Triton Times I~:-~~=I

Total Page:16

File Type:pdf, Size:1020Kb

Triton Times I~:-~~=I Editors' e Disntissal I Possible Volume 22 No.2 U(SD Friday, April 5, 1974 'by Chris Rauber Editorial Boardmember Ron Roberts opened an emergency triton times I~:-~~= I meeting of the Communications Board Wednesday by Re: 'April Fool' moving. thPt the editor-iD-c hief of the Triton Times and those responsible for the first page of the April 2 Triton The front page of Tuesday's issue of the Triton Shockley Appointed Ti mes be dismissed. Times was an attempt at ironic satire about several The special meeting was called in response to the iss~es faCing the University today. Irony, as we see Provost at Third explosive reaction of the campus community to satirical it, IS an attempt at political criticism by the articles featured on the paper's special April Fools Day exaggeration of current situations to the pOint where page. the situation seems ludicrous. This is what we tried to do with the articles on constuctions of third More than fifty people crowded into the conference college, the provost of Third College and Af- ,'oom to participate in an emotional, tension-packed, firmative Action. ' hour-long discussion . The Triton Tim es was charged The intent of our articles was apparently wi th racism, insensitivity to minorities, and a bias misinterpreted by many people on campus. Our agai nst Third College. r:leo Malone, Muir College intended positions,respectively were : outrage over Res ident Dean, said that the articles in question the attempt to belittle and destroy Third College by promoted racial tension and disunity. He demanded not constructing any buildings which would give it a that "such attempts at humor be redirected." sense of permanence ; outrage over the ad­ Th e Triton Times, represented by Editor-in-<:hief ministration's and to some extent the faculty's David Buchbinder, took the position that the front page treatment of Th ird College students as second class was intended as a satirical attack on the insensitivity citizens (hence the choice of Shockley) ; and also and institutional racism of the university,. and not as an outrage and disgust over the hypocritical and in­ attack against Third College or any minority group. sincere handling of affirmitive action by the whole University community. The editorial of the same A large number of Third College students participated issue criticizing the University's handling of af­ In the discussion . ()ne student labeled the paper as firmative action should land credence that this was "Tasteless shit" and claimed that it defamed and the intent. degraded Third College. Another said she "didn't think it We deeply regret that we apparently failed to was funny. These thinRs happen over and over .. this isn't many people in our attempts at irony. We realize the first time." It w as sugges ted that the staff members that these misjudgements are indicative of our lack responsible be fired and that the standing of the Triton of solidarity with several groups on campus. This Times as the official student newspaper be revoked and situation must change , and will change. This is our Its funding redistributed to other student newspapers . intent for the future. "This trash shouldn't be published as the official All comments pro or con should be directed to the studE; nt newspaper," one student contended. Student Affairs Office at 250 Matthews Campus to Michael Weiss, Mark Bookman , or any other Th e mood of the assembled students was summed up member of the Communications Board before 3 by a woman who argued that the front page " couldn't PM Monday. be taken as irony because its too close to the truth." A decision on the matter was postponed, due to Editor Buchbinder' s contention th at the by-laws of the · Communication Board's constitution had not been More Money for Assistantships followed in the meeting's procedure, until Monday, April 8 at 3 o'clock. by Philip Protter ployed less than 50 per cent time will have their The Regents have authorized what they call a "salary "supplemenation" pro-rated. supplement" for the following: TA's , RA's, OA's, LA's, The first check will come through payroll, and ap­ Teaching Fellows, Physical Activiti!" Assistants, and parent ly is expected at any time It will be the sup­ Libertarian Nursery School Assistants . It is retroactively effective plementation for the first quarter only. The check for with th e fall quarter, 1973. Wh ile t he amount of the the spring quarter is expected about June 15 "salary supplementation" is based o n the educational According to Dean Pierce (Dean of Graduate Hospers Assails fee, and it is independent of the source of the em­ Studies), the Regents asked for a salary increase in order ployee's funding, it wou ld appear that this is a rebate of to make the assistantships more competitive with other the student's educational fee . In this case, of course, the leading universities. This was approved by the Government money would not be taxed . However, as a "sa lary legislature, but blue-penciled out of the budget su pplementation" the money will be subject to someplace along the line. Consequently the Regents by James G. Sofo withholding tax. Th e reporter can only conclude that have used their "Opportunity funds" to make the th e notion that the recipients are being taxed on a supplementation possible. These funds are non-state refund of th eir own money is just an illusion. funds obtained by overhead charges from contracts and Jo hn Ho s p e r s , person has the right to do The educational fee is one hundred twenty dollars per grants. As far as Dean Pierce knows, thiS is a perm anent gubanatorial candidate for what they want without quarter. For those students employed as above in a half­ sa lary supplement. At any rate, It will conti nue next the libertarian party in impinging on other peoples time capacity, the "supplementation" will be sixty year. The delay in disbu sement of the money is at­ Ca lifornia, said Tuesday rights; and that no person dollars each quarter, less taxes . Those who are em- tributed to the bureaucracy of University Hall ni ght at Revelle College should initiate the use of that "government is the fo rce against another legalized use of force and person ." wields a monopoly in the Hospers believes the legalized use of force". major violators of these The Great Watertank Controversy precepts are not individuals Dr . Hospers is t he by Jerry Schneider chairman of the philosophy but rather government. These liberties are lost to facu lty art studio had ~tlldent voting member .. department at the Th defaced exterior ut Renaissance art, tated two means, crimes against already rece ived one coat who rontrol physlrJI University of Southern th e old water tower bet­ Harrison persons and crimes against of beige pa in t before it was " It wa!> not a cious developmpnts on campu\ California and was the ween Revelle and Matthews property. defaced sometime in the at," h said of the onglnal Harrison <lnd the drt Li bertarian party' s ca n-· campus is likely to remain When asked whether he first week of M arch. roverup of the mural " 1 fa lIlty dpcldt·d on Iht> didate for Pres ident in 1972. an eyesore, at least until was a conservative, liberal, This initia l coat of paint uppo that artist are b(,lgf' paint that \'><1\ lIspd Hospers attracted more this summer. or middle of the roader covered up a ix year-old more asual than othf'rs ThPrt' wpr no ta( ulh attention after the election Dr. Newton Harrison, Hospers laughed and said mural, and purred ad­ when It comes to the fate of obwrllom to thl' action when one of the Virginia chai rman of the Visual Arts .. he didn't know how to mierer of the mural to outdoor art ," th(' chairman (Hclrmon added Ihat 'lnll' el ectors pledged to Departmen t, now in the answer that question and complain to University added Ih(' bllddlng " primarily tor Presi dent Nixon cast his process of movi ng eight said that " people conside' planners about the a tion "As an artist, whf'n I do taliity r<' ('arch hp pollpd vote in the el ectoral college vis ual · art faculty into libertarians conservative if To coverup th black and art In d publl<. place, I know only the f dCulty) 'for H John Hosper studios in the re nnovated eco'lomic liberties an( building, and Robert Davis, brown pai nt now spla hed It won't la t fo r v r I don't ' A~ artists moving Into a Hospers was at UCSD to liberal in matters of civil ass istant to the campus on the walls wou ld require ass ume th ai 11 0 on will new sl tliatlon, Wf' wa ntE'd to be the first speaker in liberties. architect, each made this at least two more coats of com along and r over It .. tart Wi th ,I ( I('a n 'latE' ." Extension Economic lecture Hospers said "the state sam e dec isi on without paint. With funds already up " Harmon .. aid seri es about Libertarian and should first be a protector, conferring with each other. sca rce , both HlI rrison Thi s attitudf' diff r from By Ja n 2, '<}74, th(' epe Conservative economic and then a referee . He Work on the 30 year-old andDavi expr ed their that to wards o th r art ha d re IVf'd wr I t ten philosophy.
Recommended publications
  • Rhythm Posse Occasionally Worked with Bukka White in Local Juke Facebook.Com/Rhythmposse Joints
    father of the Memphis blues guitar style. By the turn of the century, at the age of 12, Stokes worked as a blacksmith, traveling the 25 miles to Memphis on the weekends to sing and play guitar All shows begin at 6:30 In case of inclement weather, Tuesday Night Blues with Don Sane, with whom he developed a long- is held at the House of Rock, 422 Water Street. term musical partnership. Together, they busked on *August 7 will be held at Phoenix Park. the streets and in Church's Park (now W. C. Handy Park) on Memphis' Beale Street. Sane rejoined Stokes May 28 Howard ‘Guitar’ Luedtke & Blue Max for the second day of an August 1928 session for HowardLuedtke.com June 4 Revolver Victor Records, and they produced a two-part RevolverBand.net version of "Tain't Nobody's Business If I Do", a song August 20, 2013 at Owen Park June 11 Bryan Lee well known in later versions by Bessie Smith and BrailleBluesDaddy.com Jimmy Witherspoon, but whose origin lies June 18 Tommy Bentz Band somewhere in the pre-blues era. RhythmRhythm PPosseosse TommyBentz.com In 1929, Stokes and Sane recorded again for June 25 Code Blue with Catya & Sue Catya.net Paramount, resuming their 'Beale Street Sheiks' July 2 Left Wing Bourbon billing for a few cuts. In September, Stokes was back LeftWingBourbon.com on Victor to make what were to be his last July 9 Charlie Parr recordings, this time without Sane, but with Will Batts CharlieParr.com on fiddle. Stokes and Batts were a team as July 16 Deep Water Reunion MySpace.com/DWReunion evidenced by these records, which are both July 23 Steve Meyer with the True Heat Band traditional and wildly original, but their style had (featuring Ben Harder) fallen out of favor with the blues record buying July 30 Ross William Perry public.
    [Show full text]
  • Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
    Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.
    [Show full text]
  • Stax Reissues 'Boy Meets Girl: Classic Soul' Duets
    PRLog - Global Press Release Distribution Stax Reissues 'Boy Meets Girl: Classic Soul' Duets Duets include Eddie Floyd & Mavis Staples, William Bell & Carla Thomas, Delaney & Bonnie Bramlett, and a rare one from Dusty Springfield & Spencer Davis July 20, 2009 - PRLog -- LOS ANGELES, Calif. — Stax Records through Concord Music Group will reissue its 1969 compilation Boy Meets Girl, which paired Stax male and female artists for a set of classic duets. Featured are many of the greatest names in soul music including Johnnie Taylor, Eddie Floyd, Pervis Staples, Carla Thomas, William Bell, Mavis Staples and Cleotha Staples. The reissue adds two rare duets of Bell and Booker T. Jones’ ”Private Number,” by Bell and Judy Clay, and by Dusty Springfield and Spencer Davis. The latter version was previously available only on a long out-of-print mid-‘80s Takoma Records release. The album is slated for a street date of August 18, 2009. “Duets have always been an integral part of the history of soul music,” writes Stax historian Rob Bowman in his liner notes, “Boy Meets Girl provides a vehicle for several interesting examples of the medium cut for the mighty Stax Records.” Most of Boy Meets Girl was recorded in 1969 at the suggestion of Stax president Al Bell, who felt Stax should progress from a singles label to an album-oriented label. A variety of producers oversaw the various tracks including Bell himself, Isaac Hayes, Booker T. Jones, Don Davis, Donald “Duck” Dunn, Randy Jackson, Homer Banks and Don Nix. The 18-track set begins with the Bell-Clay “Private Number”; next, Bell and Mavis Staples reprise the Sam & Dave hit “I Thank You”; Eddie Floyd and Mavis Staples tackle Janis Joplin’s “Piece of My Heart”; Johnnie Taylor and Carla Thomas perform “Just Keep On Loving Me”; and Eddie Floyd and Mavis Staples perform Floyd and Booker T.
    [Show full text]
  • New Mexico Daily Lobo, Volume 075, No 83, 2/7/1972." 75, 83 (1972)
    University of New Mexico UNM Digital Repository 1972 The aiD ly Lobo 1971 - 1980 2-7-1972 New Mexico Daily Lobo, Volume 075, No 83, 2/ 7/1972 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1972 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 075, No 83, 2/7/1972." 75, 83 (1972). https://digitalrepository.unm.edu/daily_lobo_1972/12 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1972 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. 37~;7 ~<i Ne\N Mexico Un '"3 QvJ C6~~ \ DAILY Monday, February 7, 1972 "'13 Mass March ' ~ 't• j; o,J:, j;~onors Slain v.~<o" ~*~lack Berets . _..(,~ Carrying signs stating "Stop .,.&,..,...,. Killing Our People 11 and "I Am ·~~,... Proud To Be A Chicano, 11 UNM students, faculty and local community members Satm;day celebrated a mass in commemoration of two Chicanos The mass, by a march on pollee headquarters, began at 1 . ' /4111 p.m. Saturday in Roosevelt Park. Four Catholic priests read the bilingual ceremony in which they asked the group to "offer the wicked no resistance." Fr. Michael O'Brian, of San Jose parish, told the ass~mbled, "We want to do the best for our AI\~ country. We know peacemaking of the Black Berets as the group and "Chicano Power," the nroceeded to oolice headauarters marchers moved on to Robinson at 4th St.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.
    [Show full text]
  • October 1987
    Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers.
    [Show full text]
  • An Educator's Guide to Visiting the Stax Museum of American Soul Music
    A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason.
    [Show full text]
  • Jackson Page 1 of 24 Wayne Jackson, Zach Harpole, Joshua Kape, Amy
    Jackson Page 1 of 24 Wayne Jackson, Zach Harpole, Joshua Kape, Amy There are two places in "Jackson" where the audio repeats itself for a few minutes, once in the middle and once towards the end. [0:00:00] Wayne Jackson: Hello. Check in. Check in. Check in. Joshua Kape: Recording? Okay. Wayne Jackson: I’m on. Joshua Kape: All right. Mr. Jackson, it’s an honor to be here to interview you. Wayne Jackson: Thank you. Joshua Kape: Of course, it’s for our Crossroads to Freedom digital archive. And the interview today will be posted on the archive, on the website. Wayne Jackson: Good. Zach Harpole: I’m Zach Harpole; I’m a senior at Rhodes College. Joshua Kape: And Joshua Kape, a sophomore at Rhodes College. Wayne Jackson: Zach, Josh. Zach Harpole: All right, just to start off today, just tell us a bit about like where you were born and your childhood growing up. Wayne Jackson: Well, I was born in Memphis Hospital here in Memphis in 1941. And we moved directly after that to West Memphis, where my mother and father lived. She was a secretary for a real estate company and dad sold insurance. And that’s where I was raised, in that environment. A small town. And we lived on a hill high at the - we lived on a- [0:01:00] -you want me to speak up or are we okay? We lived on a hill and it was the highest hill in West Memphis. We never got – everybody else got flooded; we didn’t get flooded.
    [Show full text]
  • Delaney & Bonnie It's Been a Long Time Coming
    Delaney & Bonnie It's Been A Long Time Coming / It's Been A Long Time Coming mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: It's Been A Long Time Coming / It's Been A Long Time Coming Country: US Released: 1968 Style: Rhythm & Blues, Soul MP3 version RAR size: 1429 mb FLAC version RAR size: 1469 mb WMA version RAR size: 1620 mb Rating: 4.4 Votes: 748 Other Formats: MP3 DMF AU AAC AA DXD RA Tracklist Hide Credits It's Been A Long Time Coming A 2:20 Written-By – Bonnie Bramlett, Delaney Bramlett It's Been A Long Time Coming B 2:20 Written-By – Eddie Floyd, Steve Cropper Companies, etc. Pressed By – Plastic Products Credits Producer – Don Nix, Duck Dunn* Notes A: Metric Music (BMI) B: East Publ. (BMI) Barcode and Other Identifiers Matrix / Runout (A): ST-005-PL Matrix / Runout (B): ST-006-PL Other versions Category Artist Title (Format) Label Category Country Year Delaney & It's Been A Long Time Coming / We've STA-0003 Stax STA-0003 US 1968 Bonnie Just Been Feeling Bad (7") Delaney & It's Been A Long Time Coming / We've STA-0003 Stax STA-0003 US 1968 Bonnie Just Been Feeling Bad (7") Delaney & It's Been A Long Time Coming / We've STA-0003 Stax STA-0003 US 1968 Bonnie Just Been Feeling Bad (7") It's Been A Long Time Coming / It's Delaney & STA-0003 Been A Long Time Coming (7", Single, Stax STA-0003 US 1968 Bonnie Promo) Related Music albums to It's Been A Long Time Coming / It's Been A Long Time Coming by Delaney & Bonnie Patrick Woolam - Long Time Coming Sandy Rivera - Long Time Coming Ready For The World - Long Time Coming Bonnie Bramlett - Hold On I'm Coming Delaney & Bonnie - Hard To Say Goodbye Prominent - Long Time Coming Eric Clapton - Eric Clapton +17 Delaney & Bonnie & Friends With Eric Clapton - On Tour Delaney & Bonnie - Genesis Delaney & Bonnie & Friends - Never Ending Song Of Love.
    [Show full text]
  • Special Issue on Blues Power
    DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR 917006 4111/3000MA 1101.1 0A1E113SNnS d s3/7s 0(714 cnino;orb:; izt38 FEBRUARY 13, 1971 WHO IN THE WORLD -11 Z-Z At Right, Ron Alexenburg, VP, Columbia Custom Labels, And Steve Tyrell, President Of New Discery New Design Records Being Distributed By Columbia. Story Inside. PICKS OF THE WEEK co cn us 5th DIMENSION, "LOVE'SLINES, ANGELS AND ANN PEEBLES, "I PITY THE FOOL" (Lion,BMI). 2BARBRA STREISAND, "STONEY END."Barbra _1 RHYMES" (April,ASCAP). Now that The gal who did so well in all mar- Streisand,undertheguidanceofproducer 0 CL "One Less Bell" has been resound- kets with "Part Time Love" sounds c0Richard 1/1 Perry,hasjoinedherconsiderable ingly answered, the group is start- likeshe has another winner. She zEJvocalforce with thoseof some tastyrock ing astring of hits with thisin- shines on her version of this Bobby musicians and expert young songwriters (like Cl)w tense new one. Songisrightin BlueBlandstandard witha few Nilsson, Newman and Nyro) for an absolutely their established groove. Bell 965. funky touches of her own. Hi 2186 gorgeous album of pop -rock singing.Breath- (London). taking. Columbia KC 30378. B. J. THOMAS, "NO LOVE AT ALL" (Rose Bridge/ 0.V. WRIGHT, "WHEN YOU TOOK YOUR LOVE BILL COSBY, "WHEN I WAS A KID." Bill Cosby, Press, BMI). B.J. continues to stay FROM ME" (Don, BMI). Wright proved like many another comedian before him, has on top with his mixture of country - himself capable of coming through been called "the funniest man alive." Well,if teepterflavored soul and drive.
    [Show full text]
  • The Social and Economic Impact of the Stax Legacy on the Soulsville Community Joshua Cape 2011 Rhodes Institute for Regional Studies Introduction
    Cape 1 The Social and Economic Impact of the Stax Legacy on the Soulsville Community Joshua Cape 2011 Rhodes Institute for Regional Studies Introduction The story behind Memphis‟ role in the proliferation of soul music relies heavily on Stax Records, a soul music powerhouse during the 1960s and 1970s.1 The sound of Stax found a niche in the soul and R&B music markets, and Stax served as a medium for championing social issues. On a global level, Stax Records defined Memphis soul music as the “Memphis Sound” and is remembered today as a symbol of racial integration. On a local level, Stax maintained an intimate relationship with the surrounding community, now known as Soulsville U.S.A.2 Although mentioned by Robert Gordon and Peter Guralnick in their books on Memphis music, it was only through the work of Dr. Rob Bowman, a professor of ethnomusicology who spent more than a decade researching Stax, that definitive historical and musicological accounts of the soul label were compiled.3 Bowman‟s book entitled Soulsville U.S.A.: The Story of Stax Records offers a detailed study of the label‟s life, exploring its significance as both a local focal point and a business. Despite touching on Stax‟s relationship with its surroundings, Bowman 1 Aside: Throughout its history, numerous Stax recordings charted on Billboard magazine’s music charts. The soulful Stax sound often found itself charting in the R&B classification, since no soul chart existed at the time. For a detailed analysis of Stax soul music, read Bowman’s dissertation Stax Records: A Historical and Musicological Study (diss.
    [Show full text]
  • M 919 SEMENTS
    '-'•"••HI :••'• «^ •J- -.•<»>' i.. •--•••.V ' BARUCH COLLEG! % ^f Student Government Elections Roster of the Candidates Elections will be held October 26-28 alphabetical-order. ^ 919 (Tues., Weds, and Thurs.). Ea£h student must submit bursar^car m SEMENTS Electijpps will be conducted at tables (na/ne and social security number) to The following are the endorse^pents of ^student is already involved in activities which 4fill be near the auditorium. checker, who will in turn issue ballot When TICKER. They were* made by the/Editor-in- which would fall under the position which he The computer Center will provide the ballot is completed it will be placed in a box* Chief in conjunction with a committee of is seeking. print-out of-the Day Session universe which keys to which will be held by the Student four students representing various interests B.C.C.C.- may be divided into^^four vsections in Activities Office. in Baruch. Monte Montanez (Raul) CHAIRMAN JUNIOR PRESIDENT The four students and the Editor based / Neil Manas Alan Elnick Aka "Ding" their opinions upon the platforms submitted Allan Goldberg Allan Goldberg and voluntary interviews. Evelyn Jackson Mona Sandler Barbara Duvdevani Marilyn F*uhrman CHAIRMAN ~ Bruce Rosen Roberto Rodriquez has the necessary Of all the candidates for this position these Alan R. Shark four would be able to represent the day Steve Hornberger Joseph Aquiar strength (backbone) for the job. He also Roberto Rodriquez appears willing enough to work hard. session; and would be able to work well with faculty members. =-• JR. VICE-PRESIDENT VICE CHAIRMAN VICE CHAIRMAN Neil Manas is aware of the problems TICKER ASSOCIATION Anita Haberman^.
    [Show full text]