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Katsushika Hokusai and a Poetics of Nostalgia
ACCESS: CONTEMPORARY ISSUES IN EDUCATION 2015, VOL. 33, NO. 1, 33–46 https://doi.org/10.1080/00131857.2014.964158 Katsushika Hokusai and a Poetics of Nostalgia David Bell College of Education, University of Otago ABSTRACT KEYWORDS This article addresses the activation of aesthetics through the examination of cultural memory, Hokusai, an acute sensitivity to melancholy and time permeating the literary and ukiyo-e, poetic allusion, nostalgia, mono no aware pictorial arts of Japan. In medieval court circles, this sensitivity was activated through a pervasive sense of aware, a poignant reflection on the pathos of things. This sensibility became the motivating force for court verse, and ARTICLE HISTORY through this medium, for the mature projects of the ukiyo-e ‘floating world First published in picture’ artist Katsushika Hokusai. Hokusai reached back to aware sensibilities, Educational Philosophy and Theory, 2015, Vol. 47, No. 6, subjects and conventions in celebrations of the poetic that sustained cultural 579–595 memories resonating classical lyric and pastoral themes. This paper examines how this elegiac sensibility activated Hokusai’s preoccupations with poetic allusion in his late representations of scholar-poets and the unfinished series of Hyakunin isshu uba-ga etoki, ‘One hundred poems, by one hundred poets, explained by the nurse’. It examines four works to explain how their synthesis of the visual and poetic could sustain aware themes and tropes over time to maintain a distinctive sense of this aesthetic sensibility in Japan. Introduction: Mono no aware How can an aesthetic sensibility become an activating force in and through poetic and pictorial amalgams of specific cultural histories and memories? This article examines how the poignant aesthetic sensibility of mono no aware (a ‘sensitivity to the pathos of things’) established a guiding inflection for social engagements of the Heian period (794–1185CE) Fujiwara court in Japan. -
Geography's Importance to Japan's History
RESOURCES ESSAYS of the present and become better prepared — Japan has many earth- geography’s for challenges of the future. Space in one quakesgeology because of its position on the Pacific article does not permit a comprehensive plan “Ring of Fire.” The Pacific Plate moves a importance to with all the possible ways to incorporate few inches a year westward into the Philip- Japan’s historical geography into the class- pine and Eurasian Plates. In addition, there Japan’s Historyby Patrick Grant room. This article, instead, offers a few is a complex system of faults on the Japan- ideas for applying these two standards by ese islands. The 1923 earthquake, with the addressing some important geographical resultant fire, destroyed much of Tokyo and apan’s geography has been and is a concepts. most of Yokohama. Some 100,000 people crucial factor in its history. Geology, The article touches upon many specific perished in this disaster. Only twenty sec- location, patterns of settlement, trans- issues that teachers will find interesting for onds of shaking killed 5,480 people in the J port, and economic development are discussions in the classroom. The brief 1995 Hanshin-Awaji quake around K¬be.3 strongly influenced by spatial considera- introduction to geology gives background to The rebuilding of this area is rapidly pro- tions. Our appreciation of any historical the earthquake hazard. Scarcity of space, gressing, but there are still thousands of dis- issue is greatly enhanced by learning how covered in the next section, has helped to located people two years after the quake. -
Sake & SHOCHU TOURS of JAPAN
Sake & SHOCHU TOURS OF JAPAN 酒 蔵ツーリズムのすすめ ENGLISH | 日本語 BREWERY BREWERY において全ての“もの づくり”に捧げられる THE SAKE EXPERIENCE 日本献身と情熱は、それは それは美しいものなのですよ。」酒蔵通 外国人レポーターによる酒蔵観光レポート りを歩く私達に、ツアーガイドは熱心に 語りかけてきた。そして酒造りに関して By 3rd generation Japanese American reporter Sami Kawahara 文 サミ カワハラ(日系三世アメリカ人レポーター) も、彼女の言うとおりであることが明ら into the tasting room filled with countless かになるのである。 sake products. Bottles of sake, of course, but also sake-inspired beauty products and 酒蔵通り―文字通り、酒の蔵元が並ぶ通 omiyage (souvenirs). Mr. Maegaki, head brewer り―には8つの異なる蔵元が立ち並んで at Kamoizumi brewery, eagerly lines up four いる。蔵元同士で競い合う代わりに、彼 sake glasses with the bottles displayed behind, らは特定のガイドラインに従って団結し ready for guests to taste. I was continuously ている。ワインの試飲ツアーと同様、酒 charmed by the brewer’s enthusiasm and ex- citement when proudly serving his own sake. 蔵通りを訪れるゲストは各地域で醸造さ れる多種多様な酒を試飲し、それぞれの As we moved to the next brewery a few 蔵元が造り出す個性的な品質を確かめる buildings down, I felt drawn in and inspired ことが出来る。蔵元の責任者がゲストに by the countryside atmosphere and the sake 挨拶する際に見せる情熱と、酒を造る職 rice fields only a stone’s throw away from the 人達の実直な働きぶりを目にすると、口 brewery. And as we continued the brewery に含んだひとすすりの酒に、より深い感 tour, it was clear that whether I wanted to 謝の念が心の底から湧き上がる。 learn more about sake in a classroom environ- ment, view traditional sake making tools, relax 酒の豊かな伝統は紀元3世紀まで遡る。 in a zen garden, or eat cake with sake sauce 酒の持つ印象はとても伝統的で、私のよ 酒造りはビールの製造と似ている。どち 広島県西条は、数々のホテルと蔵元、そ drizzled over the top, each brewery brought うな初心者の酒飲みには、時に、あまり らも原料を醸造することで、デンプンを して最寄り駅がわずか半径1km圏内に全 something new to the table. にも伝統的で威圧感すら覚えてしまう。 糖化し、更にその糖分をアルコール化す て収まっている、古風で趣のある街だ。 るからである。ツアー参加中、私はこの 一方、京都府伏見市と兵庫県灘市では日 Saijo, located in Hiroshima Prefecture, is a けれど、様々な蔵元を探索し酒産業の中 quaint town comprised of hotels, breweries, 核を経験してからというもの、私はこの 酒造りの最初(洗米)から最後(瓶詰 本酒の50%以上を醸造している。また and a convenient train station, all in a 1,000 アルコール飲料に対し、新たな賞賛の念 め)までの過程を見ることが出来た。 試飲の機会を設けている蔵元の多くも、 square meter radius. -
Natural History of Japanese Birds
Natural History of Japanese Birds Hiroyoshi Higuchi English text translated by Reiko Kurosawa HEIBONSHA 1 Copyright © 2014 by Hiroyoshi Higuchi, Reiko Kurosawa Typeset and designed by: Washisu Design Office Printed in Japan Heibonsha Limited, Publishers 3-29 Kanda Jimbocho, Chiyoda-ku Tokyo 101-0051 Japan All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the publisher. The English text can be downloaded from the following website for free. http://www.heibonsha.co.jp/ 2 CONTENTS Chapter 1 The natural environment and birds of Japan 6 Chapter 2 Representative birds of Japan 11 Chapter 3 Abundant varieties of forest birds and water birds 13 Chapter 4 Four seasons of the satoyama 17 Chapter 5 Active life of urban birds 20 Chapter 6 Interesting ecological behavior of birds 24 Chapter 7 Bird migration — from where to where 28 Chapter 8 The present state of Japanese birds and their future 34 3 Natural History of Japanese Birds Preface [BOOK p.3] Japan is a beautiful country. The hills and dales are covered “satoyama”. When horsetail shoots come out and violets and with rich forest green, the river waters run clear and the moun- cherry blossoms bloom in spring, birds begin to sing and get tain ranges in the distance look hazy purple, which perfectly ready for reproduction. Summer visitors also start arriving in fits a Japanese expression of “Sanshi-suimei (purple mountains Japan one after another from the tropical regions to brighten and clear waters)”, describing great natural beauty. -
Geography in Japan
GeographyReligion in in Japan Japan Purpose: This lesson will enable students to develop basic knowledge of Japan’s physical geography including absolute and relative location, factors contributing to climate, and temperature comparisons with the United States. Target Grade Level: 6-7 Essential questions: · What are the physical features of Japan? · Where is Japan located? · What effects do location, elevation, and ocean currents have on the climate of Japan? · How do temperatures in Japan compare to temperatures in the United States? Rationale: Location and physical features of a country affect climate. Key Ideas: · Japan is an island nation. · Japan is an archipelago similar to other archipelagoes in the Pacific (Hawaii, Philippines, Micronesia). · Japan is an archipelago similar to other archipelagoes in the Pacific (Hawaii, Philippines, Micronesia). · Japan stretches from 25 to 45 degrees N latitudes and from 128 to 145 degrees E longitudes. · Japan is an island nation consisting of four main islands (Honshu, Hokkaido, Shikoku, and Kyushu) and many small islands. · The Pacific Ocean is on the south and east of Japan and the Sea of Japan is on the north and west of Japan. · Japan is east of Korea and China, north of the equator, and east of the Prime Meridian. · If super imposed on the U. S., Japan would stretch from Tampa Florida to Montreal. · Japan has many of the same climates, as we would find in the United States. Learning AboutLessons Our Worldabout Japan - 143 GeographyReligion in of Japan Japan Materials: · Wall maps, globes, -
Positive Psychology – Unmitigated Good, and Pessimism As a Categorical Impediment to Wellbeing
E L C I contrasting phenomena were implicitly T conceptualised as negative, positioned as R intrinsically undesirable. So, for example, A optimism tended to be valorised as an Positive psychology – unmitigated good, and pessimism as a categorical impediment to wellbeing. Some scholars did paint a more nuanced the second wave picture; for instance, Seligman (1990, p.292) cautioned that one must be ‘able Tim Lomas delves into the dialectical nuances of flourishing to use pessimism’s keen sense of reality when we need it’. However, in terms of the broader discourse of the field, and its cultural impact, a less nuanced binary t is nearly 20 years since Martin wellbeing – could be brought together message held sway. Seligman used his American and considered collectively. Thus, as While seemingly offering an upbeat IPsychological Association presidential a novel branch of scholarship focused message – linking positive emotions to address to inaugurate the notion of specifically and entirely on ‘the science beneficial outcomes, such as health ‘positive psychology’. The rationale for its and practice of improving wellbeing’ (Fredrickson & Levenson, 1998) – this creation was Seligman’s contention that (Lomas et al., 2015, p.1347), it was valorisation of positivity was problematic, psychology had tended to focus mainly a welcome new addition to the broader for various reasons. Firstly, it often failed on what is wrong with people: on church of psychology. to sufficiently appreciate the contextual dysfunction, disorder and distress. There However, positive psychology was complexity of emotional outcomes. For were of course pockets of scholarship that not without its critics. A prominent instance, ‘excessive’ optimism can be held a candle for human potential and focus of concern was the very notion harmful to wellbeing (e.g. -
Noh Theater and Religion in Medieval Japan
Copyright 2016 Dunja Jelesijevic RITUALS OF THE ENCHANTED WORLD: NOH THEATER AND RELIGION IN MEDIEVAL JAPAN BY DUNJA JELESIJEVIC DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth Oyler, Chair Associate Professor Brian Ruppert, Director of Research Associate Professor Alexander Mayer Professor Emeritus Ronald Toby Abstract This study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan. Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure. -
Tokimeku: the Poetics of Marie Kondo's Konmari Method
Flowers, Johnathan. “Tokimeku: The Poetics of Marie Kondo’s KonMari Method.” SPECTRA 7, no. 2 (2020): pp. 5–12. DOI: https://doi.org/10.21061/spectra.v7i2.146 ARTICLE Tokimeku: The Poetics of Marie Kondo’s KonMari Method Johnathan Flowers Worcester State University, US [email protected] Mono no aware is a poetic term developed by Motoori Norinaga to refer to the driving force behind aesthetic works, specifically poetry, and to refer to the human awareness of the qualitative nature of our experience in the world. For Norinaga, the cultivation of mono no aware necessarily leads to heightened sensitivity to both natural and man-made objects. As mono no aware is the natural response of the cultivated heart to the world around us, Norinaga takes it to be fundamental to human experience. Norinaga’s interpretation of the term aware as “to be stirred” bears striking similarities to the concept of “sparking joy” or tokimeku as used by Marie Kondo in her KonMari system. In Japanese, Kondo’s phrase “spark joy” is written as tokimeku, a word whose literal translation means “throb,” “pulsate,” or “beat fast,” as in the heart’s response to anticipation or anxiety. The aim of the present work is to make clear the connection between tokimeku in the KonMari system and Norinaga’s poetics of mono no aware. Specifically, this paper indicates the ways in which the KonMari system functions in line with a tradition of Japanese aesthetics of experience. This philosophy informs Japanese aesthetic practices and is articulated throughout Japanese poetics. This paper places Kondo in conversation with Norinaga’s work on aware and mono no aware towards a conceptualization of the KonMari system as an implement for cultivating a mindful heart. -
The Art of Haiku: Its History Through Poems And
Reviews reviews Selected Haiku, with Essays and Commentary. Part I: 1937–1960, BY +ANEKO 4OHTA 4RANSLATED BY THE +ON .ICHI 4RANSLATION 'ROUP 7INCHESTER 6A 2ED -OON 0RESS PAGES ¼˝ x½˝. 'LOSSY WHITE CARD COVERS PERFECTBOUND )3". 0RICE FROM THE PUBLISHER AT WWWREDMOONPRESSCOM Reviewed by Hiroaki Sato aneko Tôta B WRITES THE KIND OF HAIKU THAT +some of those not in the know — those not familiar with “modern HAIKUv— may find to be clumsy, incompetent, or nothing more than snippets of prose left unfinished. Take the two pieces that the tanka POET )WATA 4ADASHI B exalts as “the masterpieces that FORM THE HIGH PEAKS IN THE HISTORY OF MODERN HAIKUv wankyokushi kashôshi bakushinchi no marathon kareina hakahara join arawani mura nemuri 4HE BOOK UNDER REVIEW GIVES THE NAME AS +ANEKO 4OHTA ON THE GROUND THAT IT IS THE POETS hESTABLISHED STYLE AND THE APPELLATION HE CHOOSES TO USE IN %NGLISH v Kaneko Tohta: Selected Haiku, Part I ) PUT THE TWO WORDS IN QUOTATION MARKS BECAUSE 2ICHARD 'ILBERT THE LEADER of the translation group that produced the book under review, seems to have an odd notion of gendai HAIKU ) EXPECT TO DEAL WITH THE MATTER IN A FUTURE ARTICLE FOR Modern Haiku. )IDA 2Yûta et al., eds., Gendai haiku zenshû )) 4OKYO 2IPPû 3HOBô Modern Haiku 44.1 The first one could easily be a puzzle. Read it simply, without, for ex ample, speculating from the Chinese characters employed what might be meant, and it seems to say, “Curved, burnt, (a or the) marathon at GROUND ZEROv "ECAUSE bakushinchi hGROUND ZERO v STILL MEANS ONLY -
The Dialectics of Well-Being Tim Lomas, Ph.D. Introduction It Is a Real
The Dialectics of Well-being Tim Lomas, Ph.D. Introduction It is a real honour to be standing up here. It is been such a great conference, with such a beautiful spirit. I have heard so many fantastic talks, met many great people, and I feel very honoured that Paul asked me to do a keynote talk, particularly because he has been so influential for me and my colleagues. For instance, our conceptualisation of the second wave of positive psychology is directly influenced by his prior and similar idea of PP 2.0. And beyond that, his scholarship on Eastern philosophies and traditions has been equally important and inspiring. Moreover, Paul is not merely influential, but encouraging and supportive, acting as a mentor figure to me and others, and I would not be standing here without his kind attention. And what I would like to talk about is the dialectics of well-being. More broadly, this presentation is about what we’ve been calling the second wave of positive psychology (PP 2.0). I am going to give you my take on where I see the field as having come from, where it is, and where it might be going. To begin with though, I would briefly like to let you know a bit more about who I am, partly because I feel scholarship is a function of the nature of the person undertaking it, their background, their history, their story, and so on. So, I would like to mention a few things about myself which have fed into the way in which I have approached positive psychology. -
Geography of Japan
Family (The Emperor’s Family) Ie (family) system • The Civil Code of Meiji, 1898 Ie (family) consists of the head of the household and other members who live in the same house, and registered in one registry (Koseki) • This system was abolished in the new constitution in 1947. The Traditional Family • Head of the household is the unquestioned boss • The wishes and desires of individual family members must be subordinated to the collective interest of family • The eldest son is the heir both to the family fortunes and to the responsibility of family (primogeniture) • Marriages often arranged by parents • Several generations of family members live together Responsibilities of the Head of the Household • Economic welfare of the family, duty to support the family • Administration of family property • Welfare of deceased ancestors, conducting proper ceremonies in their honor • Overseeing conduct and behavior of family members Joining the Family • By birth • By marriage • Adoption The Contemporary Family • Nuclear Family • Marriage: Miai & Ren-ai marriages • Husband and Wife Relationships • Divorce • Old Age Koseki: Family Registration System • Today’s koseki system: only two generations of family, husband and wife and children who share the same family name. • Jūminhyō: residence card • Ie (Kazoku) seido : institutionalized family system • 1898 Civil code • 1947 New Civil Code: Family system and the right of primogeniture were abolished. Equal rights for men and women Changing Status of Women The first female governor of Tokyo since August 2016. Japanese Women in the Modern History • 1868 Meiji Restoration • 1872 The Fundamental Code of Education requires four years of compulsory education for both boys and girls. -
Happiness Is a Glass Half Empty” Oliver Burkeman1
Borough of Manhattan Community College City University of New York English Department “Happiness Is a Glass Half Empty” Oliver Burkeman1 Be positive, look on the bright side, stay focused on success: so goes our modern mantra. But perhaps the true path to contentment is to learn to be a loser are we maybe just looking for happiness in the wrong way? In an unremarkable business park outside the city of Ann Arbor, in Michigan, stands a poignant memorial to humanity’s shattered dreams. It doesn’t look like that from the outside, though. Even when you get inside – which members of the public rarely do – it takes a few moments for your eyes to adjust to what you’re seeing. It appears to be a vast and haphazardly organized supermarket; along every aisle, grey metal shelves are crammed with thousands of packages of food and household products. There is something unusually cacophonous about the displays, and soon enough you work out the reason: unlike in a real supermarket, there is only one of each item. And you won’t find many of them in a real supermarket anyway: they are failures, products withdrawn from sale after a few weeks or months, because almost nobody wanted to buy them. In the product-design business, the storehouse – operated by a company called GfK Custom Research North America – has acquired a nickname: the Museum of Failed Products. This is consumer capitalism’s graveyard – the shadow side to the relentlessly upbeat, success-focused culture of modern marketing. Or to put it less grandly: it’s almost certainly the only place on the planet where you’ll find Clairol’s A Touch of Yogurt shampoo alongside Gillette’s equally unpopular For Oily Hair Only, a few feet from a now-empty bottle of Pepsi AM Breakfast Cola (born 1989; died 1990).