Asia Argento

Total Page:16

File Type:pdf, Size:1020Kb

Asia Argento Asia Argento Asia Argento (Italian: [ˈaːsja arˈdʒɛnto]; born Aria Maria Vittoria Rossa Argento; 20 September 1975)[1] is an Italian actress, singer, model, and director. The daughter of filmmaker Asia Argento Dario Argento, she is best known for her roles in the films XXX (2002), Land of the Dead (2005) and Marie Antoinette (2006). She is one of the most vocal and central proponents of the modern anti-sexual assault and women's rights movement #MeToo, having been one of the thirteen women profiled by New Yorker magazine about Harvey Weinstein's sexual abuse scandal.[2] In August 2018, an article published in The New York Times detailed allegations that she sexually assaulted Jimmy Bennett, a then 17-year-old actor and musician, in a California hotel in 2013, and arranged to pay $380,000 to her accuser.[3] Contents Early life Career Personal life Harvey Weinstein scandal Alleged sexual assault of Jimmy Bennett Recognition Filmography Argento at 2013 Cannes Film Film Festival Television Born Aria Maria Video games Vittoria Rossa Music videos Argento Discography 20 September References 1975 External links Rome, Italy Nationality Italian Other names Aria Argento Early life Occupation Actress, Her father is Dario Argento, an Italian film director, producer and screenwriter, well known for his work in the Italian giallo genre and for his influence on director, singer, modern horror and slasher movies.[4] Her mother is actress Daria Nicolodi and her maternal great-grandfather was composer Alfredo Casella.[1] model, DJ, writer When Argento was born in Rome, the city registry office refused to acknowledge "Asia" as an appropriate name, and instead officially inscribed her as Years active 1985–present "Aria" (a name accepted by the city registry). She nonetheless always went by the name Asia, which she later used professionally.[5] Argento has said that as a child she was lonely and depressed, owing in part to her parents' work.[6] Her father used to read her his horror scripts as bedtime stories.[7] At age Spouse(s) Michele Civetta (m. 2008; eight, Argento published a book of poems.[7] At the age of 14, she ran away from home.[6] div. 2013) In an interview with Filmmaker magazine, she stated that she was agoraphobic while she was writing Scarlet Diva and that she could not leave her Partner(s) Marco Castoldi apartment for months.[8] (2000–2006) Children 2 Argento has mentioned in interviews that she does not have a close relationship with her father.[9][10] She has mentioned that he was absent when she was a child, and has also mentioned that, because of this, she did not have a happy childhood.[8] Regarding her relationship with her father and her reason Parent(s) Dario Argento for acting, she has stated that: Daria Nicolodi Asia Argento and her father Dario at the 1993 Relatives Claudio Argento I never acted out of ambition; I acted to gain my father's attention. It took a long time for him to notice me – I started when I was nine, and Cannes Film Festival (uncle) he only cast me when I was 16. And he only became my father when he was my director. I always thought it was sick to choose looking at yourself on a big screen as your job. There has to be something crooked in your mind to want to be loved by everybody. It's like being a Alfredo Casella prostitute, to share that intimacy with all those people. (maternal great- grandfather) Website asiargento.it (ht Career tp://asiargento.i t/) Asia Argento began to act at the age of nine,[11] when she was cast in a small role in a film by Sergio Citti.[9] When she was 18, she starred in her father's film Trauma (1993).[8] She received the David di Donatello[12] (Italy's version of the Academy Award) for Best Actress in 1994 for her performance in Perdiamoci di vista, and again in 1996 for Compagna di viaggio, which also earned her a Grolla d'oro award. Argento subsequently began to appear in English-language movies, such as B. Monkey and New Rose Hotel (both 1998). Argento also performed in French-language roles, beginning with Charlotte de Sauve La Reine Margot (1994).[8] Around the same time, she made her first foray into directing with the short films Prospettive and A ritroso (both 1994) and a documentary about her father (in 1996) and Abel Ferrara (in 1998).[8] In 2000, Argento directed and wrote her first fiction feature film, Scarlet Diva (2000),[8] which her father co-produced.[8] In a review, Filmmaker magazine called the film "riotously funny" and dubbed Argento "a filmmaker with a great degree of promise."[8] She achieved wider recognition when she portrayed Russian undercover spy Yelena in the Hollywood action film xXx (2002),[13] alongside Vin Diesel.[14] The film grossed $277.4 million and launched Argento to international fame. She directed her second feature film, The Heart Is Deceitful Above All Things (2004), based on a book by JT LeRoy,[10] the pen name of Laura Albert. According to a Paris Review interview with Laura Albert, Argento and Savannah Knoop (who played the role of JT's public persona) became lovers.[15] In addition to her cinematic accomplishments, Argento has written a number of stories for magazines such as Dynamo and L'Espresso, while her first novel, titled I Love You Kirk, was published in Italy in 1999. She has modeled for the denim jeans brand Miss Sixty.[16] She became a fan of the band Hondo Maclean when they wrote a track named after her and liked the track so much that she sent them pictures which they used as the cover of their 2003 album Plans for a Better Day.[17] She appeared in Placebo's music video for "This Picture", and appeared on Placebo frontman Brian Molko's cover version of "Je t'aime... moi non plus". Argento has also starred in Catherine Breillat's period drama The Last Mistress.[18][19] She dubbed the Italian version of the video game Mirror's Edge in the role of the runner Faith Connors, from 2008 to 2009. Argento has been part of the Legendary Tiger Man's project Femina, which was released on 14 September 2009. She is featured on the song "Life Ain't Enough for You", which was released as a single along with the B-side "My stomach is the most violent of all Italy", in which she also contributes vocals.[20] Argento at the 2007 In May 2013, Argento's debut album, entitled Total Entropy, was released by Nuun Music.[21] Toronto International Film Festival In 2014, Argento played supporting role in the British film Shongram, a fictional romantic drama based around the factual and historical events of the 1971 Bangladesh Liberation War.[22][23] Also in 2014, she directed her third feature film, titled Misunderstood (2014), was selected to compete in the Un Certain Regard section at that year's Cannes Film Festival.[24] That year, while promoting the film, Argento stated that she was through with acting and that she had made the decision to focus her energies on writing and directing.[25] Personal life Besides Italian, she speaks fluent English and can also speak French, which she learned for her role in Les Morsures de L'Aube.[8] Her first child, Anna Lou, was born in 2001.[26] Italian rock and roll musician Marco Castoldi (lead singer of Bluvertigo), also known as Morgan, is the father.[7] She named her daughter after her half-sister Anna Ceroli, who died in a motorcycle accident. Argento married film director Michele Civetta on 27 August 2008 in Arezzo. Her second child, Nicola Giovanni, was born in 2008 in Rome. The couple divorced in 2013.[6] She and her children live in Vigna Clara neighborhood of Rome.[11] In early 2017, it was reported by several Italian news sources that Argento was in a relationship with celebrity chef and host of Parts Unknown Anthony Bourdain.[27][28][29] Bourdain died of an apparent suicide in Kaysersberg-Vignoble, Haut-Rhin, France, on 8 June 2018.[30] Harvey Weinstein scandal Argento alleged in an October 2017 New Yorker article by Ronan Farrow that she had been sexually assaulted by Harvey Weinstein in the 1990s. She also said that she had consensual sexual relations with him multiple times over the course of the next five years. She confirmed that a scene in Scarlet Diva where her character is accosted by a movie executive was indeed a reference to Weinstein.[31] Later, Argento stated that the "article did a huge disservice to me and to my truth by simplifying all this," and accused Farrow of "misrepresenting" what happened to her.[32] After being criticised for her account in Italian media and politics, Argento moved to Germany to escape what she described as a culture of "victim blaming" in Italy.[33] Argento at the 2009 Argento delivered a speech on 20 May 2018, following the 2018 Cannes Film Festival, calling the festival Weinstein's "hunting ground", alleging that she was raped by Weinstein in Cannes when she Cannes Film Festival was 21. She added, "And even tonight, sitting among you, there are those who still have to be held accountable for their conduct against women."[34] Alleged sexual assault of Jimmy Bennett On August 19, 2018, an article published in The New York Times detailed allegations that Argento sexually assaulted Jimmy Bennett, a then 17-year-old actor and musician, in a California hotel suite in 2013.[3] By the account Bennett provided in his lawsuit, Argento gave the minor alcohol, performed oral sex on him and engaged him in sexual intercourse.[3] A settlement figure of $380,000 was made.[3] They first met when Bennett played Argento's son in the 2004 film The Heart Is Deceitful Above All Things when Bennett was seven years old.[3] Recognition In 2012, Argento was highlighted in the retrospective Argento: Il Cinema Nel Sangue at the Museum of Arts and Design in New York City.[35] The retrospective celebrated the influence of the Argento family on filmmaking in Italy and around the world.
Recommended publications
  • A New #Metoo Result: Rejecting Notions of Romantic Consent with Executives
    Texas A&M University School of Law Texas A&M Law Scholarship Faculty Scholarship 1-2019 A New #MeToo Result: Rejecting Notions of Romantic Consent with Executives Michael Z. Green Texas A & M University School of Law, [email protected] Follow this and additional works at: https://scholarship.law.tamu.edu/facscholar Part of the Labor and Employment Law Commons Recommended Citation Michael Z. Green, A New #MeToo Result: Rejecting Notions of Romantic Consent with Executives, 23 Emp. Rts. & Emp. Pol'y J. 115 (2019). Available at: https://scholarship.law.tamu.edu/facscholar/1389 This Article is brought to you for free and open access by Texas A&M Law Scholarship. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Texas A&M Law Scholarship. For more information, please contact [email protected]. A NEW #METOO RESULT: REJECTING NOTIONS OF ROMANTIC CONSENT WITH EXECUTIVES BY MICHAEL Z. GREEN* I. INTRODUCTION: #METOO AND THE GROWING DEBATE ON LEGAL CONSENT......................................... ..... 116 II. #METOO AND THE VILE USE OF POWER-DIFFERENTIAL BY EXECUTIVE HARASSERS ........................... ...... 121 III. #METOO BACKLASH AND CLAIMS OF UNCERTAINTY ABOUT WORKPLACE CONSENT ...................................... 126 A. Increasing "Unwelcome" Sexual Harassment Claims as a Result of #MeToo. ........................... ..... 126 B. Resulting Backlash Based on Consent and Unfair Process.......130 C. Dating at Work Being Unnecessarily Regulated........................135 D. Duplicitous Responses Based on Politics ......... ....... 136 E. The Aziz Ansari Experience. .......................... 139 F. Women as the Violators....................... 144 G. Much More Ado Than Should Be Due in the Workplace........... 145 IV. #METoo AND THE BACKBONE TO COME FORWARD DESPITE EXECUTIVE RETALIATION ...............................
    [Show full text]
  • The Rules of #Metoo
    University of Chicago Legal Forum Volume 2019 Article 3 2019 The Rules of #MeToo Jessica A. Clarke Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Part of the Law Commons Recommended Citation Clarke, Jessica A. (2019) "The Rules of #MeToo," University of Chicago Legal Forum: Vol. 2019 , Article 3. Available at: https://chicagounbound.uchicago.edu/uclf/vol2019/iss1/3 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. The Rules of #MeToo Jessica A. Clarke† ABSTRACT Two revelations are central to the meaning of the #MeToo movement. First, sexual harassment and assault are ubiquitous. And second, traditional legal procedures have failed to redress these problems. In the absence of effective formal legal pro- cedures, a set of ad hoc processes have emerged for managing claims of sexual har- assment and assault against persons in high-level positions in business, media, and government. This Article sketches out the features of this informal process, in which journalists expose misconduct and employers, voters, audiences, consumers, or professional organizations are called upon to remove the accused from a position of power. Although this process exists largely in the shadow of the law, it has at- tracted criticisms in a legal register. President Trump tapped into a vein of popular backlash against the #MeToo movement in arguing that it is “a very scary time for young men in America” because “somebody could accuse you of something and you’re automatically guilty.” Yet this is not an apt characterization of #MeToo’s paradigm cases.
    [Show full text]
  • P22 Layout 1
    22 Established 1961 Tuesday, January 22, 2019 Lifestyle Features Russian row over ‘Siege of Leningrad’ black comedy “blasphemous” re-telling of one of the darkest Leningrad to the Nazis in order to save millions of lives?” moments in Soviet history or a much-needed it asked. Acomment on modern Russia? A new comedy set during the Siege of Leningrad has divided the country’s ‘The toughest of times’ This file photo viewers. “Prazdnik” or “Holiday” tells of the Some who lived through the blockade told AFP they shows Italian #MeToo’s Voskresensky family, whose Communist Party connec- were horrified by the concept of the film. “I just can’t actress Asia Argento tions allow them to live a life of luxury in a city encir- imagine that there could be a comedy about the siege,” arriving for the clos- cled by Nazis. During a siege in which some 800,000 said Lidia Ilyinskaya. “I’m 88 years old and I cry every ing ceremony of the people starved to death on official rations of 125 grams 71st edition of the Asia Argento of bread a day, they pile their table high with chicken Cannes Film Festival and champagne to celebrate New Year 1942. in Cannes, southern to model in A slick comedy of manners ensues when the two France. — AFP Voskresensky children bring home unexpected guests, and the family are forced to explain how their table is laid with a festive spread. Award-winning director Alexei Krasovsky Paris fashion show told AFP the film was made to draw attention to inequali- ties and injustices in Russia today, rather than make light of the siege.
    [Show full text]
  • The Me Too Movement
    TOPIC 2018 #metoo The Me Too Movement A PRIZE TO BE AWARDED AT SPEECH NIGHT • Seeking an outstanding essay that addresses Theissues IGS of globalGlobal complexity Scholar’s and significance •Prize Open Winningto students in EssayYears 10, 11 and 12 TOPIC 2018 The Me Too Movement In an environment like Hollywood that places such a high value on sex, the people who possess the most power treat it so casually. But then again, what else could be expected of a society that perpetuates the belief that sex sells? Across the world, outraged women and seen change clearly only see Hollywood. men who refuse to allow their stories to Because while there is more dialogue and be silenced any longer are speaking out conversation about sexual assault and following the #MeToo movement, a mass gender-based violence now than ever global movement sparked by a single before in Western culture, there is little hashtag. And, as to be expected of 21st to no change happening in developing century Western society, the prime focus nations. When we think of #MeToo stories, of this movement seems to be Hollywood. our minds leap to the words of the likes of But amidst the exposure of the grim Taylor Swift and Simone Biles. We do not reality of Hollywood’s not-so-glamorous think of 8-year-old Afisa Bano, an Indian behind the scenes, many of us seem to be girl who was kidnapped, repeatedly raped forgetting those who cannot tell their own then bludgeoned to death in January. We stories, who need our attention the most.
    [Show full text]
  • Newsletter 15/10 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab.
    [Show full text]
  • Simon Boswell
    SIMON BOSWELL SELECTED CREDITS ASHER (2018) JOHNNY FRANK GARRETT’S LAST WORD (2016) FLYTAP (2015) LORD OF ILLUSIONS(1995) HACKERS (1995) SHALLOW GRAVE (1994) BIOGRAPHY 'If you’re a movie fan you’ll certainly know his music: Simon Boswell is one of the UK’s finest living soundtrack composers.' TIME OUT Magazine. Simon has scored films by some of independent cinema’s incredible mavericks such as Danny Boyle’s ‘Shallow Grave’, Alejandro Jodorowsky’s ‘Santa Sangre’, Dario Argento’s ‘Phenomena’, Michael Hoffman’s ‘A Midsummer Night’s Dream’, Alex de la Iglesias’s ‘Perdita Durango’ and Richard Stanley’s ‘Hardware’ and ‘Dust Devil’. Most recently, Simon composed the original score for ‘Asher’ directed by Michael Caton-Jones, starring Ron Perlman. Along the way Simon has garnered many international awards and nominations, including 2 BAFTAs and a Classical Brit Award. After spending several young years in bands such as Advertising and Live Wire, Simon became a highly successful record producer and remixer. In 1982, his production of Italian superstar, Renato Zero, became one of the biggest selling Italian albums of all time, shifting a staggering 6 million copies. Later on his work with 23 Skidoo on 'Coup' evolved into the Chemical Brothers’ 'Block Rockin Beats'. He has also produced, amongst many others, Elton John, Dolly Parton, Marianne Faithful, Andrea Bocelli and Orbital. As a composer he is well known for combining electronic elements with orchestral instruments and his music has ranged vastly in style and tone since the mid 1980s. His work for horror and fantasy cinema is key, especially the Italian giallo films, and flicks like Clive Barker’s detective horror ‘Lord of Illusions’.
    [Show full text]
  • Asia Argento and the Me Too Movement: a Complicated Pairing
    Volume 5, Issue No. 1. Asia Argento and the Me Too Movement: A Complicated Pairing Lauren Flowers Tulane University, New Orleans, Louisiana, USA ÒÏ Abstract: In October 2017, producer Harvey Weinstein, one of the most powerful forces in the entertainment industry, was accused of decades of hidden sexual misconduct by The New Yorker and The New York Times. As a result of the Weinstein accusations, the Me Too movement began on a global scale. The Me Too movement was initially created by activist Tarana Burke in 2006, and then co-opted by actresses Asia Argento, Rose McGowan, and Alyssa Milano in the wake of Weinstein’s accusations. It successfully fought to promote awareness of sexual assault and harassment and connecting victims to resources that would help them heal from their trauma. Then, in August 2018, Asia Argento was publicly accused of sexually assaulting actor Jimmy Bennett five years prior. At the time of the assault, Bennett was 17 years old, and Argento was 37 years old. The two had shared a work relationship for years, with Argento serving as Bennett’s mentor. Suddenly, Argento’s role in the Me Too movement seemed much less clear. How could a movement against sexual misconduct be led by a perpetrator? What did this mean for Argento’s presence as a leader against sexual misconduct? For the greater Me Too movement as a whole? The Me Too Movement’s Origins The Me Too movement was initially founded on MySpace in 2006 by Black activist Tarana Burke. Burke began the use of the phrase “Me Too” to show support for primarily Black women and girls who identified as victims of sexual trauma.
    [Show full text]
  • By Using the Site You Agree to Our Privacy Settings
    ADVERTISEMENT Thursday, Aug 23rd 2018 10AM 26°C 1PM 29°C 5-Day Forecast ADVERTISEMENT Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel Fashion Finder Latest Headlines Royal Family News World News Arts Headlines France Pictures Most read Wires Discounts Login Site Web Enter your search ADVERTISEMENT Like +1 Daily Mail Daily Mail Follow Follow @DailyMail Daily Mail Follow Follow @dailymailuk Daily Mail DON'T MISS Ben Affleck is driven to THIRD rehab stint by ex-wife Jennifer Garner after her intervention... following 'wild week of partying with Playboy model, 22' Simon Cowell receives star on Hollywood Walk of Fame: Music mogul is supported by his talent show protégées Kelly Clarkson and Leona Lewis at ceremony Liam Payne makes cringe-worthy comments about his insatiable desire for sex as he moves on from Cheryl Liam didn't hold back Mel B, 43, boasts a VERY smooth visage as she supports Simon Cowell at Hollywood Walk Of Fame ceremony after £4,000 non- surgical facelift Ben Affleck's Playboy model girlfriend Shauna Sexton flaunts stunning bikini body on Malibu beach... as actor heads back to rehab Why Alan Cumming's Instinct is the crime drama you need in your life AD FEATURE Jennifer Garner visits Ben Affleck's house just a day after he received delivery of bottles in beer box Jennifer still had Ben's best interests in mind +8 Claudia Schiffer, 47, applies sunscreen to her toned frame in a leopard print bikini aboard luxury yacht on the Italian Riviera Inside Billie Faiers' Ibiza hen do: A sizzling bridal CATSUIT, 14 gal pals, an inflatable doll and a resolved feud..
    [Show full text]
  • Un Secolo Di Cinema Firmato Bava – 2003
    UN SECOLO DI CINEMA FIRMATO BAVA di Renato Venturelli La leggenda dei Bava, al cinema, dura ormai da quasi un secolo. Di padre in figlio, di figlio in nipote, è già arrivata alla quarta generazione: prima Eugenio (Francesco) Bava, eccentrica figura di inventore e mago degli effetti speciali fin dagli anni della Belle Epoque poi Mario, geniale direttore della fotografia e regista, oggetto di culto in tutto il mondo; quindi Lamberto, che cominciò lavorando al fianco del padre negli anni Sessanta diventando poi autore cinematografico e televisivo. E adesso Roy, che ha iniziato da qualche anno la sua carriera. Tutto era cominciato all’inizio del Novecento, quando nonno Eugenio (1886-1966) ricevette il primo incarico da parte del cinema: la costruzione di un caminetto per un film Pathé. All’epoca, aveva appena compiuto vent’anni, essendo nato a Sanremo nel 1886, e secondo il figlio Mario era il prototipo dell’artista bohémien. «Cravatta e fiocco rivoluzionario, basco alla Raffaello) era un artista - disse in un famoso intervento del 1976- era pittore, scultore,fotografo, chimico, elettricista, medium, inventore; perse anni a studiare il moto perpetuo. Verso il 1908 per una succosa storia, purtroppo troppo lunga da raccontare, conobbe il cinema. Si “incimiciò”, dette un calcio al passato, e si gettò a capofitto nella Nuova Arte, diventando operatore: all’epoca non si diceva direttore della fotografia.. «E non si chiamava nemmeno Eugenio — aggiunge Lamberto— ma Francesco: è il nome scritto anche sulla sua tomba». Negli anni Dieci, il capostipite dei Bava lavorò nella sua città, fondando anche la “San Remo Film”, poi passò all’Ambrosio di Torino, quindi si stabilì a Roma, responsabile del Reparto Animazione e Trucchi dell’istituto Luce, escogitando trucchi ed effetti speciali fin quasi alla morte, avvenuta nel 1966,quando aveva ottant’anni.
    [Show full text]
  • Now in It's 30 Year 25Th
    Now in it’s 30th Year 25th - 27th October 2019 Welcome to the third progress report for the thirtieth festival. We are pleased add another two guests have confirmed that can attend to complete the line-up for the festival. It just keeps getting better. How are you going to fit it all in? Writer/Director/Special Dez Skinn, Effects and Make-up Publisher— back by Design supremo popular request to Sergio Stivaletti finish the stories he started last year. Help us celebrate the past thirty years by sharing your memories of festivals past. Send us your photographs and tell us what you remember. We hope to include some of these in the festival programme book. Guests The following guests have confirmed that they can attend (subject to work commitments). Lawrence Deirdre Giannetto Janina Gordon Clark Costello De Rossi Faye Dana Pauline Norman J. Gillespie Peart Warren 1 A message from the 3 Festival’s Chairman 2010 As we approach Festival number 30 - one of the best 2011 things we can look forward to is getting to see a lot of faces who have been around for at least 20 or more years, who, like me, are beginning to show that it isn’t just films that age. 2012 It has been a hard task to find new guests but we managed it again this year – in fact we have some real quality guests in both the acting profession and the 2013 behind-the-screen work. When I, Tony, Harry and Dave Trengove started this event we were thinking it might continue for about 5 2014 years - not 30! So I would like to say that the success of the event, has been firmly in the hands of those mentioned and several other persons (some unfortunately no longer with us).
    [Show full text]
  • Me Too Speciale
    Jeyakumar & Vad 1 Abstract In October 2017, the Me Too movement, originally founded in 2006 by Tarana Burke with the goal of ending sexual violence and helping survivors heal, reemerged in the wake of the sexual abuse allegations against Harvey Weinstein. The ‘Me Too’ phrase became a viral hashtag, and Me Too has since become a global phenomenon, which opened up a conversation about sexual violence around the world. The movement has been widely covered in the media, and the aim of this MA- thesis is to get a better understanding of how the media has reacted to it and perceived it, and how this has affected the movement. This MA-thesis revolves around the representation of the movement in four American news outlets: CNN, Fox News, The New York Times, and Breitbart News. The MA-thesis examines the following research question: How do these news outlets represent/frame the Me Too movement, and what effect does this have on the perception of it and the discourse surrounding sexual abuse? The data analyzed in this MA-thesis consist of news articles from four major American news outlets in order to get an idea about how the movement was represented in American media overall, rather than in just one news outlet. The four news outlets were selected on the basis of their different news profiles and thus on the assumption that each news outlet has a distinct way of covering news, which would allow us to compare them with each other. The MA-thesis employs two theories in a qualitative analysis of the news articles: Norman Fairclough’s critical discourse analysis (CDA) and Theo van Leeuwen’s theory of social actor representation.
    [Show full text]
  • 1Rassegna-Stampa-ASTRIDS-SAINTS-Jan2018-Compressed.Pdf
    GIFFONI FILM FESTIVAL programmato dal 17 al 26 luglio dell’anno che verrà, in attesa che il know-how salernitano sia L’EDIZIONE 2015 NEL NOME DI ROBIN WILLIAMS esportato in Macedonia dall’8 all’11 ottobre. Per la 45esima edizione di Giffoni Experience ,la Una gara su Facebook per decretare il tema del Giffoni Experience 2015 e, community era stata chiamata a scegliere tra alcuni concetti (Freedom, Beauty, Re-volution, dedicando idealmente un ricordo all’attore Robin Williams (foto), morto Imagination), e ha prevalso quello che diventò lo slogan del film “L’attimo fuggente”. «Carpe improvvisamente in estate, i fan del festival diretto da Claudio Gubitosi hanno diem è un’idea che sposiamo in pieno — spiega Gubitosi — è essenzialmente un invito che IX deciso: sarà “Carpe diem”. Il proposito di Orazio sul non trascurare l’istante, facciamo ai giovani affinché rendano straordinaria la propria vita. Senza rimandare quello che si cogliendo l’attimo e accogliendo il destino, si fa emblema dell’appuntamento può fare subito con passione e coraggio». (g. v.) L’AUTORE/MARIANO BAINO voro incrocia la sua città d’origi- ne: «Ho vissuto a Napoli l’infan- zia e l’adolescenza. Ho studiato al liceo Genovesi e, come tutti, amavo il centro storico. Ma in Una metropoli dark questo breve soggiorno ho risco- perto luoghi straordinari, tra pa- lazzi e antiche chiese, profili ideali per il nostro nasconde il mistero film». “Astrid’s Saints”, la cui tra- ma precisa non è ancora stata svela- ta, sarà una co-pro- di “Astrid’s Saints” duzione e verrà gi- rato interamente in inglese.
    [Show full text]