of col- lection and ancient buildings, exhibition and display, academic research & publication, information system construction, overseas exchange and coop- eration, and made more contributions to the sustainable development of its cultural heritage. Held activities to celebrate the 85th anniversary of the Palace Mu- seum and the 590th anniversary of the construction of the Forbidden City; Received 12.83 million visitors and took measures to ensure their -
Manchu Grammar (Gorelova).Pdf
HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 1 MANCHU GRAMMAR HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 2 HANDBOOK OF ORIENTAL STUDIES HANDBUCH DER ORIENTALISTIK SECTION EIGHT CENTRAL ASIA edited by LILIYA M. GORELOVA VOLUME SEVEN MANCHU GRAMMAR HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 3 MANCHU GRAMMAR EDITED BY LILIYA M. GORELOVA BRILL LEIDEN • BOSTON • KÖLN 2002 HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 4 This book is printed on acid-free paper Die Deutsche Bibliothek – CIP-Einheitsaufnahme Gorelova, Liliya M.: Manchu Grammar / ed. by Liliya M. Gorelova. – Leiden ; Boston ; Köln : Brill, 2002 (Handbook of oriental studies : Sect.. 8, Central Asia ; 7) ISBN 90–04–12307–5 Library of Congress Cataloging-in-Publication Data Gorelova, Liliya M. Manchu grammar / Liliya M. Gorelova p. cm. — (Handbook of Oriental Studies. Section eight. Central Asia ; vol.7) Includes bibliographical references and index. ISBN 9004123075 (alk. paper) 1. Manchu language—Grammar. I. Gorelova, Liliya M. II. Handbuch der Orientalis tik. Achte Abteilung, Handbook of Uralic studies ; vol.7 PL473 .M36 2002 494’.1—dc21 2001022205 ISSN 0169-8524 ISBN 90 04 12307 5 © Copyright 2002 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by E.J. Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. -
The Bourse De Commerce — Pinault Collection, a Museum Accessible to Everyone
The Bourse de Commerce — Pinault Collection, a museum accessible to everyone In the heart of Paris, the Bourse de Commerce — Pinault Collection presents part of the contemporary art collection amassed by François Pinault over the past forty years. In the historic building of the former Bourse de Commerce (com- modities exchange), restored and transformed by Japanese architect Tadao Ando, a dialogue emerges between heritage and contemporary creation. Through the prism of a collector’s gaze on the art of today and in an effort to increase public awareness and understanding, the Bourse de Commerce — Pinault Collection offers regular exhibitions and hangings of contemporary art, with artist com- missions, cartes blanches and a rich programme of cultural events: lectures, screenings, concerts and performances. Open to everyone, the Bourse de Commerce — Pinault Collection strives to offer an accessible and inclusive pro- gramme of events in line with its exhibitions. Finally, the Bourse de Commerce – Pinault Collection is equip- ped with all the necessary facilities to ensure that everyone’s visit is a pleasant and stress-free experience. Certain areas of this listed building with historic monument status are subject to preservation constraints and therefore, do not feature standard accessibility norms. This booklet explains the visiting conditions and resources put at your disposal in order to facilitate your access and visit to the museum. A museum accessible to everyone / Bourse de Commerce — Pinault Collection 1 Summary Practical information -
Libeskind's Jewish Museum Berlin
Encountering empty architecture: Libeskind’s Jewish Museum Berlin Henrik Reeh Preamble In Art Is Not What You Think It Is, Claire Farago and Donald Preziosi observe how the architecture of contemporary museums inspires active relationships between exhibitions and visitors.1 Referring to the 2006 Denver Art Museum by Daniel Libeskind, they show the potentials germinating in a particular building. When artists and curators are invited to dialog with the spaces of this museum, situations of art-in-architecture may occur which go beyond the ordinary confrontation of exhibitions and spectatorship, works and visitors. Libeskind’s museum is no neutral frame in the modernist tradition of the white cube, but a heterogeneous spatiality. These considerations by Farago and Preziosi recall the encounter with earlier museums by Libeskind. Decisive experiences particularly date back to the year 1999 when his Jewish Museum Berlin was complete as a building, long before being inaugurated as an exhibition hall in 2001. Open to the public for guided tours in the meantime, the empty museum was visited by several hundred thousand people who turned a peripheral frame of future exhibitions into the center of their sensory and mental attention. Yet, the Libeskind building was less an object of contemplation than the occasion for an intense exploration of and in space. Confirming modernity’s close connection between exhibition and architecture, Libeskind’s Jewish Museum Berlin unfolds as a strangely dynamic and fragmented process, the moments of which call for elaboration and reflection. I. Architecture/exhibition Throughout modernity, exhibitions and architecture develop in a remarkably close relationship to one another. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
British Museum Map December 2020
Ground foor Toilets Accessible toilet Level 2 95 67 Baby changing North Level 2 stairs Shop Level 1 33a 33 33 Café North Level 1 stairs Exit Montague Place Admissions Desk Level -1 33b M Membership Desk North Level stairs -1 & 0 Level 0 Ticket Desk 30 Down 24 to Room 26 27 Stairs West 25 (37 stairs steps) Up from East Room 25 Level 0 (37 steps) stairs Lift 20 Accessible entry to Upper floor 21 and Members’ Court Room Level access lift 18 19 Great Court Café 9 4 Level 0 Shop Level 0 1 Decision point Accessible Accessible entry to exit from Permanent collection one-way direction 22 Rooms Rooms 25, Upstairs for Egypt: 25 & 35 35 and Upper floor mummies and 18b Middle East (one-way) Special exhibition ticket holders 18 17 23 8 Collections Book 1 Turn right for Africa and 4 Shop Shop Americas (one-way) 18a M 10 7 4 1 18 15 Great Court A 14 South Grenville 13 6 stairs Room 2 12 6 3 2a Pizzeria 55 Level 0 Forecourt Entrance only Café Great Russell Street Americas Ancient Greece Middle East Themes North America and Rome Assyrian sculpture and Enlightenment Room 26 Early Greece Balawat Gates Room 1 Room 6 Mexico Room 6 Collecting the world Room 27 Greece: Minoans and Assyria: Nimrud Room 2 Room 8 Mycenaeans Living and Dying The Arthur I Fleischman Gallery Ancient Egypt The Wellcome Trust Gallery Room 12 Room 24 Egyptian sculpture Exhibitions Room 4 Greece 1050–520 BC Special exhibitions Room 13 The Sainsbury Exhibitions Gallery Greek vases Room 30 Members Members’ Room Room 14 This room is exclusively available Athens and Lycia to Members, providing the perfect Room 15 setting in which to relax in front of spectacular views of the Great Nereid Monument Court. -
Marketing Strategy Analysis of the Palace Museum
Journal of Finance Research | Volume 03 | Issue 02 | October 2019 Journal of Finance Research https://ojs.s-p.sg/index.php/jfr ARTICLE Marketing Strategy Analysis of the Palace Museum Qi Wang1* Huan Liu1 Kaiyi Liu2 1. School of management, Shandong University of Technology, Zibo, Shandong, 255000, China 2. Shandong University of Science and Technology, Qingdao, Shandong, 266000, China ARTICLE INFO ABSTRACT Article history The development of cultural innovation is benecial for museums to give Received: 8 August 2019 full play to their cultural advantages and improve their economic benets, accordingly forming a virtuous circle. This paper analyzes the cultural Revised: 13 August 2019 and creative brand marketing environment and strategy of the Palace Mu- Accepted: 24 October 2019 seum, hoping to provide some references for other museums through the Published Online: 31 October 2019 analysis and summary of cultural and creative brand marketing strategy of the Palace Museum. Keywords: The Palace Museum Cultural and creative industries SWOT analysis Non-prot organizations 1. Overview of the Palace Museum vantages, seize the opportunity of cultural and creative de- velopment, actively explore ways of cultural and creative ith the continuous development of the econo- innovation, and enhance the resonance between people my, people’s consumption types have changed and museums, so as to meet the growing spiritual and cul- Wgreatly. As the material life has been basically tural needs of the people and better inherit the excellent satised, the proportion of material consumption has been traditional culture. The cultural innovation of museums increasing; people pay more and more attention to spiri- faces great opportunities for development. -
Research Report for Museum Professional Development Skills Project Name and Higher Education Needs in China
RESEARCH REPORT FOR MUSEUM PROFESSIONAL DEVELOPMENT SKILLS AND HIGHER EDUCATION NEEDS IN CHINA AUGUST, 2016 Research Report For Museum Professional Development Skills Project Name and Higher Education Needs in China Project Delivery Period August Commissioned by The British Council China Museology Department of the Minzu University of China, Researcher Research Centre for Multi-Culture 1 1 | P a g e CONTENTS 1. Research Methodologies, Relevant concepts , terminologies and explanations .......................................................................................................... 3 2. An Overview of the Development of Museums in China: Facts and Analysis ................................................................................................................. 6 3. Relevant policies, the environment and institutional setting ................. 10 A) The overall trend ........................................................................................... 10 B) Analysis on the industry’s top priorities, strategy and investment trends .............................................................................................................................. 11 C) Current issues and deficiencies in museum construction and development ....................................................................................................... 16 D) The analysis of the museum’s development strategies and trend ....... 17 4.Analysis on the Demand for Higher Education in Museology and Related Disciplines ........................................................................................... -
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen).