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The Princess, a Medley
THE CAMBRIPQE UTeRfiTURE «««SER1ES«*« ^-'^^ No. 3. Qt'"'^^ TENNYSON'S PRINCESS Published Monthly at 1 10 Boylston Street. Subscription Price, 50 Cents. June, 1899. Entered at Post Office as second-class matter. BEHJ. H. SAHBORN & CO. BOSTON, U.S.A. SECONH COPY, 1899. ZU ggmbridfle Citerature $erie$> EDITED BY THOMAS HALL, JR., A.B., INSTRUCTOR IN ENGLISH IN HARVARD UNIVERSITY. ; The Cambridge Literature Series. "THE series is issued with the conviction that it will immediately recommend itself to teachers in our best secondary schools by reason of the follow- ing characteristic features : I. A carefully selected text supplied with necessary annotation. II. Uniformity secured by the supervision of the general editor, III. Attractive and durable binding both in paper and in cloth, IV. Low prices. The paper edition will be the best inexpensive edition ever offered to the educational public. The bool<s will be issued at stated times, and the following are now ready or under way ADDISON, — Sir Roger de Coverley Papers. BURKE. — Speech on Conciliation with America. COLERIDGE. — Ancient Mariner. GOLDSMITH. — Vicar of Wakefield. LONGFELLOW. — Evangeline. LOWELL. — Vision of Sir Lattnfal. MACAULAY. — Essays on Milton and Addison. MILTON. — L'Allegro, II Penseroso, Comus^ and Lycidas. POPE. —Translation of the Iliadt Books I., VI., XXII., and XXIV. SHAKESPEARE. — The Merchant of Venice. TENNYSON. — The Princess. Correspondence regarding books announced or recommended for addi- tion to the series is solicited. BENJ. H, SANBORN & CO.. PUBLISHERS. BOSTON. ALFRED, LOUD TENNYSON. Number 3 THE PRINCESS A MEDLEY BY ALFRED, LORD TENNYSON EDITED BY * LEWIS WORTHINGTON SMITH, Ph.B. ASSOCIATE PKOFESSOK OF ENGLISH, COTNER UNIVERSITY, NEBRASKA ov noXX alXa noXv BENJ. -
British Poetry of the Long Nineteenth Century
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries. -
Transverse02.Pdf
The April 2004 Centre for Comparative Literature’s Graduate Student Colloquium was a great success in that it was able to synthesize divergent fields of study into a forum which not only encouraged dialogue, but encouraged a deeper understanding of various literary disciplines, as well. I am honoured to present several of those papers given at this recent colloquium in the second issue of Transverse. Stay tuned for a third isse of Transverse this coming winter which will focus on the visual interpretations of various artists (photographers, graphic designers, illustrators, painters...) in and around the University of To- ronto campus, and various other campuses in the city. Thank you for your continued support. Sincerely, Annarita Primier CONTENTS 1 Myth as Metaphor: The Reflection of the Sacred in the Secular in A River Sutra julie mehta 9 2 Hypertextual Jealousy –The Option of Non-linearity in Robbe-Grillet’s Novel martin zeilinger 19 3 The Sterility of the Individual Ontological Search Versus the Fecundity of the Relational Ontological Search in Saramago’s The Year of the Death of Ricardo Reis irene marques 31 4 The Afterlife of the Berlin Wall: Monika Maron’s Life-writing on the Hyphen alma christova 44 5 COINCIDENTIA OPPOSITORUM in Der Steppenwolf pouneeh saeedi 54 6 The Zero Soul: Godot’s Waiting Selves in Dante’s Waiting Rooms ioana sion 63 7 A Synthetic Mind at Work: Eriugena’ Reinterpretation of Dionysius the Ps.-Areopagite in the 9th Century timothy budde 81 MYTH AS METAPHOR: THE REFLECTION OF THE SACRED IN THE SECULAR IN A RIVER SUTRA julie mehta (A River Sutra was on the list for the Booker Prize the same year Roddy Doyle got the booker for Paddy Clarke Ha Ha Ha and Salman Rushdie received the Booker of Bookers. -
ENOCH JOHN - Poems
Poetry Series ENOCH JOHN - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive ENOCH JOHN(30/07/1958) Teacher/Poet, holds a teacher's diploma /Valsayn Teachers' College A degree in English from THE UNIVERSITY OF THE WEST INDIES Working on a postgraduate to become one of the greatest poets of the modern read Shakespeare, Dante and Walcott. A writer in exile at home. Has a passion for poetry. Presently working on another anthology. Born to Kenneth and Sylvia John at Enterprise, Trinidad almost fifty years up in Pentecostal Church. This background influences his john wants to start a literary fire that will burn collection is entitled; SELECTIVE WORKS and I dedicate it to all poets, small and great; past and present. www.PoemHunter.com - The World's Poetry Archive 1 22 In Manchester Hey, we 22 just came to hear Arianne Grande's great music, We 22 just came to hear the songs of freedom, in a free world, Instead now there are the songs of melancholy, We 22 are a mix of young people and more mature adults, But now we must speak with one voice. Hey Manchester, weep for us and the whole world, For what kind of dark, deeply delusional, demonic person would perpetuate such slaughter? We can well imagine the trauma, hysteria and utter trepidation that saturated the atmosphere in Manchester that night. We came to hear the songs of freedom now the songs of melancholy are playing everywhere, We 22 looked at the beauty of mother earth and now we are gone, We 22 saw the pretty bougainvillae and the red roses in the field -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
Poems 10033147.Pdf
C HARL ES K ING SL EY Va ] iL u nh u n M A A ND CM I L L N A C O . A ND NE W YO RK The right of translaxio n and reprodu ction i: reserved 1 8 vo) 187 . Re rin ted 1 872 1 875 Ma 1 877. p , , y Ed t rown 8 vo December 1 8 7 New i ion (C ) 7 . 5 1 8 Re rin ted 1 878 1 879 1 880 1 882 , 1 884 1 88 , 87 . p , , , , New Edition 1 889 . 1 . Eversley Edition (2 vols. Globe 8110) September 884 C O NTENTS ’ THE SA INT s TRA GEDY A NDROMEDA HYPOTHESES HYPOCH ONDBIA CJE TE RRILL WEL L IN AN ILLU M INATED MISSAL THE WEIRD L ADY PALINODIA A HO PE THE POETRY OF A ROOT CROP CH ILD BAL LAD A IRLY BEACON SAPPHO THE BAD SQ U I RE SCOTC H SONG THE YOUNG KNIGHT A NEW FOREST BALLAD THE RED KING TH E O UT LAW SING HEIGH - HO ! A MARC H v iii CONTENTS THE NIGHT BIRD THE DEAD CHURCH . A PARABLE FROM LIEBIG THE STARLINGS OL D A ND NEW THE WATCHMAN THE WORLD ’ S AGE TH E SANDS OF DEE THE TIDE ROCK ELEGIACS DA RTSIDE MY HUNTING SONG ’ ALTON LOCK E S SONG THE DAY OF THE LORD A CHRISTMAS CAROL THE OUBIT THE THREE FISHERS SONNET MARGARET . TO DOLCINO DOLCINO TO MARGARET THE UGLY PRINCESS SONNET THE SWAN -NECK A THOUGHT FROM THE RHINE ' A .D . -
Dekalog Magdy R
Batorak Numer 10 (43) ISSN 2081-6863 czerwIec 2011 DEKALOG MAGDY R. DO YOU KNOW POLSKA? DZIENNIKARSKA ELITA DRUGA SIEĆ METRA... ISTNIEJE?! NIEDOCENIANY BAŁTYK SpTisy ttrueł ści Drodzy Czytelnicy To już ostatni numer „Batoraka” w tym roku szkolnym. W środę wszyscy się pożegnamy i zobaczymy do - piero za dwa miesiące, we wrześniu. Ten rok jest wyjątkowy dla naszej redakcji, gdyż pierwszy raz w naszej historii, wydaliśmy 10 numerów. W czerwcowej gazecie przeczytacie podsumowania minionych miesięcy. Na stronie 14 komentarz Bartło - mieja Pogranicznego dotyczący pracy prezydium SU, a na stronie 3 o tegorocznej działalności redakcji. Znaj - dziecie też artykuły z propozycjami wakacyjnych wyjazdów – Może Berlin? – pyta Justyna Żarkowska na stro - nie 12. A na 28 Olaf Koprowicz relacjonuje finał Batory Cup. W imieniu całej redakcji życzę wszystkim udanych wakacji. Miłej lektury, Melisa Gül Zastępca Redaktora Naczelnego SPIS TREŚCI DZIENNIKARSKA ELITA 3 WŁADZA NAD ŚWIATEM 17 tegoroczna działalność redakcji II część historii Henryka IV CIEKAWE, CO JESZCZE ODDALIĆ WYROK, ODMIENIĆ LOS 21 Z TEGO WYJDZIE 5 recenzja książki „Nie opuszczaj mnie” Scena Batory ZAKOŃCZ SZKOŁĘ ZE ZŁOTĄ PALMĄ 21 PREZENTACJE GIMNAZJALNE 6 zapowiedzi filmowe na czym to polega POSZUKIWANA HANNA 22 43 ZWYCIĘZCÓW 7 recenzja filmu laureaci i finaliści LETNIA SCENA TEATRALNA TERAZ POLSKA 8 W WARSZAWIE 23 prezydencja w UE zapowiedzi teatralne KORKI, ZAMKNIĘTE ULICE, ROMEO, ACH ROMEO! 23 SPÓŹNIENIA DO PRACY 8 recenzja opery Barack Obama w Polsce KOMEDIA? DO KWADRATU! 24 DO YOU KNOW POLSKA? 9 co grają w teatrze „Kwadrat” nowy serwis KONCERTOWE KALENDARIUM 26 MODA MAŁO POLSKA 10 wydarzenia muzyczne w wakacje co jest w naszych szafach WAKACJE NA SPORTOWO 26 DRUGA SIEĆ METRA… ISTNIEJE?! 11 imprezy sportowe dowiedz się gdzie SENSACJA O WŁOS 27 MOŻE BERLIN? 12 Finał Batory Cup wycieczka do stolicy Niemiec NIEDOCENIANY BAŁTYK 13 FOTO NA OKŁADCE: nad polskim morzem też można się świetnie bawić DEKALOG MAGDY R. -
Norman Kaye Brings “… Mastery “Norman Kaye Is “… a Fine Musician – a Absolute Attention
NormanThe Remarkable Kaye 1927-2007 HHHHH “… brilliant AFI musical Best Actor imagination” 1983 “His playing demanded “Norman Kaye brings “… mastery “Norman Kaye is “… a fine musician – a absolute attention. distinction to whatever he of an expert in organ wonderful actor, and a A great talent.” performs, in whatever medium” improvisation” playing” compassionate lover of life” Douglas Lawrence Michael Shmith David Carolane Dr AE Floyd Paul Cox It was as accompanist that Norman Kaye wove much of the musical magic for which he will long be remembered. His improvisations and varied harmonies to hymns frequently took surprising turns into ‘uncharted harmonic waters’, and the modes of his ‘return to dry land’ always gave evidence of his brilliant imagination Geoffrey Cox, organist and director of music, St Patrick’s Cathedral, Melbourne 1 Prelude (Norman Kaye) 0’56” qk O little town of Bethlehem 2 Spoken introduction (AE Floyd) 1’22” (arr. Norman Kaye) Tudor Choristers 4’26” 3 Noel (Daquin) Melbourne Town Hall 5’04” ql Postlude (Norman Kaye) 4 Scherzo (Percy Whitlock) Our Lady of Victories’ Church 1’37” Melbourne Town Hall 1’46” w0 Preludium (John Bull) 5 Melbourne Town Hall St Patrick’s Cathedral 1’01” Improvisation (Norman Kaye) 0’51” wa In Nomine (Richard Alwood) St Patrick’s Cathedral 1’34” 6 O Song of Courage (Norman Kaye) Littlejohn Chapel 1’22” ws A Duo (Richard Farnaby) St Patrick’s Cathedral 1’43” 7 A Song of Victory (Norman Kaye) Littlejohn Chapel 2’50” wd Praeludium (Giles Farnaby) St Patrick’s Cathedral 0’54” 8 Postlude, 1963 (Norman -
Symbol and Mood in Tennyson's Nature Poetry Margery Moore Taylor
University of Richmond UR Scholarship Repository Master's Theses Student Research 1971 Symbol and mood in Tennyson's nature poetry Margery Moore Taylor Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the English Language and Literature Commons Recommended Citation Taylor, Margery Moore, "Symbol and mood in Tennyson's nature poetry" (1971). Master's Theses. 1335. https://scholarship.richmond.edu/masters-theses/1335 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. SYJYIBOL AND MOOD IN TENNYSON•S NATURE POETRY BY MA1"1GERY MOORE TAYLOR A THESIS SUBI.'IITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS JUNE, 1971 Approved for the Department of English and the Graduate School by: Cha rman of the Department of English c:;Dean ofJ'.� the (JG�e . � School CONTENTS INTRODUCTION CHAPTER I: NATURE AND SYMBOLISM CHAPTER II: NATURE AND MOOD CONCLUSION BIBLIOGRAPHY INTRODUCTION The purpose of this paper is to show Tennyson's preoccupation with nature in his poetry, his use of her as a projector of moods and s.ymbolism, the interrelation of landscape with depth of feeling and narrative or even simple picturesqueness. Widely celebrated as the supreme English poet and often called the Victorian Oracle,1 Tenny son may well be considered the best exemplar of the nine teenth century. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Lage, Analyse und Perspektive österreichischer Musiker im Forschungsfeld der FM4 Charts 2011 unter Berücksichtigung deutscher und/oder englischer Texte. Verfasser Roland Maurer angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin: Univ.-Prof. Mag. Dr. Regine Allgayer-Kaufmann 1 Inhaltsverzeichnis 1. Einleitung ……………………........…...……………………………...... 4 2. Problemstellung und Erkenntnisinteresse …....…………………….... 7 2.1. Forschungsfragen ….......…………………………………………...... 9 2.2. Forschungshypothesen …………………………………………….... 9 2.3. Erhebungsgegenstand ……………………………………….………. 10 2.4. Stand der Forschung …………………………………………………. 11 THEORETISCHE VERANKERUNG 3. IFPI Austria Musikbericht 2011 …............................……………….... 13 4. Forschungsfeld Radio FM4 ………………………………………….... 17 4.1 Musikauswahl, Marktsituation, FM4 Charts ………………………... 19 4.2. Position, Sprache, Formate …………………………………............. 21 4.3. Auftrag, HörerInnen, Radio FM4 Off Air ………………................... 22 4.4. FM4 Radio Sessions, FM4 Überraschungskonzerte, FM4 Soundpark 23 Exkurs 1: Jugendkultur ……………………………………………………....... 25 Exkurs 2: Independent vs. Popularmusik ………………………………........ 26 5. Sprache in der Musik ………………………………………………...... 33 6. Bandscout ……………………………………………………................ 35 6.1. Rahmenbedingungen, die sich von Bandscout ableiten …........... 36 6.1.1. Anzahl der Live-Konzerte ! Booking ……………………… 36 6.1.2. Größe -
Studies in Tennyson Poems of Tennyson
1920. COPTBIGHT, 1889. 1891. 1892. 1897, 1898. BY CHARLES SCRIBNEB's SONS Published February, 1920 PR. 558% V4 THE 8CRBNER PRESS BY HENRY VAN DYKE The Valley of Vision Fighting for Peace The Unknown Quantity The Ruling Passion The Blue Flower Out-of-Doors in the Holy Land Days Off Little Rivers Fisherman's Luck Poems, Collection in one volume Golden Stars The Red Flower The Grand Canyon, and Other Poems The White Bees, and Other Poems The Builders, and Other Poems Music, and Other Poems The Toiling of Felix, and Other Poems The House of Rimmon Studies in Tennyson Poems of Tennyson CHARLES SCRIBNER'S SONS STUDIES IN TENNYSON <J / A YOUNG WOMAN OF AN OLD FASHION WHO LOVES ABT NOT ONLY FOE ITS OWN SAKE BUT BECAUSE IT ENNOBLES LIFE WHO READS POETRY NOT TO KILL TIME BUT TO FILL IT WITH BEAUTIFUL THOUGHTS AND WHO STILL BELIEVES IN GOD AND DUTY AND IMMORTAL LOVE I DEDICATE THIS BOOK PREFACE 1 HIS volume is intended to be a companion to my Select Poems of Tennyson. I have put it second in the pair because that is its right place. Criticisms, com^ ments, interpretations, are of comparatively little use until you have read the poetry of which they treat. Like photographs of places that one has not seen, they lack the reviving, realizing touch of remembrance. The book contains a series of essays, written at dif- ferent times, printed separately in different places, and collected, substantially, in a book called The Poetry of Tennyson, which was fortunate enough to find many friends, and has now, I believe, gone out of print. -
I903-CHORAL UNION SERIES-1904 FIFTEENTH SEASON FIRST CONCERT (No
UNIVERSITY MUSICAL SOCIETY F. W. KELSEY, President A. A. STANLEY, Director I903-CHORAL UNION SERIES-1904 FIFTEENTH SEASON FIRST CONCERT (No. CXXI. Complete Series.) University Hall, Friday Evening, November 6, 1903 At Eight O'clock DAVID BISPHAM, Baritone At the Piano, MR. HAROLD O. SMITH PROGRAM Nasce al Bosco (f rom "Ezio") Handel Caro mio ben (arr. by Papini) Giordani The Lass with the Delicate Air (arr. by "A. L.") Dr. Arne Adelaide Beethoven Ballade des Harfner's Schumann Minnelied Brahms The Monk Ifcyty'beer Heimliche Aufforderung 1 Ich trage meine Minne [ Bichard Strauss Allerseelen Caecilie J Wenn du zu den Blumen gehst \ Hugo Wolf Auch kleine Dinge ) The Sands o' Dee (Kingsley) .... Fred'Tc Clay O that we two were maying (Kingsley) Gounod When Stars are in the Quiet Skies (Lytton) ) Clarence Lucas Eldorado (Poe) f Killiekrankie (Burns) ..... H. H. Wetzler Auf Wiedersehen, (Lowell) Max Bendix Pirate's Song (Stevenson) ... H. F. Gilbert At the Piano, MR. HAROLD O. SMITH Steinway Piano Used The next Concert in the Choral Union Series will be given by the Choral Union December 15, 1903, assisted by Miss Jennie Osborn, Soprano Nasce a! Bosco ......... Handel RECIT— Mad is lie who believes in thy favor—unstable Fortune—too much. AIR: Reared amid the rugged wildwood, While another, born to power, To a shepherd's happy childhood, Still is destined low to cower, Yet has Fate my course directed; And by fortune fair rejected, Nations now before me bend! Toils, a master's herds to tend. —D. B. Caro mio ben (Dearest, believe) Giordani Dearest, believe whene'er we part Lonely I grieve in my sad heart; Thy faithful slave, languishing", sighs.