Madison Community Foundation 2020 Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Madison Community Foundation 2020 Annual Report Annual Report 2020 On the Cover The Downtown Street Art and Mural Project As the nation struggled to contain the coronavirus pandemic, it was further rocked by the death of George Floyd on May 25 while in the custody of the Minneapolis police. Floyd’s death set off protests across the nation, and around the world. In Madison, peaceful daytime protests were followed by looting in the evenings, which forced many businesses to shutter their storefronts with plywood. The Madison Arts Commission, funded in part by a Community Impact grant from Madison Community Foundation (MCF), responded to the bleak sight of State Street by creating the Downtown Street Art and Mural Project, which engaged dozens of local artists to use these spaces as an opportunity for expression and civic engagement. More than 100 murals, including the one on our cover, were painted in and around State Street, creating a vibrant visual dialogue addressing racism, memorializing lost lives and inspiring love. Artists participated in panel discussions and were highlighted in local and national media. “Let’s Talk About It: The Art, The Artists and the Racial Justice Movement on Madison’s State Street,” a book focused on the project, was produced by (and is available through) the American Family Insurance Institute for Corporate and Social Impact. In addition, several of the murals will become part of the permanent collection of the Wisconsin Historical Museum. MCF’s long-standing vision — that greater Madison will be a vibrant and generous place where all people thrive — is impossible to achieve without ending racism. We remain committed to this journey. Cover photo: Beth Skogen Photography. 1 | MadisonGives.org Photos on this page, from top: Beth Skogen Photography; ArrowStar Photography. Dear Friends, We hope you and your family are healthy and safe. 2020 was certainly a challenging year. Efforts to end the pandemic, confront racial inequity, adopt new ways of working, and navigate social isolation were at the forefront of all our minds. So was generosity. At a time when so many people felt vulnerable, their response was to help those who were more vulnerable. While the loss of program revenue was extraordinarily challenging for the hundreds of nonprofits that MCF works with every year, gift revenue in 2020 was strong for many. MCF had the same experience, and in fact saw another record year of contributions. It was also a year where MCF did some of its most creative and successful grantmaking — finding ways to leverage grant dollars for the greatest impact in our community. In one case, working with Scholz Nonprofit Law, we helped at least 170 nonprofits access more than $27 million in forgivable loans through the With our gratitude and best wishes, Paycheck Protection Program. In another case we worked with other funders and eight nonprofits to reach historically underrepresented Bob Sorge Enid Glenn populations to increase participation in the Census. Every person counted ensures an additional (approximate) President & CEO Board Chair $20,000 in federal funding for our community over the following decade. Over 1,000 people filled out the Fundholder Legacy Society Member forms through these efforts, representing a minimum of $21 million in funding (likely much higher as many Legacy Society Member of those forms covered more than one person). Between MCF grants, fundholder distributions and supporting organizations, the community’s foundation distributed more than $29 million last year. Without you, our donors and fundholders, none of this would be possible. And together with you, we met the challenge of 2020 with generosity, creativity and strength. We are grateful for your support. As you read this annual report we hope you are proud of what we accomplished, together. $96,600 $500,000 $5 GIVEN TO THE LARGEST GIFT TO AN SMALLEST GIFT TO AN COVID-19 FUND MCF-DIRECTED FUND MCF-DIRECTED FUND 2020 Annual Report | 2 Meet the Staff MCF 2020 The MCF staff is committed to At a Glance supporting you: our community, our donors and our fundholders. Andrew Davey Angela Davis Community Program Development Director Analyst INDIVIDUAL 518 FUNDHOLDERS 491 NONPROFIT AND GRANTS TO SCHOLARSHIP 2Ý0±a NONPROFITS ENDOWMENTS Becki Fiegel Carmen Jeschke Tina Klehr Darcy Kobinsky Communications Vice President, Database Specialist Stewardship Director $2b Million GRANTS DISTRIBUTED Director Finance & Operations 265 $355 Million LEGACY SOCIETY TOTAL ASSETS OF MCF AND MEMBERS SUPPORTING ORGANIZATIONS David Koehler Tom Linfield Brenda Redepenning Harmony Kronick Vice President, Vice President, Administrative Coordinator Operations Director Donor Engagement Community Impact & Receptionist INCREASE IN THE NUMBER OF 24% DONORS TO MCFDIRECTED FUNDS $72 Million GIFTS RECEIVED Liz Teubert Bob Sorge Connie Tibbetts Executive Assistant & President & CEO Accountant Scholarship Coordinator 3 | MadisonGives.org Meet the Board Mission To enhance the common good of Governors through philanthropy. The Board of Governors ensures that Vision MCF operates by its values, accomplishes Enid Glenn Roberta Gassman Chair; Retired – Deputy Vice Chair; Senior Fellow, Greater Madison will be a vibrant and its mission and succeeds in its vision. Administrator, WI Dept. of UW Madison School of Workforce Development Social Work generous place where all people thrive. Values INTEGRITY We create trust by acting with transparency. Jeff Bartell Christine Rew Barden Shiva Bidar Jim Cavanaugh GENEROSITY Retired – Founding and Shareholder, Reinhart Trusts Chief Diversity Officer, Retired – President, Managing Partner, Quarles We inspire giving to improve our world. and Estates Practice UW Hospital & Clinics SC Federation of Labor and Brady EFFECTIVENESS We identify opportunities, align actions and produce results. PERMANENCE We build endowments to create Anne Lucke Gary Mecklenburg a legacy for the future. Jack E. Daniels III Al Friedman Chief Development Officer, Retired – President & CEO, President, Madison College Consultant, ACF Global Wisconsin Foundation and Northwestern Memorial Alumni Association HealthCare and Hospital EQUITY We advance fairness, inclusion and respect. Ron Mensink E.G. Schramka Blaine Renfert Dave Stark Retired – Managing CPA, Lawyer and Principal, General Council, Sub-Zero President, Stark Company Director, State of Wisconsin SVA Certified Public Group, Inc. Realtors Investment Board Accountants 2020 Annual Report | 4 Helping Pave the Way for Others to Succeed After Verona Morgan’s husband Julius passed away, she and her four daughters knew exactly what they wanted to do to honor his memory: create a scholarship in his name. “I made that decision right away,” Verona shared about establishing the Julius Morgan and Verona L. Morgan Scholarship. “Julius believed that education is the foundation for everything in life, especially for young men and women of color.” As the first African American programmer analyst in the David Koehler Wisconsin Department of Industry, Labor and Human Vice President, Relations, Julius often found that, despite the extensive Donor Engagement computer training he received during his 12 years in the Air Legacy Society Member Force, people often were unwilling to accept his expertise. At the same time, Verona was advancing in her career at Wisconsin Telephone Company. “I discovered abilities I “Generous donors — small had no idea I had,” Verona explained. “Being an African and large — provided American woman and supervising men was tough, but I She saw that working with the two organizations together hope and resilience for our really wanted to excel. So when I heard Edgewood College would provide everything she needed for the scholarship fund. community this year. We was setting up a weekend degree program, I looked into it “I chose to work through Madison Community Foundation were humbled to welcome and signed up.” And Julius went with her. to set up the fund, but to have Women in Focus choose the 43 new funds, 12 additional recipient each year and award the scholarship.” “Julius had an opportunity to continue his education and Legacy Society members see the benefits that came from that,” Verona explained. The Julius Morgan and Verona L. Morgan Scholarship fund and a record number of “The girls and I wanted to honor him, so we set up the has already been able to award its first scholarship, to an donors supporting MCF’s scholarship for a young African American man involved in East High School graduate. Priority, COVID-19 and computer science, because that’s the field Julius worked in. Community Impact funds. “I read his resume, and right away I knew,” Verona recalled. Julius knew what young Black men have to go through to “He had started taking computer classes in high school, and become successful. We want to help others along so that already had worked as an intern. I said, ‘I’m glad this young maybe they will have to struggle less.” “ man received our scholarship.’” It was through her work at Women in Focus, Inc., an organization that works to encourage and support students of color to succeed in education, that Verona was introduced to Madison Community Foundation. 5 | MadisonGives.org Helping Women Make Change When Mary Strickland and Meg Prestigiacomo started their careers in wealth management, women in the financial services world were few, and women investors were even fewer. But over the past 20 years, they have both seen big changes. “Women are relatively new to accumulating wealth and having their own money to invest or donate. It used to be that their husbands dictated everything,” Mary explained. But as more women moved into well-paying careers, or were taking control of their own finances after the death of their husband or divorce, that Mary Strickland Meg Prestigiacomo started to change. “So we started having these seminars for women to learn about investing.” Both Meg and Mary focus on helping their clients create a financial plan that “Over the years, we’ve discovered that women are really good at looking at the is consistent with their values and goals. “Our clients want to give back to bigger picture,” Meg added, “and investing for the long term.
Recommended publications
  • Outdoor Sculpture Walk
    Outdoor Sculpture Walk Walla Walla, Washington 5 To begin your outdoor sculpture Back toward Ankeny Field and Maxey Hall, you tour, park in the Hall of Science will see a dark brown metal sculpture. parking lot and proceed east past the Rempel Greenhouse to Ankeny 5. Lava Ridge, 1978, Lee Kelly. A noted artist Field for the tour’s first piece. from Oregon City, Ore., Kelly draws inspiration from ancient and contemporary sources. This steel 1. Styx, 2002, Deborah sculpture was acquired in 2002 with funds from the Garvin Family Art Fund. Butterfield. An artist from Bozeman, Mont., Butterfield acquired the original driftwood for the horse from the Columbia and Snake rivers. The bronze was cast at the Walla Walla 1 Foundry, owned and operated by Whitman 6 Follow the sidewalk on the east end of alumnus Mark Anderson ’78. Maxey Hall, and you will see two totem poles. Head straight up the left side of Ankeny Field to the northeast corner and Jewett Hall’s terrace. There you will see two 6. The Benedict Totem was donated by students in deep concentration. Lloyd Benedict ’41. 2. Students Playing 4D Tic Tac Toe, 1994, Richard Beyer. Throughout the Northwest, Beyer is known for his realistic public art. This 7 7. Totem Pole, 2000, Jewell Praying Wolf piece, cast in aluminum, was commissioned by James. A master carver of the Lummi Nation of the Class of 1954 and represents both the Native Americans of northwestern Washington, 2 intellectual and playful aspects of college life. James carved the 24-foot totem from western red cedar in a combination of Coast Salish and Alaska 3 Native styles.
    [Show full text]
  • 35800 PKZ KA-8 BNF PNP Manual .Indb
    Ka-8 Instruction Manual / Bedienungsanleitung Manuel d’utilisation / Manuale di Istruzioni EN NOTICE All instructions, warranties and other collateral documents are subject to change at the sole discretion of Horizon Hobby, Inc. For up-to-date product literature, visit www.horizonhobby.com and click on the support tab for this product. Meaning of Special Language: The following terms are used throughout the product literature to indicate various levels of potential harm when operating this product: NOTICE: Procedures, which if not properly followed, create a possibility of physical property damage AND little or no possibility of injury. CAUTION: Procedures, which if not properly followed, create the probability of physical property damage AND a possibility of serious injury. WARNING: Procedures, which if not properly followed, create the probability of property damage, collateral damage, and serious injury OR create a high probability of superfi cial injury. WARNING: Read the ENTIRE instruction manual to become familiar with the features of the product before operating. Failure to operate the product correctly can result in damage to the product, personal property and cause serious injury. This is a sophisticated hobby product. It must be operated with caution and common sense and requires some basic mechanical ability. Failure to oper- ate this Product in a safe and responsible manner could result in injury or damage to the product or other property. This product is not intended for use by children without direct adult supervision. Do not use with incompatible components or alter this product in any way outside of the instructions provided by Horizon Hobby, Inc. This manual contains instructions for safety, operation and maintenance.
    [Show full text]
  • A Structural Analysis of Constantin Brancusi's
    A STRUCTURAL ANALYSIS OF CONSTANTIN BRANCUSI'S STONE SCULPTURE by LESLIE ALLAN DAWN B.A., M.A., University of Victoria A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Art History We accept this thesis as conforming to the required standard © LESLIE ALLAN DAWN UNIVERSITY OF BRITISH COLUMBIA October 1982 All rights reserved. This thesis may not be reproduced in whole or in part3 by mimeograph or other means3 without the permission of the author. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Ws>TQg.»? CF E)g.T The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date (3/81) i i ABSTRACT It has long been recognized by Sidney Geist and others that Constantin Brancusi's stone work, after 1907, forms a coherent totality in which each component depends on its relationship to the whole for its significance; in short, the oeuvre comprises a rigorous sculptural language. Up to the present, however, formalist approaches have proven insufficient for decodifying the clear design which can be intuited in the language.
    [Show full text]
  • ART MUSCLE Front of the Audience
    A BI-MONTHLY PUBLICATION OF THE • ARTS Volume 2, Issue 6 July 15/Sept 15, 1988 IBlffff Editor-in-Chief Debra Brehmer Associate Editor Calendar Editor Business Manager Therese Gantz Associate Editor-Music Bobby DuPah From the Editor Associate Editor Nathan Guequierre Dance-the dance form that has no deep cultur­ Photo Editor I recently had the odd experience of attending a master class at the Ko-Thi Dance Company's al roots; while both ballet and African dance Francis Ford studio on 22nd and Wisconsin, and then the have an acknowledged commitment to pre­ next night, attending the PM Ballet's Dance serving a cultural history, modern dance claims Art Direction Factory presentation of four world premieres. to have broken with those ties, moving within No two performances could have been further and responding to the present. Modern Dance, Barb Paulini apart in feel and technique. The Ko-Thi class, still in an early stage of its own evolution, may led by a woman from an African dance com­ be the most confusing of all dance forms and its Ad Manager pany in Chicago, was two hours of heart-racing precepts are perhaps the least well-verbalized Sam Woodburn movement, set to the deafening beat of seven or written about beyond the immediate theo­ drummers in a small, second floor, sweltering retical level. In the following pages, four chor­ (over 100°) studio. The African dance move­ eographers talk about the creative process of Design Assistance ments are so connected to the drumming that it dance. Modern dance in Milwaukee seems to be Don Sefton, Carl Knelson all flows into one mental/physical sensation, emerging from a slump and it may be one of the blending skillful technique with personal ex­ most exciting art forms to start watching.
    [Show full text]
  • East Side Commercial Historic District 2
    NPS Form 10-900 (3-8Z) OMB Wo. 1024-0018 Expires 10-31-87 United States Department of the Interior National Park Service For NPS uso only National Register off Historic Places received flJQ | 5 1986 Inventory—Nomination Form date entered See instructions in How to Complete National Register Forms SEP 2 3 1986 Type ali entries—complete applicable sections_______________ 1. Name historic N/A and or common EAST SIDE COMMERCIAL HISTORIC DISTRICT 2. Location street & number See Inventory not for publication city, town Milwaukee vicinity of state Wisconsin code 55 county Milwaukee code 079 3. Classification Category Ownership Status Present Use X district public " occupied agriculture museum building(s) X private unoccupied X commercial park structure both work in progress educational _ X_ private residence site Public Acquisition Accessible entertainment __ religious object in process X yes: restricted government scientific being considered _JL yes: unrestricted industrial transportation X N.A. no military other: 4. Owner off Property name N/A street & number N/A city, town N/A vicinity of state 5. Location off Legal Description courthouse, registry of deeds, etc. Milwaukee County c/o Edward Kornblum street & number 901 North 9th Street city, town Milwaukee state WI 53233 6. Representation in Existing Surveys title Comprehensive Milwaukee Survey has this property been determined eligible? yes _X. no date 1979/1985 federal state __ county .X_ local depository for survey records Department of City Development, 809 North Broadway city, town Milwaukee state WI 53202 7. Description Condition Check one Check one X excellent deteriorated __ unaltered * original site X good • ruins X altered mov^d date _JLfair * unexposed Describe the present and original (if known) physical appearance Physical Description The East Side Commercial Historic District covers part of seven blocks of Milwaukee's central business district east of the Milwaukee River.
    [Show full text]
  • The Contemporary Art of Travel
    ©2008 Mary M. Tinti ALL RIGHTS RESERVED THE CONTEMPORARY ART OF TRAVEL: SITING PUBLIC SCULPTURE WITHIN THE CULTURE OF FLIGHT by MARY M. TINTI A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Art History written under the direction of Dr. Joan Marter and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey May, 2008 ABSTRACT OF THE DISSERTATION The Contemporary Art of Travel: Siting Public Sculpture within the Culture of Flight By MARY M. TINTI Dissertation Director: Dr. Joan Marter The Contemporary Art of Travel: Siting Public Sculpture within the Culture of Flight, situates the notable yet little known airport installations of Vito Acconci, Diller + Scofidio, Alice Aycock, and Keith Sonnier in their appropriate artistic, theoretical and social contexts. Provocative and cutting edge, these recent commissions are exemplary for the ways in which they explore the collisions and cross influences of fine art, architecture, technology, flight and travel with particular sensitivity to the qualities that make the airport a singular contemporary space. More than mere decoration or distraction, these site-responsive artworks are visual representations of exactly how this unique place (or non-place) and this unique culture might coincide in sculptural form. Teeming with turbulent paradoxes, airports are uncanny, impersonal, in-between spaces; spaces in which travelers are forced to relinquish control of their autonomy, privacy, safety, sense of time, connections to the ground and links to the world outside. Unafraid of such air travel truths, the artists profiled in this dissertation use them as a ii source of inspiration.
    [Show full text]
  • Labor's Legacy: a Landmark for Detroit
    LABOR’S LEGACY A landmark for Detroit THE MICHIGAN LABOR LEGACY PROJECT, INC. Gerald Bantom, President Donald Boggs, Secretary-Treasurer Ken Terry, Trustee David Elsila and David Ivers, Coordinators David Hecker, Fund Raising Committee Chair CREATORS OF “TRANSCENDING”: DAVID BARR AND SERGIO DE GIUSTI WITH SPECIAL THANKS FOR THEIR WORK ON THE LABOR LEGACY PROJECT TO Mike Kerwin, UAW Local 174 Lisa Canada, Metro Detroit AFL-CIO Richard Berlin Steven P. Bieda Sheryl Singal Al Carnes James V. Settles Jr. Alberta Asmar Mary Ellen Riordan Patrick Devlin Marilyn Wheaton, director, Detroit Dept. of Cultural Affairs The Michigan Council for the Arts and Cultural Affairs City of Detroit Mayor’s Office; City Council; Planning, Recreation, and Civic Center Depts. And to our jury, which chose the winning design from 55 entries: Dr. Graham Beal, director, Detroit Institute of Arts; Camille Billops, co-director, Hatch-Billops Collection, New York; Bill Black, director, legislative and community affairs, Teamsters; Dr. Melba Boyd, director, Dept. of Africana Studies, Wayne State University; Paul Krell, director, UAW Public Relations Dept. ARCHITECTURAL CONSULTANT AND PROJECT COORDINATOR Merz & Associates, LLC Charles Merz, AIA Tony Maceratini Ron Alpern SITE CONTRACTORS Turner Construction: Steve Berlage, vice-president and general manager; Ron Dawson, project executive; special thanks to Charlie Hornacek and Sean Hollister Aristeo Construction: James E. Like, vice-president, William Litz, project director Barton Malow: Douglas L. Maibach, vice-president
    [Show full text]
  • Giles and Phineas Fletcher
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com May This Book is the Gift of Harold R. Walley Professor of English H i from 1925 to 1966 CAMBRIDGE ENGLISH CLASSICS The Poetical Works of Giles Fletcher and Phineas Fletcher In Two Volumes GILES FLETCHER (The Younger) Born, circa I 58 5 Died, 162 3 PHINEAS FLETCHER Born, 1582 Died, 1650 A!)'7; 1 fa'a'né <7 ’ :‘h’A'I’I/élkflr .7 r, ZZZ-21%" > f[rm/2'! k ‘ u’flr j, n/ :yfl‘wpl/Fr 7'14”?! ~ ‘ , V _ ' v “'1' f'Iiae-L 1U; 5 inf/11', [p 1.7/ I / ~ ‘10:: _ . if 1,; 6. A w ff ‘. ~ 4, H WV w; , _ . 7 1:1” 12 wffi’rj" “2"” I???" Q“! ~ 3 .7 CELIA '-' ; m yj ‘ t .'? _', {23,5,“ ‘ Tia/by”, [6t ‘14”,1/1117' #7., ,‘Hl‘bfi fl - ‘ f 7 6, DA ( 1‘ i1,347.,4551 - 0" _!;'fl~7(ff - i \ ~, - "L , “;- if, k I ‘7 t r igl'E/I‘liui'ft’ ' ' . Jhnzaflélfr g § 51/ y!/A'!:‘FLZ;(;r/.'ff v ‘ ,- ‘r I i .7 ~ {at {a an“? I _ ~ iv I a ""‘ w,» “I w: '5 k "~ i "" .i a. ,. .fluhé'w /71(f”{ fit/RI! g‘arfbaf '-r . H _ la 4' U I jQJfigvh 'f/zvflj' a”? 4‘?” fl”! 50/.” . s 27?" 4’; LIA’P'Q" Ezléll/fcr \ Sill“,- vK 642;.»mi'fi} 1.4.1}!- L'JM [10:61 ‘* Z im"QM), “63%”aiéjli-QFAMJIATLW 191'“ mu 51-95”: 4’41”! fwd/fir:qu £51“ 7 37/ _ i “Mg m .¢ Jilu4ki3~‘r £1,1~'/',/;>i"/g,yggyrb( [/7 7%”../ , ‘ éj'f/LJJj/{fgu all: Z Q, 4 .‘ f I I I I r v.
    [Show full text]
  • Alison Lapper Pregnant and the Public Display of Disability By
    Sculpting Body Ideals: Alison Lapper Pregnant and the Public Display of Disability By: Ann Millett “Sculpting Body Ideals: Alison Lapper Pregnant and the Public Display of Disability,” in Disability Studies Quarterly 28, n.3 (Summer 2008). Made available courtesy of University of Hawaii at Manoa, Center on Disability Studies: http://www.cds.hawaii.edu/ ***Reprinted with permission. No further reproduction is authorized without written permission from the University of Hawaii at Manoa, Center on Disability Studies. This version of the document is not the version of record. Figures and/or pictures may be missing from this format of the document.*** Abstract: British artist Marc Quinn's Alison Lapper Pregnant (2005) is a monumental marble statue in London's Trafalgar Square that displays a nude, full body portrait of British resident and artist, Alison Lapper. The work features Lapper, who was born without arms and with shortened legs, in all her glory — unclothed and seven months pregnant. The work has been highly criticized for capitalizing on the shock value of disability, as well as lauded for its progressive social values. Alison Lapper Pregnant and the controversy surrounding it showcase disability issues at the forefront of current debates in contemporary art. The work and Quinn's many previous marble sculptures of amputee models, in the series The Complete Marbles (2002), adopt the highly idealizing traditions and conventions of Neoclassicism, the art form characteristically employed for public statues, which idealize political figures and the often patriarchal and nationalistic social values such statues personify. In Quinn's piece and in Lapper's own self-portraits, Lapper's body on display makes a bold statement about representations of disability in the public realm.
    [Show full text]
  • UT122 Way with Words IV Bklt.Qxp
    AWAY WITH WORDS IV: UNDERSTANDING POETRY COURSE GUIDE Professor Michael D.C. Drout WHEATON COLLEGE A Way with Words IV: Understanding Poetry Professor Michael D.C. Drout Wheaton College Recorded Books™ is a trademark of Recorded Books, LLC. All rights reserved. A Way with Words IV: Understanding Poetry Professor Michael D.C. Drout Executive Producer John J. Alexander Executive Editor Donna F. Carnahan RECORDING Producer - David Markowitz Director - Matthew Cavnar COURSE GUIDE Editor - James Gallagher Design - Ed White Lecture content ©2008 by Michael D.C. Drout Course guide ©2008 by Recorded Books, LLC 72007 by Recorded Books, LLC Cover image: © Digital Stock #UT122 ISBN: 978-1-4361-2921-3 All beliefs and opinions expressed in this audio/video program and accompanying course guide are those of the author and not of Recorded Books, LLC, or its employees. Course Syllabus A Way with Words IV: Understanding Poetry About Your Professor...................................................................................................4 Introduction...................................................................................................................5 Lecture 1 What Is Poetry? .....................................................................................6 Lecture 2 Oral Tradition .......................................................................................11 Lecture 3 The Roots of the Tree: Anglo-Saxon Poetry .......................................16 Lecture 4 Of Meters and Rhyming Craftily: Middle English and the
    [Show full text]
  • Union Postale
    UNION POSTALE December 2009 Moving the postal sector forward since 1875 Universal Postal Union, a UN specialized agency 4 Postal regulator Goldway on USPS woes Making financial inclusion work Money orders Posts go get competitive green Domestic International Letters Parcels Third-part logistics Cargo/Freight Courier and Express We use RFID to elevate your business to real-time The 55 postal operators that move 80% of the world’s mail trust us to elevate their logistics Contact us for a free on-site test Tel: +45 29 632 932 E-mail: [email protected] www.lyngsoesystems.com Contents Cover story Perspective Turning a shade of green 8 Opening up 22 Posts commit to the environment financial services to migrants Part I of an academic’s view Features Postal sector urges leaders 13 The Interview to seal the deal Weathering the perfect storm 24 Supporting global environment campaign Ruth Goldway, chairman of the United States’ Postal Regulatory Commission, UNION Money orders regain 14 on the national Post’s woes POSTALE décembre 2009 L’actualité qui fait bouger le secteur postal depuis 1875 their competitive edge People Union postale universelle, New initiative sparks interest institution spécialisée des Nations Unies 4 in Latin America Part and parcel of the community 28 Letter carrier Geneva Kubal Postal leaders 18 on why the public trusts her kind share business secrets Ruth Goldway sur les vicissitudes de USPS Round-up of Post-Expo 2009’s Departments L'inclusion financière a l’œuvre World Postal Business Forum In Brief 4 Prendre Le mandat de poste retrouve sa le virage compétitivité écologique UPU debuts as platform 20 Editor's note 5 for financial inclusion talks More and more Posts are turning to alternative International stakeholders Who's who at the UPU 6 vehicles to deliver the gather to discuss Posts’ role mail.
    [Show full text]
  • Sophie Taeuber-Arp Carolyn Lanchner
    Sophie Taeuber-Arp Carolyn Lanchner Author Lanchner, Carolyn Date 1981 Publisher The Museum of Modern Art ISBN 0870705989 Exhibition URL www.moma.org/calendar/exhibitions/2261 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art SOPHIE TAEU THE MUSEUM OF MODERN ART, NEW YORK LIB A.iY Museumof Mod»snArt SOPHIE TAEUBER-ARP Sophie Taeuber-Arp, Munich, c. 1913 SOPHIE TAEUBER-ARP CAROLYN LANCHNER THE MUSEUM OF MODERN ART, NEW YORK fc '/ u P)oty/\ 13/? The exhibition Sophie Taeuber-Arp and this accom panying publication have been made possible by a generous contribution from Pro Helvetia, Arts Coun cil of Switzerland. Schedule of the exhibition: The Museum of Modern Art, New York September 16-November 29, 1981 Museum of Contemporary Art, Chicago January 9-March 7, 1982 Museum of Fine Arts, Houston April 1-May 16, 1982 Musee d'Art Contemporain, Montreal June 10-July 25, 1982 Copyright © 1981 by The Museum of Modern Art All rights reserved Library of Congress Catalog Card Number 81-82812 ISBN 0-87070-598-9 Designed by Antony Drobinski Type set by Maris Engel Printed by Eastern Press, Inc., New Haven, Ct. Bound by Sendor Bindery, Inc., New York, N.Y The Museum of Modern Art 11 West 53 Street PHOTO CREDITS New York, N.Y 10019 Photographs of the works of art have been supplied, Printed in the United States of America in the majority of cases, by the owners or custodians of the works, as cited in the captions.
    [Show full text]