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M. Regan CV (Most Current)

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M. Regan CV (Most Current) Dr. Martin P. Regan LAAH 233, MS4240, Texas A&M University, College Station, TX 77843-4240 tel: (979) 458-0939 e-mail: [email protected] Education 2002-2006 University of Hawai‘i, Manoa. Honolulu, Hawai‘i, Ph.D. in Music 2000-2002 Tokyo College of Music. Tokyo, Japan, Research Student 1999-2000 University of California, Riverside. Riverside, CA, Composition studies 1990-1995 Oberlin College. Oberlin, Ohio B.M. in Composition, B.A. in English and East Asian Studies Academic Positions 2007-present Texas A&M University Department of Performance Studies Associate Professor of Music / Associate Head, Department of Performance Studies 2002-2005 University of Hawai‘i, Manoa Department of Music Co-instructor 2003, 2004 Hawai‘i Tokai International College Adjunct Faculty Publications • Summer Dances. Mother Earth Publishing: Tokyo, Japan. 2016. R00010 • Flowers, Birds, Wind, Moon. Mother Earth Publishing: Tokyo, Japan. 2016. R0009 • fastpass! (2007) for shamisen and ko-tsuzumi. Mother Earth Publishing: Tokyo, Japan. 2012. R0001-1 • Song-Poem of the Eastern Clouds (2001) for shakuhachi and 21-string koto. Mother Earth Publishing: Tokyo, Japan, 2012. No. R0002-1 • Evanescent Yearning (2008) for shamisen and koto. Mother Earth Publishing: Tokyo, Japan, 2012. No. R0003-1 • Light of the Rainbow (2003) for shamisen and 17-string koto. Mother Earth Publishing: Tokyo, Japan, 2012. R0004-1 • Maqam (2005) for solo shamisen. Mother Earth Publishing: Tokyo, Japan, 2012. No. R0005-1 • Shadows of the Moon (2008) for shakuhachi and shamisen. Mother Earth Publishing: Tokyo, Japan. 2012. R0006-1 • Voyage (2008) for string quartet and shakuhachi. Mother Earth Publishing: Tokyo, Japan, 2012. No. R000-7 • dragoneyes (2004) for shakuhachi, shamisen, and 21-string koto. Mother Earth Publishing: Tokyo, Japan, 2012. R0008-1 • English translation of Composing for Japanese Instruments (Miki, Minoru. Nihongakkihō. 3rd ed. [Tokyo: Ongakunotomosha, 1998]) published by the University of Rochester Press (September 2008) Courses Taught • MUSC204 (Music Theory I): Structural principles of diatonic harmony and voice leading, phrase and period structure, rhythmic structure and aural and written analysis and composition of small instrumental and vocal musical forms found in common practice period and recent popular musics • MUSC205 (Music Theory II): Continuation of structural principles of tonal harmony and voice leading, including chromaticism and modulation; composition and analysis of larger musical forms, including binary, rounded binary, ternary, rondo, theme and variations and sonata form • MUSC206 (Contemporary Music): Continuation of structural principles of tonal harmony and voice leading, including late nineteenth-century extended chromaticism; introduction through analysis and composition to twentieth-century musical practice, including impressionism, pandiatonicism, atonality and serialism, aleatory, minimalism and electronic music • MUSC207 (Form and Analysis): Focus on analysis of common practice period and twentieth-century small and large forms; substantial listening analysis and reading assignments will support the development of an advanced understanding of methods of analysis of important works !1 • MUSC/THAR328 (Japanese Traditional Performing Arts): Study of various genres of Japanese performing arts from the 7th century to the present; understanding these genres in their historical and cultural contexts and recognizing shared aesthetic values Selected Scholarships, Grants, Awards, and Prizes Clare Hall Visiting Research Fellow, Cambridge University (2015-2016), Helene Wurlitzer Foundation Artist Residency (2015), Program to Enhance Scholarly and Creative Activities (TAMU, 2013/2010/2008), College of Liberal Arts International Travel Grant (TAMU, 2012-2013), Academy for the Visual and Performing Arts Faculty Enrichment Program (TAMU, 2013/2011/2009/2008), Crawley Family Faculty Fellow in Music (2010-2012), Japan Foundation Performing Arts Japan (2009–2010), CLLA Research Enhancement Grant (TAMU, 2009), Glasscock Stipendiary Faculty Fellow (TAMU, 2009–2010), IRTAG (TAMU, 2008), Glassock Center Notable Lecture Grant (TAMU, 2008), Big XII Faculty Fellowship (TAMU, 2007), College of Liberal Arts International Travel Grant (TAMU, 2007-2008), Crown Prince Akihito Award (2005-2007), Japan Foundation Doctoral Fellowship (2005-2006) Selected Commissions and Performances • Pule Ho’omaika’i.Performed at the 2017 Shakuhachi Festival of the Pacific, Orvis Auditorium (Honolulu, HI), December 18, 2017 • Frolicking with the Birds. Performed at the Japan Society (New York, NY), November 8, 2017 • Cherry Blossoms and the Girl. Performed at the Modern Japanese Song Association, 12th Annual “Together with Japanese Instruments” concert series, Sumida Triphony Hall (Tokyo, Japan), October 29, 2017 • Frolicking with the Birds. Performed at the John F. Kennedy Center (Washington, DC), April 1, 2017 • Shamisen Concerto No. 1: “Polaris” Performed at the National Opera Center (New York, NY), January 8, 2017 • Playing in the Moon. Performed at Sumida Triphony Hall (Tokyo, Japan), November 10, 2016 • Three Incantations. Performed at Kioi Small Hall (Tokyo, Japan), July 23, 2016 • Alleluia. Lee Hall, Wolfson College, University of Cambridge (Cambridge, UK), June 12, 2016 • Send off at Yellow Crane Tower. Performed at Densho Hall, Shibuya Cultural Center Owada (Tokyo, Japan), June 9, 2016 • Silent Cry of a Heron. Performed at the Carl Nielson Museum (Odense, Denmark), May 22, 2016 • shadowspot. Performed at Auditorio Dai Hall, Centro Cutural Peruano Japonés (Lima, Peru), May 25, 2016 • Sonnet 60: Like as the waves make towards the pebbled shore... Performed at Lee Hall, Wolfson College, Cambridge (Cambridge, UK), March 13, 2016 • Shadows of the Moon. Performed at Asia Society Texas Center, February 26, 2016 • Flowers Dance / Frolicking with the Birds. Performed at Rubin Museum of Art, February 24th, 2016. • Frolicking with the Birds and Silence of the Moon. Performed at The National Opera Center, October 15, 2015 • Silence. Commissioned and performed by Aperio at the Asia Society Texas Center, May 14, 2015 • Splash of Indigo. Performed at The Wortham Center, April 10, 2015 • Splash of Indigo. Commissioned and performed by the Apollo Chamber Players at Christ the King Lutheran Church, January 11 and 13, 2015 • 21-String Koto Concerto No. 1: “Spirit of the Mountains.” Performed at Ohga Hall, Karuizawa, Japan, November 1, 2014 • The Memory Stone. Commissioned by the Houston Grand Opera and performed at the Asia Society Texas Center, April 9-11, 2013 • Frolicking with the Birds and fastpass! Performed at Tenri Cultural Institute, NY, October 14, 2012 • Composition recital Forest Whispers... The Music of Marty Regan presented at the 2012 World Shakuhachi Festival in Kyoto, June 1, 2012 • Voyage. Performed at the Kennedy Center, Washington D.C., April 21, 2012 !2 • Maqam. Performed at the Brooklyn-Queens Conservatory of Music and Tenri Cultural Institute, NY, October 14 and 15, 2011 • Scattering Light, Scattering Flowers. Performed at the Nihon Kakyoku (Modern Japanese song) Association annual concert at Kioi Hall, Tokyo, August 30, 2011 • Forest Whispers... Performed at the CMS International Conference at Ewha Women’s University, Seoul, on July 5, 2011 • Voyage. Performed at the “Masterpieces for Traditional Japanese Instruments” at Osaka Philharmonic Hall, July 18, 2010 • waterfall. Commissioned by the Hokuto International Music Festival, premiered, August 7, 2010 • In the Night Sky. Commissioned by AURA-J, premiered, July 1, 2010 • 21-String Koto Concerto No. 2: “Love” Commissioned by AURA-J, premiered, October 14, 2009 • Portraits of Old Istanbul. Commissioned by the Hokuto International Music Festival, premiered on August 9, 2009 • Shakuhachi Concerto No. 1. Commissioned by the Hokuto International Music Festival, premiered on August 23, 2008. • Voyage. Commissioned by the World Shakuhachi Festival 2008, premiered in Sydney, Australia on July 6, 2008 • The Path of Philosophy. Commissioned by Duo Sōkyō, premiered on February 7, 2008 • flamefox. Commissioned by the Shakuhachi Summer Camp of the Rockies, premiered on June 25, 2007 • In Remembrance... Commissioned by the Hawai‘i State Music Educator’s Association, premiered on November 10, 2006 Commercial Recordings • The Music of Marty Regan, Vol. 1: Splash of Indigo. Navona Records NV 6064, 2016. • Flowers, Birds, Wind, Moon. Performed by Duo YUMENO, 2015. • Shamisen Works by Marty Regan: Performed by Tetsuya Nozawa. Kokoro Records KKR 006, 2014. • Marty Regan’s Selected Works for Japanese Instruments, Vol. 3: Scattering Light, Scattering Flowers. Navona Records NV 5933, 2013. • Works for Shakuhachi by Marty Regan: Voyage / Performed by Shōzan Tanabe, Bamboo Records BCD-082, 2013. • Marty Regan’s Selected Works for Japanese Instruments, Vol. 2: Magic Mirror. Navona Records NV 5876, 2012. • 21-String Koto Concerto No. 2: “Love” on: Matsumura, Erina and Momogumi: Love. Tokyo CMC Entertainment CMCA1-2011, 2011. • fastpass! (shamisen and ko-tsuzumi) on: Fine Music Vol. 1. Navona Records NV 5841, 2011 • Taketori Monogatari (Tale of the Bamboo Cutter) and Kaien (‘Encounter’) on: Taketori Monogatari: The Tale of the Bamboo Cutter, a musical rendition of the Japanese folktale composed by Marty Regan. Discovery Firm INDIE CD, 2011. • In the Night Sky (shakuhachi, 21-string koto, and percussion) on: Fujikawa, Izumi: Izumi Fujikawa World Premieres of Koto Works: Vol.1. Ring Records RICD0001, 2011. • Marty Regan’s Selected Works for Japanese
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