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Fairies, Elves, Elementals, Gnomes
Circulating File FAIRIES, ELVES, ELEMENTALS, GNOMES A compilation of Extracts from the Edgar Cayce Readings Edgar Cayce Readings Copyrighted by Edgar Cayce Foundation 1971, 1993-2013 All Rights Reserved These readings or parts thereof may not be reproduced in any form without permission in writing from the Edgar Cayce Foundation 215 67th Street Virginia Beach, VA 23451 Printed in U.S.A. FAIRIES, ELVES, ELEMENTALS CIRCULATING FILE Circulating Files are collections of verbatim quotes of what Edgar Cayce said during his readings on a given subject or, in some cases everything. We have medical circulating files which focus on the over 9,000 health-related readings with subjects from Acidity- Alkalinity to Weight Loss. We also have non-medical circulating files on a broad range of topics, for example Egypt: Sphinx, Pyramids, and Hall of Records, Fear and Its Far- Reaching Effects, Advice to Parents, Serving in Accord with Ideals, and Business Advice. Each circulating file is simply a collection of reading quotes or full readings given for different individuals on a similar subject or disease. The A.R.E. cannot and does not suggest treatments for physical ailments nor make claims about the effectiveness of the therapies. We encourage anyone working with the health readings to do so under a doctor's care and advice. The circulating files support the research aspect of the Cayce work. We appreciate any feedback informing us of progress made in improving one’s life or achieving good health by applying suggestions given in the readings. Please send any feedback (testimonies, experiences, results, etc.) to: Library: Circulating File Desk A.R.E. -
LOS DUENDES EN LA LITERATURA ESPAÑOLA Manuel
REVISTA GAROZA Nº 10. SEPTIEMBRE 2010. ISSN: 1577-8932 LOS DUENDES EN LA LITERATURA ESPAÑOLA Manuel COUSILLAS RODRÍGUEZ I.E.S. Salvador de Madariaga. A Coruña RESUMEN Como seres mitológicos elementales de la naturaleza, guardianes de los bosques y de todos los seres vivos que habitan en ellos, los duendes forman parte de la raza elemental feérica, y junto con elfos, trols y hadas, son los seres más populares de las mitologías celta y nórdica. Según la mitología celta, el rey de los duendes y elfos responde al nombre de Oberón, mencionado en obras como Macbeth o Sueño de una noche de San Juan de William Shakespeare. Posteriormente, estas leyendas son igualmente mencionadas en el Fausto de Goethe, donde un coro de silfos invocado por Mefistófeles trata de seducir al doctor Fausto, o en cuentos tradicionales infantiles como los escritos por los hermanos Grimm, donde la figura del duende suele asociarse a pequeños seres bonachones. Herederos de esa tradición literaria son muchos de los cuentos contemporáneos del peninsular español. Palabras clave: duende, céltica, península ibérica, literatura comparada. ABSTRACT As a basic mythological element in our nature, guardians of forests and all living things that inhabit them, fairies are part of the elemental fairy race, and along with elves, and trolls, are the most popular creatures in Celtic and Norse mythologies. According to Celtic mythology, the king of fairies and elves is named Oberon, mentioned in works such as Macbeth or Midsummer Night's Dream by William Shakespeare. These legends are also mentioned in Goethe's 61 MANUEL COUSILLAS RODRÍGUEZ REVISTA GAROZA Nº 10. -
Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish -
Notes on the Folk-Lore of the Northern Counties of England and The
S*N DIEGO) atitty, ESTABLISHED IN . THE YEAK MDCCCLXXVIII Alter et Idem. PUBLICATIONS OF THE FOLK-LOKE SOCIETY. II. LONDON: PRINTED BY NICHOLS AND SONS, STREET. 25, PARLIAMENT FOLK-LORE OP THE NORTHERN COUNTIES OF ENGLAND AND THE BORDERS. A NEW EDITION WITH MANY ADDITIONAL NOTES. BY WILLIAM HENDERSON, AUTHOR OF " MY LIFE AS AN ANGLER." " Our mothers' maids in our childhood . have so frayed us with hullbeggars, spirits, witches, urchins, elves, hags, fairies, satyrs, pans, faunes, sylvans.kit-with-the-candlestick (will-o'-the-wisp), tritons (kelpies), centaurs, dwarfs, giants, imps, calcars (assy-pods), conjurors, nymphs, changelings, incubus, Rohin-Goodfellow (Brownies), the spoorey, the man in the oak, the hellwain, the firedrake (dead light), the Puckle, Tom Thumb, Hobgoblin, Tom Tumbler, Bouclus, and such other bug- bears, that we are afraid of our own shadows." REGINALD SCOTT. LONDON: PUBLISHED FOR THE FOLK-LORE SOCIETY BY W. SATCHELL, PEYTON AND CO., 12, TAVISTOCK STREET, COVENT GARDEN. W.C. 1879. TO THE MOST HONOURABLE THE MARQUESS OF LONDONDERRY, IN EEMEMBRANCE OF MUCH KINDNESS AND OF MANY PLEASANT HOURS SPENT TOGETHER, THIS VOLUME IS, BY PERMISSION, INSCRIBED WITH EVERY SENTIMENT OE RESPECT AND ESTEEM BY HIS LORDSHIP'S ATTACHED FRIEND, WILLIAM HENDERSON. VI The Council of the Folk-Lore Society, in issuing this work as one of the publications for the year 1879, desire to point out to the Members 'that it is chiefly owing to the generous proposal of Mr. Henderson they arc enabled to produce in the second year of the Society's existence a book so much appreciated by the Folk-Lore student. -
The Traveling Gnome Project
The Traveling Gnome Project There is Gnome place home! • Choose a city anywhere in the world • Find a famous structure within that city…preferably something recognizable. • Find a reference of that building • Draw it 3 times (PRACTICE) (one day) • Draw the gnome 3 times (one day) Gnomes are commonly misunda-stood! An Abbreviated History of Garden Gnomes Garden gnomes occupy that same odd niche shared by lawn flamingos and circus- animal topiary; the ultra-kitschy, flamboyant and just-a-little-ridiculous decorations that came to prominence in American suburbs throughout the 1960′s and then latched tenaciously onto our cultural sub consciousness. But unlike flamingos and topiary, gnomes have a long and storied history of folklore and myth to draw upon. Gnomes have been a part of western culture since at least the 16th century with the early writings of Swiss-born alchemist Paracelsus. For many of us, though, our knowledge of the history of garden gnomes really only extends back as far as that one Travelocity commercial. Which is unfortunate, really, because garden gnomes are really the “great grandfathers” of campy garden decor. Theirs is a long and storied history, and a fascinating one to read about. http://www.patioproductions.com/blog/fascinating-stuff/history-of-garden-gnomes/ Back when the Brothers Grimm were traversing the German countryside recording the “volksmarchen” (folk tales) of the country’s rural regions, gnomes were often viewed as spritely, happy-go-lucky garden workers. They helped plants grow, and facilitated harmony between the flora and the fauna of meadows and vegetable patches alike. -
The Barzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco from South of the Strait of Gibraltar
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2011 The aB rzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco From South of the Strait of Gibraltar Tania Flores SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Dance Commons, Ethnomusicology Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Flores, Tania, "The aB rzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco From South of the Strait of Gibraltar" (2011). Independent Study Project (ISP) Collection. 1118. https://digitalcollections.sit.edu/isp_collection/1118 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. The Barzakh of Flamenco: Tracing the Spirituality, Locality and Musicality of Flamenco from South of the Strait of Gibraltar Tania Flores Occidental College Migration and Transnational Identity: Fall 2011 Flores 2 Acknowledgments I could not have completed this project without the advice and guidance of my academic director, Professor Souad Eddouada; my advisor, Professor Taieb Belghazi; my professor of music at Occidental College, Professor Simeon Pillich; my professor of Islamic studies at Occidental, Professor Malek Moazzam-Doulat; or my gracious and helpful interviewees. I am also grateful to Elvira Roca Rey for allowing me to use her studio to choreograph after we had finished dance class, and to Professor Said Graiouid for his guidance and time. -
K O R E a N C in E M a 2 0
KOREAN CINEMA 2006 www.kofic.or.kr/english Korean Cinema 2006 Contents FOREWORD 04 KOREAN FILMS IN 2006 AND 2007 05 Acknowledgements KOREAN FILM COUNCIL 12 PUBLISHER FEATURE FILMS AN Cheong-sook Fiction 22 Chairperson Korean Film Council Documentary 294 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Animation 336 EDITOR-IN-CHIEF Daniel D. H. PARK Director of International Promotion SHORT FILMS Fiction 344 EDITORS Documentary 431 JUNG Hyun-chang, YANG You-jeong Animation 436 COLLABORATORS Darcy Paquet, Earl Jackson, KANG Byung-woon FILMS IN PRODUCTION CONTRIBUTING WRITER Fiction 470 LEE Jong-do Film image, stills and part of film information are provided by directors, producers, production & sales companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF APPENDIX (Pusan International Film Festival), SIFF (Seoul Independent Film Festival), Women’s Film Festival Statistics 494 in Seoul, Puchon International Fantastic Film Festival, Seoul International Youth Film Festival, Index of 2006 films 502 Asiana International Short Film Festival, and Experimental Film and Video Festival in Seoul. KOFIC appreciates their help and cooperation. Contacts 517 © Korean Film Council 2006 Foreword For the Korean film industry, the year 2006 began with LEE Joon-ik's <King and the Clown> - The Korean Film Council is striving to secure the continuous growth of Korean cinema and to released at the end of 2005 - and expanded with BONG Joon-ho's <The Host> in July. First, <King provide steadfast support to Korean filmmakers. This year, new projects of note include new and the Clown> broke the all-time box office record set by <Taegukgi> in 2004, attracting a record international support programs such as the ‘Filmmakers Development Lab’ and the ‘Business R&D breaking 12 million viewers at the box office over a three month run. -
The People of Pim
The People of Pim For Dad who remembers when fairies were evil, and for me who tries to believe there is a reason behind it. Once upon on a time there were a blessed and wise people from somewhere Far East who lived on and around a beautiful gigantic Cyress Tree known to them as the Great Yoshino, which means respect. They were a semi-nomadic people, living high up in the tree in summer where the weather was cooler and moving down the great tree in winter to tuck their homes and animals under the warm protection of the big boughs. They were never far from the tree though. Their animals grazed on moss that grew on the boughs, the children hopped and climbed from branch to branch, and they held all celebrations in and under the tree. [Now look waaaay up!] When one climbed higher up the whorled branches, as if climbing up a big spiraling medieval staircase, the boughs became a little more barren, were shorter, and tasty herbs and tiny alpine flowers were hidden in the sweet piney smelling needles high up. This was the beauty and draw of the Great Yoshino tree for them. When anyone of them needed to clear their minds they would just climb high into the tree and simply sit and just be for a little while. The tree was their connection between the earth and the world beyond, the quietness up there gave them their strength and great wisdom. Now this tribe was famous in the region for a rare breed of goat called the Tamar. -
Fairy Tales; Their Origin and Meaning
Fairy Tales; Their Origin and Meaning John Thackray Bunce The Project Gutenberg EBook of Fairy Tales; Their Origin and Meaning by John Thackray Bunce Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Fairy Tales; Their Origin and Meaning Author: John Thackray Bunce Release Date: June, 2005 [EBook #8226] [This file was first posted on July 3, 2003] Edition: 10 Language: English Character set encoding: iso-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK, FAIRY TALES; THEIR ORIGIN AND MEANING *** E-text prepared by David Deley FAIRY TALES, THEIR ORIGIN AND MEANING With Some Account of Dwellers in Fairyland BY JOHN THACKRAY BUNCE INTRODUCTORY NOTE. The substance of this volume was delivered as a course of Christmas Holiday Lectures, in 1877, at the Birmingham and Midland Institute, of which the author was then the senior Vice-president. -
Notes Toward an Archaeology of Hallyu
Volume 15 | Issue 14 | Number 4 | Article ID 5056 | Jul 15, 2017 The Asia-Pacific Journal | Japan Focus Notes Toward an Archaeology of Hallyu Mark Morris Abstract The first consciousness that a new Korean cultural wave –hallyu-- was in motion began to take shape in different forms and at different times in the rest of East Asia. It was the craze for Korean TV drama that represented a sudden apparition of something new from South Korea. Before long, however, this wave grew bigger and far more complex than anyone might have predicted, including Korean pop music and films, animation, online games, smartphones, fashion, cosmetics, etc. There have been resistances to this inundation notably in Japan, a country where several earlier mini-hallyu now seem long forgotten. Keywords Hallyu, tv drama, Korean pop, manga, film I want our nation to be the most beautiful in the world. By this I do not mean the most powerful nation. The only thing that I desire Kim Ku, 1876–1949 in infinite quantity is the power of a noble culture. This is because the power of culture both makes us happy and gives happiness to Kim Ku (1876-1949), in this rightly famous call others. to culture published not too long before his violent death, went on to articulate a vision of a Kim Ku, Baekbeom ilji (1947) Korea in which Koreans would not only be free for the first time in a long while to be Korean, Introduction but would as well project their culture out into the world. As he put it: ‘I wish our country to be not one that imitates others, but rather the source, goal, and model of this new and advanced culture. -
Die Prämierten Künstler Und Künstlerinnen Der Kreativprämie
Hessisches Ministerium für Wissenschaft und Kunst Sperrfrist Bekanntgabe der Prämierten: Mittwoch, 16. 12., 12 Uhr Die prämierten Künstler und Künstlerinnen der Kreativprämie Szenenbild Etabliert: Anette Reuther mit „Nur Gott kann mich richten“ (2017) von Özgür Yildirim, Spielfilm (Drama), 101 Min. Nachwuchs: Martha Funke mit „8:27“ (2019) von Matthias Kreter, Kurzspielfilm (Komödie), 13 Min. Kostüm Etabliert: Katharina Schnelting mit „Der süße Brei“ (2018) von Frank Stoye, TV- Spielfilm (Märchen), 90 Min. Nachwuchs: Niklas Braun mit „Dunyaland“ (2020) von Julie Gaston, Experimentalfilm, 10 Min. Maske Etabliert: Regine Frohberg mit „Der dritte König“ (2018) von Christoph Oliver Strunck, Mittellanger Spielfilm (Kriegsdrama), 25 Min. Nachwuchs: Sebile Zehra Berber & Rüya Yüksel mit „Dunyaland“ (2020) von Julie Gaston, Experimentalfilm, 10 Min. Visuelle Effekte Etabliert: Martin Jurado mit „Pettersson und Findus – Findus zieht um“ (2018) von Ali Samadi Ahadi, Kinderfilm, 90 Min. Nachwuchs: Robin Benito Schmid mit A CLOUD ON FIRE (2018) von Julie Gaston, Ex-perimentalfilm, 15 Min. 2 Ton / Sounddesign Etabliert: Michel Klöfkorn mit „Born In Evin“ (2019) von Maryam Zaree, Dokumentarfilm, 98 Min. Nachwuchs: Alexandros Konstantaras mit „Kira“ (2019) von Vanessa Dahl, Kurzspielfilm (Drama), 4 Min. Filmmusik Etabliert: Andreas Radzuweit mit „Die sagenhaften Vier“ (2018) von Christoph Lauen- stein/ Wolfgang Lauenstein, Animationsfilm, 92 Min. Nachwuchs: Robin Wächtershäuser mit „Ria“ (2019) von Dennis Baumann, Kurzspielfilm (Drama/ Mystery/ Fantasy), 20 Min. Kamera Etabliert: Vita Spieß mit „Heil dich doch selbst“ (2020/21) von Yasmin C. Rams, Dokumentarfilm, 106 Min. Nachwuchs: Dennis Mill mit „Das rote Rad“ (2019) von Nicolas Ehret, Mittellanger Spielfilm (Drama), 30 Min. Schnitt Etabliert: Eva Voosen mit „Mutterland – Das Matriarchat der Minangkabau“ von Uschi Madeisky/ Dagmar Margotsdotter/ Yelfia Susanti, Dokumentarfilm, 93 Min. -
Wird Sikes Elfy Brytyjskie Gobliny, Walijski Folklor, Elfia
Wird Sikes Elfy Brytyjskie gobliny, walijski folklor, elfia mitologia, legendy i tradycje Przełożył Marek Skowerski Armoryka Sandomierz BIBLIOTEKA CELTYCKA, Nr 8 Redakcja serii: Andrzej Sarwa Redaktor tomu: Władysław Kot Projekt okładki i opracowanie graficzne: Juliusz Susak Ilustracja na okładce: John Anster Fitzgerald (1823-1906), Fairies Looking Through A Gothic Arch (XIX wiek), (licencja public domaine), źródło: http://commons.wikimedia.org/wiki/File:FairiesGothicArch.jpg Ilustracje w tekście autorstwa T. H. Thomasa (1839-1915) zaczerpnięto z książki British Goblins. Welsh Folk-lore, Fairy Mythology, Legends and Traditions, (licencja public domaine), źródło: http://www.sacred-texts.com/neu/celt/wfl/index.htm Tekst złożono czcionką IM FELL English.ttf - The Fell Types are digitally reproduced by Igino Marini. www.iginomarini.com,all rights reserved Ornament na okładce złożono czcionką Owen Jones Celtic Borders.ttf, której autorem i właścicielem jest Dave Nalle, The Scriptorium, www.fontcraft.com Autor: Wirt Sikes (1836-1883) Tytuł oryginału: British Goblins Welsh Folk-lore, Fairy Mythology, Legends and Traditions Podstawa przekładu: British Goblins Welsh Folk-lore, Fairy Mythology, Legends and Traditions by Wirt Sikes with illustrations by T. H. Thomas [1839-1915] London: S. Low, Marston, Searle & Rivington [1880] źródło tekstu: The Internet Sacred Text Archive: http://www.sacred-texts.com/neu/celt/wfl/index.htm (29.12.2009); licencja: This text is in the public domain worldwide. Copyright © 2009, 2013 for the Polish edition by Wydawnictwo „Armoryka” Copyright © 2009, 2013 by for the Polish translation by Marek Skowerski Wydawnictwo ARMORYKA ul. Krucza 16 27-600 Sandomierz tel (0-15) 833 21 41 e-mail: [email protected] http://www.armoryka.strefa.pl/ ISBN 978-83-64145-15-5 Konwersja: Rozdział I Opowieści o elfach1 i starożytnej mitologii A wieczorem, podążając ścieżką Mleczarka skraca sobie piosenką Swą samotną drogę; Widzi elfy i ich królową Jak tańczą w kole razem I słyszy jak śpiewają, o najróżniejszych porach, Swe urzekające pieśni.