He Who Saw Everything
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The Epic of Gilgamesh Humbaba from His Days Running Wild in the Forest
Gilgamesh's superiority. They hugged and became best friends. Name Always eager to build a name for himself, Gilgamesh wanted to have an adventure. He wanted to go to the Cedar Forest and slay its guardian demon, Humbaba. Enkidu did not like the idea. He knew The Epic of Gilgamesh Humbaba from his days running wild in the forest. He tried to talk his best friend out of it. But Gilgamesh refused to listen. Reluctantly, By Vickie Chao Enkidu agreed to go with him. A long, long time ago, there After several days of journeying, Gilgamesh and Enkidu at last was a kingdom called Uruk. reached the edge of the Cedar Forest. Their intrusion made Humbaba Its ruler was Gilgamesh. very angry. But thankfully, with the help of the sun god, Shamash, the duo prevailed. They killed Humbaba and cut down the forest. They Gilgamesh, by all accounts, fashioned a raft out of the cedar trees. Together, they set sail along the was not an ordinary person. Euphrates River and made their way back to Uruk. The only shadow He was actually a cast over this victory was Humbaba's curse. Before he was beheaded, superhuman, two-thirds god he shouted, "Of you two, may Enkidu not live the longer, may Enkidu and one-third human. As king, not find any peace in this world!" Gilgamesh was very harsh. His people were scared of him and grew wary over time. They pleaded with the sky god, Anu, for his help. In When Gilgamesh and Enkidu arrived at Uruk, they received a hero's response, Anu asked the goddess Aruru to create a beast-like man welcome. -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
Understanding Gilgamesh: His World and His Story Aims Toward This Process of Communication
University of Pretoria etd – De Villiers, G (2005) UNDERSTANDING GILGAMESH: HIS WORLD AND HIS STORY by GEZINA GERTRUIDA DE VILLIERS submitted in partial fulfilment of the requirements for the degree DOCTOR LITTERARUM (SEMITIC LANGUAGES) in the FACULTY OF HUMANITIES at the University of Pretoria SUPERVISOR : PROF GTM PRINSLOO Pretoria October 2004 University of Pretoria etd – De Villiers, G (2005) CONTENTS Pag CHAPTER 1 : INTRODUCTION 1-1 1. Motivation for research 1-2 2. Research problem 1-4 3. Hypothesis 1-5 4. Purpose for research 1-5 5. Methodology 1-6 5.1. Source-orientated inquiry 1-6 5.2. Discourse-orientated analysis 1-7 5.2.1. Epic: poetry or prose? 1-7 6. Premises 1-9 7. Contents 1-12 CHAPTER 2 : THE STANDARD BABYLONIAN GILGAMESH EPIC 2-14 1. The narrative 2-15 CHAPTER 3 : THE SOURCE HISTORY OF THE EPIC OF GILGAMESH 3-38 1. The Sumerian past 3-38 1.1. General background 3-38 1.2. Cities 3-40 1.3. Animals 3-45 1.4. Kings 3-46 1.5. Theology 3-49 2. Sumerian literature: the five poems on Bilgames 3-56 2.1. Obscure origins: did the king really exist? 3-56 2.2. The poems 3-58 2.3. The function of the Sumerian poems 3-71 3. From frivolous frolic to academic achievement: entertainment to literature 3-72 University of Pretoria etd – De Villiers, G (2005) 3.1. Writing 3-72 3.2. From Sumerian to Akkadian 3-74 3.3. The Sumerian Renaissance 3-76 3.4. The end of Ur III and the Isin-Larsa period 3-79 3.5 Babylon 3-81 3.5.1. -
Asher-Greve / Westenholz Goddesses in Context ORBIS BIBLICUS ET ORIENTALIS
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2013 Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources Asher-Greve, Julia M ; Westenholz, Joan Goodnick Abstract: Goddesses in Context examines from different perspectives some of the most challenging themes in Mesopotamian religion such as gender switch of deities and changes of the status, roles and functions of goddesses. The authors incorporate recent scholarship from various disciplines into their analysis of textual and visual sources, representations in diverse media, theological strategies, typologies, and the place of image in religion and cult over a span of three millennia. Different types of syncretism (fusion, fission, mutation) resulted in transformation and homogenization of goddesses’ roles and functions. The processes of syncretism (a useful heuristic tool for studying the evolution of religions and the attendant political and social changes) and gender switch were facilitated by the fluidity of personality due to multiple or similar divine roles and functions. Few goddesses kept their identity throughout the millennia. Individuality is rare in the iconography of goddesses while visual emphasis is on repetition of generic divine figures (hieros typos) in order to retain recognizability of divinity, where femininity is of secondary significance. The book demonstrates that goddesses were never marginalized or extrinsic and thattheir continuous presence in texts, cult images, rituals, and worship throughout Mesopotamian history is testimony to their powerful numinous impact. This richly illustrated book is the first in-depth analysis of goddesses and the changes they underwent from the earliest visual and textual evidence around 3000 BCE to the end of ancient Mesopotamian civilization in the Seleucid period. -
Gilgamesh: He Who Saw All. California Univ., Berkeley. Office Of
DOCUMENT RESUME ED 460 918 SO 033 302 TITLE Gilgamesh: He Who Saw All. INSTITUTION California Univ., Berkeley. Office of Resources for International and Area Studies. PUB DATE 2000-00-00 NOTE 15p.; Part of History through Literature in the 6th/7th Grade Core Curriculum Fall 1999 and Spring 2000 Institute. AVAILABLE FROM Office of Resources for International and Area Studies (ORIAS), 2223 Fulton Street, Rm. 338, University of California, Berkeley, CA 94720-2306. Tel: 510-643-0868; Fax: 510-643-7062; e-mail: [email protected]. For full text: http://ias.berkeley.edu/orias/gilgamesh.html. PUB TYPE Guides Classroom Teacher (052) EDRS, PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Ancient History; *Curriculum Development; Curriculum Enrichment; Foreign Countries; Grade 6; Grade 7; Intermediate Grades; Junior High Schools; Middle Schools; Social Studies; *World Literature IDENTIFIERS Babylonia (Sumer); *Gilgamesh ABSTRACT The historical Gilgamesh was a Sumarian king of Uruk around 2700 B.C. Sumarian fragments of the legend that grew up around him have been found dating back to about 2000 B.C. These lesson plans on Gilgamesh were developed during the Office of Resources for International and Area Studies (ORIAS) summer institute on history through literature, in which 6th and 7th grade teachers shared resources and sketched plans for introducing epic heroes and villains from the ancient and medieval worlds. A bibliography of basic books on the Ancient Near East was supplied for the lessons by Dr. John Hayes. The first lesson, "Gilgamesh Lives" (Deborah Petranek), was developed for the sixth grade and needs three to four weeks for completion. -
The Epic of Gilgamesh
Semantikon.com presents An Old Babylonian Version of the Gilgamesh Epic On the Basis of Recently Discovered Texts By Morris Jastrow Jr., Ph.D., LL.D. Professor of Semitic Languages, University of Pennsylvania And Albert T. Clay, Ph.D., LL.D., Litt.D. Professor of Assyriology and Babylonian Literature, Yale University In Memory of William Max Müller (1863-1919) Whose life was devoted to Egyptological research which he greatly enriched by many contributions PREFATORY NOTE The Introduction, the Commentary to the two tablets, and the Appendix, are by Professor Jastrow, and for these he assumes the sole responsibility. The text of the Yale tablet is by Professor Clay. The transliteration and the translation of the two tablets represent the joint work of the two authors. In the transliteration of the two tablets, C. E. Keiser's "System of Accentuation for Sumero-Akkadian signs" (Yale Oriental Researches--VOL. IX, Appendix, New Haven, 1919) has been followed. INTRODUCTION. I. The Gilgamesh Epic is the most notable literary product of Babylonia as yet discovered in the mounds of Mesopotamia. It recounts the exploits and adventures of a favorite hero, and in its final form covers twelve tablets, each tablet consisting of six columns (three on the obverse and three on the reverse) of about 50 lines for each column, or a total of about 3600 lines. Of this total, however, barely more than one-half has been found among the remains of the great collection of cuneiform tablets gathered by King Ashurbanapal (668-626 B.C.) in his palace at Nineveh, and discovered by Layard in 1854 [1] in the course of his excavations of the mound Kouyunjik (opposite Mosul). -
Gilgamesh the King, 2013, 424 Pages, Robert Silverberg, 1480418188, 9781480418189, Open Road Media, 2013
Gilgamesh the King, 2013, 424 pages, Robert Silverberg, 1480418188, 9781480418189, Open Road Media, 2013 DOWNLOAD http://bit.ly/1AC7zag http://www.goodreads.com/search?utf8=%E2%9C%93&query=Gilgamesh+the+King A thrilling retelling of the Epic of Gilgamesh, by one of the greatest storytellers of his generationGilgamesh’s appetite for wine, women, and warfare is insatiable. As the King of Uruk, he oppresses his people and burdens his city. To temper his excesses, the gods create Enkidu, Gilgamesh’s equal, who becomes his greatest friend. Together they wander the kingdom as brothers, conquering demons until a cruel twist changes Gilgamesh’s path forever. Two parts god and one part man, Gilgamesh is mortal—a fate he now resolves to overcome, no matter what the price. And so he embarks on another journey, in pursuit of vengeance and the ultimate prize for a mortal king: eternal life. This ebook features an illustrated biography of Robert Silverberg including rare images and never-before-seen documents from the author’s personal collection. DOWNLOAD http://u.to/gk3TM0 http://bit.ly/1jt7CrN Strange Gifts Science Fiction Stories by Alfred Bester, Gordon R. Dickson, Philip K. Dick, and More!, Robert Silverberg, Mar 1, 2009, Fiction, 208 pages. Included: "The Golden Man," by Philip K. Dick; "Danger -- Human!" by Gordon R. Dickson; "All the People," by R.A. Lafferty; "Oddy and Id," by Alfred Bester; "The Man with. A Century of Fantasy 1980-1989, Martin Harry Greenberg, Robert Silverberg, Jan 1, 1997, Fiction, 352 pages. The Queen of Springtime , Robert Silverberg, May 14, 2013, Fiction, 570 pages. -
Women and Household Shrines in Ancient Israel
Women and household shrines in ancient Israel Item Type text; Dissertation-Reproduction (electronic) Authors Willett, Elizabeth Ann Remington Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 20:20:33 Link to Item http://hdl.handle.net/10150/288986 DWORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, \^e others may be fit}m ai^ type of computer printer. The quality of this reprodactioii is dependent apon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and impropo- alignment can adversely affect rq)roduction. In the unlikely event that the author did not send UMI a complete manuscript and there are misang pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, b^inning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Amurru the Home of the Northern Semites a Study Showing That The
THE HO M E O F THE NO RTHE RN SE M ITE S A S TU D Y S HO W I N G THAT TIIE R ELI G ION A N D CULTURE O F I SRAEL ARE NOT O F B A B Y LONI A N O RI G IN H L BE R . L Y P A T T C A , D . PR F E S S R O F S E M I T I C PH I L L G A N D A RC HE L G O O O O Y O O Y , U NI V E RS I TY O F PE N NS Y L V A NI A PH ILA D E LPHIA Elbe fiunhay fithnnl 611m m 010 a I 9 0 9 COP Y R IGHT 1 909 B Y THE S UNDA Y SCHOOL TIM ES COMP AN Y TO PROFES SO R EDGAR FAHS SM ITH PH D S D LL D . C . V I C E Pn ovosr 0 17 T H E U NIV E RS I T Y O F P E NNS YL V A NIA BELO VED B Y COLL EA G UES A ND S TU DE NTS IN GRATE FUL APPRECIATION P R E F A C E These discu ssions are the ou tgrowth of The Rein icker Le u 1 908 a ct res for the year , delivered at the Protest nt E S A V . piscopal Theological eminary , lexandria, irginia I u i u as nstead of p blish ng the lect res delivered , which “ u R covered the s bject , ecent Discoveries in Bible Lands , it seemed preferable to present a special phase of the su b ect u an ur . -
The Early Civilization of Amurru: the Land of the Amorites
,JOURNAL OF THE TRANSACTIONS OF OR, VOL. LVII. LONDON: (lf3ublisbl"tr b!! tIJc Enstitutr, 1, <.'l:cntrnl :JSuiltri11gs, i00tcstmi11~kr, ..i,.~.1.) A L L R I G H T S R E S E R V E D, 1925 673RD ORDINARY GENERAL MEETING, HELD IN COMMITTEE ROOM B, THE CENTRAL HALL, WESTMINSTER, S.W., ON MONDAY, FEBRUARY 23RD, 1925, AT 4.30 P,M, PROFESSOR T. G. PINCHES, LL.D., M.R.A.S., IN THE CHAIR. The Minutes of the previous Meeting were read, confirmed and signed. The CHAIRMAN announced that, owing to the regrettable absence of the author in America, the Hon. Secretary would read the paper by Professor Albert T. Clay, Ph.D., Litt.D., LL.D., on "The Early Civilization of Amurru-the Land of the Amorites-showing Amorite Influence on Biblical Literature." THE EARLY CIVILIZATION OF AMURRU-THE LAND OF THE AMORITES-SHOWING AMORITE INFLUENCE ON BIBLICAL LITERATURE. By PROFESSOR ALBERT T. CLAY, Ph.D., Litt.D., LL.D. YRIA1 which name was introduced by the Greeks, and is S thought originally to have been Assyria, extends from the Taurus range and its offshoot called the Amanus about 380 miles to the Egyptian frontier; and from the Medi terranean eastward sixty or more miles to the middle course of the Euphrates, and, farther south, one hundred miles more or less to the desert. · These are the modern boundaries of Syria. Mesopotamia is that irregular oval south of the mountains of Armenia, at present called by the Arabs the Jezireh, "Island," for it is nearly surrounded by the upper Euphrates and Tigris. -
New Fragments of Gilgameš and Other Literary Texts from Kuyunjik
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universität München: Elektronischen Publikationen IRAQ (2014) 76 99–121 Doi:10.1017/irq.2014.2 99 NEW FRAGMENTS OF GILGAMEŠ AND OTHER LITERARY TEXTS FROM KUYUNJIK By E. JIMÉNEZ The public availability of photographs of the entire British Museum Kuyunjik collection has allowed the identification of many hitherto unplaced fragments. Some of them are particularly relevant for the reconstruction of passages in a number of ancient Mesopotamian literary texts. These are published here for the first time. They include three new fragments of the Gilgameš epic, one or two of the Theodicy, several of the Diviner’s Manual and of the Rituals of the Diviner, several prayers previously only poorly known, and fragments from the seventh tablet of the exorcistic series Muššuʾu. Ashurbanipal’s libraries represent the single most important collection of literary tablets from first millennium Mesopotamia, and they will continue to do so for the foreseeable future. Almost all genres are represented within them, and the reliability and legibility of their manuscripts have proven an invaluable touchstone when confronted with duplicates from different cities and periods. Despite the intensive work of several generations of scholars, their wealth is far from exhausted, and many of their texts still remain unpublished and many of the fragments unidentified. This makes the possibility of accessing the entirety of their contents at the click of a button, via the British Museum’s online database of photographs,1 particularly welcome news for the student of Babylonian literature. -
The Epic of Gilgamesh
The Epic of Gilgamesh Translated by Maureen Gallery Kovacs Electronic Edition by Wolf Carnahan, I998 Tablet I He who has seen everything, I will make known (?) to the lands. I will teach (?) about him who experienced all things, ... alike, Anu granted him the totality of knowledge of all. He saw the Secret, discovered the Hidden, he brought information of (the time) before the Flood. He went on a distant journey, pushing himself to exhaustion, but then was brought to peace. He carved on a stone stela all of his toils, and built the wall of Uruk-Haven, the wall of the sacred Eanna Temple, the holy sanctuary. Look at its wall which gleams like copper(?), inspect its inner wall, the likes of which no one can equal! Take hold of the threshold stone--it dates from ancient times! Go close to the Eanna Temple, the residence of Ishtar, such as no later king or man ever equaled! Go up on the wall of Uruk and walk around, examine its foundation, inspect its brickwork thoroughly. Is not (even the core of) the brick structure made of kiln-fired brick, and did not the Seven Sages themselves lay out its plans? One league city, one league palm gardens, one league lowlands, the open area(?) of the Ishtar Temple, three leagues and the open area(?) of Uruk it (the wall) encloses. Find the copper tablet box, open the ... of its lock of bronze, undo the fastening of its secret opening. Take and read out from the lapis lazuli tablet how Gilgamesh went through every hardship.