Tophets in the 'Punic World'
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Latin Curse Texts: Mediterranean Tradition and Local Diversity
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library Acta Ant. Hung. 57, 2017, 57–82 DOI: 10.1556/068.2017.57.1.5 DANIELA URBANOVÁ LATIN CURSE TEXTS: MEDITERRANEAN TRADITION AND LOCAL DIVERSITY Summary: There are altogether about six hundred Latin curse texts, most of which are inscribed on lead tablets. The extant Latin defixiones are attested from the 2nd cent. BCE to the end of the 4th and begin- ning of the 5th century. However, the number of extant tablets is certainly not final, which is clear from the new findings in Mainz recently published by Blänsdorf (2012, 34 tablets),1 the evidence found in the fountain dedicated to Anna Perenna in Rome 2012, (26 tablets and other inscribed magical items),2 or the new findings in Pannonia (Barta 2009).3 The curse tablets were addressed exclusively to the supernatural powers, so their authors usually hid them very well to be banished from the eyes of mortals; not to speak of the randomness of the archaeological findings. Thus, it can be assumed that the preserved defixiones are only a fragment of the overall ancient production. Remarkable diversities in cursing practice can be found when comparing the preserved defixiones from particular provinces of the Roman Empire and their specific features, as this contribution wants to show. Key words: Curses with their language, formulas, and content representing a particular Mediterranean tradi- tion documented in Greek, Latin, Egyptian Coptic, as well as Oscan curse tablets, Latin curse tablets, curse tax- onomy, specific features of curse tablets from Italy, Africa, Britannia, northern provinces of the Roman Empire There are about 1600 defixiones known today from the entire ancient world dated from the 5th century BCE up to the 5th century CE, which makes a whole millennium. -
Roman Architecture Roman of Classics at Dartmouth College, Where He Roman Architecture
BLACKWELL BLACKWELL COMPANIONS TO THE ANCIENT WORLD COMPANIONS TO THE ANCIENT WORLD A COMPANION TO the editors A COMPANION TO A COMPANION TO Roger B. Ulrich is Ralph Butterfield Professor roman Architecture of Classics at Dartmouth College, where he roman architecture EDITED BY Ulrich and quenemoen roman teaches Roman Archaeology and Latin and directs Dartmouth’s Rome Foreign Study roman Contributors to this volume: architecture Program in Italy. He is the author of The Roman Orator and the Sacred Stage: The Roman Templum E D I T E D B Y Roger B. Ulrich and Rostratum(1994) and Roman Woodworking James C. Anderson, jr., William Aylward, Jeffrey A. Becker, Caroline k. Quenemoen (2007). John R. Clarke, Penelope J.E. Davies, Hazel Dodge, James F.D. Frakes, Architecture Genevieve S. Gessert, Lynne C. Lancaster, Ray Laurence, A COMPANION TO Caroline K. Quenemoen is Professor in the Emanuel Mayer, Kathryn J. McDonnell, Inge Nielsen, Roman architecture is arguably the most Practice and Director of Fellowships and Caroline K. Quenemoen, Louise Revell, Ingrid D. Rowland, EDItED BY Roger b. Ulrich and enduring physical legacy of the classical world. Undergraduate Research at Rice University. John R. Senseney, Melanie Grunow Sobocinski, John W. Stamper, caroline k. quenemoen A Companion to Roman Architecture presents a She is the author of The House of Augustus and Tesse D. Stek, Rabun Taylor, Edmund V. Thomas, Roger B. Ulrich, selective overview of the critical issues and approaches that have transformed scholarly the Foundation of Empire (forthcoming) as well as Fikret K. Yegül, Mantha Zarmakoupi articles on the same subject. -
CAGLIARI E IL SULCIS-IGLESIENTE Un Paradiso Da Scoprire
CAGLIARI E IL SULCIS-IGLESIENTE Un paradiso da scoprire “La vita in Sardegna è forse la migliore che un uomo possa augurarsi: ventiquattro mila chilometri di foreste, di campagne, di coste immerse in un mare miracoloso dovrebbero coincidere con quello che io consiglierei al buon Dio di regalarci come Paradiso” (Fabrizio De Andrè) HOTEL ͵Ƭ PARTENZE – – – – – – – – – – – – Ͳ͵ȀͲȀʹͲʹͲ–ͳͲȀͲȀʹͲʹͲ–ͳȀͲȀʹͲʹͲ–ʹͶȀͲȀʹͲʹͲ–͵ͳȀͲȀʹͲʹͲ–ͲȀͲͺȀʹͲʹͲ– ͳͶȀͲͺȀʹͲʹͲ ʹͳȀͲͺȀʹͲʹͲ ʹͺȀͲͺȀʹͲʹͲ ͲͶȀͲͻȀʹͲʹͲ ͳͳȀͲͻȀʹͲʹͲ ͳͺȀͲͻȀʹͲʹͲ ʹͷȀͲͻȀʹͲʹͲ ͲʹȀͳͲȀʹͲʹͲ ͲͻȀͳͲȀʹͲʹͲ ͳȀͳͲȀʹͲʹͲ ʹ͵ȀͳͲȀʹͲʹͲ ͵ͲȀͳͲȀʹͲʹͲ ITINERARIO GIORNO 1: Arrivo-Cagliari Pernottamento: Cagliari Cagliari Museoǡ archeologico scoprire la preziosa collezione che racconta la storia dell’isolaî Ǥǡ ǡ î Ǧ Ǥ GIORNOǡǤ 2: Cagliari Pernottamento: Cagliari Quartiere di Castello ǡ ǡ ǤBastione di Saint Remy Torri dell’Elefante e di S. Pancrazio ǡ° ǣǡCattedrale di Santa Maria Piazza Palazzo ǡOgni strada, ogni monumentoǡ ǡ riporta alla storia della città e dell’intera isola, in un ǡ ǡ Ǥ Mercato di San benedetto Ǥ ǣ î Ǥ GIORNO Ǥ 3: Siliqua-Villaspeciosa-Villamassargia-Iglesias Pernottamento: Iglesias Acquafredda Siliqua . L’antico maniero, risalente al XI secolo e riconosciuto nel 1990 ǡ Ǧ mirabilmente ǡ descritto da Dante nel XXXIII canto dell’Inferno nella Divina Commedia, che nel XIII Ǥ î ǡvisita di un caseificio Fiore Sardo DOP Ǥ parco di S’Ortu ̵ǡ Mannu Villamassargia Ǥ Ǥ secolari di ulivi. La più grande di esse, detta “Sa Reina ” – Ǥ L’ultima tappa di questa giornata è al Grotta di Santa Barbara ǡ °î Ǥdell’uomo e dall’opera della natura. ǡ ǣ ǡ ǡ Iglesias Spostamento in auto: 110 km Ǥ ǡ Ǥ ǦǤ GIORNO 4: Iglesias Pernottamento: Iglesias Iglesias antiche miniere d'argento ǡ ͳʹͲͲ Ǥ cattedrale di Santa Chiara chiesa di San Francesco retablo ligneo del ‘400, le botteghe Ǥ artigiane, le mura medievali e il centro storico. -
STONE in the CITY. EXTRACTION SITES and SPOLIATION of STONE MATERIAL in the CITY of NORA (South -West Sardinia)
: 978-88-942329-3-6ISBN: 978-88-942329-3-6 Proceedings of the 21st IPSAPA/ISPALEM International Scientific Conference Venezia (Italy) July 6th - 7th, 2017 STONE IN THE CITY. EXTRACTION SITES AND SPOLIATION OF STONE MATERIAL IN THE CITY OF NORA (South -West Sardinia) Ginevra Balletto1 Stefano Naitza2 Giulia Desogus3 1 Researcher DICAAR, University of Cagliari, Italy 2 Researcher DSCG, University of Cagliari, Italy 3 PhD Student DICAAR, University of Cagliari, Italy Abstract. The paper intends to focus to the historical extraction sites and to the movement of construction materials, without neglecting the spoliation of monuments, to identify the plots between geology and urban structure (Bonetto, 2012). The purpose of this paper is to create a different point of view in order to get a comprehensive picture of the urban form and characteristics, and also to define the social, cultural and economic context. Then, a replicable case study is presented (the archaeological city of Nora in Sardinia, Italy), with the aim of identifying main urban processes that take into account the ancient supply and circulation of building materials essential for the urban formation. Finally, study’s findings are discussed. The paper concludes by to investigate the correlations between urban building and the stone materials, whose extraction was proximal, and whose masterful use has allowed the construction of the city of Nora. Keywords: construction materials, archaeological city, Nora (Sardinia), cultural tourism, paths itinerary 1. Introduction: the territory of Nora The archaeological site of Nora (Figure 1) plays a multiplicity of significances, being the crossroad among the vestiges of several ancient Mediterranean civilizations, the beautiful natural environment of a lagoon, the home of an environmental education center and a refuge for cetaceans and sea turtles, and the place of a major center of popular religious belief in the Cagliari area, the church of S. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
The Epigraphy of the Tophet
ISSN 2239-5393 The Epigraphy of the Tophet Maria Giulia Amadasi Guzzo – José Ángel Zamora López (Sapienza Università di Roma – CSIC, Madrid) Abstract The present contribution reassesses the main aspects of the epigraphic sources found in the so-called tophet in order to demonstrate how they are significant and how they undermine the funerary interpretations of these precincts. The inscriptions decisively define the tophet as a place of worship, a sanctuary where sacrifices were made to specific deities in specific rites. The epigraphic evidence combined with literary and archaeological data show how these sacrifices consisted of infants and small animals (either as substitutes or interred together), sometimes commemorated by the inscriptions themselves. Keywords History of Religions, Child Sacrifice, Northwest Semitic Epigraphy, Mediterranean History, Phoenician & Punic World. 1. Introduction Our basic knowledge of the special type of Phoenician and Punic sanctuaries called tophet (a conventional term taken from the Hebrew Bible) seems to be based on wide variety of sources that can be combined to provide an overall interpretation. In fact, archaeological research now provides us with relatively substantial knowledge of the geographical and chronological distribution of these sacred sites and of their structure. Present in some central Mediterranean Phoenician settlements (including on Sardinia) from their foundation, or shortly after, they persist and multiply in North Africa at a later period, generally after the destruction of Carthage1. Archaeology, also, enables us to formulate a “material” definition of these places: they are always– essentially – open-air sites constantly located on the margins of towns, where pottery containers are buried in which the burnt remains of babies and/or baby Received: 11.09.2013. -
The Origins of the Kouros
THE ORIGINS OF THE KOUROS By REBECCA ANN DUNHAM A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Rebecca Ann Dunham This document is dedicated to my mom. TABLE OF CONTENTS page LIST OF FIGURES ........................................................................................................... vi ABSTRACT.........................................................................................................................x CHAPTER 1 DEFINITION OF THE KOUROS TYPE ....................................................................1 Pose...............................................................................................................................2 Size and material...........................................................................................................2 Nudity ...........................................................................................................................3 Body Shape and Treatment of Musculature .................................................................3 Execution ......................................................................................................................4 Function ........................................................................................................................5 Provenances ..................................................................................................................7 -
Aus: Zeitschrift Für Papyrologie Und Epigraphik 111 (1996) 115–123 © Dr. Rudolf Habelt Gmbh, Bonn
DAVID R. JORDAN NOTES FROM CARTHAGE aus: Zeitschrift für Papyrologie und Epigraphik 111 (1996) 115–123 © Dr. Rudolf Habelt GmbH, Bonn 115 NOTES FROM CARTHAGE In July of 1995, as a result of the gracious invitation of Professor Naomi J. Norman, Director of the University of Georgia Excavations at Carthage, I was able spend a pleasant week there with her and her team. During my visit Dr. Abdelmajid Ennabli, Conservateur du Musée National de Carthage, kindly allowed me to examine the lead tablets housed in the museum.1 These last include pieces excavated in the later 19th century by the Pères Blancs as well as apparently more recent discoveries, few with recorded find-spots. My main purpose was to survey the curse tablets, Greek and Latin, for further examination. I was able to identify 23 published examples2 and can report 27 apparently unpublished that are now open and will no doubt all yield useful texts when properly cleaned and studied,3 as well as 14 that are still rolled or folded up. Here I offer notes on a few of the unpublished tablets examined, all Roman Imperial in date. 1. A funerary inscription Among the inscribed lead pieces is a small, roundish fragment. For its text, obviously funerary, see the next page. In the storerooms of the museum at Carthage one sees numbers of glass, terracotta, and lead cinerary jars, several with lead lids. Was the present inscription broken or perhaps even cut away from such a lid?4 We might expect a fuller spelling, e.g. Pakoubiva (cf. D. -
Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013). -
Genetic History from the Middle Neolithic to Present on the Mediterranean Island of Sardinia
ARTICLE https://doi.org/10.1038/s41467-020-14523-6 OPEN Genetic history from the Middle Neolithic to present on the Mediterranean island of Sardinia Joseph H. Marcus et al.# The island of Sardinia has been of particular interest to geneticists for decades. The current model for Sardinia’s genetic history describes the island as harboring a founder population that was established largely from the Neolithic peoples of southern Europe and remained 1234567890():,; isolated from later Bronze Age expansions on the mainland. To evaluate this model, we generate genome-wide ancient DNA data for 70 individuals from 21 Sardinian archaeological sites spanning the Middle Neolithic through the Medieval period. The earliest individuals show a strong affinity to western Mediterranean Neolithic populations, followed by an extended period of genetic continuity on the island through the Nuragic period (second millennium BCE). Beginning with individuals from Phoenician/Punic sites (first millennium BCE), we observe spatially-varying signals of admixture with sources principally from the eastern and northern Mediterranean. Overall, our analysis sheds light on the genetic history of Sardinia, revealing how relationships to mainland populations shifted over time. *A full list of authors and their affiliations appears at the end of the paper. NATURE COMMUNICATIONS | (2020) 11:939 | https://doi.org/10.1038/s41467-020-14523-6 | www.nature.com/naturecommunications 1 ARTICLE NATURE COMMUNICATIONS | https://doi.org/10.1038/s41467-020-14523-6 he whole-genome sequencing in 2012 of “Ötzi”, an indi- studies found evidence that Sardinia is a genetic isolate with vidual who was preserved in ice for over 5000 years near appreciable population substructure29–31. -
Jeremiah: Faith for Tough Times “Cracked Cisterns That Hold No Water” Sermon Preached by Jeff Huber April 27-28, 2013 at First United Methodist Church - Durango
THEME: Jeremiah: Faith for Tough Times “Cracked Cisterns that Hold No Water” Sermon preached by Jeff Huber April 27-28, 2013 at First United Methodist Church - Durango Jeremiah 2:4-5, 11, 13, 20b, 27-28, 32b-34; 10:22 4 Listen to the word of the Lord, people of Jacob—all you families of Israel! 5 This is what the Lord says: “What did your ancestors find wrong with me that led them to stray so far from me? They worshiped worthless idols, only to become worthless themselves. 11 Has any nation ever traded its gods for new ones, even though they are not gods at all? Yet my people have exchanged their glorious God for worthless idols! 13 “For my people have done two evil things: They have abandoned me— the fountain of living water. And they have dug for themselves cracked cisterns that can hold no water at all! 20b “On every hill and under every green tree, you have prostituted yourselves by bowing down to idols.” 27 To an image carved from a piece of wood they say, ‘You are my father.’ To an idol chiseled from a block of stone they say, ‘You are my mother.’ They turn their backs on me, but in times of trouble they cry out to me, ‘Come and save us!’ 28 But why not call on these gods you have made? When trouble comes, let them save you if they can! For you have as many gods as there are towns in Judah. 32b Yet for years on end my people have forgotten me. -
The History and Description of Africa and of the Notable Things Therein Contained, Vol
The history and description of Africa and of the notable things therein contained, Vol. 3 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.nuhmafricanus3 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The history and description of Africa and of the notable things therein contained, Vol. 3 Alternative title The history and description of Africa and of the notable things therein contained Author/Creator Leo Africanus Contributor Pory, John (tr.), Brown, Robert (ed.) Date 1896 Resource type Books Language English, Italian Subject Coverage (spatial) Northern Swahili Coast;Middle Niger, Mali, Timbucktu, Southern Swahili Coast Source Northwestern University Libraries, G161 .H2 Description Written by al-Hassan ibn-Mohammed al-Wezaz al-Fasi, a Muslim, baptised as Giovanni Leone, but better known as Leo Africanus.