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Widsith, Beowulf, Finnsburgh, Waldere, Deor. Done Into Common
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
A Translation of the Anglo-Saxon Poem of Beowulf
<36609035.8800 18 /\ - <36609035.8800 18 Bayer. Staatsbibliothek A TRANSLATION OF THE ANGLO-SAXON POEM OF B E O W U L F WITH A COPIOUS GLOSSA R Y PREFACE AND PHILOLOGICAL NOTES BY JOHN M. KEMBLE ESQ. M. A. of TRINITY COLLEGE CAMBRIDGE LONDON WILLIAM PICKERING 1837 Bi is LIOTHECA l{FGLA ViONACENSIS. c. whitti Ngh AM, rooks court, CHANCERY i.A.N.E. TO JAMES GRIMM. ABBREVIATIONS, &c. MADE USE OF IN WOLUME II. AElf. Gen. ......... AElfric's Genesis, &c. in Thwaite's Heptateuch. Agricola............. German Proverbs. Alt Platd. Ged. ... Bruns. Alt Platdeutsche Ge— dichte. Anal. ............... Analecta Anglo-Saxonica, by Thorpe. A. S. ............... Anglo-Saxon. B. F. Bat. F. ...... Battle of Finnesburh. Bed. ............... AElfred's Beda, by Smith. Ben. Beyt. ......... Benecke. Beyträge, &c. Bibl. Publ. ......... MS. in the Cambridge University Library. Boet. Boeth. ...... Alfred's Boetius, by Rawlinson. Caed. Caedm. ...... Caedmon, by Thorpe. Cod. Ex............. Codex Exoniensis, from the copy among the Additional MSS. of the Brit. Mus. Cod. Verc. ......... Codex Vercellensis. Poetical frag ments at Vercelli. Cöln. Reimch....... Reimchronik der Stadt Cöln, by van Groot. D. G. ............... Deutsche Grammatik, by Grimm N.B. this work is sometimes re ferred to by the name Grimm. D. H. S. ............ Deutsche Heldensage, by W. Grimm. ABBREVIATIONs, &c. D. M. ............... Deutsche Mythologie, by Grimm. D. R. A............. Deutsche Rechtsalterthümer, by Grimm. Diut. ............... Diutiska, by Graff. Ed. Sam. ......... Edda Saemundar hinns Froda. 3 vols. 4to. Ed. Snor............. Edda Snorrii. the prose Edda. Falck ............ ... Staatsbürgerliche Magazin, by Falck. Fornald. Sög. ...... Fornaldar Sögur. edited by Rafn for the Antiquarian Society of Copenhagen. Fornm. Sög. -
Poems 10033147.Pdf
C HARL ES K ING SL EY Va ] iL u nh u n M A A ND CM I L L N A C O . A ND NE W YO RK The right of translaxio n and reprodu ction i: reserved 1 8 vo) 187 . Re rin ted 1 872 1 875 Ma 1 877. p , , y Ed t rown 8 vo December 1 8 7 New i ion (C ) 7 . 5 1 8 Re rin ted 1 878 1 879 1 880 1 882 , 1 884 1 88 , 87 . p , , , , New Edition 1 889 . 1 . Eversley Edition (2 vols. Globe 8110) September 884 C O NTENTS ’ THE SA INT s TRA GEDY A NDROMEDA HYPOTHESES HYPOCH ONDBIA CJE TE RRILL WEL L IN AN ILLU M INATED MISSAL THE WEIRD L ADY PALINODIA A HO PE THE POETRY OF A ROOT CROP CH ILD BAL LAD A IRLY BEACON SAPPHO THE BAD SQ U I RE SCOTC H SONG THE YOUNG KNIGHT A NEW FOREST BALLAD THE RED KING TH E O UT LAW SING HEIGH - HO ! A MARC H v iii CONTENTS THE NIGHT BIRD THE DEAD CHURCH . A PARABLE FROM LIEBIG THE STARLINGS OL D A ND NEW THE WATCHMAN THE WORLD ’ S AGE TH E SANDS OF DEE THE TIDE ROCK ELEGIACS DA RTSIDE MY HUNTING SONG ’ ALTON LOCK E S SONG THE DAY OF THE LORD A CHRISTMAS CAROL THE OUBIT THE THREE FISHERS SONNET MARGARET . TO DOLCINO DOLCINO TO MARGARET THE UGLY PRINCESS SONNET THE SWAN -NECK A THOUGHT FROM THE RHINE ' A .D . -
I903-CHORAL UNION SERIES-1904 FIFTEENTH SEASON FIRST CONCERT (No
UNIVERSITY MUSICAL SOCIETY F. W. KELSEY, President A. A. STANLEY, Director I903-CHORAL UNION SERIES-1904 FIFTEENTH SEASON FIRST CONCERT (No. CXXI. Complete Series.) University Hall, Friday Evening, November 6, 1903 At Eight O'clock DAVID BISPHAM, Baritone At the Piano, MR. HAROLD O. SMITH PROGRAM Nasce al Bosco (f rom "Ezio") Handel Caro mio ben (arr. by Papini) Giordani The Lass with the Delicate Air (arr. by "A. L.") Dr. Arne Adelaide Beethoven Ballade des Harfner's Schumann Minnelied Brahms The Monk Ifcyty'beer Heimliche Aufforderung 1 Ich trage meine Minne [ Bichard Strauss Allerseelen Caecilie J Wenn du zu den Blumen gehst \ Hugo Wolf Auch kleine Dinge ) The Sands o' Dee (Kingsley) .... Fred'Tc Clay O that we two were maying (Kingsley) Gounod When Stars are in the Quiet Skies (Lytton) ) Clarence Lucas Eldorado (Poe) f Killiekrankie (Burns) ..... H. H. Wetzler Auf Wiedersehen, (Lowell) Max Bendix Pirate's Song (Stevenson) ... H. F. Gilbert At the Piano, MR. HAROLD O. SMITH Steinway Piano Used The next Concert in the Choral Union Series will be given by the Choral Union December 15, 1903, assisted by Miss Jennie Osborn, Soprano Nasce a! Bosco ......... Handel RECIT— Mad is lie who believes in thy favor—unstable Fortune—too much. AIR: Reared amid the rugged wildwood, While another, born to power, To a shepherd's happy childhood, Still is destined low to cower, Yet has Fate my course directed; And by fortune fair rejected, Nations now before me bend! Toils, a master's herds to tend. —D. B. Caro mio ben (Dearest, believe) Giordani Dearest, believe whene'er we part Lonely I grieve in my sad heart; Thy faithful slave, languishing", sighs. -
The Ex-Classics Book of Ballads
The Ex-Classics Book of Ballads Published by the Ex-classics Project, 2016 http://www.exclassics.com Public Domain Ex-Classics CONTENTS Casabianca Felicia Hemans ...........................................................................................3 Chevy Chase Anonymous..............................................................................................4 Johnnie Cope Adam Skirving ........................................................................................8 Bonnie Annie Laurie William Douglas .......................................................................10 Lilliburlero Thomas Wharton .....................................................................................11 The Lost Chord Adelaide Proctor................................................................................13 A Receipt For Salad Sidney Smith ..............................................................................14 Sally in Our Alley Henry Carey...................................................................................15 The Sands of Dee Charles Kingsley ............................................................................17 The Song of the Shirt Thomas Hood ...........................................................................18 Stagolee Anonymous (USA, c. 1870)..........................................................................21 The Shepherd Swaine Anonymous..............................................................................24 The Vicar of Bray Anonymous....................................................................................26 -
The Harvard Classics Eboxed
HARVARD LASSICS HE FIVE-FOOT EIFOFBOOKS .i^cx.'::^^::L%o^- t N G L I S H POETBV S TENNrSON TO WHITMAN COLLIER QBiai BBSI EBiai Si IS THE HARVARD CLASSICS The Five-Foot Shelf of Books THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME III From Tennyson to Whitman W;/A Introductions and Notes Volume 42 P. F. Collier & Son Corporation NEW YORK Copyright, 1910 By p. F. Collier & Son Copyright, 1870 By Fields, Osgood & Co. Copyright, 1898 By Bret Harte Copyright, 1882 By David McKay Copyright, 1884, 1891 By Mary D. Lanier Published by Charles Scribner's Sons Copyright, 1883 By The Macmillan Company Copyright, 1889 By The Macmillan Company Copyright, 1893 By The Macmillan Company Copyright, 1865, 1868 By Longmans, Green & Company Copyright, 1891 By Cassell & Company Copyright, 1896 By Charles Scribner's Sons manufactured in u. s. a. CONTENTS Alfred, Lord Tennyson page The Lady of Shalott 967 Sweet and Low 972 Tears, Idle Tears 972 Blow, Bugle, Blow 973 Home They Brought Her Warrior Dead 973 Now Sleeps the Crimson Petal 974 O Swallow, Swallow 974 Break, Break, Break 975 In the Valley of Cauteretz 976 Vivien's Song 976 Enid's Song 97^ Ulysses 977 Locksley Hall 979 MoRTE d'Arthur 986 The Lotos-Eaters 993 You Ask Me, Why 998 Love Thou Thy Land 999 Sir Galahad 1002 The Higher Pantheism 1004 Flower in the Crannied Wall 1005 Wages 1005 The Charge of the Light Brigade 1005 The Revenge 1007 RlZPAH lOII To Virgil 1014 Maud 1015 Crossing the Bar 1057 Richard Monckton Milnes, Lord Houghton Sonnet 1057 William Makepeace -
ORAL TRADITION 19.1- Complete Issue
_____________________________________________________________ Volume 19 March 2004 Number 1 _____________________________________________________________ Editor Managing Editor John Miles Foley Heather Maring Associate Editor Editorial Assistants John Zemke Andrew Porter Slavica Publishers, Inc. For a complete catalog of books from Slavica, with prices and ordering information, write to: Slavica Publishers, Inc. Indiana University 2611 E. 10th St. Bloomington, IN 47408-2603 ISSN: 0883-5365 Each contribution copyright 2004 by its author. All rights reserved. The editor and the publisher assume no responsibility for statements of fact or opinion by the authors. Oral Tradition seeks to provide a comparative and interdisciplinary focus for studies in oral literature and related fields by publishing research and scholarship on the creation, transmission, and interpretation of all forms of oral traditional expression. As well as essays treating certifiably oral traditions, OT presents investigations of the relationships between oral and written traditions, as well as brief accounts of important fieldwork, a Symposium section (in which scholars may reply at some length to prior essays), review articles, occasional transcriptions and translations of oral texts, a digest of work in progress, and a regular column for notices of conferences and other matters of interest. In addition, occasional issues will include an ongoing annotated bibliography of relevant research and the annual Albert Lord and Milman Parry Lectures on Oral Tradition. OT welcomes contributions on all oral literatures, on all literatures directly influenced by oral traditions, and on non-literary oral traditions. Submissions must follow the list-of reference format (style sheet available on request) and must be accompanied by a stamped, self-addressed envelope for return or for mailing of proofs; all quotations of primary materials must be made in the original language(s) with following English translations. -
English Literature Revision Guide
English Literature Unseen Poetry + Love & Relationships Poetry Revision Guide Unseen Examples Unseen Sample Answers L+R poetry Revision Notes L+R Sample Exam Questions L+R Sample Answers 1 Contents Ninetieth Birthday // My Grandmother + Sample Answer –Pg 3 Piano / Background Material – Pg 7 Don’t Say I Said / Flowers + Sample Answer – Pg 8 Visiting Hour // Evans – Pg 12 Your Dad Did What? // The Lesson – Pg 14 They Did Not Expect This // The Pond – Pg 15 Storm In The Black Forest / The Moment + Sample Answers –Pg 17 The Aging School Master // When You Are Old + Sample Answers – Pg 21 His Visitor // Ghosts – Pg 27 Names // In Oak Terrace – Pg 29 The Road Not Taken // Midnight on the Great Western + Sample Answers – Pg 31 Originally // Hard Water – Pg 35 Horse Whisperer // To A Fish – Pg 37 Crossing The Bar // Because I Could not stop for Death – Pg 39 My Father on His Shield // Those Winter Sundays – Pg 41 Time does not bring relief // Farewell, Sweet Dust – Pg 43 Solitude // Ode On Solitude – Pg 44 Nothing’s Changed // Homeland – Pg 46 Hero // The Arms and The Boy – Pg 48 It Rains // The Voice – Pg 50 An Irishman Foresees His Death // Horses Abroad –Pg 52 At Sea // The Sands Of Dee – Pg 53 Unseen Strategy – Pg 54 Exam Plan – Pg 56 Assessment Objectives – Pg 57 Poem Priority – Pg 57 Poetry Golden Rules – Pg 59 Winter Swans – Pg 61 When We Two Parted – Pg 63 Neutral Tones – Pg 64 The Farmer’s Bride – Pg 66 Walking Away – Pg 68 Eden Rock – Pg 70 Follower – Pg 71 Love’s Philosophy – Pg 73 Mother, Any Distance – Pg 74 Porphyria’s Lover – Pg 75 Letters From Yorkshire – Pg 77 Before You Were Mine – Pg 78 Singh Song – Pg 79 Sonnet 29 – ‘I think of thee’ – Pg 80 Climbing My Grandfather – Pg 81 Possible exam questions – Pg 82 10 Sample Essays – Pg 83 2 Ninetieth Birthday – R. -
101 Memorable Poems of Seven Centuries
1 2 101 Memorable Poems Of Seven Centuries Compiled by Emma Laybourn www.englishliteratureebooks.com Introduction Poems can be memorable in two ways. They may enter the public consciousness and achieve lasting fame; or they may simply be easy to memorise. Many of the poems in this anthology lie in the first category. The collection includes some of the best-known poems in English – and possibly the most famous single poem in the case of Wordsworth’s Daffodils – as well as others that were once widely known but are now remembered chiefly for their first lines. The boy stood on the burning deck, by Felicia Hemans, is one of these, as is Byron’s The Assyrian came down like a wolf on the fold. Others in the collection are little known. However, all the works here, whether famous or not, have been chosen for their memorability in the second sense, of being easy to learn by heart – whether because of catchy rhythm, rhyme, meaning, or all three. The longest poem here is Grey’s Elegy Written in a Country Churchyard, of which even a few stanzas are worth memorizing; many are much shorter. Why bother to learn poetry? Sometimes it seems you have little choice; lines stick in the head as soon as you read them. Others take more effort, but if you memorise a favourite poem, it may then stay with you – like an unobtrusive but sympathetic friend – for life. Only one poem by each poet is included in this anthology. Although this necessitated some difficult choices, it means that a wide range of poets is represented. -
Viktor Rydberg's TEUTONIC MYTHOLOGY
Teutonic Mythology TO HIS MAJESTY KING OSCAR II., THE RULER OF THE ARYAN PEOPLE OF THE SCANDINAVIAN PENINSULA, THE PROMOTER OF THE SCIENCES, THE CROWNED POET, THIS WORK IS MOST RESPECTFULLY DEDICATED BY THE AUTHOR, AND TRANSLATOR, VIKTOR RYDBERG. RASMUS B. ANDERSON. STOCKHOLM, November 20, 1887. HON. RASMUS B. ANDERSON, United States Minister, Copenhagen, Denmark. DEAR SIR, It gives me pleasure to authorise you to translate into English my work entitled "Researches in Teutonic Mythology," being convinced that no one could be found better qualified for this task than yourself. Certainly no one has taken a deeper interest than you in spreading among our Anglo-Saxon kinsmen, not only a knowledge of our common antiquity, but also of what modern Scandinavia is contributing to the advancement of culture—a work in which England and the United States of America are taking so large a share. Yours faithfully, VIKTOR RYDBERG. INTRODUCTION. A. THE ANCIENT ARYANS. 1. THE WORDS GERMAN AND GERMANIC. ALREADY at the beginning of the Christian era the name Germans was applied by the Romans and Gauls to the many clans of people whose main habitation was the extensive territory east of the Rhine, and north of the forest-clad Hercynian Mountains. That these clans constituted one race was evident to the Romans, for they all had a striking similarity in type of body; moreover, a closer acquaintance revealed that their numerous dialects were all variations of the same parent language, and finally, they resembled each other in customs, traditions, and religion. The characteristic features of the physical type of the Germans were light hair, blue eyes, light complexion, and tallness of stature as compared with the Romans. -
042 Harvard Classics
THE HARVARD CLASSICS The Five-Foot Shelf of Books The Lady of Shalott By ./. W. Water house, R.A: THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME III From Tennyson to Whitman With Introductions and Notes Volume 42 P. F. Collier & Son Corporation NEW YORK Copyright, 1910 BY P. F. COLLIER & SON Copyright, 1870 BY FIELDS, OSGOOD & Co. Copyright, 1898 BY BRET HARTE Copyright, 1882 BY DAVID MCKAY Copyright, 1884, 1891 BY MARY D. LANIER Published by CHARLES SCRIBNER'S SONS Copyright, 1883 BY THE MACMILLAN COMPANY Copyright, 1889 BY THE MACMILLAN COMPANY Copyright, 1893 BY THE MACMILLAN COMPANY Copyright, 1865, 1868 BY LONGMANS, GREEN & COMPANY Copyright, 1891 BY CASSELL & COMPANY Copyright, 1896 BY CHARLES SCRIBNER'S SONS MANUFACTURED IN U. S. A. CONTENTS ALFRED, LORD TENNYSON PA°* THE LADY OF SHALOTT 9*>7 SWEET AND LOW 972 TEARS, IDLE TEARS 972 BLOW, BUGLE, BLOW 973 HOME THEY BROUGHT HER WARRIOR DEAD 973 Now SLEEPS THE CRIMSON PETAL 974 O SWALLOW, SWALLOW 974 BREAK, BREAK, BREAK < • • 975 IN THE VALLEY OF CAUTERETZ 976 VIVIEN'S SONG 97^ ENID'S SONG 976 ULYSSES 977 LOCKSLEY HALL 979 MORTE D'ARTHUR 9^6 THE LOTOS-EATERS 993 You ASK ME, WHY 998 LOVE THOU THY LAND 999 SIR GALAHAD 1002 THE HIGHER PANTHEISM 1004 FLOWER IN THE CRANNIED WALL 1005 WAGES 1005 THE CHARGE OF THE LIGHT BRIGADE 1005 THE REVENGE 1007 RIZPAH 1011 To VIRGIL 1014 MAUD 1015 CROSSING THE BAR 1057 RICHARD MONCKTON MILNES, LORD HOUGHTON SONNET 1057 WILLIAM MAKEPEACE THACKERAY THE END OF THE PLAY 1058 CHARLES KINGSLEY AIRLY BEACON 1060 THE SANDS OF DEE 1061 959 960 CONTENTS CHARLES KINGSLEY (Continued) YOUNG AND OLD 1062 ODE TO THE NORTH-EAST WIND 1002 J. -
In DW Griffith's <I>Broken Blossoms</I>
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 The Cinematic Treatment of Tableaux Vivants in D.W. Griffith’s Broken Blossoms Sheikh Deen The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3606 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE CINEMATIC TREATMENT OF TABLEAUX VIVANTS IN D.W. GRIFFITH’S BROKEN BLOSSOMS by SHEIKH DEEN A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 Sheikh Deen All Rights Reserved ii The Cinematic Treatment of Tableaux Vivants in D.W. Griffith’s Broken Blossoms by Sheikh Deen This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Matthew Gold Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Cinematic Treatment of Tableaux Vivants in D.W. Griffith’s Broken Blossoms by Sheikh Deen Advisor: Matthew K. Gold. D.W. Griffith's (January 22, 1875–July 23, 1948), one of the iconic American film directors of early silent cinema, felt his film Broken Blossoms (1919) to be his one art film and is considered to be an exemplary film in Tableaux Vivants1 usage.