Production Biographies Moira Walley-Beckett
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Pontificia Universidad Católica Del Ecuador Facultad De Comunicación, Lingüística Y Literatura Escuela De Comunicación
PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR FACULTAD DE COMUNICACIÓN, LINGÜÍSTICA Y LITERATURA ESCUELA DE COMUNICACIÓN DISERTACIÓN PREVIA A LA OBTENCIÓN DEL TÍTULO DE LICENCIATURA EN COMUNICACIÓN CON MENCIÓN EN PERIODISMO PARA PRENSA, RADIO Y TELEVISIÓN ANÁLISIS NARRATIVO DE LA FIGURA DEL ANTIHÉROE EN LA SERIE BREAKING BAD AUTOR: CHRISTIAN ALEJANDRO DÍAZ FLORES DIRECTOR: MSG. CARLOS AULESTIA QUITO, 2018 Agradecimientos A mis padres, por su constante esfuerzo y por ser la guía de mi vida. A mi hermana, por bancarme siempre. A mis amigos, por compartir este viaje. A Carlos Aulestia, por la confianza. 1 ÍNDICE Agradecimientos ............................................................................................................. 1 Introducción .................................................................................................................... 4 Capítulo 1: ....................................................................................................................... 6 Nociones básicas del antihéroe ...................................................................................... 6 1. ¿Qué es un antihéroe? ........................................................................................ 6 1.1.Construcción del personaje .......................................................................... 9 2. Antecedentes de la representación del antihéroe en TV .................................. 11 2.1.Nueva narrativa en la televisión ................................................................. 11 2.2.Los -
AANE Journal for Donors & Members of the Asperger's Association of New England
AANE JOURNAL For Donors & Members of the Asperger's Association of New England Issue 6 Spring 2010 CONGRATULATIONS COLBY! Colby Shea- Perkins, a 14 year old with Aspeger’s Syndrome (AS) who attends Cape Elizabeth Middle School in Maine, has been recognized in a national competition for his painting Lazy Dog (to the left).He is one of 51 artists whose artwork was select- ed from over 5,500 submissions to represent his or her state in the All Kids Can...CREATE! exhibit. The exhibit will debut in Wash- ington, DC before embarking on Lazy Dog by Colby Shea-Perkins a two-year tour of children’s mu- seums across the country. Colby has won an all-expenses-paid trip to DC for a reception in celebra- tion of the opening. The exhibit is part of a na- tional campaign sponsored by VSA arts and the CVS Caremark All Kids Can program to encour- age inclusive arts education and increase public awareness of the arts in the lives and learning of Above: Colby standing next to his artwork at young people with disabilities. It the exhibit in Union Station in Washington, DC. will also be featured in the 2010 Left: Colby in front of the reflecting pool and International Very Special Art- the Washington Monument. ists (VSA) Festival, the largest Feel free to take a look at the festival celebration of arts and disability website for more information: http:// in the world. www.kennedy-center.org/programs/festi- vals/09-10/vsa/ Cover: William Mironchuk proudly holding his Swimmer Buddy Tag. -
2017 Sundance Film Festival Adds Four Films
FOR IMMEDIATE RELEASE Media Contact: December 14, 2016 Spencer Alcorn 310.360.1981 [email protected] BUT WAIT, THERE’S MORE! 2017 Sundance Film Festival Adds Four Films Two Documentary Premieres, Two From The Collection (L-R) Long Strange Trip, Credit: Andrew Kent; Reservoir Dogs, Courtesy of Sundance Institute; Bending The Arc, Courtesy of Sundance Institute; Desert Hearts, Courtesy of Sundance Institute. Park City, UT — Rounding out an already robust slate of new independent work, Sundance Institute adds two Documentary Premieres and two archive From The Collection films to the 2017 Sundance Film Festival. Screenings take place in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29. Documentary Premieres Bending the Arc and Long Strange Trip join archive films Desert Hearts and Reservoir Dogs, which premiered at the Sundance Film Festival in 1986 and 1992, respectively. The archive films are selections from the Sundance Institute Collection at UCLA, a joint venture between UCLA Film & Television Archive and Sundance Institute. The Collection, established in 1997, has grown to over 4,000 holdings representing nearly 2,300 titles, and is specifically devoted to the preservation of independent documentaries, narratives and short films supported by Sundance Institute, including Paris is Burning, El Mariachi, Winter’s Bone, Johnny Suede, Working Girls, Crumb, Groove, Better This World, The Oath and Paris, Texas. Titles are generously donated by individual filmmakers, distributors and studios. With these additions, the 2017 Festival will present 118 feature-length films, representing 32 countries and 37 first-time filmmakers, including 20 in competition. These films were selected from 13,782 submissions including 4,068 feature-length films and 8,985 short films. -
Photograph by Candace Dicarlo
60 MAY | JUNE 2013 THE PENNSYLVANIA GAZETTE PHOTOGRAPH BY CANDACE DICARLO Showtime CEO Matt Blank has used boundary-pushing programming, cutting-edge marketing, and smart management to build his cable network into a national powerhouse. By Susan Karlin SUBVERSIVE PRACTICALLY PRACTICALLY THE PENNSYLVANIA GAZETTE MAY | JUNE 2013 61 seems too … normal. “Matt runs the company in a very col- Showtime, Blank is involved with numer- This slim, understated, affa- legial way—he sets a tone among top man- ous media and non-profit organizations, Heble man speaking in tight, agers of cooperation, congeniality, and serving on the directing boards of the corporate phrases—monetizing the brand, loose boundaries that really works in a National Cable Television Association high-impact environments—this can’t be creative business,” says David Nevins, and The Cable Center, an industry edu- the guy whose whimsical vision has Showtime’s president of entertainment. cational arm. Then there are the frequent turned Weeds’ pot-dealing suburban “It helps create a sense of, ‘That’s a club trips to Los Angeles. mom, Dexter’s vigilante serial killer, and that I want to belong to.’ He stays focused “I’m an active person,” he adds. “I like Homeland’s bipolar CIA agent into TV on the big picture, maintaining the integ- a long day with a lot of different things heroes. Can it? rity of the brand and growing its exposure. going on. I think if I sat in a room and did Yet Matt Blank W’72, the CEO of Showtime, Matt is very savvy at this combination of one thing all day, I’d get frustrated.” has more in common with his network than programming and marketing that keeps his conventional appearance suggests. -
A Producer's Handbook
DEVELOPMENT AND OTHER CHALLENGES A PRODUCER’S HANDBOOK by Kathy Avrich-Johnson Edited by Daphne Park Rehdner Summer 2002 Introduction and Disclaimer This handbook addresses business issues and considerations related to certain aspects of the production process, namely development and the acquisition of rights, producer relationships and low budget production. There is no neat title that encompasses these topics but what ties them together is that they are all areas that present particular challenges to emerging producers. In the course of researching this book, the issues that came up repeatedly are those that arise at the earlier stages of the production process or at the earlier stages of the producer’s career. If not properly addressed these will be certain to bite you in the end. There is more discussion of various considerations than in Canadian Production Finance: A Producer’s Handbook due to the nature of the topics. I have sought not to replicate any of the material covered in that book. What I have sought to provide is practical guidance through some tricky territory. There are often as many different agreements and approaches to many of the topics discussed as there are producers and no two productions are the same. The content of this handbook is designed for informational purposes only. It is by no means a comprehensive statement of available options, information, resources or alternatives related to Canadian development and production. The content does not purport to provide legal or accounting advice and must not be construed as doing so. The information contained in this handbook is not intended to substitute for informed, specific professional advice. -
JWO Vol. 17 Corrected.Indd
28 Merlyn Q. Sell How Shakespeare Lost the American West Merlyn Q. Sell Independent Scholar hakespeare was among the first European settlers in the American West. He first hitched rides in the packs of fur S traders in the 1830’s and then stuck around, hanging out through the cattle drives of the 1890s. Considering Shakespeare’s large role in the Wild West of history, his absence from the Wild West of popular culture is glaring. While fictions of the Wild West are not beholden to the facts, the reasons a particular fictitious narrative has dominated the genre deserves interrogation—particularly when that narrative forms a cornerstone of national identity. A key reason for Shakespeare’s disappearance, or erasure, from the myth of the Wild West is his association with upper-class women and their civic reforms. As the “wildness” of the west became idealized, Shakespeare was remembered as a sign of refinement and his wilder and woollier past forgotten. In the mining camps of the West the same pattern emerged time and again. Shakespeare was an integrated part of these rough and rowdy communities from the start. His works were performed alongside variety acts, circuses, and boxing 1 matches for a mostly working class, mostly male audience. Journal of the Wooden O. Vol 16, 28-37 © Southern Utah University Press ISSN: 1539-5758 How Shakespeare Lost the American West 29 As railroads linked these once isolated communities to the trends of the East, Shakespeare’s place within the community transformed. Older versions of Shakespeare performance were not suitable for the changing demographics as cities once dominated by single males saw an influx of women and families.2 While women did not introduce Shakespeare to Western communities, they did employ him in different ways. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Global Zero's Plan Has Shown the Direction to Be Travelled; the World's Leaders Must Now Start Moving
Global Zero’s plan has shown the direction“ to be travelled; the world’s leaders must now start moving. Financial Times, June 22, 2011” LONDON — June 21-23, 100 eminent international lead- ers and experts convened for the Global Zero Summit in London where they called on the heads of nuclear pow- ers to hold a Nuclear Weapons Summit to launch the first in history multilateral nuclear arms negotiations, and announced an international grassroots campaign Amb. Wolfgang Ischinger addressing the Summit focusing on the $1 trillion per decade cost of nuclear along with Amb. Nabil Fahmy and Amb. Mahmud Durrani. arsenals. President Barack Obama, President Dmitry Medvedev, Prime Minister David Cameron, Prime Minister Manmo- han Singh and UN Secretary-General Ban Ki-moon sent statements of support, with Obama declaring, “I want each of you to know that Global Zero continues to have a partner in my Administration and that we will never wa- ver in pursuit of a world free of nuclear weapons.” Global Zero issued its groundbreaking report that world spending on nuclear arsenals will top $1 tril- lion over the next decade, and launched an interactive petition (cutnukes.org) calling on governments to cut Her Majesty Queen Noor and Mr. Lawrence Bender nuclear weapons instead of education, health care and at the UK premiere of Countdown to Zero. other essentials. GLOBAL ZERO SUMMIT | LONDON | JUNE 21-23, 2011 The petition launch was promoted via social me- dia by former IAEA Director-General Dr. Mo- hamed ElBaradei, Sir Richard Branson, actor Ashton Kutcher, Greenpeace USA and many other individuals and groups. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
May 28, 2000 Hometownnewspapers.Net 75¢ Votume 35 Numeer 103 Westland
lomeTbwn COMMUNICATIONS NETWORK lUestlanu (Dbseruer * ' » W Your hometown newspaper serving Westland for 35 years Sunday, May 28, 2000 hometownnewspapers.net 75¢ Votume 35 Numeer 103 Westland. Michigan OC000 HomeTown Communications Network™ DEAR READERS: On Thursday, June 1, a new At Home section will debut in your Chi Id's death nets 13-25 years Weatlahd Observer. The new sec tion ii a broadsheet like the Assistant Wayne County Prosecutor viction. With 18 months served, his other section* in your Home- A local man has been imprisoned for the beat Jerry Dorsey IV said. sentence means that he could be Town Observer. This means ing death of a 3-year-oid child. The boy died A defense attorney had argued after released from prison before he is 40 more local news about garden from injuries supposedly inflicted because the the boy's death that Cobb didn't mean years old. •••••*•' ing, home decorating, home child urinated on a living room floor. to hurt the toddler when he hit him for Cobb was accused of beating Darius improvement and landscaping. urinating on a living room floor. Police while the boy's mother was at wofjt. Many features that our readers described Cobb as a 6-foot-1, 275-pound Somerset compared the toddler's look forward to each week such BYDABKELLCLEM ond-degree murder, man. injuries to those he would have suf as "The Appliance Doctor" and STAFF WROTE Cobb admitted killing toddler Darius dcIein00c.hoDiecomm.net fered by falling from a two- or three- "Marketplace" continue. Deshawn Conaway by beating him The force of the blow was enough to story building. -
Updated Final 2021 ABC GLL Sponsor Packet
2021 Gourmet Lunchbox Lunch ABC of NC is excited to present its 14th Tuesday, September 21, 2021 Annual Gourmet Lunchbox Lunch! This 11:30 AM - 1:00 PM year, we are delighted to be back at the Millennium Center in Winston-Salem and Millennium Center are celebrating the ability to hold the 101 West 5th Street event in person once again. Winston-Salem, NC Event Profile ABC of NC’s annual lunch invites the community to learn about ABC of NC while enjoying a delicious lunch in a reusable, take-home lunchbox and watching a presentation of first- hand stories from families who have benefited from the life-changing treatments at ABC of NC. Guests also hear from notable keynote speakers such as Dr. Maya Angelou (2013); Jason Katims, creator and executive producer of the hit television show Parenthood (2015); and Doug Flutie, football great and autism parent (2016) who share their experiences with autism. Past events have attracted over 500 attendees. This year, ABC of NC will expand the reach of the event by streaming the presentation and posting the recording to our website and social media. Your support is more critical than ever as our non-profit organization recovers from the effects of COVID-19. Keynote Speaker This year’s speaker, Dani Bowman, has worked professionally in the animation industry since age 14. She has produced nine award-winning animated short films, a PSA, and a music video. Dani utilizes her six passions of Animation, Autism Advocacy, Public Speaking, Illustration, Fine and Visual Arts, and Teaching to show young adults with autism and other disabilities that anything is possible and inspire them to leverage their unique abilities. -
Social Psychology
Social Psychology OUTLINE OF RESOURCES Introducing Social Psychology Lecture/Discussion Topic: Social Psychology’s Most Important Lessons (p. 853) Social Thinking The Fundamental Attribution Error Lecture/Discussion Topic: Attribution and Models of Helping (p. 856) Classroom Exercises: The Fundamental Attribution Error (p. 854) Students’ Perceptions of You (p. 855) Classroom Exercise/Critical Thinking Break: Biases in Explaining Events (p. 855) NEW Feature (Short) Film: The Lunch Date (p. 856) Worth Video Anthology: The Actor-Observer Difference in Attribution: Observe a Riot in Action* Attitudes and Actions Lecture/Discussion Topics: The Looking Glass Effect (p. 856) The Theory of Reasoned Action (p. 857) Actions Influence Attitudes (p. 857) The Justification of Effort (p. 858) Self-Persuasion (p. 859) Revisiting the Stanford Prison Experiment (p. 859) Abu Ghraib Prison and Social Psychology (p. 860) Classroom Exercise: Introducing Cognitive Dissonance Theory (p. 858) Worth Video Anthology: Zimbardo’s Stanford Prison Experiment* The Stanford Prison Experiment: The Power of the Situation* Social Influence Conformity: Complying With Social Pressures Lecture/Discussion Topics: Mimicry and Prosocial Behavior (p. 861) Social Exclusion and Mimicry (p. 861) The Seattle Windshield Pitting Epidemic (p. 862) Classroom Exercises: Suggestibility (p. 862) Social Influence (p. 863) Student Project: Violating a Social Norm (p. 863) Worth Video Anthology: Social Influence* NEW Liking and Imitation: The Sincerest Form of Flattery* Obedience: Following Orders Lecture/Discussion Topic: Obedience in Everyday Life (p. 865) Classroom Exercises: Obedience and Conformity (p. 864) Would You Obey? (p. 864) Wolves or Sheep? (p. 866) * Titles in the Worth Video Anthology are not described within the core resource unit.