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The River of Lost Souls Life and Death on the Animas by Jonathan Thompson May 28, 2018 | $5 | Vol
REBEL YELL | POT’S FUTURE | WATER BOTTLE BATTLE High Country ForN people whoews care about the West The River of Lost Souls Life and death on the Animas By Jonathan Thompson May 28, 2018 | $5 | Vol. 50 No. 9 | www.hcn.org 50 No. | $5 Vol. 28, 2018 May CONTENTS Editor’s note The scarred and the scenic Every summer, readers stop by Paonia for a tour of High Country News’ headquarters. And like everyone else who sets out to explore the West, they always ask: What’s there to see around here? The usual response is to send them to our beauty spots — the clear, trout-filled lakes atop 10,000-foot Grand Mesa; the immense aspen for- est between here and the cute-as-a-button ski town of Crested Butte; the vertiginous chasm at Black Canyon of the Gunnison National Park; even the patio of a local winery with a spectacular view of the West Elk Mountains. But as publisher of a publication whose journalists cover the region’s most difficult environ- mental and social issues, I can’t help but encourage people to peek behind the beautiful scenery. “You should check out the dismantled coal mine owned by a billionaire in the town of Somerset,” I tell them. “Also the reservoir built by the Bureau of Reclamation, which is already a third filled with silt from the aptly named Muddy Creek. And don’t miss Sylas Garippo, age 3, plays on the bank of the Animas River at Santa Rita Park in Durango, Colorado, several days the freshly cut stump of the Ute Council Tree in Delta, after the spill at the Gold King Mine in August 2015. -
K O R E a N C in E M a 2 0
KOREAN CINEMA 2006 www.kofic.or.kr/english Korean Cinema 2006 Contents FOREWORD 04 KOREAN FILMS IN 2006 AND 2007 05 Acknowledgements KOREAN FILM COUNCIL 12 PUBLISHER FEATURE FILMS AN Cheong-sook Fiction 22 Chairperson Korean Film Council Documentary 294 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Animation 336 EDITOR-IN-CHIEF Daniel D. H. PARK Director of International Promotion SHORT FILMS Fiction 344 EDITORS Documentary 431 JUNG Hyun-chang, YANG You-jeong Animation 436 COLLABORATORS Darcy Paquet, Earl Jackson, KANG Byung-woon FILMS IN PRODUCTION CONTRIBUTING WRITER Fiction 470 LEE Jong-do Film image, stills and part of film information are provided by directors, producers, production & sales companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF APPENDIX (Pusan International Film Festival), SIFF (Seoul Independent Film Festival), Women’s Film Festival Statistics 494 in Seoul, Puchon International Fantastic Film Festival, Seoul International Youth Film Festival, Index of 2006 films 502 Asiana International Short Film Festival, and Experimental Film and Video Festival in Seoul. KOFIC appreciates their help and cooperation. Contacts 517 © Korean Film Council 2006 Foreword For the Korean film industry, the year 2006 began with LEE Joon-ik's <King and the Clown> - The Korean Film Council is striving to secure the continuous growth of Korean cinema and to released at the end of 2005 - and expanded with BONG Joon-ho's <The Host> in July. First, <King provide steadfast support to Korean filmmakers. This year, new projects of note include new and the Clown> broke the all-time box office record set by <Taegukgi> in 2004, attracting a record international support programs such as the ‘Filmmakers Development Lab’ and the ‘Business R&D breaking 12 million viewers at the box office over a three month run. -
DEN ALLVARSAMMA LEKEN Om World of Warcraft Och Läckaget
DEN ALLVARSAMMA LEKEN Om World of Warcraft och läckaget Peder Stenberg Institution för kultur- och medievetenskaper Umeå 2011 Etnologiska skrifter 55 Institutionen för kultur- och medievetenskaper Umeå universitet Responsible publisher under swedish law: the Dean of the Faculty of Humanities Responsible publisher under swedish law: the Dean of the Medical Faculty ThisISBN: work 978 is -protected91-7459- 178by the-1 Swedish Copyright Legislation (Act 1960:729) ISSN: 1103-6516 Etnologiska skrifter ISBN: 12-1234-123-1 Layout: Frans Enmark ISSN:Elektronisk 1234-1234 version tillgänglig på http://umu.diva-portal.org/ Tryck/Printed by: Print & Media. Elektronisk version tillgänglig på http://umu.diva-portal.org/ Tryck/PrintedUmeå, Sverige by: Print 2011 & Media Umeå, Sverige 2011 TACK! Tack till alla er som gjort denna avhandling möjlig: min handledare Alf Arvidsson, min bihandledare Billy Ehn, alla vänner från World of Warcraft, Elin, Julian, Frans, Erik, Elza, Anders, mamma, pappa, Deportees, Jonas, Mattias och alla ni andra som stått ut med mitt ständiga tal om virtuella världar. Jag vill också rikta ett stort tack till alla fantastiska kollegor på institutionen. i INNEHÅLL 1. INLEDNING 1 SYFTE 3 ATT VÄLJA EMPIRI FÖR ONLINEROLLSPEL SOM FORSKNINGSFÄLT 4 METODOLOGISKA PROBLEM OCH REFLEXIVITET 7 AVGRÄNSNING AV MATERIAL OCH ETISKA ÖVERVÄGANDEN 10 OM FORSKARENS FÖRSTA MÖTE MED ETT EXKLUDERANDE FÄLT 12 DEN EXPLICITA FORSKARROLLEN 16 WORLD OF WARCRAFT 2005-2010 17 FORSKNINGSSAMMANHANG 19 DISPOSITION 21 2. OM ONLINEROLLSPELENS FORMELLA BESKAFFENHET 22 SPELET 22 Onlinerollspelen och dess historia 22 Om plats och geografi 24 Den användbara estetiken 25 Datorn och drömmen om den genomskinliga tekniken 27 Narrativ, ontologi och kosmologi 28 Om de sociala nätverken 30 Spelar man eller leker man? 31 OM SKAPANDET AV EN AVATAR 33 Val av genus och virtuellt förkroppsligande 34 Att välja sida i World of Warcraft 35 Om server och dess betydelse 39 Att välja namn 40 Jag och mina avatarer 43 3. -
Notes Toward an Archaeology of Hallyu
Volume 15 | Issue 14 | Number 4 | Article ID 5056 | Jul 15, 2017 The Asia-Pacific Journal | Japan Focus Notes Toward an Archaeology of Hallyu Mark Morris Abstract The first consciousness that a new Korean cultural wave –hallyu-- was in motion began to take shape in different forms and at different times in the rest of East Asia. It was the craze for Korean TV drama that represented a sudden apparition of something new from South Korea. Before long, however, this wave grew bigger and far more complex than anyone might have predicted, including Korean pop music and films, animation, online games, smartphones, fashion, cosmetics, etc. There have been resistances to this inundation notably in Japan, a country where several earlier mini-hallyu now seem long forgotten. Keywords Hallyu, tv drama, Korean pop, manga, film I want our nation to be the most beautiful in the world. By this I do not mean the most powerful nation. The only thing that I desire Kim Ku, 1876–1949 in infinite quantity is the power of a noble culture. This is because the power of culture both makes us happy and gives happiness to Kim Ku (1876-1949), in this rightly famous call others. to culture published not too long before his violent death, went on to articulate a vision of a Kim Ku, Baekbeom ilji (1947) Korea in which Koreans would not only be free for the first time in a long while to be Korean, Introduction but would as well project their culture out into the world. As he put it: ‘I wish our country to be not one that imitates others, but rather the source, goal, and model of this new and advanced culture. -
Kim Sujin and the Shinjuku Ryozanpaku
Carleton College Carleton Digital Commons Faculty Work Asian Studies 2009 The Avant-garde and Resident Korean Film-making: Kim Sujin and the Shinjuku Ryozanpaku Noboru Tomonari Carleton College Follow this and additional works at: https://digitalcommons.carleton.edu/asst_faculty Part of the Japanese Studies Commons Recommended Citation Tomonari, Noboru. "The Avant-garde and Resident Korean Film-making: Kim Sujin and the Shinjuku Ryozanpaku." Journal of Japanese & Korean Cinema, Journal of Japanese & Korean Cinema, 1, no.1 (2009): 65-81. Accessed via Faculty Work. Asian Studies. Carleton Digital Commons. https://digitalcommons.carleton.edu/asst_faculty/1 This Article is brought to you for free and open access by the Asian Studies at Carleton Digital Commons. It has been accepted for inclusion in Faculty Work by an authorized administrator of Carleton Digital Commons. For more information, please contact [email protected]. Journal of Japanese and Korean Cinema Volume 1 Number 1 © 2009 Intellect Ltd Article. English language. doi: 10.1386/jjkc.1.1.65/1 The avant-garde and resident Korean film-making: Kim Sujin and the Shinjuku Ryozanpaku Noboru Tomonari Carleton College Abstract Keywords The plays and films of Kim Sujin (1954– ) and his company Shinjuku Koreans in Japan Ryozanpaku attest to the variety of styles employed in recent works by resident Japanese cinema Korean artists in Japanese literature and theatre. The appearance of his plays Japanese theatre and films is connected to the changing identities of resident Koreans, especially Kim Sujin since the 1980s. Kim makes use of political theatre performances of the earlier Shinjuku Ryozanpaku period to magnify and to remake into art the experiences of resident Koreans in Japan. -
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema by Alexander McAulay Submitted in partial fulfillment of the requirements for a Doctor of Philosophy Faculty of Media and Communication Bournemouth University May 2017 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 2 Alexander McAulay The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema Abstract This PhD investigates the writing of a feature film screenplay for mainstream Japanese-language cinema by a British screenwriter. As a long-term resident of Japan with production credits in Japanese cinema, I have for many years been interested in how to write stories set in Japan that will appeal to domestic and international audiences. The study examines the challenges I face as a Western screenwriter writing a screenplay for Japanese cinema, and how those challenges inform my creative practice, bringing into being a screenplay that is intended to enhance screenwriting craft in mainstream Japanese cinema and provide new knowledge to transnational cinema and screenwriting research. The critical commentary that accompanies the screenplay takes a dialogic approach in practice-led research to explore how various issues emerge for the Western screenwriter in Japanese cinema. These problems are examined with regard to relevant theory, and contextualised in considerations of various films in Japanese-language cinema written by non-Japanese screenwriters. One salient issue is the application of the Hollywood ‘universal’ model of screenwriting to stories about Japan. -
Mud Connector
Archive-name: mudlist.doc /_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ /_/_/_/_/ THE /_/_/_/_/ /_/_/ MUD CONNECTOR /_/_/ /_/_/_/_/ MUD LIST /_/_/_/_/ /_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ o=======================================================================o The Mud Connector is (c) copyright (1994 - 96) by Andrew Cowan, an associate of GlobalMedia Design Inc. This mudlist may be reprinted as long as 1) it appears in its entirety, you may not strip out bits and pieces 2) the entire header appears with the list intact. Many thanks go out to the mud administrators who helped to make this list possible, without them there is little chance this list would exist! o=======================================================================o This list is presented strictly in alphabetical order. Each mud listing contains: The mud name, The code base used, the telnet address of the mud (unless circumstances prevent this), the homepage url (if a homepage exists) and a description submitted by a member of the mud's administration or a person approved to make the submission. All listings derived from the Mud Connector WWW site http://www.mudconnect.com/ You can contact the Mud Connector staff at [email protected]. [NOTE: This list was computer-generated, Please report bugs/typos] o=======================================================================o Last Updated: June 8th, 1997 TOTAL MUDS LISTED: 808 o=======================================================================o o=======================================================================o Muds Beginning With: A o=======================================================================o Mud : Aacena: The Fatal Promise Code Base : Envy 2.0 Telnet : mud.usacomputers.com 6969 [204.215.32.27] WWW : None Description : Aacena: The Fatal Promise: Come here if you like: Clan Wars, PKilling, Role Playing, Friendly but Fair Imms, in depth quests, Colour, Multiclassing*, Original Areas*, Tweaked up code, and MORE! *On the way in The Fatal Promise is a small mud but is growing in size and player base. -
Download the Program, I Want to Point out That There's a Slightly Updated Version At
RPG REVIEW Issue #21, June 2013 Roleplaying and Computers Code of Cthulhu … Representation of Roleplaying in Computers and Computers in Roleplaying … PHP Scripts for Tabletop Roleplaying … Dice Are Dead … Star Frontiers Programming … Star Wars Edge of Empire Review … PAX Aus Review … Final Fantasy MMORPG Reviews… “Rand” For Brainstorming ... Computers in the Future … AIs and Allies Game ... Mutants and Masterminds PC/NPC … Industry News … Industry News … Oblivion Movie Review … World War Z Movie Review 1 RPG REVIEW ISSUE TWENTY ONE September 2013 Table of Contents Administrivia, Editorial, Letters many contributors p2-3 Hot Gossip: Industry News by Wu Mingshi p4 Code of Cthulhu by David Cameron Staples p5-7 The Representation of Computers in Roleplaying Games by Lev Lafayette p8-11 The Representation of Roleplaying in Computer Games by Lev Lafayette p12-14 PHP Scripts for the Tabletop by Lev Lafayette p15-16 The Dice Are Dead! by Karl Brown p17-18 PAX Aus Review by Sara Hanson p19-23 Final Fantasy MMORPs by Damien Bosman p24-26 On First Read: Star Wars: Edge of the Empire by Aaron McLin p27-28 Using "Rand" for Brainstorming by Jim Vassilakos p29-37 Computers in Futuristic RPGS by Jim Vassilakos p38-42 AIs & Allies by Jim Vassilakos p43-49 Programming Languages in the Star Frontiers Game by Thomas Verreault p50-52 Computers, Roleplaying and My Experience by Julian Dellar p53-54 Black-6 : A PC/NPCs For M&M by Karl Brown p55-58 Oblivion Movie Review by Andrew Moshos p59-61 World War Z Movie Review by Andrew Moshos p61-63 Next Issue by many people p64 ADMINISTRIVIA RPG Review is a quarterly online magazine which will be available in print version at some stage. -
Morvern Callar Likes Brutal
Anchor Books A Division of RandomHouse, Inc. New York Nan Warner FIRST ANCHOR BOOKS EDITION, MARCH 1997 Copyright© 1995 by AlanWarner Allrights reservedunder Internationaland Pan-American Copyright Conventions. Published in the United States by Anchor Books, a division of Random House, Inc., New York. Originally published in hardcover in the United Kingdom in 1995 by Jonathan Cape Random House. The Anchor Books edition is published by arrangement with Jonathan Cape. Anchor Books and colophon are registered trademarks of Random House, Inc. This is a work of fiction. Names, characters, places and incidents are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental. Library of Congress Cataloging-in-Publication Data Warner,Alan. Movern CallarI Alan Warner.-1st Anchor Books ed. p. em. I. Ticle. PR6073.A7227M67 1997 823'.914-<lc20 96-23398 CIP ISBN 0-385-48741-X Book design by F. ]. Levine www. anchorbooks.com Printed in the United States of America 10 9 8 7 6 his novel: fo r Heather Black, for Holger Czukay and Peter TBrotzmann. For Duncan McLean and remembering G. Cunningham (1965-1989). Acknowledgements Thanks to everyone who has helped me, especially Patsy and Frank Warner, and Cairns Leslie. Some portions of this novel first appeared in Northwards magazine. r Clay in the same hesitating manner told him that he had Min mind books and accounts, not of deals and bargains, but of other things which people at times had put down, and which other people did at times read. The clerk reflected on this matter and repeated, no, he had never heard of such books. -
Short Stories Michael Botur
Spitshine Short Stories Michael Botur 1 Michael Botur. Spitshine. ‘Zero The Hero’ – first published in Rem #1, 2010 ‘Kidney Thief’ – first published in Takahē 82, August 2014 ‘Killers’ – first published in Takahē 84, April 2015 ‘The Bigshot’ – first published in Swamp 16, The University of Newcastle 2015 ‘Saturday 77’ – first published in Newfound Vol. 7, Austin, Texas USA 2016 ‘This Is God’s House’ – first published in Takahē 86, April 2016 ‘My Secret Identity’ – first published in The Red Line Short Story Magazine 2016 ‘Urban Legend’ – first published in Jotters United 2016 ‘Live For Today’ – first published The Phantom Café Reader winter 2016. ‘Princess Pristina’ – they were gonna publish it in Swamp 18, The University of Newcastle 2016, but then I got in a dispute with an editor over the word ‘jandal.’ True story. GLOSSARY Semi (n.) – a semi-erect penis Spottle (n.) – a bottle repurposed for ‘spotting’ i.e. inhaling smoke from the oil of Cannabis sativa pressed between two hot knives First published in New Zealand 2015 by Michael Botur © 2015 2016 Michael Botur. All rights reserved. ISBN: 978-1508840206 2 S T O R I E S Killers 4 The Bigshot 12 The Tooth Fairy 24 Sorry 40 This Is God’s House 41 DVD Day 54 Princess Pristina 55 Zero The Hero 71 Urban Legend 87 Kidney Thief 105 McMurder 116 Live For Today 132 My Secret Identity 136 Attaboy 149 Saturday 77 151 Manhood 169 3 Killers Killers So we’re dragging our arses to the probation centre for our weekly PD when the ol’ van rocks up, one a them white Toyota Hiaces what people take spastics to school in, anyway the driver pulls over and we look at each other, eh, A Ride’s A Ride, gotta get to Periodic Detention fuckin gulag evenchaly, and the door sorta slides open by itself and the driver goes, ‘Yous’ll do, hop in.’ We’ve most of us lost our licence to drive, right, like me I gots a hundy demerit points and, like, $9,500 in unpaid fines. -
Copyright © and Moral Rights for This Phd Thesis Are Retained by the Author And/Or Other Copyright Owners
Kwon, Hyun Seok (2014) Cultural globalization and the Korean promotion policy for music based on tradition : a study of the activation plan and its background. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/20296 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. Cultural Globalization and the Korean Promotion Policy for Music Based on Tradition: A Study of the Activation Plan and Its Background Hyun Seok Kwon Thesis submitted for the degree of PhD 2014 Department of Music SOAS, University of London Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Vertical Readings in Dante's Comedy
Vertical Readings in Dante’s Comedy Volume 1 EDITED BY GEORGE CORBETT AND HEATHER WEBB To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/367 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Vertical Readings in Dante’s Comedy Volume 1 edited by George Corbett and Heather Webb http://www.openbookpublishers.com © George Corbett and Heather Webb. Copyright of individual chapters is maintained by the chapter’s author. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: George Corbett and Heather Webb (eds.), Vertical Readings in Dante’s ‘Comedy’. Cambridge, UK: Open Book Publishers, 2015. http://dx.doi.org/10.11647/OBP.0066 Further details about CC BY licenses are available at http://creativecommons.org/ licenses/by/4.0/ All external links were active on 30/07/2015 unless otherwise stated. Digital material and resources associated with this volume are available at http:// www.openbookpublishers.com/isbn/9781783741724 ISBN Paperback: 978-1-78374-172-4 ISBN Hardback: 978-1-78374-173-1 ISBN Digital (PDF): 978-1-78374-174-8 ISBN Digital ebook (epub): 978-1-78374-175-5 ISBN Digital ebook (mobi): 978-1-78374-176-2 DOI: 10.11647/OBP.0066 Cover image: Domenico di Michelino, La Commedia illumina Firenze (1465).