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British Poetry of the Long Nineteenth Century
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries. -
Transverse02.Pdf
The April 2004 Centre for Comparative Literature’s Graduate Student Colloquium was a great success in that it was able to synthesize divergent fields of study into a forum which not only encouraged dialogue, but encouraged a deeper understanding of various literary disciplines, as well. I am honoured to present several of those papers given at this recent colloquium in the second issue of Transverse. Stay tuned for a third isse of Transverse this coming winter which will focus on the visual interpretations of various artists (photographers, graphic designers, illustrators, painters...) in and around the University of To- ronto campus, and various other campuses in the city. Thank you for your continued support. Sincerely, Annarita Primier CONTENTS 1 Myth as Metaphor: The Reflection of the Sacred in the Secular in A River Sutra julie mehta 9 2 Hypertextual Jealousy –The Option of Non-linearity in Robbe-Grillet’s Novel martin zeilinger 19 3 The Sterility of the Individual Ontological Search Versus the Fecundity of the Relational Ontological Search in Saramago’s The Year of the Death of Ricardo Reis irene marques 31 4 The Afterlife of the Berlin Wall: Monika Maron’s Life-writing on the Hyphen alma christova 44 5 COINCIDENTIA OPPOSITORUM in Der Steppenwolf pouneeh saeedi 54 6 The Zero Soul: Godot’s Waiting Selves in Dante’s Waiting Rooms ioana sion 63 7 A Synthetic Mind at Work: Eriugena’ Reinterpretation of Dionysius the Ps.-Areopagite in the 9th Century timothy budde 81 MYTH AS METAPHOR: THE REFLECTION OF THE SACRED IN THE SECULAR IN A RIVER SUTRA julie mehta (A River Sutra was on the list for the Booker Prize the same year Roddy Doyle got the booker for Paddy Clarke Ha Ha Ha and Salman Rushdie received the Booker of Bookers. -
The Art of William Butler and Jack Yeats. Artsedge Curricula, Lessons and Activities
DOCUMENT RESUME ED 477 330 CS 511 355 AUTHOR Karsten, Jayne TITLE Magic Words, Magic Brush: The Art of William Butler and Jack Yeats. ArtsEdge Curricula, Lessons and Activities. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, DC. SPONS AGENCY National Endowment for the Arts (NFAH), Washington, DC.; MCI WorldCom, Arlington, VA.; Department of Education, Washington, DC. PUB DATE 2002-00-00 NOTE 25p. AVAILABLE FROM For full text: http://artsedge.kennedy-center.org/ teaching_materials/curricula/curricula.cfm?subject_id=LNA. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE EDRS Price MF01/PCO2 Plus Postage. DESCRIPTORS *Art Expression; Class Activities; *Classroom Techniques; *Cultural Context; *Foreign Countries; Interdisciplinary Approach; Learning Activities; *Poetry; Secondary Education; Student Educational Objectives; Teacher Developed Materials; Units of Study IDENTIFIERS Ireland; *Yeats (William Butler) ABSTRACT This curriculum unit, designed for grades 7-12, integrates various artistic disciplines with geography, history, social studies, media, and technology. This unit on William Butler Yeats, the writer, and Jack Yeats, the painter, seeks to immerse students in a study of the brothers as voices of Ireland and as two of the most renowned artists of the late 19th and early 20th centuries. The unit is dedicated also to helping students see how the outlook of an age controls cultural expression, and how this expression is articulated in similar ways throughout genres of art. To help effect these major goals, focus in the unit is placed on: the impact of geography, place, and family on both William Butler Yeats and Jack Yeats; the influence of personalities of the time period on the two artists;. -
The Afterlives of the Irish Literary Revival
The Afterlives of the Irish Literary Revival Author: Dathalinn Mary O'Dea Persistent link: http://hdl.handle.net/2345/bc-ir:104356 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of English THE AFTERLIVES OF THE IRISH LITERARY REVIVAL a dissertation by DATHALINN M. O’DEA submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2014 © copyright by DATHALINN M. O’DEA 2014 Abstract THE AFTERLIVES OF THE IRISH LITERARY REVIVAL Director: Dr. Marjorie Howes, Boston College Readers: Dr. Paige Reynolds, College of the Holy Cross and Dr. Christopher Wilson, Boston College This study examines how Irish and American writing from the early twentieth century demonstrates a continued engagement with the formal, thematic and cultural imperatives of the Irish Literary Revival. It brings together writers and intellectuals from across Ireland and the United States – including James Joyce, George William Russell (Æ), Alice Milligan, Lewis Purcell, Lady Gregory, the Fugitive-Agrarian poets, W. B. Yeats, Harriet Monroe, Alice Corbin Henderson, and Ezra Pound – whose work registers the movement’s impact via imitation, homage, adaptation, appropriation, repudiation or some combination of these practices. Individual chapters read Irish and American writing from the period in the little magazines and literary journals where it first appeared, using these publications to give a material form to the larger, cross-national web of ideas and readers that linked distant regions. -
The Evolution of Yeats's Dance Imagery
THE EVOLUTION OF YEATS’S DANCE IMAGERY: THE BODY, GENDER, AND NATIONALISM Deng-Huei Lee, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS August 2003 APPROVED: David Holdeman, Major Professor Peter Shillingsburg, Committee Member Scott Simpkins, Committee Member Brenda Sims, Chair of Graduate Studies in English James Tanner, Chair of the Department of English C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Lee, Deng-Huei, The Evolution of Yeats’s Dance Imagery: The Body, Gender, and Nationalism. Doctor of Philosophy (British Literature), August 2003, 168 pp., 6 illustrations, 147 titles. Tracing the development of his dance imagery, this dissertation argues that Yeats’s collaborations with various early modern dancers influenced his conceptions of the body, gender, and Irish nationalism. The critical tendency to read Yeats’s dance emblems in light of symbolist- decadent portrayals of Salome has led to exaggerated charges of misogyny, and to neglect of these emblems’ relationship to the poet’s nationalism. Drawing on body criticism, dance theory, and postcolonialism, this project rereads the politics that underpin Yeats’s idea of the dance, calling attention to its evolution and to the heterogeneity of its manifestations in both written texts and dramatic performances. While the dancer of Yeats’s texts follow the dictates of male-authored scripts, those in actual performances of his works acquired more agency by shaping choreography. In addition to working directly with Michio Ito and Ninette de Valois, Yeats indirectly collaborated with such trailblazers of early modern dance as Loie Fuller, Isadora Duncan, Maud Allan, and Ruth St. -
RNL04-NLI Autumn 07.Indd
NEWS Donal Cam O’Sullivan Beare, Number 29: Autumn 2007 courtesy of Maynooth College. A new book, The Irish on the move in Europe, 1600–1800, to be published Winter 2007 offers an illustrated overview of the travels, travails and triumphs of thousands of Irish migrants from all walks of life – students, soldiers, merchants, aristocrats, writers, entrepreneurs, composers and even beggars – who crossed the seas to ports such as Rouen, La Coruna and Ostende from the opening decades of the 1600s onwards. This phenomenon, born of political dislocation in Ireland and the lure of a better life in Europe, would continue until the era of the French Revolution. While people, ideas and goods had always moved between Ireland and Europe, the pace quickened after the Nine Years War between the Ulster earls and Queen Elizabeth had reached its climax. The earls’ defeat at Kinsale, and their departure overseas in 1607, unleashed the first wave of Irish migration, mostly of soldiers and their dependents, to Europe. Irish merchants were key figures in moving the migrating military to the Leabharlann Náisiúnta na hÉireann Continent. Their human cargo also included ecclesiastics in search of education and better opportunities. With native ingenuity and foreign patronage they established a National Library of Ireland network of colleges that eventually extended as far east as Wielun in Poland. Together, Irish soldiers, merchants and clergy left their mark on their host societies. In The Irish on the move in Europe, 1600–1800 we catch glimpses of the Irish migrants’ NUACHT achievements in war, trade, politics and religion; we also get a taste of the more mundane side of migrant life – the constant graft for survival, the casualties of war and social conflict, the sorry fate of the weak, the poor and the sick. -
ASIMOV, Isaac Geboren: Petrovichi, Rusland, 2 Januari 1920
ASIMOV, Isaac Geboren: Petrovichi, Rusland, 2 januari 1920. emigreerde naar de USA in 1923; naturalisatie tot Amerikaan in 1928. Overleden: 6 april 1992 Pseudoniemen: Dr. A.; Paul French; C.L. Ray Opleiding: Columbia University, New York: B.S.1939; M.A.1941; Ph.D. chemie, 1948. Carrière: universitair docent, biochemie, 1949-1951; Assistant Professor, 1951-1955; Associate Professor, 1955-1979; Professor, Boston University School of Medicine, vanaf 1979. Militaire dienst: US Army, 1945-1946. Onderscheidingen: Edison Foundation National Mass Media award, 1958; Blakeslee award voor non-fiction, 1960; World Science Fiction Convention Citation, 1963; Hugo award, 1963, 1966, 1973, 1977 en 1983; American Chemical Society James T. Grady award, 1965; American Association for the Advancement of Science-Westinghouse Science Writing award, 1967; Nebula award, 1972 en 1976; Locus award, non-fiction, 1981 en fiction in 1983; Washington Post Children's Book Guild award, voor non-fiction, 1985; Guest of Honor, World Science Fiction Convention, 1955. Getrouwd: met 1. Gertrude Blugerman, 1942 (gescheiden in 1973), 1 zoon en 1 dochter; 2. Janet Opal Jeppson, 1973 (foto: ZAM.it) In 1991 had Asimov 298 boeken geschreven waarvan hij zei: "Ik hou van schrijven en als je geen woorden meer uit mijn typewriter of tekstverwerker ziet spuiten, dan weet je dat ik niet alleen dood ben, maar dat ik al drie dagen dood ben." Asimov werd vooral bekend om zijn science fiction verhalen en wetenschappelijke boeken. website: www.asimovonline.com detective: Elijah "Lije" Baley; The Robots Lije is 42 jaar en rechercheur in de rang van C-5 in de stad New York. -
Promethia 2002: Low to the Ground Promethia 2002: Low to the Ground Copyright 2002, Oral Roberts University English Department Tulsa, Oklahoma
Low to tl1e G1·ound It your are interested ln submitting to Promethla. pleue contact: Mitzi Shead ext. 2188 ~I Kyle Erlc!n ext. 3093 Emall: [email protected] Promethia 2002: Low to the Ground Promethia 2002: Low to the Ground Copyright 2002, Oral Roberts University English Department Tulsa, Oklahoma The copyright of the individual contributions remains with the respective authors c 2002. All rights reserved. This journal may not be reproduced in whole or in part without permission. Promethia 2002 is published by Department of English Oral Robens University 7777 South Lewis A venue Tulsa, Oklahoma 74171 Contributions accepted from the students, faculty, staff, and alumni of Oral Roberts University. Cover photo by Joel Blain Editorial Staff Faculty Advisor Dr. Kt!J M,ym Editor-in-Chief Ana Mari.a Cqma Assistant Editors ChriJtab<llt Haff Tmna Balds c,,,.ndQ!,n G/Q.., Photo Editor Bonni, Ri.lxmi Editor's Note Sittmg here tn my humble 2bode facing another ,speer of 6.nabty, I tlunk of what tlus has meant. I find myself contemplating lncamauonal bving and Anruc Dillard's line, "Holiness lies spread and bome over the surface of wnc and stuff like color." It is such a surreal, humble dung to finally have tlus JOutnal to offer ...yet one more attempt at piecing together these fragments that we have shored ag;unst our ruins (th•nlung T. S. Eliot). We know that m truth, it all boils down to life scnbbled on napkins at Denny's and old and new coffee shops before sunnse, and we sec bow 11's all laid open before us like a free museum or an e.,poscd manuscnpt. -
Narrative Immunities: the Logic of Infection and Defense in American Speculative Fiction
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 1-9-2018 11:30 AM Narrative Immunities: The Logic of Infection and Defense in American Speculative Fiction Riley R. McDonald The University of Western Ontario Supervisor Schuster, Joshua The University of Western Ontario Joint Supervisor Carmichael, Thomas The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Riley R. McDonald 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the American Literature Commons Recommended Citation McDonald, Riley R., "Narrative Immunities: The Logic of Infection and Defense in American Speculative Fiction" (2018). Electronic Thesis and Dissertation Repository. 5174. https://ir.lib.uwo.ca/etd/5174 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In this project I analyze the roles that notions of viruses and immunities and their figurations play within the narrative discourse of speculative fiction. Focusing on a series of texts from twentieth- and twenty-first century American fiction, I seek to examine the ways in which the dialectical confrontation between infection and immunity is explored, reified, or challenged on a narrative level. The terms “virus” and “immunity,” so intrinsic to life sciences, have come into use to describe specific micro-organisms and biological processes only within the last 150 years. Yet these terms possess a significantly longer history in political, legalistic, and philosophical discourses. -
International Yeats Studies, Volume 3, Issue 1
International Yeats Studies Volume 3 | Issue 1 Article 1 November 2018 International Yeats Studies, Volume 3, Issue 1 Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation (2018) "International Yeats Studies, Volume 3, Issue 1," International Yeats Studies: Vol. 3 : Iss. 1 , Article 1. Available at: https://tigerprints.clemson.edu/iys/vol3/iss1/1 This Full Issue is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. International Yeats Studies Volume 3 | Issue 1 Article 1 November 2018 International Yeats Studies, Volume 3, Issue 1 Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation (2018) "International Yeats Studies, Volume 3, Issue 1," International Yeats Studies: Vol. 3 : Iss. 1 , Article 1. Available at: https://tigerprints.clemson.edu/iys/vol3/iss1/1 This Full Issue is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. Contents Volume 3 Yeats and Mass Communications David Dwan and Emilie Morin Introduction: Yeats and Mass Communications 1 Emily C. Bloom Broadcasting the Rising: Yeats and Radio Commemoration 15 Clare Hutton Yeats, Pound, and the Little Review, 1914–1918 33 Charles I. Armstrong: “Some Ovid of the Films”: W. B. Yeats, Mass Media, and the Future of Poetry in the 1930s 49 Melissa Dinsman Politics, Eugenics, and Yeats’s Radio Broadcasts 65 Review Soudabeh Ananisarab A Review of Irish Drama and the Other Revolutions 81 Notes on Contributors 87 Introduction: Yeats and Mass Communications David Dwan and Emilie Morin eats often aspired to a lofty independence—to an aristocratic form of art that had “no need of mob or Press to pay its way” (CW4 163). -
The Harvard Classics Eboxed
HARVARD LASSICS HE FIVE-FOOT EIFOFBOOKS .i^cx.'::^^::L%o^- t N G L I S H POETBV S TENNrSON TO WHITMAN COLLIER QBiai BBSI EBiai Si IS THE HARVARD CLASSICS The Five-Foot Shelf of Books THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME III From Tennyson to Whitman W;/A Introductions and Notes Volume 42 P. F. Collier & Son Corporation NEW YORK Copyright, 1910 By p. F. Collier & Son Copyright, 1870 By Fields, Osgood & Co. Copyright, 1898 By Bret Harte Copyright, 1882 By David McKay Copyright, 1884, 1891 By Mary D. Lanier Published by Charles Scribner's Sons Copyright, 1883 By The Macmillan Company Copyright, 1889 By The Macmillan Company Copyright, 1893 By The Macmillan Company Copyright, 1865, 1868 By Longmans, Green & Company Copyright, 1891 By Cassell & Company Copyright, 1896 By Charles Scribner's Sons manufactured in u. s. a. CONTENTS Alfred, Lord Tennyson page The Lady of Shalott 967 Sweet and Low 972 Tears, Idle Tears 972 Blow, Bugle, Blow 973 Home They Brought Her Warrior Dead 973 Now Sleeps the Crimson Petal 974 O Swallow, Swallow 974 Break, Break, Break 975 In the Valley of Cauteretz 976 Vivien's Song 976 Enid's Song 97^ Ulysses 977 Locksley Hall 979 MoRTE d'Arthur 986 The Lotos-Eaters 993 You Ask Me, Why 998 Love Thou Thy Land 999 Sir Galahad 1002 The Higher Pantheism 1004 Flower in the Crannied Wall 1005 Wages 1005 The Charge of the Light Brigade 1005 The Revenge 1007 RlZPAH lOII To Virgil 1014 Maud 1015 Crossing the Bar 1057 Richard Monckton Milnes, Lord Houghton Sonnet 1057 William Makepeace -
2015 Competition Speaking Poetry
2015 POETRY SPEAKING COMPETITION WHAT IS POETRY ALOUD? Poetry Aloud is an annual poetry speaking competition open to all post-primary students on the island of Ireland. It is organised by Poetry Ireland and the National Library of Ireland. To celebrate this year’s 150th anniversary of the birth of William Butler Yeats, all the prescribed poems in this year’s competition are by WB Yeats (see www.nli.ie/yeats to view the library’s award winning exhibition: ‘Yeats: The Life and Works of William Butler Yeats’). ABOUT EACH ORGANISATION POETRY IRELAND connects people and poetry. We are committed to achieving excellence in the reading, writing and performance of poetry throughout the island of Ireland. Poetry Ireland receives support from The Arts Council / An Chomhairle Ealaíon and The Arts Council of Northern Ireland and we enjoy rewarding partnerships with arts centres, festivals, schools, colleges and bookshops at home and abroad. Our commitment to creating performance and publication opportunities for poets at all stages of their careers helps ensure that the best work is made available to the widest possible audience, securing a future for Irish poetry that is as celebrated as its past. THE NATIONAL LIBRARY OF IRELAND collects and makes available the shared memory of the Irish nation at home and abroad caring for more than 10 million items, including books, newspapers, manuscripts, prints, drawings, ephemera, photographs and digital media. Poets from WB Yeats to Seamus Heaney have used the National Library’s reading rooms, and the literary papers of many poets are part of the library’s manuscripts collections.