Global Jazz in Harlem
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Mount Morris Park Historic District Extension Designation Report
Mount Morris Park Historic District Extension Designation Report September 2015 Cover Photograph: 133 to 143 West 122nd Street Christopher D. Brazee, September 2015 Mount Morris Park Historic District Extension Designation Report Essay Researched and Written by Theresa C. Noonan and Tara Harrison Building Profiles Prepared by Tara Harrison, Theresa C. Noonan, and Donald G. Presa Architects’ Appendix Researched and Written by Donald G. Presa Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Daniel Heinz Watts Commissioners Meenakshi Srinivasan, Chair Frederick Bland John Gustafsson Diana Chapin Adi Shamir-Baron Wellington Chen Kim Vauss Michael Devonshire Roberta Washington Michael Goldblum Sarah Carroll, Executive Director Mark Silberman, Counsel Jared Knowles, Director of Preservation Lisa Kersavage, Director of Special Projects and Strategic Planning TABLE OF CONTENTS MOUNT MORRIS PARK HISTORIC DISTRICT EXTENSION MAP .................... AFTER CONTENTS TESTIMONY AT THE PUBLIC HEARING .............................................................................................. 1 MOUNT MORRIS PARK HISTORIC DISTRICT EXTENSION BOUNDARIES .................................... 1 SUMMARY .................................................................................................................................................. 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE MOUNT MORRIS PARK HISTORIC DISTRICT EXTENSION Early History and Development of the Area ................................................................................ -
Columbia University Task Force on Climate: Report
COLUMBIA UNIVERSITY TASK FORCE ON CLIMATE: REPORT Delivered to President Bollinger December 1, 2019 UNIVERSITY TASK FORCE ON CLIMATE FALL 2019 Contents Preface—University Task Force Process of Engagement ....................................................................................................................... 3 Executive Summary: Principles of a Climate School .............................................................................................................................. 4 Introduction: The Climate Challenge ..................................................................................................................................................... 6 The Columbia University Response ....................................................................................................................................................... 7 Columbia’s Strengths ........................................................................................................................................................................ 7 Columbia’s Limitations ...................................................................................................................................................................... 8 Why a School? ................................................................................................................................................................................... 9 A Columbia Climate School ................................................................................................................................................................. -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
Download on to Your Computer Or Device
Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival. -
By David Kunian, 2013 All Rights Reserved Table of Contents
Copyright by David Kunian, 2013 All Rights Reserved Table of Contents Chapter INTRODUCTION ....................................................................................... 1 1. JAZZ AND JAZZ IN NEW ORLEANS: A BACKGROUND ................ 3 2. ECONOMICS AND POPULARITY OF MODERN JAZZ IN NEW ORLEANS 8 3. MODERN JAZZ RECORDINGS IN NEW ORLEANS …..................... 22 4. ALL FOR ONE RECORDS AND HAROLD BATTISTE: A CASE STUDY …................................................................................................................. 38 CONCLUSION …........................................................................................ 48 BIBLIOGRAPHY ….................................................................................... 50 i 1 Introduction Modern jazz has always been artistically alive and creative in New Orleans, even if it is not as well known or commercially successful as traditional jazz. Both outsiders coming to New Orleans such as Ornette Coleman and Cannonball Adderley and locally born musicians such as Alvin Battiste, Ellis Marsalis, and James Black have contributed to this music. These musicians have influenced later players like Steve Masakowski, Shannon Powell, and Johnny Vidacovich up to more current musicians like Terence Blanchard, Donald Harrison, and Christian Scott. There are multiple reasons why New Orleans modern jazz has not had a greater profile. Some of these reasons relate to the economic considerations of modern jazz. It is difficult for anyone involved in modern jazz, whether musicians, record -
Student Life the Arts
Student Life The Arts University Art Collection the steps of Low Memorial Library; Three- “Classical Music Suite,” the “Essential Key- Way Piece: Points by Henry Moore, on board Series,” and the “Sonic Boom Festival.” Columbia maintains a large collection of Revson Plaza, near the Law School; Artists appearing at Miller Theatre have art, much of which is on view throughout Bellerophon Taming Pegasus by Jacques included the Juilliard, Guarneri, Shanghai, the campus in libraries, lounges, offices, Lipchitz, on the facade of the Law School; a Emerson, Australian, and St. Petersburg and outdoors. The collection includes a cast of Auguste Rodin’s Thinker, on the String Quartets; pianists Russell Sherman, variety of works, such as paintings, sculp- lawn of Philosophy Hall; The Great God Peter Serkin, Ursula Oppens, and Charles tures, prints, drawings, photographs, and Pan by George Grey Barnard, on the lawn Rosen; as well as musical artists Joel Krosnick decorative arts. The objects range in date of Lewisohn Hall; Thomas Jefferson, in front and Gilbert Kalish, Dawn Upshaw, Benita from the ancient Near Eastern cylinder seals of the Journalism Building, and Alexander Valente, Speculum Musicae, the Da Capo of the second millennium B.C.E. to con- Hamilton, in front of Hamilton Hall, both Chamber Players, Continuum, and the temporary prints and photographs. by William Ordway Partridge; and Clement New York New Music Ensemble. Also in the collection are numerous por- Meadmore’s Curl, in front of Uris Hall. The “Jazz! in Miller Theatre” series has help- traits of former faculty and other members ed to preserve one of America’s most important of the University community. -
~60 Ft Bring All Offers
~60 FT BRING ALL OFFERS JORDAN SUTTON (212) 589-5101 [email protected] ROBERT M. SHAPIRO (212) 660-7717 [email protected] TABLE OF CONTENTS EXECUTIVE SUMMARY 1 DUE DILIGENCE 7 THE NEIGHBORHOOD 13 EXECUTIVE SUMMARY The Opportunity: Cushman & Wakefield has been retained on an exclusive basis to arrange for the sale or lease of 32-42 West 125th Street. The subject property is in Northern Manhattan’s most vibrant retail corridor and boasts 60’ of frontage along 125th street. The property is a newly constructed retail condominium (2014) on the south side of West 125th Street between Fifth Avenue and Malcolm X Boulevard. The space is comprised of 5,950 above grade square feet and 2,409 below grade square feet totaling approximately 8,359 square feet. The ground floor features 17.5’ ceiling heights and contains floor to ceiling windows, providing the space with an abundance of natural light. The basement has 10.3’ ceilings and offers a surplus of raw open space. The property contains two separate entrances along 125th Street, providing the opportunity for future ownership to divide the existing space into multiple retail units. 125th Street is home to a plethora of national retail tenants including Chase, Starbucks, H&M, Bed Bath & Beyond, and Whole Foods. The property also benefits from its proximity to numerous development sites in the growing neighborhood of Harlem. The subject property is just steps away from the 125th Street MTA Station which is serviced by the @ # $ % ^ Subway lines and is just blocks away from the 125th Street Metro North Station. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
LIVE from COLUMBIA Pop-Ups from Morningside Campus
VIEW THIS EMAIL IN YOUR BROWSER FOR IMMEDIATE RELEASE PRESS CONTACTS August 17, 2021 Aleba Gartner, 212/206-1450 millertheatre.com [email protected] Lauren Bailey Cognetti, [email protected] "Those thirty minutes number among the most intense I’ve experienced as a listener... The close-up, multiple angle and high resolution shots of the performance gave a view not even accessible to an audience member sitting in the front row.” — Elizabeth Lyon in The Hudson Review Miller Theatre at Columbia University School of the Arts announces LIVE FROM COLUMBIA Pop-Ups from Morningside Campus Co-presented with Columbia School of the Arts Miller Theatre continues its popular Pop-Up Concerts series, offering audiences a virtual front-row seat to three performances filmed on Columbia University's Morningside campus. Virtual • Free as always Featuring performances by Arturo O'Farrill & the Afro Latin Jazz Orchestra Filmed from the Miller Theatre stage Live Stream: Saturday, September 18 at 4pm Simone Dinnerstein, piano Filmed in Butler Library's famous reading room Video Premiere: Tuesday, October 12 at 7pm Yarn/Wire Filmed from the Miller Theatre stage Video Premiere: Tuesday. November 9 at 7pm Concerts in the Live from Columbia series are livestreamed or filmed live and premiered throughout the Fall 2021 season, with on-demand streaming available immediately after. millertheatre.com/live-from-columbia * Miller Theatre will announce its full 2021-22 season later this fall. From Melissa Smey, Executive Director Arts Initiative and Miller Theatre: "I am thrilled to continue our Live from Columbia series with the School of the Arts, welcoming a global audience to incredible, free performances. -
Events at Columbia — Feb. 9 - 22, 2001
6 C olumbia U niversity RECORD February 9, 2001 SUBMISSION INFORMATION E-mail: [email protected] Fax: 212-678-4817 All submissions must be received in writing by the deadline. Events are listed in this order: date, time, title, name/affiliation of speaker(s) or performer(s), title of series (if any), sponsor(s), fee and registration information (if any), phone number of contact, and loca- tion. All phone numbers are area code (212) unless otherwise noted. For deadlines & information, call Liz Griffith, Calendar Editor, 212-854-6546 or the RECORD, 212-854-3282. The Calendar is updated weekly on the Web at http://www.columbia.edu/cu/news/calendar/. Events are listed on a first-come, first-served basis free of CALENDAR charge. All events are subject to change; call sponsors to confirm. EVENTS AT COLUMBIA — FEB. 9 - 22, 2001 4:10 P.M. Psychology Colloqui- TALKS um. Tim Wilson, UVA. 501 Managing an International Engineering Organization: Schermerhorn. 9TH, FRI. Award–Winner Michel Returns to Alma Mater with Business Tips 4:10 P.M. “The Human 12:30 P.M. “Lim(n)IT: Notes on Genome Project, Genome This Next Big Thing.” Wes Sequencing, and Disease Gene Jones, Jones Partners: Architec- On Thurs., Feb. 15, more than 50 years after Discovery.” James Russo, ture; with Cynthia Davidson, ANY graduating from Columbia, Henry L. Michel Columbia Genome Ctr. Biotech- magazine. ‘Net/Work/Space,’ will return to share his experience in engineer- nology seminar, biological sci- Buell Ctr for the Study of Ameri- ing in an event sponsored by the department of ences. -
THE BLUE and WHITE Vol
THE UNDERGRADUATE MAGAZINE OF COLUMBIA UNIVERSITY , EST . 1 8 9 0 THE BLUE AND WHITE Vol. XVII No. II November 2010 SPEAKING IN TONGUES Not all languages are created—nor taught as—equal. WELCOME TO THE CLUB The Columbia sailing team tests the varsity waters THE BLUE & WHITE VISITS PELHAM BAY, STOPS BY MILLER THEATRE, AND TELLS YOU A SUPER SAD TRUE STORY JON HILL, CC ’11, Editor-in-Chief MISHAAL F. KHAN, BC ’13, Publisher MARIELA QUINTANA, CC ’11, Managing Editor ELIZA SHAPIRO, CC ’12, Bwog Editor ANISH BRAMHANDKAR, SEAS ’11, Bwog Co-editor LIZ NAIDEN, CC ’12, Features Editor ANNA KELNER, CC ’12, Literary Editor BRIAN PHILLIPS DONAHOE, CC ’12, Culture Editor MARK HAY, CC ’12, Senior Editor ADAM KUERBITZ, CC ’12, Senior Editor HANNAH LEPOW, CC ’11, Senior Editor CLAIRE SABEL, CC ’12, Senior Editor SAM SCHUBE, CC ’12, Senior Editor STEPHEN DAVAN, CC ’12, Graphics Editor CINDY PAN, CC ’12, Senior Illustrator SEAN V. ZIMMERMANN, SEAS ’12, Layout Editor HANS E. HYTTINEN, SEAS ’12, Online Editor Contributors Artists CHRISTOPHER BRENNAN, CC ’13 HANNAH FORD, CC ’13 SARAH CAMISCOLI, CC ’12 MADDY KLOSS, CC ’12 GRANTLAND D’AVINO, CC ’13 ELIZABETH LEE, CC ’12 CAMILLE HUTT, CC ’11 WENDAN LI, CC ’12 LIZ JACOB, CC ’13 LOUISE MCCUNE, CC ’13 PETER KRAWCZYK, CC ’13 ALICE MOTTOLA, BC ’11 MEGAN MCGREGOR, CC ’13 ELOISE OWENS, BC ’12 NINA PEDRAD, CC ’11 NORA RODRIGUEZ, CC ’11 CAROLYN RUVKUN, CC ’13 ADELA YAWITZ, CC ’12 CONOR SKELDING, CC ’14 MAHRAH TAUFIQUE, CC ’13 Copy Editors HELEN BAO, CC ’13 ELAINE BAYNHAM, CC ’13 ALLIE CURRY, CC ’13 HANNAH FORD, CC ’13 THE BLUE & WHITE Vol.