Scoop Feburary Issue
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Thomas Boyd Bruce.I-192 4/6/06 12:45 PM Page Ii
Bruce.i-192 4/6/06 12:45 PM Page i Thomas Boyd Bruce.i-192 4/6/06 12:45 PM Page ii series on ohio history and culture George W. Knepper, Summit’s Glory Leonard Sweet, Strong in the Broken Places John H. White and Robert J. White Sr., The Island Queen H. Roger Grant, Ohio’s Railway Age in Postcards Frances McGovern, Written on the Hills: The Making of the Akron Landscape Keith McClellan, The Sunday Game: At the Dawn of Professional Football Steve Love and David Giffels, Wheels of Fortune: The Story of Rubber in Akron Alfred Winslow Jones and Daniel Nelson, Life, Liberty, and Property: A Story of Conflict and a Measurement of Conflicting Rights David Brendan Hopes, A Childhood in the Milky Way: Becoming a Poet in Ohio John Keim, Legends by the Lake: The Cleveland Browns at Municipal Stadium Richard B. Schwartz, The Biggest City in America: A Fifties Boyhood in Ohio Thomas A. Rumer, Unearthing the Land: The Story of Ohio’s Scioto Marsh Steve Love, Ian Adams, and Barney Taxel, Stan Hywet Hall & Gardens William F. Romain, Mysteries of the Hopewell: Astronomers, Geometers, and Magicians of the Eastern Woodlands Dale Topping, edited by Eric Brothers, When Giants Roamed the Sky: Karl Arnstein and the Rise of Airships from Zeppelin to Goodyear Millard F. Rogers Jr., Rich in Good Works: Mary M. Emery of Cincinnati Frances McGovern, Fun, Cheap, & Easy: My Life in Ohio Politics, 1949–1964 Larry L. Nelson, editor, A History of Jonathan Alder: His Captivity and Life with the Indians Bruce M. -
'Judas Priest-On Tour' Violators Attacked
MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor to anyway? ror Picture Show and working over It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun. -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
RPTF: Caucus on Spanish Language and Bilingual Radio
1 LIBRARY OF CONGRESS + + + + + RADIO PRESERVATION TASK FORCE + + + + + SAVING AMERICA'S RADIO HERITAGE: RADIO PRESERVATION, ACCESS, AND EDUCATION + + + + + SESSION: CAUCUS ON SPANISH LANGUAGE AND BILINGUAL RADIO + + + + + SATURDAY FEBRUARY 27, 2016 + + + + + The Caucus convened in the University of Maryland College Park Hornbake Library, Prange Lobby, 4130 Campus Drive, College Park, Maryland, at 1:30 p.m., Ines Casillas, Caucus Chair, presiding. CAUCUS MEMBERS INES CASILLAS, Caucus Chair; UC-Santa Barbara BILL CRAWFORD, Border Radio Research Institute CHRISTINE EHRICK, University of Louisville GENE FOWLER, Border Radio Research Institute KATHY FRANZ, Smithsonian Museum of American History JOSE LUIS ORTIZ GARZA, Universidad Panamericana SONIA ROBLES, Brenau University MONICA DE LA TORRE, Washington University NEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVE., N.W. (202) 234-4433 WASHINGTON, D.C. 20005-3701 www.nealrgross.com 2 P-R-O-C-E-E-D-I-N-G-S (1:42 p.m.) CHAIR CASILLAS: Thank you so much for coming. I'm Ines Casillas from UC Santa Barbara and someone who's been researching and writing about Spanish language radio, in the U.S. specifically, for the past five years. So I'm very excited about the possibility of this caucus. So what we're going to do, we're going to start with two of us who do more U.S.-based, kind of, Spanish language radio, work our way to two others who do more border-related, and then end up in Latin America, okay? So my research highlights how U.S. Spanish language radio across the 20th century has really capitalized, very lucratively, on the conversation around immigration. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Elvis Costello Began Writing Songs at the Age of Thirteen. 2017 Marked the 40Th Anniversary of the Release of His First Record Album, My Aim Is True
Elvis Costello began writing songs at the age of thirteen. 2017 marked the 40th anniversary of the release of his first record album, My Aim Is True. He is perhaps best known for the songs, “Alison”, “Pump It Up”, “Everyday I Write The Book” and his rendition of the Nick Lowe song, “(What’s So Funny ‘Bout) Peace Love and Understanding”. His record catalogue of more than thirty albums includes the contrasting pop and rock & roll albums: This Year’s Model, Armed Forces, Imperial Bedroom, Blood and Chocolate and King Of America along with an album of country covers, Almost Blue and two collections of orchestrally accompanied piano ballads, Painted From Memory - with Burt Bacharach and North. He has performed worldwide with his bands, The Attractions, His Confederates - which featured two members of Elvis Presley’s “T.C.B” band - and his current group, The Imposters – Steve Nieve, Pete Thomas and Davey Faragher - as well as solo concerts, most recently his acclaimed solo show, “Detour”. Costello has entered into songwriting collaborations with Paul McCartney, Burt Bacharach, the Brodsky Quartet and with Allen Toussaint for the album The River In Reverse, the first major label recording project to visit New Orleans after Hurricane Katrina and completed there while the city was still under curfew. In 2003, Costello acted as lyrical editor of six songs written with his wife, the jazz pianist and singer Diana Krall for her album, The Girl In The Other Room. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson and musical settings for words by W.B. -
"Down Where the South Begins": Virginia Radio and the Conversation of Nationhood
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 "Down Where the South Begins": Virginia Radio and the Conversation of Nationhood Caroline Chandler Morris College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Mass Communication Commons, and the United States History Commons Recommended Citation Morris, Caroline Chandler, ""Down Where the South Begins": Virginia Radio and the Conversation of Nationhood" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626488. https://dx.doi.org/doi:10.21220/s2-xqsn-1426 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “DOWN WHERE THE SOUTH BEGINS” Virginia Radio and the Conversation of Nationhood A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Caroline Chandler Morris 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts C/UfU^Yvt c ____ Caroline C. Morris Approved by the Committee, August 2005 Leisa D. Meyer/Chair Melvin P. Ely Laurie S. Koloski To John, Crickett, John, and -
Toto's Shannon Forrest
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Arctic Monkeys the English Indie Rockers Dive Into an R&B Groove on Their New Set
ISSUE #29 MMUSICMAG.COM Q&A S ebastian Kim Nick O'Malley, Jamie Cook, Matt Helders, Alex Turner ARCTIC MONKEYS The English indie rockers dive into an R&B groove on their new set FOUR ALBUMs—anD SEVEN YEARs— to navigate the flying saucer. We finish that song. We wanted to make a record that after releasing their debut, Whatever People each other’s sentences at this point. This surrounded that. So the R&B thing was there Say I Am, That’s What I’m Not, the Arctic record is a lot more of a studio record. The from the beginning. Monkeys’ latest record, AM, finds the band records we made up to now sound like a tapping into R&B melodies to shake up band playing, and I think this one is less How did Bill Ryder-Jones end up on their guitar-driven sound. “We started with, so. We were following elements of different the record? ‘What if you go with Aaliyah melodies and corners of the musical universe, putting Bill’s a good friend and a really terrific guitar riffs from Black Sabbath?’” says frontman together some chemicals that don’t usually player and a great songwriter. He put out Alex Turner. “Some of the grooves in that mix. There’s delicate balance in that. To do his own album, which we all love. “Fireside,” world matched up perfectly with those that I thought it would be best to have a the song he’s featured on, is probably the melodies. That was the initial idea, but producer we understand but who also most melancholic moment on the record, then we began to experiment.” Lending a understands us. -
National Fallen Firefighters Memorial Weekend October 3-4, 2015
Remembering ver in Our Hea Fore rts ® National Fallen Firefighters Memorial Weekend Weekend Memorial Firefighters Fallen National 2015 ® National Fallen Firefighters Foundation Post Office Drawer 498 National Fallen Firefighters Emmitsburg, Maryland 21727 Memorial Weekend 301.447.1365 • 301.447.1645 fax www.firehero.org • [email protected] October 3-4, 2015 matt Ambelas • David Wilbur Anderson • Thomas Araguz III • Samir P. “Sam” Ashmar • matt Ambelas • David Wilbur Anderson • Thomas Araguz III • Samir P. “Sam” Ashmar • Gregory D. Barnas • Jeffery Edward Bayless • Kevin L. Bell • James E. Bethea • Joseph Gregory D. Barnas • Jeffery Edward Bayless • Kevin L. Bell • James E. Bethea • Joseph Edward Bove III • Kevin J. Bristol • Bruce Britt • John M. Burns • Jerry Campbell • Paul S. Edward Bove III • Kevin J. Bristol • Bruce Britt • John M. Burns • Jerry Campbell • Paul S. Cash • Douglas J. Casson • Dennis A. Channell • Richard L. Choate • Joyce M. Craig • Cash • Douglas J. Casson • Dennis A. Channell • Richard L. Choate • Joyce M. Craig • James A. Dickman • Ricky W. Doub • Ted F. Drake • Fred Edwards • Hugh B. Ferguson James A. Dickman • Ricky W. Doub • Ted F. Drake • Fred Edwards • Hugh B. Ferguson III • David P. Fiori • Kellen A. Fleming • Robert William “Bob” Fogle III • Jonathan E. III • David P. Fiori • Kellen A. Fleming • Robert William “Bob” Fogle III • Jonathan E. French • Donovan Artie Garcia Jr. • Michael Dale “Mikey” Garrett • Charles Edward French • Donovan Artie Garcia Jr. • Michael Dale “Mikey” Garrett • Charles Edward Goff • Matthew Goodnature • Daniel David Groover • John Derek Gupton • Ramon Goff • Matthew Goodnature • Daniel David Groover • John Derek Gupton • Ramon Edward “Ray” Hain • Homer W. -
SWR2 Tandem Das Chamäleon Elvis Costello Von Christiane Rebmann Sprecher: Peter Binder, Pia Fruth
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Tandem Das Chamäleon Elvis Costello Von Christiane Rebmann Sprecher: Peter Binder, Pia Fruth Sendung: 04.08.2016 um 19.20 Uhr Wiederholung vom: 22.08.2014 Redaktion: Bettina Stender Produktion: SWR 2014 Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Tandem können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de oder als Podcast nachhören: http://www1.swr.de/podcast/xml/swr2/tandem.xml Mitschnitte aller Sendungen der Redaktion SWR2 Tandem sind auf CD erhältlich beim SWR Mitschnittdienst in Baden-Baden zum Preis von 12,50 Euro. Bestellungen über Telefon: 07221/929-26030 Bestellungen per E-Mail: [email protected] Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de DAS CHAMÄLEON Wenn ein neues Album von Elvis Costello erscheint, weiß man nie, was man zu erwarten hat. Wird es ein typisches Popalbum? Widmet er sich seiner großen Liebe, dem Jazz? Oder experimentiert er mit Kollegen aus dem Klassikbereich? Costello, der am 25. August 1954 in London zur Welt kam, gilt als einer der vielseitigsten Musiker der Welt. Das Chamäleon – Der britische Musiker Elvis Costello. Eine Sendung von und mit Christiane Rebmann. 1. -
And Acquaintances Recall Their Dealings with The
REASONS TO BE CHEERFUL: THE LIFE AND WORK OF BARNEY BUBBLES by paul gorman Book reviewed by Andy Martin 2 4 1 In 1974, forsaking the wisdom with finesse and melon twisting and acquaintances recall their early ‘impersonators’ (some of of my art college tutors in favour packaging concepts. And for me, dealings with the man, sometimes whom ‘fess up’ in the book) went of long afternoons in the library, there lies Barney Bubbles’ secret, with great poignancy, such as ex- on to define the subsequent I stumbled upon the works of namely his ability to look Stiff Records’ staffer Susan Spiro cultural period, and all of them Eduardo Paolozzi, Constructivism, backwards and forwards at the recalling Bubbles’ ability (me included) owe this man a Krazy Kat, and a strange volume same time, whilst always to see the beauty in everyday huge debt. by Charles Jenks, Adhocism – managing to arrive at The Very objects. There is ample evidence This book is a treasure trove The Case for Improvisation. Point of Now-ness. also that alongside his own for image-makers across all Within a couple of years I noticed As it progresses, the book image-making he was no slouch media, and a reminder that the a similar admix of ideas gives us epoch-defining glimpses when it came to art direction, graphic bombs Barney Bubbles appearing in the work of one of a shuddering cultural drawing on the talents of some dropped are still reverberating. man, but due to his reluctance landscape, clouds of patchouli of the most forward thinking In the words of the late great to credit his artworks, time would oil fade and a new world forms, photographers of the era, Brian Ian Dury: there ain’t half been have to pass before the author’s accompanied by the distinct whiff Griffin and Chris Gabrin amongst some clever bastards.