Decolonial African Feminism for White Allies
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Female Genital Cutting and African Women's Migration to Canada: Toward a Postcolonial Feminist Decolonizing Methodology
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2020-11-23 Female Genital Cutting and African Women's Migration to Canada: Toward a Postcolonial Feminist Decolonizing Methodology Werunga, Jane Nasipwondi Werunga, J. N. (2020). Female Genital Cutting and African Women's Migration to Canada: Toward a Postcolonial Feminist Decolonizing Methodology (Unpublished doctoral thesis). University of Calgary, Calgary, AB. http://hdl.handle.net/1880/112782 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Female Genital Cutting and African Women's Migration to Canada: Toward a Postcolonial Feminist Decolonizing Methodology by Jane Nasipwondi Werunga A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN NURSING CALGARY, ALBERTA NOVEMBER, 2020 © Jane Nasipwondi Werunga 2020 Abstract The discourse on the cultural practice of FGC has captured a lot of attention over the last several decades, and with international migration propelling what was once a private cultural practice onto the global stage, FGC has become a fixture in the international human rights and global health arenas. FGC is a sensitive topic and the debates around it remain politically and culturally contentious. -
An Africana Womanist Reading of the Unity of Thought and Action
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 3, Ver. V (March. 2017) PP 58-64 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org An Africana womanist Reading of the Unity of Thought and Action Nahed Mohammed Ahmed Abstract:- This article examines the importance of establishing an authentic African-centered paradigm in Black Studies. In doing so, this article selects Clenora Hudson-Weems’ Africana womanism paradigm as an example. The unity of thought and action is the most important concept in this paradigm. The article tries to trace the main features of such a concept and how these features are different from these in other gender-based paradigms. Africana womanism, coming out of the rich and old legacy of African womanhood, then, is an authentic Afrocentric paradigm. Africana womanism is a term coined in the late 1980s by Clenora Hudson- Weems. As a pioneer of such an Africana womanist literary theory, Hudson-Weems explains the term Africana womanism as follows: Africana means African-Americans, African-Caribbeans, African-Europeans, and Continental Africans. Womanism is more specific because “terminology derived from the word ‘woman’ is . more specific when naming a group of the human race” (“Africana Womanism: An Overview” 205-17). Besides, womanism is a recall for Sojourner Truth's powerful speech, “And Ain't I a Woman " affirming that the Africana woman 's problem lies in being black and not in being a woman in which she was forced to speak about race issues because "she was hissed and jeered at because she was black, not because she was a woman, since she was among the community of women" (207).The present article uncovers the importance of Hudson-Weems’ quest for an authentic Africana paradigm through shedding light on her concept of the unity between thought and action, used by earlier authentic Africana paradigms, namely Black aestheticism and Afrocentricity In “Africana Womanism and the Critical Need for Africana Theory and Thought,” Hudson-Weems clarifies her concept of the unity between thought and action. -
Mainstream Feminism
Feminist movements and ideologies This collection of feminist buttons from a women's museum shows some messages from feminist movements. A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought. Groupings Judith Lorber distinguishes between three broad kinds of feminist discourses: gender reform feminisms, gender resistant feminisms, and gender revolution feminisms. In her typology, gender reform feminisms are rooted in the political philosophy of liberalism with its emphasis on individual rights. Gender resistant feminisms focus on specific behaviors and group dynamics through which women are kept in a subordinate position, even in subcultures which claim to support gender equality. Gender revolution feminisms seek to disrupt the social order through deconstructing its concepts and categories and analyzing the cultural reproduction of inequalities.[1] Movements and ideologies Mainstream feminism … "Mainstream feminism" as a general term identifies feminist ideologies and movements which do not fall into either the socialist or radical feminist camps. The mainstream feminist movement traditionally focused on political and legal reform, and has its roots in first- wave feminism and in the historical liberal feminism of the 19th and early- 20th centuries. In 2017, Angela Davis referred to mainstream feminism as "bourgeois feminism".[2] The term is today often used by essayists[3] and cultural analysts[4] in reference to a movement made palatable to a general audience by celebrity supporters like Taylor Swift.[5] Mainstream feminism is often derisively referred to as "white feminism,"[6] a term implying that mainstream feminists don't fight for intersectionality with race, class, and sexuality. -
I Am a Revolutionary Black Female Nationalist
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication Spring 5-10-2013 I am a Revolutionary Black Female Nationalist: A Womanist Analysis of Fulani Sunni Ali's Role as a New African Citizen and Minister of In-formation in the Provisional Government of the Republic of New Africa Rondee Gaines Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Gaines, Rondee, "I am a Revolutionary Black Female Nationalist: A Womanist Analysis of Fulani Sunni Ali's Role as a New African Citizen and Minister of In-formation in the Provisional Government of the Republic of New Africa." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_diss/44 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. I AM A REVOLUTIONARY BLACK FEMALE NATIONALIST: A WOMANIST ANALYSIS OF FULANI SUNNI ALI’S ROLE AS A NEW AFRICAN CITIZEN AND MINISTER OF IN- FORMATION IN THE PROVISIONAL GOVERNMENT OF THE REPUBLIC OF NEW AFRICA by RONDEE GAINES Under the Direction of M. Lane Bruner ABSTRACT Historically, black women have always played key roles in the struggle for liberation. A critical determinant of black women’s activism was the influence of both race and gender, as the- se factors were immutably married to their subjectivities. African American women faced the socio-cultural and structural challenge of sexism prevalent in the United States and also in the black community. -
I Am Because We Are: Africana Womanism As a Vehicle of Empowerment and Influence”
“I Am Because We Are: Africana Womanism as a Vehicle of Empowerment and Influence” Janiece L. Blackmon Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History Committee Chair: Dr. Beverly Bunch‐Lyons Committee Member: Dr. Hayward Farrar Committee Member: Dr. Brett L. Shadle June 16, 2008 Blacksburg, VA Keywords: Gender, Africana womanism, Rastafarianism, Black Panther Party, Nation of Gods and Earths “I Am Because We Are: Africana Womanism as a Vehicle of Empowerment and Influence” Janiece L. Blackmon ABSTRACT The purpose of this research project has been to shed light on the experiences of Black women in Afrocentric groups—Nation of Gods and Earths, the Black Panther Party, and Rastafarians—that operated on the fringes of society during the 1960s through the early 2000s. This work articulates the gender dynamics between the men and women of the groups. In it, I trace the history of Black nationalism and identity in the United States in the late 19th century to the 20th century which set the framework for the formation of the Nation of Gods and Earths (NGE), the Black Panther Party(BPP), and Rastafarianism and its members to see themselves as a part of the Black nation or community and the women of these groups to see their identity tied in with the goals and desires of the group not as one set on individualistic ambitions. The Africana womanist did not see herself as an individual but rather a vital part of the entire Black community. -
Queer Abstraction
UNDER CONSTRUCTION PERFORMING CRITICAL IDENTITY EDITED BY MARIE-ANNE KOHL Under Construction State of the Arts–Reflecting Contemporary Cultural Expression Volumes in the series: Under Construction: Performing Critical Identity ISBN 978-3-03897-499-4 (Hbk); ISBN 978-3-03897-500-7 (PDF) Self-Representation in an Expanded Field: From Self-Portraiture to Selfie, Contemporary Art in the Social Media Age ISBN 978-3-03897-564-9 (Hbk); ISBN 978-3-03897-565-6 (PDF) Marie-Anne Kohl (Ed.) Under Construction Performing Critical Identity MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tianjin •Tokyo • Cluj EDITOR Marie-Anne Kohl Research Institute for Music Theater Studies, University of Bayreuth, Thurnau, Germany EDITORIAL OFFICE MDPI St. Alban-Anlage 66 4052 Basel, Switzerland For citation purposes, cite each article independently as indicated below: Author 1, and Author 2. 2021. Chapter Title. In Under Construction: Performing Critical Identity. Edited by Marie-Anne Kohl. Basel: MDPI, Page Range. ISBN 978-3-03897-499-4 (Hbk) ISBN 978-3-03897-500-7 (PDF) ISSN: 2624-9839 (Print); ISSN: 2624-9847 (Online) doi.org/10.3390/books978-3-03897-500-7 Cover image adapted from work by Mamba Azul–stock.adobe.com. © 2021 by the authors. Chapters in this volume are Open Access and distributed under the Creative Commons Attribution (CC BY 4.0) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book taken as a whole is © 2021 MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
Ain't I a Womanist Too? of What It Means to Be a Woman
Introduction: Ain’t I a Womanist Too? Third Wave Womanist Religious Thought Monica A. Coleman But what’s all dis here talkin’ bout? Dat man ober dar say dat womin needs to be helped into carriages and lifted ober mud puddles, and to have de best place every whar. Nobody eber help me into carriages, or ober mud puddles or gibs me any best place! And ain’t I a woman? Look at me! Look at my arm! I have ploughed, and planted, and gathered into barns, and no man could head me! And ain’t I a woman? I could work as much and eat as much as a man—when I could get it—and bear de lash as well! And ain’t I a woman? I have bourne thirteen chilern, and seen ’em mos’ all sold off to slavery, and when I cried out with my mother’s grief, none but Jesus heard me! And ain’t I a woman?1 In her now famous 1851 speech at the Akron, Ohio women’s rights gathering, Sojourner Truth critiqued the default understanding of womanhood with her poignant question, “And ain’t I a woman?” Sojourner Truth noted the ways that the work and lives of enslaved black women departed from the Victorian standards of piety, purity, submission, and domesticity—more commonly referred to as the “cult of true womanhood.” Having different experiences and perspectives from white middle- and upper-class women did not negate Truth’s womanhood. Rather, Truth calls for a redefinition, or more aptly, an , expansion 1 2 | Ain't I a Womanist Too? of what it means to be a woman. -
African American Womanism Speaks to Dalit Feminism: Special Reference to Telugu Dalit Women’S Literature
Rupkatha Journal on Interdisciplinary Studies in Humanities, Vol. IX, No. 1, 2017 0975-2935 DOI: https://dx.doi.org/10.21659/rupkatha.v9n1.15 Full Text: http://rupkatha.com/V9/n1/v9n115.pdf African American Womanism Speaks to Dalit Feminism: Special Reference to Telugu Dalit Women’s Literature D. Jyothirmai & K. Sree Ramesh Adikavi Nannaya University in Andhra Pradesh, India. Email: [email protected] Received March 1, 2017; Revised April 6, 2017; Accepted April 27, 2017; Published May 7, 2017. Abstract ‘Mainstream feminism’ in India remained substantially elitist in its concerns carrying the legacy of ‘western feminism’. As such it failed to appreciate, accommodate and represent the specific concerns of Dalit women. Consequently Dalit women are forced to lead a separate movement. It is the premise of this paper that the nascent Dalit Feminism, which could not derive any theoretical and representational sustenance from the Indian Feminism, can draw from the African American womanist/feminist experiences as it shares a similar socio-historical environment. Further, it argues in favor of Dalit feminism as a more inclusive kind of feminism that challenges oppression of any form for women in India or elsewhere. As much of Dalit women’s writing is produced in Indian vernaculars a few short stories from Telugu Dalit writing, translated into English are analyzed to reflect different perspectives of Dalit women’s discourse. Keywords: Feminism, Dalit Feminism, African Feminism, Untouchability, Education of Dalits. 1. Introduction Even though it comes under the category of ‘third world’ feminism, ‘Indian mainstream feminism’ remained elitist in its concerns carrying the legacy of ‘western feminism.’ Indian feminism was/is truncated in appreciating the heterogeneity and the specific needs of women belonging to various oppressed castes, tribes, minorities. -
Mari Bergman AFRICAN SISTERHOOD
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Lauda Mari Bergman AFRICAN SISTERHOOD –CONCEPTUALIZING AFRICAN FEMINIST IDENTITY Pro Gradu – tutkielma Valtio-oppi 2016 Lapin yliopisto, yhteiskuntatieteiden tiedekunta Työn nimi: African sisterhood – Conseptualizing african feminist identity Tekijä: Mari Bergman Koulutusohjelma/oppiaine: Valtio-oppi Työn laji: Pro gradu –työ _x_ Sivulaudaturtyö__ Lisensiaatintyö__ Sivumäärä: 68 Vuosi: 2016 Tiivistelmä: This study focuses on the political identity of African feminism. The purpose is to understand the meaning and the origins of African sisterhood as a identity political project. The analyzing method is content analysis guided by theory. The theoretical framework consists of identity political theories from Harriet Bradley and Manuel Castells. As a supporting theoretical framework the concept of culture relativism and the concept of freedom has been used. The research material consists of publications from an organization called African Feminist Forum. Aim of research is to study how African feminist forum builds and expresses its political identity in relation to traditional western feminist identity. The meaning of African feminism is to tell it apart from traditional western feminism and make theories and ways of activism that are more valid in the African context. In its rhetoric African feminist forum is trying to state what are the threads and ordeals in its near future and at African women’s living surroundings. This is how the group makes itself distinctive and executes identity political project. Cultural relativism plays an important role in this because the cultural relativist though highlights the importance of respecting your own cultural heritage. -
Exploring the Transformative Essence of Intellectual Feminism in Africa
Open Political Science, 2021; 4: 126–135 Research Article Al Chukwuma Okoli* Exploring the Transformative Essence of Intellectual Feminism in Africa: Some Contributions of Amina Mama https://doi.org/10.1515/openps-2021-0013 received October 21, 2020; accepted January 14, 2021. Abstract: The paper seeks to explore the transformative essence of intellectual feminism in Africa, with particular reference to the contributions of Amina Mama. Following textual and contextual exegeses of works by or on the focal scholar-activist, as well as insights drawn on extant literature on aspects of her gender/feminist engagements/ scholarship, the paper posits that Amina Mama has made significant transformative contributions in various sites of intellectual feminism, especially in the areas of intellectual resourcing, academic leadership and mentoring, as well as strategic scholarly activism/advocacy. Among other things, the study intends to set an agenda on how to effectively link feminist scholarship to practice in an effort to mainstreaming social transformation in Africa. Keywords: Amina Mama, feminism, intellectual feminism, social transformation, transformational feminism 1 Introduction Feminism is a social belief system or movement dedicated to the emancipation of women from cultural and structural and allied inhibitions of the patriarchal world. It refers to “a complex set of political ideologies used by the women’s movement to advance the cause of women’s equality and put to an end to sexist theory and practice of social oppression” (Ngwainmbi, 2004: 95). As conceived by Mama (cited in Encyclopedia.com, 2018) “Feminism is broadly defined as the struggle for the liberation of women, and encompasses epistemologies, methodologies, theories, and modes of activism that seek to bring an end to the oppression and subordination of women by men”. -
Gullah Womanism in the Creative Works of African American Women
i OOMAN’S WUK: GULLAH WOMANISM IN THE CREATIVE WORKS OF AFRICAN AMERICAN WOMEN by JUDITH LYNN STRATHEARN B. S. Rochester Institute of Technology, 1993 B.A., Metropolitan State College of Denver, 2004 M.A., University of Colorado at Boulder, 2008 A dissertation submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2017 ii This dissertation entitled: Ooman’s Wuk: Gullah Womanism in the Creative Works of African American Women written by Judith Lynn Strathearn has been approved for the Department of English Adam F. Bradley (Committee Chair) Michael J. Preston (Committee Member) Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii ABSTRACT Strathearn, Judith Lynn (Ph.D., English) Ooman’s Wuk: Gullah Womanism in the Creative Works of African American Women Dissertation directed by Associate Professor Adam F. Bradley “Ooman’s Wuk: Gullah Womanism in the Creative Works of African American Women” investigates Gullah history and culture as a usable past for modern African American female artists. This project explores the history of rice production and the vital but under-discussed role of women that led to the African retentions still at work on the Sea Islands of South Carolina and Georgia. By exploring the often disavowed female roles, this dissertation argues that once acknowledged, the Gullah woman’s role as ‘keepa a da kulca’ formulates a Gullah womanism or a form of cultural and community activism that is found in the daily lives of the female descendants of Africans living on the Sea Islands. -
African Feminisms: Paradigms, Problems and Prospects
Feminismo/s 37, January 2021, 289-305 ISSN: 1989-9998 AFRICAN FEMINISMS: PARADIGMS, PROBLEMS AND PROSPECTS FEMINISMOS AFRICANOS: PARADIGMAS, PROBLEMAS Y PERSPECTIVAS Rowland Chukwuemeka AMAEFULA Author / Autor: Abstract Rowland Chukwuemeka Amaefula Alex Ekwueme Federal University African feminisms comprise the differing Ndufu-Alike, Nigeria [email protected] brands of equalist theories and efforts geared https://orcid.org/0000-0001-7012-2239 towards enhancing the condition of woman. However, the meaning and application of the Submitted / Recibido: 03/11/2020 Accepted / Aceptado: 17/08/2020 word ‘feminism’ poses several problems for primera African women writers and critics many of To cite this article / Para citar este artículo: whom distance themselves from the move- Amaefula, Rowland Chukwuemeka. «African Feminisms: Paradigms, Problems and ment. Their indifference stems from the Prospects». In Feminismo/s, 37 (January anti-men/anti-religion status accorded fem- 2021): 289-305. https://doi.org/10.14198/ fem.2021.37.12 inism in recent times. Thus, several women writers have sought to re-theorize feminism Licence / Licencia: in a manner that fittingly captures their This work is licensed under a Creative Commons Attribution 4.0 International. socio-cultural beliefs, leading to multiple feminisms in African literature. This study critically analyzes the mainstream theories of © Rowland Chukwuemeka Amaefula feminisms in Africa with a view to unravelling the contradictions inherent in the ongoing efforts at conceptualizing African feminisms. The paper further argues for workable ways of practicing African feminisms to serve prac- tical benefits for African man and woman, and to also function as an appropriate tool for assessing works by literary writers in Nigeria in particular and Africa in general.