Los Angeles Lawyer May 2008
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Chapter Fourteen Men Into Space: the Space Race and Entertainment Television Margaret A. Weitekamp
CHAPTER FOURTEEN MEN INTO SPACE: THE SPACE RACE AND ENTERTAINMENT TELEVISION MARGARET A. WEITEKAMP The origins of the Cold War space race were not only political and technological, but also cultural.1 On American television, the drama, Men into Space (CBS, 1959-60), illustrated one way that entertainment television shaped the United States’ entry into the Cold War space race in the 1950s. By examining the program’s relationship to previous space operas and spaceflight advocacy, a close reading of the 38 episodes reveals how gender roles, the dangers of spaceflight, and the realities of the Moon as a place were depicted. By doing so, this article seeks to build upon and develop the recent scholarly investigations into cultural aspects of the Cold War. The space age began with the launch of the first artificial satellite, Sputnik, by the Soviet Union on October 4, 1957. But the space race that followed was not a foregone conclusion. When examining the United States, scholars have examined all of the factors that led to the space technology competition that emerged.2 Notably, Howard McCurdy has argued in Space and the American Imagination (1997) that proponents of human spaceflight 1 Notably, Asif A. Siddiqi, The Rocket’s Red Glare: Spaceflight and the Soviet Imagination, 1857-1957, Cambridge Centennial of Flight (Cambridge: Cambridge University Press, 2010) offers the first history of the social and cultural contexts of Soviet science and the military rocket program. Alexander C. T. Geppert, ed., Imagining Outer Space: European Astroculture in the Twentieth Century (New York: Palgrave Macmillan, 2012) resulted from a conference examining the intersections of the social, cultural, and political histories of spaceflight in the Western European context. -
He KMBC-ÍM Radio TEAM
l\NUARY 3, 1955 35c PER COPY stu. esen 3o.loe -qv TTaMxg4i431 BItOADi S SSaeb: iiSZ£ (009'I0) 01 Ff : t?t /?I 9b£S IIJUY.a¡:, SUUl.; l: Ii-i od 301 :1 uoTloas steTaa Rae.zgtZ IS-SN AlTs.aantur: aTe AVSí1 T E IdEC. 211111 111111ip. he KMBC-ÍM Radio TEAM IN THIS ISSUE: St `7i ,ytLICOTNE OSE YN in the 'Mont Network Plans AICNISON ` MAISHAIS N CITY ive -Film Innovation .TOrEKA KANSAS Heart of Americ ENE. SEDALIA. Page 27 S CLINEON WARSAW EMROEIA RUTILE KMBC of Kansas City serves 83 coun- 'eer -Wine Air Time ties in western Missouri and eastern. Kansas. Four counties (Jackson and surveyed by NARTB Clay In Missouri, Johnson and Wyan- dotte in Kansas) comprise the greater Kansas City metropolitan trading Page 28 Half- millivolt area, ranked 15th nationally in retail sales. A bonus to KMBC, KFRM, serv- daytime ing the state of Kansas, puts your selling message into the high -income contours homes of Kansas, sixth richest agri- Jdio's Impact Cited cultural state. New Presentation Whether you judge radio effectiveness by coverage pattern, Page 30 audience rating or actual cash register results, you'll find that FREE & the Team leads the parade in every category. PETERS, ñtvC. Two Major Probes \Exclusive National It pays to go first -class when you go into the great Heart of Face New Senate Representatives America market. Get with the KMBC -KFRM Radio Team Page 44 and get real pulling power! See your Free & Peters Colonel for choice availabilities. st SATURE SECTION The KMBC - KFRM Radio TEAM -1 in the ;Begins on Page 35 of KANSAS fir the STATE CITY of KANSAS Heart of America Basic CBS Radio DON DAVIS Vice President JOHN SCHILLING Vice President and General Manager GEORGE HIGGINS Year Vice President and Sally Manager EWSWEEKLY Ir and for tels s )F RADIO AND TV KMBC -TV, the BIG TOP TV JIj,i, Station in the Heart of America sú,\.rw. -
Broadcasting Telecasting
YEAR 101RN NOSI1)6 COLLEIih 26TH LIBRARY énoux CITY IOWA BROADCASTING TELECASTING THE BUSINESSWEEKLY OF RADIO AND TELEVISION APRIL 1, 1957 350 PER COPY c < .$'- Ki Ti3dddSIA3N Military zeros in on vhf channels 2 -6 Page 31 e&ol 9 A3I3 It's time to talk money with ASCAP again Page 42 'mars :.IE.iC! I ri Government sues Loew's for block booking Page 46 a2aTioO aFiE$r:i:;ao3 NARTB previews: What's on tap in Chicago Page 79 P N PO NT POW E R GETS BEST R E SULTS Radio Station W -I -T -H "pin point power" is tailor -made to blanket Baltimore's 15 -mile radius at low, low rates -with no waste coverage. W -I -T -H reaches 74% * of all Baltimore homes every week -delivers more listeners per dollar than any competitor. That's why we have twice as many advertisers as any competitor. That's why we're sure to hit the sales "bull's -eye" for you, too. 'Cumulative Pulse Audience Survey Buy Tom Tinsley President R. C. Embry Vice Pres. C O I N I F I I D E I N I C E National Representatives: Select Station Representatives in New York, Philadelphia, Baltimore, Washington. Forloe & Co. in Chicago, Seattle, San Francisco, Los Angeles, Dallas, Atlanta. RELAX and PLAY on a Remleee4#01%,/ You fly to Bermuda In less than 4 hours! FACELIFT FOR STATION WHTN-TV rebuilding to keep pace with the increasing importance of Central Ohio Valley . expanding to serve the needs of America's fastest growing industrial area better! Draw on this Powerhouse When OPERATION 'FACELIFT is completed this Spring, Station WNTN -TV's 316,000 watts will pour out of an antenna of Facts for your Slogan: 1000 feet above the average terrain! This means . -
12 Big Names from World Cinema in Conversation with Marrakech Audiences
The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction. -
Advertising and Public Relations Law
Advertising and Public Relations Law Addressing a critical need, Advertising and Public Relations Law explores the issues and ideas that affect the regulation of advertising and public relations speech. Coverage includes the categorization of different kinds of speech afforded varying levels of First Amendment protection; court-created tests for laws and reg- ulations of speech; and non-content-based restrictions on speech and expression. Features of this edition include: • A discussion in each chapter of new-media implications • Extended excerpts from major court decisions • Appendices providing — a chart of the judicial system — a summary of the judicial process — an overview of alternative dispute resolution mechanisms — the professional codes for media industry and business associations, including the American Association of Advertising Agencies, the Public Relations Society of America and the Society of Professional Journalists • Online resources for instructors. The volume is developed for upper-level undergraduate and graduate students in media, advertising and public relations law or regulation courses. It also serves as an essential reference for advertising and public relations practitioners. Roy L. Moore is professor of journalism and dean of the College of Mass Communication at Middle Tennessee State University. He holds a Ph.D. in mass communication from the University of Wisconsin and a juris doctorate from the Georgia State University College of Law. Carmen Maye is a South Carolina-based lawyer and an instructor in the School of Journalism and Mass Communications at the University of South Carolina, where she teaches courses in media law and advertising. Her undergraduate degree is from the University of North Carolina at Chapel Hill. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
View Conference Program
International Visual Sociology Association 2010 International Conference 20-22 july 2010 Bologna, Italy Session Program TABLE OF CONTENTS 1 A Methodological issues I: Theory, intersubjectivity, efficiency and credibility 4 2 A Urban changes: the new city from downtown to suburbs 6 3 A Doing work 7 4 A How people look 9 5 ROUND TABLE. Open Discussion: The ethics of looking and seeing: methodologies for researching and teaching with images 10 6 The contribution of visual techniques in the analysis of ethno-territorial conflicts 11 1 B Methodological Issues II: When art meets (social) science 14 2 B Urban changes: the new city from downtown to suburbs 16 3 B Doing work 17 4 B How people look at...? 19 7 Street art and urban visual landscapes 20 8 Visual narratives of the city: Urban imaginary, identity and spectacle 22 9 Art and affect in audiovisual practice 25 10 Representations in visual research: Content in context – reflexivity in question 26 11 The visual construction of human suffering 28 12 Healthscapes: images of health and wellness 32 1 C Methodological Issues III: Using Photographs and video for social research 35 13A Domesticating the city: Visual methods and practical consciousness of space 36 14 Military images: Production, presentation and consumption 38 15 Sociology of the visual: Researching the uses of visual texts and technologically- enhanced modes of vision 40 16 Methodology: Visual examination of school design and planning 41 17 User generated visual: SNS and online worlds. Visual research methods 43 1 D Methodological -
Law of Ideas, Revisted
The Law of Ideas, Revisited Lionel S. Sobel* NIMMER ON IDEAS ............................. 10 THE SEARCH FOR AN IDEA-PROTECTION LEGAL THEORY . 14 A. Historic Reasons for the Search ................. 14 B. Current Status of State Law Theories Providing Idea Protection ............................. 21 1. Theories That Continue to Be Useful ........... 21 a. Contract Law ........................ 21 b. Confidential Relationship Law ............. 23 2. Theories That Have Become Superfluous ........ 26 a. Property Law .............. .......... 26 b. Quasi-ContractLaw .......... .......... 28 c. Other Legal Theories ......... .......... 31 3. Conclusions on the Current Status of State Law Theories ........... .......... 32 III. ISSUES OF CURRENT IMPORTANCE ........ .......... 33 A. Conditions Creating an Obligation to Pay .......... 33 1. Circumstances Surrounding the Submission of the Idea ........... .......... 34 a. Obligations Resulting From Agreements ...... 34 (1) Express Agreements ................. 34 (2) Implied Agreements ................. 37 (a) Circumstances Creating Implied Agreements .............. 37 (b) The Role of Industry Custom ........ 44 * Professor, Loyola Law School (Los Angeles); Editor, ENTERTAINMENT LAW REPORTER. B.A. 1966, University of California, Berkeley; J.D. 1969, UCLA School of Law. Professor Sobel was co-counsel for Paramount Pictures Corporation during the trial court proceedings in the Buchwald v. ParamountPictures case discussed in this article. Copyright © 1994 by Lionel S. Sobel. 10 UCLA ENTERTAINMENT LAW -
AFI PREVIEW Is Published by the American Film Institute
CONTENTS AFI AND MONTGOMERY COLLEGE 2 AFI and Montgomery College BE A STUDENT AGAIN—AT ANY AGE! J’ai Été Au Bal/I Went to the Dance Join us at AFI Silver Theatre for these special educational screenings, each of which is followed by a discussion with a film Brian Henson/The Future of Digital professor from Montgomery College. Screenings are on Wednesdays and begin at 6:30. For students with valid ID, discount Puppetry tickets are available for only $6. RASHOMON*, Sept. 24 KNIFE IN THE WATER*, Oct. 29 BEAUTY AND THE BEAST*, Nov. 19 3 XIX Latin American Film Festival CHOP SHOP, Oct. 15 KISS OF DEATH, Nov. 5 LORD OF THE FLIES*, Dec. 3 * part of Janus Films Presents: Essential Art House Vol. 1 8 DC Labor FilmFest JANUS FILMS PRESENTS: ESSENTIAL ART HOUSE VOL. 1 10 Noir City DC Part of this semester's Montgomery College lineup comes courtesy of Janus Films, who, in partnership with the Criterion Collection, will be 12 Three by Antonioni launching the new DVD brand, Essential Art House. For the devoted cinephile, these are the must-see fundamentals; for the novice film-lover, this is precisely where to begin. 13 Halloween on Screen (Film notes courtesy of the Criterion Collection. Showtimes marked with an asterisk are part of the Montgomery College educational screenings.) 14 SILVERDOCS Presents RASHOMON About AFI Sat, Sept 13, 7:00; Sun, Sept 14, 3:00; Mon, Sept 15, 9:30; Tues, Sept 16, 7:00; Wed, Sept 24, 6:30* The murder of a man and the rape of his wife in a forest grove—seen from 15 Repertory Calendar – Full Schedule four different perspectives. -
David Lean: DR. ZHIVAGO (1965, 197 Min.)
March 12, 2019 (XXXVIII:7) David Lean: DR. ZHIVAGO (1965, 197 min.) DIRECTOR David Lean WRITING Robert Bolt screenplay adapted from the Boris Pasternak novel PRODUCER Carlo Ponti MUSIC Maurice Jarre CINEMATOGRAPHY Freddie Young EDITING Norman Savage PRODUCTION DESIGN John Box ART DIRECTION Terence Marsh SET DECORATION Dario Simoni COSTUME DESIGN Phyllis Dalton The film permeated the 1966 Academy Awards, winning Oscars for Best Writing, Screenplay Based on Material from Another Medium (Robert Bolt), Best Cinematography, Color (Freddie Young), Best Art Direction-Set Decoration, Color (John Box, Terence Marsh, and Dario Simoni), Best Costume Design, Color (Phyllis Dalton), and Best Music, Score (Maurice Jarre). The Mark Eden...Engineer at Dam film also received Oscar nominations for Best Picture (Carlo Erik Chitty...Old Soldier Ponti), Best Actor in a Supporting Role (Tom Courtenay), Best Roger Maxwell...Beef-Faced Colonel Director (David Lean), Best Sound (A.W. Watkins, Franklin Wolf Frees...Delegate Milton), and Best Film Editing (Norman Savage). The film was Gwen Nelson...Female Janitor also nominated for the Cannes Palm d’Or. Lucy Westmore...Katya Lili Muráti...The Train Jumper (as Lili Murati) CAST Peter Madden...Political Officer Omar Sharif...Yuri Julie Christie...Lara DAVID LEAN (b. March 25, 1908 in Croydon, Surrey, England, Geraldine Chaplin...Tonya UK—d. April 16, 1991 (age 83) in London, England, UK) was Rod Steiger...Komarovsky an English film director (19 credits), producer, screenwriter (10 Alec Guinness...Yevgraf credits) -
On This Date Did You Know? Happy Birthday! Humor of The
THE TUESDAY, SEPTEMBER 1, 2020 On This Date 1798 – The first bank robbery in the United States took place. Thieves Humor of the Day stole $162,821 from Carpenter’s “In one respect, at least, Hall in Pennsylvania, the equivalent the Martians are a happy of over two million dollars today. people—they have 1914 – Martha, the last surviving no lawyers.” passenger pigeon, died in captivity at the Cincinnati Zoo, marking the ~ Edgar Rice Burroughs extinction of the species. In the early 1800s, the pigeons could be seen in huge flocks, often a mile wide and 300 miles long, containing up to a Happy Birthday! billion birds. Edgar Rice Burroughs (1875–1950) 1985 – The wreck of the Titanic was was a writer best seen for the first time since it sank in known for his Tarzan 1912. The expedition team was led and John Carter by American Robert Ballard. serial novels, both of which have been made into successful major motion pictures. Tarzan was an incredibly popular character, and Burroughs was one of the first authors to effectively commercialize a character Did You Know? from a book. With the success of Tarzan, Burroughs and his family moved to If you stand in front of a honeybee’s a ranch outside of Los Angeles, hive, the bees will bump you before California, which later became the they sting you to warn you to get suburb of Tarzana. His ashes are out of the way. buried under a tree in the town. ©ActivityConnection.com – The Daily Chronicles (U.S.) THE WEDNESDAY, SEPTEMBER 2, 2020 On This Date 31 BC – The forces of Mark Antony Quote of the Day and Cleopatra were decisively defeated in the naval Battle of “My driving abilities from Actium by the Roman forces of Mexico have helped me Octavian. -
Cinema-Booklet-Web.Pdf
1 AN ORIGINAL EXHIBITION BY THE MUSEO ITALO AMERICANO MADE POSSIBLE BY A GRANT FROM THE WRITTEN BY Joseph McBride CO-CURATED BY Joseph McBride & Mary Serventi Steiner ASSISTANT CURATORS Bianca Friundi & Mark Schiavenza GRAPHIC DESIGN Julie Giles SPECIAL THANKS TO American Zoetrope Courtney Garcia Anahid Nazarian Fox Carney Michael Gortz Guy Perego Anne Coco Matt Itelson San Francisco State University Katherine Colridge-Rodriguez Tamara Khalaf Faye Thompson Roy Conli The Margaret Herrick Library Silvia Turchin Roman Coppola of the Academy of Motion Walt Disney Animation Joe Dante Picture Arts and Sciences Research Library Lily Dierkes Irene Mecchi Mary Walsh Susan Filippo James Mockoski SEPTEMBER 18, 2015 MARCH 17, 2016 THROUGH THROUGH MARCH 6, 2016 SEPTEMBER 18, 2016 Fort Mason Center 442 Flint Street Rudolph Valentino and Hungarian 2 Marina Blvd., Bldg. C Reno, NV 89501 actress Vilma Banky in The Son San Francisco, CA 94123 775.333.0313 of the Sheik (1926). Courtesy of United Artists/Photofest. 415.673.2200 www.arteitaliausa.com OPPOSITE: Exhibit author and www.sfmuseo.org Thursdays through co-curator Joseph McBride (left) Tuesdays through Sundays 12 – 4 pm Sundays 12 – 5 pm with Frank Capra, 1985. Courtesy of Columbia Pictures. 2 3 CONTENTS INTRODUCTION Italian American Cinema: From Capra to the Coppolas 6 FOUNDATIONS: THE PIONEERS The Long Early Journey 9 A Landmark Film: The Italian 10 “Capraesque” 11 The Latin Lover of the Roaring Twenties 12 Capra’s Contemporaries 13 Banking on the Movies 13 Little Rico & Big Tony 14 From Ellis Island to the Suburbs 15 FROM THE STUDIOS TO THE STREETS: 1940s–1960s Crooning, Acting, and Rat-Packing 17 The Musical Man 18 Funnymen 19 One of a Kind 20 Whaddya Wanna Do Tonight, Marty? 21 Imported from Italy 22 The Western All’italiana 23 A Woman of Many Parts 24 Into the Mainstream 25 ANIMATED PEOPLE The Golden Age – The Modern Era 26 THE MODERN ERA: 1970 TO TODAY Everybody Is Italian 29 Wiseguys, Palookas, & Buffoons 30 A Valentino for the Seventies 32 Director Frank Capra (seated), 1927.