Dr. Martin P. Regan LAAH 233, MS4240, Texas A&M University, College Station, TX 77843-4240 tel: (979) 458-0939 e-mail: [email protected]
Education
2002-2006 University of Hawai‘i, Manoa. Honolulu, Hawai‘i, Ph.D. in Music 2000-2002 Tokyo College of Music. Tokyo, Japan, Research Student 1999-2000 University of California, Riverside. Riverside, CA, Composition studies 1990-1995 Oberlin College. Oberlin, Ohio B.M. in Composition, B.A. in English and East Asian Studies
Academic Positions
2007-present Texas A&M University Department of Performance Studies Associate Professor of Music / Associate Head, Department of Performance Studies 2002-2005 University of Hawai‘i, Manoa Department of Music Co-instructor 2003, 2004 Hawai‘i Tokai International College Adjunct Faculty
Publications
• Summer Dances. Mother Earth Publishing: Tokyo, Japan. 2016. R00010 • Flowers, Birds, Wind, Moon. Mother Earth Publishing: Tokyo, Japan. 2016. R0009 • fastpass! (2007) for shamisen and ko-tsuzumi. Mother Earth Publishing: Tokyo, Japan. 2012. R0001-1 • Song-Poem of the Eastern Clouds (2001) for shakuhachi and 21-string koto. Mother Earth Publishing: Tokyo, Japan, 2012. No. R0002-1 • Evanescent Yearning (2008) for shamisen and koto. Mother Earth Publishing: Tokyo, Japan, 2012. No. R0003-1 • Light of the Rainbow (2003) for shamisen and 17-string koto. Mother Earth Publishing: Tokyo, Japan, 2012. R0004-1 • Maqam (2005) for solo shamisen. Mother Earth Publishing: Tokyo, Japan, 2012. No. R0005-1 • Shadows of the Moon (2008) for shakuhachi and shamisen. Mother Earth Publishing: Tokyo, Japan. 2012. R0006-1 • Voyage (2008) for string quartet and shakuhachi. Mother Earth Publishing: Tokyo, Japan, 2012. No. R000-7 • dragoneyes (2004) for shakuhachi, shamisen, and 21-string koto. Mother Earth Publishing: Tokyo, Japan, 2012. R0008-1 • English translation of Composing for Japanese Instruments (Miki, Minoru. Nihongakkihō. 3rd ed. [Tokyo: Ongakunotomosha, 1998]) published by the University of Rochester Press (September 2008)
Courses Taught
• MUSC204 (Music Theory I): Structural principles of diatonic harmony and voice leading, phrase and period structure, rhythmic structure and aural and written analysis and composition of small instrumental and vocal musical forms found in common practice period and recent popular musics • MUSC205 (Music Theory II): Continuation of structural principles of tonal harmony and voice leading, including chromaticism and modulation; composition and analysis of larger musical forms, including binary, rounded binary, ternary, rondo, theme and variations and sonata form • MUSC206 (Contemporary Music): Continuation of structural principles of tonal harmony and voice leading, including late nineteenth-century extended chromaticism; introduction through analysis and composition to twentieth-century musical practice, including impressionism, pandiatonicism, atonality and serialism, aleatory, minimalism and electronic music • MUSC207 (Form and Analysis): Focus on analysis of common practice period and twentieth-century small and large forms; substantial listening analysis and reading assignments will support the development of an advanced understanding of methods of analysis of important works