THE Collected Poems of W. B. YEATS the COLLECTED POEMS of W
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For the Harmony of the Race, Each Individual Should Be
http://www.englishworld2011.info/ WILLIAM BUTLER YEATS / 2019 For the harmony of the race, each individual should be the expression of an easy & ample interpenetration of the male & female temperaments—free of stress Woman must become more responsible for the child than man— Women must destroy in themselves, the desire to be loved— The feeling that it is a personal insult when a man transfers his attentions from her to another woman The desire for comfortable protection instead of an intelligent curiosity & courage in meeting & resisting the pressure of life sex or so called love must be reduced to its initial element, honour, grief, sentimentality, pride & consequently jealousy must be detached from it. Woman for her happiness must retain her deceptive fragility of appearance, combined with indomitable will, irreducible courage, & abundant health the outcome of sound nerves— Another great illusion that woman must use all her introspective clear-sightedness & unbiassed bravery to destroy—for the sake of her self respect is the impurity of sex the realisation in defiance of superstition that there is nothing impure in sex—except in the mental attitude to it—will constitute an incalculable & wider social regeneration than it is possible for our generation to imagine. 1914 1982 WILLIAM BUTLER YEATS 1865-1939 William Butler Yeats was born to an Anglo-Irish family in Dublin. His father, J. B. Yeats, had abandoned law to take up painting, at which he made a somewhat precar- ious living. His mother came from the Pollexfen family that lived near Sligo, in the west of Ireland, where Yeats spent much of his childhood. -
Dana 1.10 (February 1905)
DANA AN IRISH MAGAZINE OF INDEPENDENT THOUGHT CHURCH DISESTABLISHMENT IN FRANCE AND IRELAND. I. IF anyone peruses, even cursorily, the comments in the Irish Catholic press on the present political situation in France, he will obtain an interesting and instructive light on the consistency and spirit of justice which the clerical temper connotes. It is not more than a generation since Irish Catholics were loudly calling out for the disestablish- ment of the Irish Protestant Church. The arguments then used, quite legitimately, were that that Church ministered only to a section of the people, and that in any case it was wrong to take public monies for the endowment of particular creeds. The Irish Catholics were taxed to support a Church in which they did not believe, whilst supporting their own Church voluntarily, and they naturally and properly protested. And the doctrine then in favour in Ireland was that the State, as such, had no right to meddle with religion, which was a private affair that should derive its funds from the free offerings of its own children. Now observe the case in France. The Catholic Church there is in much the same position as was the Protestant Church in Ireland. There are naturally some slight differences, with which I shall presently deal. But the broad fact remains that under the Concordat, the Church obtains public monies from the public purse ; though, of course, she resents public control. For a long time, however, it has been obvious that great numbers of the French people have ceased to believe in this Church or to desire its ministrations. -
Graham, Catherine, February 2006, Keep Rejects
Catherine Graham Collection: February 2006, 1. Krans, Horatio Sheafe, William Butler Yeats and the Irish Literary Revival. London: William Heinemann, 1905. 2. Moore, George, Confessions of a Young Man. London and Toronto: William Heinemann, 1935. 3. Meredith, George, A Reading of Life: With Other Poems. Westminster: Archibald Constable, 1901. 4. Synge, J.M., (Robin Skelton ed.), Some Sonnets from “Laura in Death” after the Italian of Frencesco Petrarch. Dolmen Eds. Dublin: Dolmen Press Ltd., 1971. 5. Skelton, Robin (ed.), The Collected Plays of Jack B. Yeats. Indianapolis and New York: Bobbs-Merrill Co., 1971. 6. Johnston, Denis, The Brazen Horn: A Non-Book for those, who, in revolt today, could be in command tomorrow. Dublin: Dolmen Press, 1976. 7. Skelton, Robin, An Irish Album. Dublin: Dolmen Press, 1969. 8. Montague, John, All Legendary Obstacles. Dublin: Dolmen Press, 1966. 9. Synge, J.M., My Wallet of Photographs. Dublin: Dolmen Press, 1971. 10. Clarke, Austin, Mnemosyne Lay in Dust. Dublin: Dolmen Press, 1966. 11. O’Grady, Desmond, The Gododdin. Dublin: Dolmen Press, 1977. 12. Bickley, Francis, J.M. Synge and the Irish Dramatic Movement. Toronto: Musson Book Co. 13. Horton, W.T. and W.B. Yeats, A Book of Images. London: Unicorn Press, 1898. 14. Yeats, W.B. (ed.), Beltaine: An Occasional Publication. Nos. 1, 2, 3, 1899-1900. London: Sign of the Unicorn, 1900. 15. Poems and Ballads of Young Ireland, 1888. Dublin: M.H. Gill and Son, 1888. 16. Moore, George, Heloise and Abelard. In two volumes, V.I. New York: Boni and Liveright, 1921. 17. Raine, Kathleen, Yeats, The Tarot and the Golden Dawn. -
The Great War in Irish Poetry
Durham E-Theses Creation from conict: The Great War in Irish poetry Brearton, Frances Elizabeth How to cite: Brearton, Frances Elizabeth (1998) Creation from conict: The Great War in Irish poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5042/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Creation from Conflict: The Great War in Irish Poetry The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. Frances Elizabeth Brearton Thesis submitted for the degree of Ph.D Department of English Studies University of Durham January 1998 12 HAY 1998 ABSTRACT This thesis explores the impact of the First World War on the imaginations of six poets - W.B. -
[Jargon Society]
OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book. -
SNL05-NLI WINTER 06.Indd
NEWS Number 26: Winter 2006 2006 marked the centenary of the death of the Norwegian poet and playwright Henrik Ibsen. In September, the Library, along with cultural institutions in many countries around the world participated in the international centenary celebration of this hugely influential writer with a number of Ibsen-related events including Portraits of Ibsen, an exhibition of a series of 46 oil paintings by Haakon Gullvaag, one of Norway’s leading contemporary artists, and Writers in Conversation an event held in the Library’s Seminar Room at which RTÉ broadcaster Myles Dungan interviewed the acclaimed Norwegian writer Lars Saabye Christensen. During both September and October, the Library hosted a series of lunchtime readings by the Dublin Lyric Players exploring themes in Ibsen’s writings, and drawing on his Leabharlann Náisiúnta na hÉireann poetry and prose as well as his plays. A series of lunchtime lectures looked at Ibsen’s influence on Irish writers and his impact upon aspects of the Irish Revival. National Library of Ireland The Portraits of Ibsen exhibition coincided with the 4-day State Visit to Ireland by Their Majesties King Harald V and Queen Sonja of Norway. On 19 September, Her Majesty Queen Sonja visited the Library to officially open the Portraits of Ibsen NUACHT exhibition, to visit Yeats: the life and works of William Butler Yeats and also to view a number of Ibsen-related exhibits from the Library’s collections; these included The Quintessence of Ibsenism by George Bernard Shaw (1891), Ibsen’s New Drama by James Joyce (1900); Padraic Colum’s copy of the Prose Dramas of Ibsen, given as a gift to WB Yeats, and various playbills for Dublin performances of Ibsen. -
W. B. Yeats Selected Poems
W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland -
Yeats, Bloom, and the Dialectics of Theory, Criticism, and Poetry
Yeats, Bloom, and the Dialectics of Theory, Criticism, and Poetry by Steven J. Skelley, MA ~:~.:.; .. "<f./ -, '\ .> t.(r{"ri'"'1 I ... <.. II- -. ' Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy, October 1992 Acknowledgments To my supervisors, Dr. Bernard McGuirk (Hispanic Studies and Critical Theory) and Dr. David Murray (American Studies and Head of Postgraduate School of Critical Theory), lowe a great debt of gratitude for their enthusiasm for this proj ect. Their intellectual and practical support was priceless, and their cooperation with each other and with me never failed as a model of supervisorial expertise. All PhD candidates ought to be blessed with such supervision. I also wish to thank Dr. Douglas Tallack (American Studies and former Head of the School of Cri tical Theory) for his encouragement both intellectual and administrative towards the successful completion of this project. To the PhD students and to the supervisorial staff who attended work-in-progress seminars in the School of Critical Theory, and who offered so many helpful comments, suggestions, and opinions, I also give thanks. The staff of the Hallward Library must not go unmentioned, for their fine and courteous assistance throughout these four years. Dedication This dissertation is dedicated to my epipsyche and muse, Hala Darwish, whose inspirational presence in my heart was, it may be said, the magic within these evasions, these wanderings . Until one day I met a star that burned Bright in the heart of my heavenly breast, And then I knew why I was who I was, And why my soul would be forever lost In the folds of her voice raging in my veins SJS, August 1992 ABSTRACT This thesis begins by showing how a strong and subtle challenge to poetry and theories of poetry has been recently argued by writers like Paul de Man and J. -
YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text. -
Hermetic Philosophy and Dual Selfhood in Yeats's
“An Image of Mysterious Wisdom”: Hermetic Philosophy and Dual Selfhood in Yeats’s Poetic Dialogues Treball de Fi de Grau/ BA dissertation Author: Paula Moschini Izquierdo Supervisor: Jordi Coral Escolà Departament de Filologia Anglesa i de Germanística Grau d’Estudis Anglesos June 2018 CONTENTS 0. Introduction ...................................................................................................................... 1 0.1. Methodology and Analysed Concepts ................................................................................... 1 0.2. Yeats and Philosophy: The Self and the Antinomies ......................................................... 2 0.3. The Hermetic Dialogue ............................................................................................................. 7 0.4. The Aesthetics of Artistic Reinterpretation: The Symbol ................................................ 9 1. Ego Dominus Tuus ....................................................................................................... 10 1.1. The Tower as a Symbol for the Self and “the Image” ..................................................... 11 1.2. Unity of Being in Artists ......................................................................................................... 14 1.3. A Poem about the Necessity of the Intuitive Wisdom in Poetry ................................... 16 2. A Dialogue of Self and Soul ........................................................................................ 18 2.1. Love and War: The Eternal -
The Oldskull Necronomicon
Sample file 2 | P a g e Sample file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY P a g e | 3 CASTLE OLDSKULL FANTASY ROLE-PLAYING SUPPLEMENT LOV1 THE OLDSKULL NECRONOMICON By KENT DAVID KELLY (DARKSERAPHIM) THE NECRONOMICON SERIES (I ~ III) IS COLLECTIVELY ILLUSTRATED BY HEINRICH ALDEGREVER, ULISSE ALDROVANDI, FILIPPO BALBI, FRANCESCO BALLESIO, SampleJAN CHRISTIAN BIERPFAFF, WILLIAM BLAKE,file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY 4 | P a g e LEON BONNAT, HIERONYMUS BOSCH, FERDINAND MAX BREDT, AGNOLO BRONZINO, ALFRED CHATAUD, HARRY CLARKE, HERBERT COLE, HERMAN DAVID SALOMON CORRODI, JEAN DELVILLE, GUSTAVE DORE, HENRY J. FORD, EUGENE FROMENTIN, JOHANN HEINRICH FUSSLI, EUGENE-ALEXIS GIRARDET, HENRY GILLARD GLINDONI, FREDERIC GOODALL, CARL HAAG, ARTHUR HACKER, ERNST HAECKEL, ALBRECHT VON HALLER, JOHN HUSS, THEODOR KITTELSEN, MAX KLINGER, JULES LAURENS, EDWIN LONG, AUGUSTE MAYER, LUC-OLIVIER MERSON, JOHN MILFORD, KAY NIELSEN, ERNEST NORMAND, BERNARDINO PARENZANO, ADRIAEN PIETERSZ, HOWARD PYLE, EDOUARD RIOU, DAVID ROBERTS, ALBERT ROBIDA, MARCEL ROUX, HERBERT GUSTAV SCHMALZ, SIDNEY SIME, CARL SPITZWEG, ELIHU VEDDER, VASILY VERESHCHAGIN, SampleET ALII file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY P a g e | 5 WONDERLAND IMPRINTS 2017 ONLY THE FINEST WORKS OF FANTASY ~ O s r Copyright © 2017 Kent David Kelly. All rights reserved. No part of this book may be used or reproduced without the written permission of the copyright holder, Kent David Kelly. (Document Version 1.0) Please feel welcome to contact the author at [email protected] with comments, questions, requests, recommendations and greetings. And thank you for reading! “Only the Finest Works of Fantasy” Sample file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY 6 | P a g e HIC SVNT DRACONES HERE THERE BE DRAGONS CASTLE OLDSKULL (“Old School”) is a well-regarded, system neutral line of supplements designed for use in Fantasy Role-Playing Games (FRPGs). -
Romantic Elements in Yeats's Poetry
Romantic Elements in Yeats’s Poetry The different attempts that has been made to define romanticism have only added to the confusion that has prevailed about the concept of romanticism. However, there is a broad agreement on a common factor that a romantic writer is dissatisfied with the contemporary values of life and escapes into the golden past or the ideal future. He moves into a fantasy world having the values of life cherished by him. Yeats, on this basis, clearly turns out to be a romantic poet. His dissatisfaction with the modern industrial society and the colonial rule over his country drove him to theme of love and beauty, love of folk - lore, simplicity of life away from the complex modern industrial life and a love of music and vague epithets and phrases. His cyclical view of history had convinced him of the impending violence and anarchy and he sought shelter in courtesy, innocence and ceremony and away from intellection. Like most of the romantics, he is concerned with the problem of life art and death. Like them again, he frequently writes about himself in his poetry. Yeats is connected with the last generation of the romantic poets, the members of the Rhymer's Club and poets and painters of the pre-Raphaelite School. His early writings in particular are coloured by this association. His youthful imagination was nourished on the poetry of Shelley. In his day- dreaming he was apt to pose as Manfred, Prince Athanese and Alastor. The early poetry of Yeats has all the characteristics flavour and limitations of the typical romantic verse.