International Yeats Studies Volume 3 | Issue 1 Article 1 November 2018 International Yeats Studies, Volume 3, Issue 1 Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation (2018) "International Yeats Studies, Volume 3, Issue 1," International Yeats Studies: Vol. 3 : Iss. 1 , Article 1. Available at: https://tigerprints.clemson.edu/iys/vol3/iss1/1 This Full Issue is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact
[email protected]. International Yeats Studies Volume 3 | Issue 1 Article 1 November 2018 International Yeats Studies, Volume 3, Issue 1 Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation (2018) "International Yeats Studies, Volume 3, Issue 1," International Yeats Studies: Vol. 3 : Iss. 1 , Article 1. Available at: https://tigerprints.clemson.edu/iys/vol3/iss1/1 This Full Issue is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact
[email protected]. Contents Volume 3 Yeats and Mass Communications David Dwan and Emilie Morin Introduction: Yeats and Mass Communications 1 Emily C. Bloom Broadcasting the Rising: Yeats and Radio Commemoration 15 Clare Hutton Yeats, Pound, and the Little Review, 1914–1918 33 Charles I. Armstrong: “Some Ovid of the Films”: W. B. Yeats, Mass Media, and the Future of Poetry in the 1930s 49 Melissa Dinsman Politics, Eugenics, and Yeats’s Radio Broadcasts 65 Review Soudabeh Ananisarab A Review of Irish Drama and the Other Revolutions 81 Notes on Contributors 87 Introduction: Yeats and Mass Communications David Dwan and Emilie Morin eats often aspired to a lofty independence—to an aristocratic form of art that had “no need of mob or Press to pay its way” (CW4 163).