Amurru the Home of the Northern Semites a Study Showing That The

Total Page:16

File Type:pdf, Size:1020Kb

Amurru the Home of the Northern Semites a Study Showing That The THE HO M E O F THE NO RTHE RN SE M ITE S A S TU D Y S HO W I N G THAT TIIE R ELI G ION A N D CULTURE O F I SRAEL ARE NOT O F B A B Y LONI A N O RI G IN H L BE R . L Y P A T T C A , D . PR F E S S R O F S E M I T I C PH I L L G A N D A RC HE L G O O O O Y O O Y , U NI V E RS I TY O F PE N NS Y L V A NI A PH ILA D E LPHIA Elbe fiunhay fithnnl 611m m 010 a I 9 0 9 COP Y R IGHT 1 909 B Y THE S UNDA Y SCHOOL TIM ES COMP AN Y TO PROFES SO R EDGAR FAHS SM ITH PH D S D LL D . C . V I C E Pn ovosr 0 17 T H E U NIV E RS I T Y O F P E NNS YL V A NIA BELO VED B Y COLL EA G UES A ND S TU DE NTS IN GRATE FUL APPRECIATION P R E F A C E These discu ssions are the ou tgrowth of The Rein icker Le u 1 908 a ct res for the year , delivered at the Protest nt E S A V . piscopal Theological eminary , lexandria, irginia I u i u as nstead of p blish ng the lect res delivered , which “ u R covered the s bject , ecent Discoveries in Bible Lands , it seemed preferable to present a special phase of the su b ect u an ur . j , which is here treated more f lly th in the lect es ’ In u Li ht on the Old Testa m en t the a thor s work, g ' rom Babel w as m i , a protest expressed against the clai s of the Pan -Bab ylon ists that Babylonia had extensively u u infl enced the cu ltu re of Israel . Contin ed researches u u fir have opened p new vistas of the s bject , which con m the contention that the Pan -Bab ylon ists have not only greatly overestimated the influ ence of the Babylonian u ur u I b u t S c lt e pon srael , that the emitic Babylonians A u u S came from the land of m rr ; that is , yria and Pales n u u w as ti e , and that their c lt re an amalgamation of what was once Amorite or West Semitic and the S u merian u E u which they fo nd in the phrates valley . In order to make the main ou tlines of the su bject as well as the discussions whi ch bear directly u pon the n Old Testament more readable , the tech ical material h as II b u t u been confined largely to Part , freq ent refer en ces I In u i to it are made in Part . stead of q ot ng the u u in n mbers of the pages referred to , they will be fo nd 6 A MU RRU HOME OF NORTHERN S EM ITES u the Index . The a thor realizes that in a nu mber of instances other interpretations of certain individu al facts are possible . Modification of views presented mu st necessarily follow new discoveries as they are made ; b ut nevertheless the writer believes that the main con ten ur tions will remain undist bed . A u . To my colleag es , Professor J . Montgomery and Pro astrow Jr I u fessor Morris J , . , am deeply gratef l for their gen erous help and encouragement during the preparation i k An d I t k of th s boo . also ex end my hearty than s for the k A G. ind assistance rendered by my friends , Professor w W u Barton , of Bryn Ma r Professor . MaxM ller , of Phila r A ur Un n d Of v a Re . delphia ; P ofessor rth g , Jena ; the Dr H W n U . r C . Joh s , Fellow at Cambridge nive sity ; H R k P . A b l . oe e Dr ermann an e , of Berlin ; Dr rno , of E W l H Y k isenach ; and Dr . il iam ayes Ward , of New or . To all it gives me pleasure to acknowledge m y indebted u ness and extend my warm gratit de . Let me add , in mentioning the names of these scholars , that they are in no wise responsible for the views expressed in these lectu res . ALB E RT L AY T . C . V E R ITY F E NNS YLV ANIA UNI S O P . CONTENTS ART I P . INTRO D UCTORY REMARK S CREATION S TORY THE S A B E A TII ANTED ILUV I AN D ELUGE ” ORIGINAL HOME O F S EMITI C CULTURE ART I P I . A MUR RU IN THE CUN EI F ORM I Ns c R I PT I ONs AMURRU IN WEST S EMITI C A E DI PP N X . I UR O F . THE II THE N O F . AME III THE N O F S A G . AME R ON IV THE N NI N . AME THE N W V . AME YAH EH . ABBREV IATIONS A — A n a nd m n D hn i a . D . Jo s , ssy r Deeds Docu e ts A S L —A m a n ou rna l o S em a n a . J . eric J f itic L gu ges . A K W —A bha nd lu n en de r h l l h-h or h n la . G . g p i o og isc ist isc e C sse der K n i l a h s llscha de r W ns ha n S hen Ge e t . o g . c sisc i isse c fte A a b P v —M n a zu m A l ba b l n h va h l b r n . t . i eiss er , Beitr ge t y o isc e Pri trec t ' ‘ A n —Mii e r A n u nd E a na h A l a i schen D e n km ci l ern . ll t t . sie , sie urop c gyp ’ A —B i rci A l h d H b l an a . e t e t e B . g zur ssyrio og ie , edi ed y D itzsc upt B E —B E . a b l n a n x ion o the Un v o n n lva n a y o i pedit f i ersity f Pe sy i , V I l d 2 Hil re ch t V I 1 Ra n VI 2 Poe b e I I I 1 ol . an l , , p ; , , ke ; , , ; V , , l a IX Hil re ch t an d la l a XIV Cla XV l a C y ; , p C y ; X , C y ; , y ; , C y ; d Hil re ch t a n . XX , p Ba b lon ca — b V i a . i ro e a u d y Edited y ll . B l Ca a l e —Ca a lo o the n rm Ta b l i n the Kou u n ezo d , t ogu t gue f Cu eifo ets y i k C ll n j o ectio . wn Heb Die — w n v an d B H b e w a n d E n l h Bro , . Bro , Dri er riggs , e r g is L x n o h Old T a m n e ico f t e est e t. B L —A la L i o I a h ru n n ow C e C n m . — , ist ssifi d st f u eifor deogr p s C T C ne T om B T c i n he B h . o m x a b l n a n a bl ts e t . t u if r e ts fr y o i e , , ritis M m b K n n h a n d Th m n useu , y i g , Pi c es o pso . ’ ’ v —d e S a rze c He u ze D cou v r s Cha l é ou e e r e te en . D c ert s y , dee — ’ Dél en S ch e il T x e E la m e S em i ti u es D ele a ti on en . Perse , e t s it s q , g Perse . E m s—L E i a h he w i id zb a rs ki E h m u r S m h . p , p e eris f e itisc e p gr p ik L — J . ou na l o B bl a l L i a B J r f i ic te r ture . R A — S . o l o h A J . J na e R a l i a . ur f t oy s tic S ociety . —A B I V I I Ha s a n a n d a b l n a n l . rper , Letters s yri y o i Letters , Vo s to H W — h A a n Ha n w ch .
Recommended publications
  • Burn Your Way to Success Studies in the Mesopotamian Ritual And
    Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary.
    [Show full text]
  • 1±21±2 1±21±2
    Revue dramatickyÂch umenõ VydaÂva Kabinet divadla a filmu 1±21±2 1±21±2 Slovenskej akadeÂmie vied RocÏnõÂk 53 ± 2005 ± CÏõÂslo 1±2 OBSAH Hlavny redaktor: Andrej Mat'asÏõÂk RedakcÏna rada: MilosÏ MistrõÂk, JuÂlius PasÏteka, JaÂn SlaÂdecÏek, Ida HledõÂkovaÂ, SÏ TU DIE Karol HoraÂk, NadezÏda LindovskaÂ,JaÂn ZavarskyÂ, Miloslav Bla- hynka, Ladislav CÏ avojskyÂ, Jana Dutkova Ladislav CÏ avojskyÂ: MuzikaÂlovy BednaÂrik ............................... 3 Miloslav Blahynka: Esteticka analyÂza opery a jej mozÏnosti ................. 22 Dagmar InsÏtitorisovaÂ: O divadelnej konvencii .......................... 28 Anton Kret: Z esejõ ozaÂhadaÂch tvorby: Talent alebo Vystupovanie na Olymp .. 32 VladimõÂrSÏtefko: Zabudnuty rezÏiseÂr Ernest StrednÏansky .................. 36 Martin PaluÂch: Film ako zrkadlo subjektu I. ............................. 57 Elena KnopovaÂ: TajovskeÂho ZÏ ensky zaÂkon a Hasprov Tajovsky ............. 69 Technicka redaktorka: Jana JanõÂkova ROZHL' ADY Adresa redakcie: Kabinetdivadla a filmu SAV MilosÏ MistrõÂk: Sarah Kane ± samovrazÏda dialoÂgu ........................ 95 DuÂbravska cesta 9 Dagmar SabolovaÂ-Princic: Ako vypovedat'nevypovedane ................ 106 841 04 Bratislava Slovenska republika ROZHOVOR TelefoÂn: ++ 4212/ 54777193 Andrej Mat'asÏõÂk ± MatuÂsÏ Ol'ha: DivaÂk chodõ do divadla pre odpoved' Fax: ++ 4212/ 54777567 na otaÂzku ako zÏit' ............................................... 114 E-mail: [email protected] STATE Dagmar PodmakovaÂ: OpaÈt' o cÏloveku... na ceste .......................
    [Show full text]
  • A Structural Approach to the Arabian Nights
    AWEJ. Special Issue on Literature No.2 October, 2014 Pp. 125- 136 A Structural Approach to The Arabian Nights Sura M. Khrais Department of English Language and Literature Princess Alia University College Al-Balqa Applied University Amman, Jordan Abstract This paper introduces a structural study of The Arabian Nights, Book III. The structural approach used by Vladimir Propp on the Russian folktales along with Tzvetan Todorov's ideas on the literature of the fantastic will be applied here. The researcher argues that structural reading of the chosen ten stories is fruitful because structuralism focuses on multiple texts, seeking how these texts unify themselves into a coherent system. This approach enables readers to study the text as a manifestation of an abstract structure. The paper will concentrate on three different aspects: character types, narrative technique and setting (elements of place). First, the researcher classifies characters according to their contribution to the action. Propp's theory of the function of the dramatist personae will be adopted in this respect. The researcher will discuss thirteen different functions. Then, the same characters will be classified according to their conformity to reality into historical, imaginative, and fairy characters. The role of the fairy characters in The Arabian Nights will be highlighted and in this respect Vladimir's theory of the fantastic will be used to study the significance of the supernatural elements in the target texts. Next, the narrative techniques in The Arabian Nights will be discussed in details with a special emphasis on the frame story technique. Finally, the paper shall discuss the features of place in the tales and show their distinctive yet common elements.
    [Show full text]
  • Marten Stol WOMEN in the ANCIENT NEAR EAST
    Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6
    [Show full text]
  • Larry's Handy Dandy SOWPODS Wordolator
    Larry's Handy Dandy SOWPODS Wordolator Words with Q not followed by U (84) BUQSHA BUQSHAS BURQA BURQAS FAQIR FAQIRS INQILAB INQILABS MBAQANGA MBAQANGAS MUQADDAM MUQADDAMS NIQAB NIQABS QABALA QABALAH QABALAHS QABALAS QABALISM QABALISMS QABALIST QABALISTIC QABALISTS QADI QADIS QAID QAIDS QAIMAQAM QAIMAQAMS QALAMDAN QALAMDANS QANAT QANATS QASIDA QASIDAS QAT QATS QAWWAL QAWWALI QAWWALIS QAWWALS QI QIBLA QIBLAS QIGONG QIGONGS QINDAR QINDARKA QINDARS QINGHAOSU QINGHAOSUS QINTAR QINTARS QIS QIVIUT QIVIUTS QOPH QOPHS QORMA QORMAS QWERTIES QWERTY QWERTYS SHEQALIM SHEQEL SHEQELS SUQ SUQS TALAQ TALAQS TRANQ TRANQS TSADDIQ TSADDIQIM TSADDIQS TZADDIQ TZADDIQIM TZADDIQS UMIAQ UMIAQS WAQF WAQFS YAQONA YAQONAS Words without Vowels (28) BRR BRRR CH CRWTH CRWTHS CWM CWMS CWTCH HM HMM MM NTH PFFT PHPHT PHT PSST PST SH SHH ST TSK TSKS TSKTSK TSKTSKS TWP ZZZ ZZZS Words with Vowels and One Consonant by Consanant (130) BEAU OBIA OBOE CIAO COOEE ACAI AECIA A DIEU IDEA IDEE ODEA AIDE AIDOI AUDIO EIDE OIDIA EUOI EUOUAE A GEE AGIO AGUE OGEE AIGA EUGE HIOI HUIA OHIA EUOI JIAO AJEE OUIJA KAIE KUIA AKEE LIEU LOOIE LOUIE LUAU ALAE ALEE ALOE ILEA ILIA OLEA OLEO OLIO AALII AULA AULOI EALE AIOLI MEOU MIAOU MOAI MOOI MOUE AMIA AMIE EMEU OUMA NAOI ANOA INIA ONIE UNAI UNAU AINE AINEE AUNE EINA EINE AEON EOAN EUOI EUOUAE PAUA EPEE OUPA QUAI QUEUE AQUA AQUAE RAIA ROUE AREA AREAE ARIA URAEI URAO UREA AERIE AERO AURA AURAE AUREI EERIE EURO IURE OORIE OURIE A SEA EASE OOSE AIAS EAUS TOEA ATUA ETUI AITU AUTO IOTA EUOI EUOUAE EUOUAE VIAE EVOE UVAE UVEA EAVE A WEE I XIA EAUX ZOAEA
    [Show full text]
  • Asher-Greve / Westenholz Goddesses in Context ORBIS BIBLICUS ET ORIENTALIS
    Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2013 Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources Asher-Greve, Julia M ; Westenholz, Joan Goodnick Abstract: Goddesses in Context examines from different perspectives some of the most challenging themes in Mesopotamian religion such as gender switch of deities and changes of the status, roles and functions of goddesses. The authors incorporate recent scholarship from various disciplines into their analysis of textual and visual sources, representations in diverse media, theological strategies, typologies, and the place of image in religion and cult over a span of three millennia. Different types of syncretism (fusion, fission, mutation) resulted in transformation and homogenization of goddesses’ roles and functions. The processes of syncretism (a useful heuristic tool for studying the evolution of religions and the attendant political and social changes) and gender switch were facilitated by the fluidity of personality due to multiple or similar divine roles and functions. Few goddesses kept their identity throughout the millennia. Individuality is rare in the iconography of goddesses while visual emphasis is on repetition of generic divine figures (hieros typos) in order to retain recognizability of divinity, where femininity is of secondary significance. The book demonstrates that goddesses were never marginalized or extrinsic and thattheir continuous presence in texts, cult images, rituals, and worship throughout Mesopotamian history is testimony to their powerful numinous impact. This richly illustrated book is the first in-depth analysis of goddesses and the changes they underwent from the earliest visual and textual evidence around 3000 BCE to the end of ancient Mesopotamian civilization in the Seleucid period.
    [Show full text]
  • Cuneiform Texts Cappadocian Tablets
    CUNEIFORM TEXTS FROM CAPPADOCIAN TABLETS IN THE BRITISH MUSEUM. PART I. (Plates 1-50.) PRINTED) BY ORDER OF THE TRUSTEES. SOLD AT THE BRITISH MUSEUM; AND AT LONGMANS & Co., 39, PATERNOSTER ROW; BERNARD QUARITCH, II, GRAFTON STREET, NEW BOND STREET, W. KEGAN PAUL, TRENCH, TRUBNER & CO., CARTER LANE, E.C.; AND HUMPHREY MILFORD, OXFORD UNIVERSITY PRESS, AMEN CORNER, LONDON. I92I. [ALL RIGHTS RESER VED.] HARRISON AND SONS, LTI)., PRINTERS IN ORDINARY TO HIS MAJESTY, ST. MARTIN'S LANE, LONDON, W.C. 2. THE present volume contains copies of ninety-nine complete texts selected from the series of "Cappadocian" tablets, which were acquired by the Trustees of the British Museum in the year 1919. These texts are of great importance historically and linguistically, for they deal with the commercial transactions of a settlement of Semitic traders who flourished in the region of Caesarea, in the neighbourhood of Mount Argaeus, in the twenty-fourth century before Christ. In view of the evidence available as to the origin of the tablets, it seems probable that this settlement was only one of many which existed at that period in the country which lies between Boghaz-Keui in the 'north and the district of the Khabur and the city of Ashur in the south. When this Semitic settlement was established, and how long it flourished, cannot be said, but there seems always to have been a Semitic element, large or small, in the population of the country north of the Taurus. There is a Semitic element in the Hittite cuneiform writing as we know it in the fourteenth and thirteenth centuries before Christ, and many Greek writers assert the existence of '" Syrians," $VpcOL, or "white Syrians," AEvKoo-vpOL, between the Gulf of Issus and the Black Sea.
    [Show full text]
  • Interaction of Aramaeans and Assyrians on the Lower Khabur
    Syria Archéologie, art et histoire 86 | 2009 Dossier : Interaction entre Assyriens et Araméens Interaction of Aramaeans and Assyrians on the Lower Khabur Hartmut Kühne Electronic version URL: http://journals.openedition.org/syria/509 DOI: 10.4000/syria.509 ISSN: 2076-8435 Publisher IFPO - Institut français du Proche-Orient Printed version Date of publication: 1 November 2009 Number of pages: 43-54 ISBN: 9782351591512 ISSN: 0039-7946 Electronic reference Hartmut Kühne, « Interaction of Aramaeans and Assyrians on the Lower Khabur », Syria [Online], 86 | 2009, Online since 01 July 2016, connection on 22 May 2020. URL : http://journals.openedition.org/ syria/509 ; DOI : https://doi.org/10.4000/syria.509 © Presses IFPO INTERACTION OF ARAMAEANS AND ASSYRIANS ON THE LOWER KHABUR Hartmut KÜHNE Freie Universität Berlin Résumé – Le modèle centre/périphérie a souvent été utilisé pour expliquer les relations entre Assyriens et Araméens. Il est de plus en plus clair que ce modèle n’est pas apte à rendre compte de l’interaction entre ces deux groupes ethniques. Il convient de se défaire de l’idée de l’influence sur la périphérie et de chercher plutôt les signes des processus d’émulation qui ont lieu entre deux groupes équivalents culturellement et qui s’affrontent dans un territoire sans suprématie politique. Au cours du temps — environ 500 ans, entre 1100 et 600 av. J.-C. —, la situation politique change et avec elle les formes de l’interaction perceptibles au travers des différents traits culturels, illustrés par les objets découverts en fouille. De fait, on doit s’attendre à ce que ces objets reflètent différentes étapes d’émulation et deviennent potentiellement des hybrides, plus ou moins élaborés, ou des transferts plus ou moins profondément modifiés.
    [Show full text]
  • The Epic of Gilgamesh
    Semantikon.com presents An Old Babylonian Version of the Gilgamesh Epic On the Basis of Recently Discovered Texts By Morris Jastrow Jr., Ph.D., LL.D. Professor of Semitic Languages, University of Pennsylvania And Albert T. Clay, Ph.D., LL.D., Litt.D. Professor of Assyriology and Babylonian Literature, Yale University In Memory of William Max Müller (1863-1919) Whose life was devoted to Egyptological research which he greatly enriched by many contributions PREFATORY NOTE The Introduction, the Commentary to the two tablets, and the Appendix, are by Professor Jastrow, and for these he assumes the sole responsibility. The text of the Yale tablet is by Professor Clay. The transliteration and the translation of the two tablets represent the joint work of the two authors. In the transliteration of the two tablets, C. E. Keiser's "System of Accentuation for Sumero-Akkadian signs" (Yale Oriental Researches--VOL. IX, Appendix, New Haven, 1919) has been followed. INTRODUCTION. I. The Gilgamesh Epic is the most notable literary product of Babylonia as yet discovered in the mounds of Mesopotamia. It recounts the exploits and adventures of a favorite hero, and in its final form covers twelve tablets, each tablet consisting of six columns (three on the obverse and three on the reverse) of about 50 lines for each column, or a total of about 3600 lines. Of this total, however, barely more than one-half has been found among the remains of the great collection of cuneiform tablets gathered by King Ashurbanapal (668-626 B.C.) in his palace at Nineveh, and discovered by Layard in 1854 [1] in the course of his excavations of the mound Kouyunjik (opposite Mosul).
    [Show full text]
  • Hip Hop Culture in a Small Moroccan City SMALL MORROCAN CITY
    Seilstad: Hip Hop Culture in a Small Moroccan City SMALL MORROCAN CITY . Hip Hop Culture in a Small Moroccan City Brian Seilstad This paper explores Hip Hop culture by tracing its development from the global level through the Arab world to finally its manifestation in Morocco. Hip Hop culture is defined broadly as a wide range of artistic expressions—rap, graffiti, breakdancing, DJing, etc.—and also a mind-set or way of life. The focus on the Moroccan context starts at the national level, pointing out some of the key artists, issues Moroccan Hip Hop faces, and how this has been explored by scholars of Hip Hop. The paper focuses on an ethnographic exploration of Hip Hop culture in Ifrane, a small Moroccan city. An analytic approach suggested in Patti Lather’s 1991 book Getting Smart informs and expands the paper particularly by privileging the emancipatory power of Moroccan Hip Hop, creating a nuanced view of the impact of Hip Hop on the lives of youth in this small community. Finally, the paper employs a self-reflexive stance to critically view the author’s own position in the research project in order to name some of the challenges and contradictions of a white male American doing Hip Hop research in the Moroccan context. I was a Peace Corps Volunteer in Morocco from 2005-2007. During that time, I worked in a small town, Amizmiz, near Marrakesh that I came to see as “normal” in terms of infrastructure, schools, and people. Of course, I am using the term “normal” here ironically as “normal” is one of language’s powerful tools for the creation and maintenance of arbitrary, and often oppressive, cultural values and practices.1 When I moved back to Morocco to work as Al Akhawayn University (AUI) in 2010, I lived in another small town near Fes named Ifrane.
    [Show full text]
  • Matching Islamic Patterns in Kufic Images
    Pattern Anal Applic (2015) 18:601–617 DOI 10.1007/s10044-014-0437-z SHORT PAPER Matching Islamic patterns in Kufic images Damla Arifoglu • Emre Sahin • Hande Adiguzel • Pinar Duygulu • Mehmet Kalpakli Received: 2 October 2011 / Accepted: 16 November 2014 / Published online: 21 January 2015 Ó Springer-Verlag London 2015 Abstract In this study, we address the problem of Keywords Cultural heritage Á Calligraphy Á Kufic Á matching patterns in Kufic calligraphy images. Being used Sequence matching Á Graph matching as a decorative element, Kufic images have been designed in a way that makes it difficult to be read by non-experts. Therefore, available methods for handwriting recognition 1 Introduction are not easily applicable to the recognition of Kufic pat- terns. In this study, we propose two new methods for Kufic Decorative inscriptions have been used both in Western pattern matching. The first method approximates the con- and Eastern cultures throughout the history. As depicting tours of connected components into lines and then utilizes humans in art is discouraged in Islam, geometric patterns chain code representation. Sequence matching techniques and calligraphy have been the main form of artistic with a penalty for gaps are exploited for handling the expression in Islamic cultures.1 variations between different instances of sub-patterns. In Kufic is one of the oldest calligraphic forms of the the second method, skeletons of connected components are various Islamic scripts. Kufic derives its name from the city represented as a graph where junction and end points are of Kufa, where it was developed around the eighth century, considered as nodes.
    [Show full text]
  • Creative Factors and Ethnic-Folk Dance: a Case Study of the Peacock Dance in China (1949-2013) by Jiaying You a Thesis Submitted
    Creative Factors and Ethnic-folk Dance: A Case Study of the Peacock Dance in China (1949-2013) by Jiaying You A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Ukrainian Folklore Departments of Modern Languages and Cultural Studies and Anthropology University of Alberta © Jiaying You, 2016 ii Abstract My dissertation topic focuses on the interaction between dances, their contexts, and their meanings. I am interested in a wide range of creative factors that are involved in the dance-context interaction. I chose to investigate these factors by looking at the Peacock Dance, which originates in the Dai culture. I write about eleven case studies and focus on four different creative factors that have changed the peacock dance - individual, community, nationality, and state. Creative factors are the factors that actively influence the form/context/meaning of an ethnic-folk dance in certain ways. I call these factors as “creative factors” because they influence the creation of new characteristics of the ethnic-folk dances. Various factors can influence change in ethnic-folk dances, and the ones I focus on are only four of many. Change in ethnic-folk dance usually happens under the influence of one or all four creative factors, though each factor may be more or less active. These case studies demonstrate how four creative factors have changed the peacock dance from the Dai ethnic group. Because of the absence of earlier detailed information, there is no original peacock dance to make comparisons in an absolute sense. I consider Dance #1, the peacock dance by Mao Xiang around 1949, as the “original” peacock dance in my dissertation.
    [Show full text]