Texts of the Temporary Exhibition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
La Banca I La Societat a La Corona D'a~Agó, a Finals De
MANUEL RIU LA BANCA I LA SOCIETAT A LA CORONA D'A~AGÓ,A FINALS DE L'EDAT MITJANA 1 COMENCAMENTS DE LA MODERNA Els canviadors i els banquers foren els motor5 de I'economia dineriria a la Baixa Edat Mirjana. Perb els estudiosos de I'economia baix medieval, particularment a Espanya, no els han prestar gaire atenció. En moltes obres, fins i tot recents, dedicades a estudiar aspectes ecoobmics d'aquella epoca, a penes si en fan esment. 1 sense un coneixement dels morors, factors essencials dels moviments econbmics, no podem amb certesa coneixet els pols d'aquests moviments. El probjma, bé que general, esdevé m& greu quan es rtacta d'investigar I'Economia i la Societar dds Estar. Hispinics de l'antiga Corona d'Acago Catalunya, Acagó, Valencia i Mallo:ca. Fins a rextrem que l'obrad'un peoner, Abbot Payson Usher,'conti- nua essent no solSel punt de partida obligat per a l'esrudi de la Banca a Catalunya sinó el suport m& directede la bibliografia posterior que, en bona part, s'ha limitar a recollir-ne les rrobdes quan les ha conegudes. D'aquesta manera, una invesrigació realinada a Barcelona el 1929, que comensi a ésser coneguda d'engi de 1931 i fou plenamenr exposada el 1943, I'any 1991 continua essent fonamental per a i'estudi de la banca per aixb ha estat reeditada el 1967 i el 1970. " La primera redacció d'aquest treball, amb el tícol: Banking and Society in Late Medieval and Early Modern Aragon. fou una ponencia presentada al col.loqui inceinacional «The Dawn of Modern Bankingn, organitzar pel Center far Medieval and Renaissance Studies de la Universitar de Califbrnia, a los Angeles, el setembre de 1977. -
THE CONTENTS of a CATALONIAN VILLA the Collection of Anton Casamor Wednesday 11 April 2018
THE CONTENTS OF A CATALONIAN VILLA The Collection of Anton Casamor Wednesday 11 April 2018 THE CONTENTS OF A CATALONIAN VILLA The Collection of Anton Casamor Wednesday 11 April 2018 at 2pm New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Sunday 8 April +44 (0) 20 7447 7447 Head of Sale LOTS IN THIS AUCTION 11am to 3pm +44 (0) 20 7447 7401 fax Charlie Thomas Monday 9 April To bid via the internet +44 (0) 20 7468 8358 PLEASE NOTE THAT THERE 9am to 4.30pm please visit bonhams.com [email protected] IS NO REFERENCE IN THIS Tuesday 10 April CATALOGUE TO THE PHYSICAL 9am to 4.30pm TELEPHONE BIDDING Administrator CONDITION OF ANY LOT. Wednesday 11 April Telephone bidding on this sale Mackenzie Constantinou INTENDING BIDDERS MUST 9am to 11am will only be accepted on lots +44 (0) 20 7468 5895 SATISFY THEMSELVES AS TO with a lower estimate of £1,000 mackenzie.constantinou@bonhams. THE CONDITION OF ANY LOT SALE NUMBER or above. com AS SPECIFIED IN CLAUSE 14 24740 OF THE NOTICE TO BIDDERS Please note that bids should Representative, Barcelona CONTAINED AT THE END OF CATALOGUE be submitted no later than 4pm Teresa Ybarra THIS CATALOGUE. £20.00 on the day prior to the sale. +34 680 347 606 New bidders must also provide [email protected] As a courtesy to intending proof of identity when submitting bidders, Bonhams will provide bids. Failure to do this may result Press a written Indication of the in your bid not being processed. -
IMA VOL4 Prelims.Indd
VIVIAN B. MANN Jewish Theological Seminary OBSERVATIONS ON THE BIBLICAL MINIATURES IN SPANISH HAGGADOT Abstract the seder itself. Illuminated borders and word pan- This essay discusses the last two centuries of medieval Spanish art, els completed the program of illumination. and demonstrates that cooperative relations existed between Christians In all, there remain some seven haggadot from and Jews who worked either independently or together to create art Spain produced from ca. 1300 to ca. 1360 in the both for the Church and the Jewish community. Artists of different Crown of Aragon and Castile in which biblical faiths worked together in ateliers such as that headed by Ferrer Bassa miniatures precede the text of the haggadah. In an (d. 1348), producing both retablos (altarpieces) as well as Latin additional example, the Barcelona Haggadah (British and Hebrew manuscripts. Library, Add. 14761), the biblical scenes serve as The work of such mixed ateliers is of great signicance when text illustrations.3 The number and contents of these considering the genesis ca. 1300 of illuminated with haggadot illustrations are not uniform. The Hispano-Moresque prefatory biblical cycles and genre scenes that were produced in Spain until ca. 1360. These service books for Passover have Haggadah (British Library, Or. 2737), the Rylands always been viewed as a unique phenomenon within the Jewish art (Rylands Library, JRL Heb. 6), and its related of Spain, their origins inexplicable. When the biblical scenes, brother manuscript (British Library, Or. 1404) however, are viewed in the context of contemporaneous Spanish art adhere most closely to the text of the haggadah for the Church, their sources become more transparent. -
Jews and Altarpieces in Medieval Spain
jews and altarpieces in medieval spain 76 JEWS AND 77 ALTARPIECES IN MEDIEVAL SPAIN — Vivian B. Mann INTRODUCTION t first glance, the title of this essay may seem to be an oxymoron, but the reali- ties of Jewish life under Christian rule in late medieval Spain were subtle and complicated, even allowing Jews a role in the production of church art. This essay focuses on art as a means of illuminating relationships between Chris- tians and Jews in the fourteenth and fifteenth centuries. Historians continue to discuss whether the convivencia that characterized the earlier Islamic rule on the Iberian Peninsula continued after the Christian Reconquest, the massacres following the Black Death in 1348 and, especially, after the persecutions of 1391 that initiated a traumatic pe- riod lasting until 1416. One view is that the later centuries of Jewish life on the Peninsula were largely a period of decline that culminated in the Expulsion from Spain in 1492 and the Expulsion from Portugal four years later. As David Nirenberg has written, “Violence was a central and systematic aspect of the coexistence of the majority and minorities of medieval Spain.”1 Other, recent literature emphasizes the continuities in Jewish life before and after the period 1391–1416 that witnessed the death of approximately one-third of the Jewish population and the conversion of another third to one half.2 As Mark Meyerson has noted, in Valencia and the Crown of Aragon, the horrific events of 1391 were sudden and unexpected; only in Castile can they be seen as the product of prolonged anti-Jewish activity.3 Still the 1391 pogroms were preceded by attacks on Jews during Holy Week, for example those of 1331 in Girona.4 Nearly twenty years ago Thomas Glick definedconvivencia as “coexistence, but.. -
Social Structure of Catalonia
THE SOCIAL STRUCTURE OF CATALONIA By SALVADOR GINER 1984 THE ANGLO-CATALAN SOCIETY THE ANGLO-CATALAN SOCIETY OCCASIONAL PUBLICATIONS No 1. Salvador Giner. The Social Structure of Catalonia. No 2. J Salvat-Papasseit. Selected Poems. Translated with an Introduction by D. Keown and T. Owen. © Salvador Giner, 1980. Printed by The University of Sheffield Printing Unit. Cover design by Joan Gili. ISSN No. 0144-5863 ISBN No. 09507137 08 IN MEMORIAM JOSEP MARIA BATISTA I ROCA (1895-1978) Dr. J. M. Batista i Roca, founder member of the Anglo-Catalan Society and its first Honorary Life President, always hoped that the Society would at some stage be able to publish some of the work of its members and guest speakers. Unfortunately this was never possible during his lifetime, but now that the Society, with the help of a grant from Omnium Cultural, is undertaking the publication of Occasional Papers it seems appropriate that this Series as a whole should be dedicated to the fond memory which the Society holds of him. CONTENTS Foreword 1 I. The historical roots of an open society. 4 II. Social classes and the rise of Catalan industrial capitalism. 15 III. A broken progress. 28 IV. The structure and change of Catalan society, 1939-1980. 38 V. The reconquest of democracy. 54 VI. The future of the Catalans. 65 Appendices. Maps. 75 A Select Bibliography. 77 FOREWORD A la memòria de Josep Maria Sariola i Bosch, català com cal The following essay is based on a lecture given at a meeting of the Anglo- Catalan Society in November 1979* Members of the Society's Committee kindly suggested that I write up the ideas presented at that meeting so that they could be published under its auspices in a series of Occasional Papers then being planned. -
Studies on the Structure of Gothic Cathedrals
Historical Constructions, P.B. Lourenço, P. Roca (Eds.), Guimarães, 2001 71 Studies on the structure of Gothic Cathedrals Pere Roca Universitat Politècnica de Catalunya, Department of Construction Engineering, Barcelona, Spain ABSTRACT: The study of three Gothic Cathedrals is presented with a discussion on the results obtained with regard to their structural features and present condition. The paper focuses on the significant difficulties that the analysts may encounter in the attempt of evaluating historical structures. These difficulties stem from the importance of historical facts (historical genesis, construction process, and possible natural or anthropic actions affecting the construction throughout its life time) and the need to integrate them in the analysis. The case studies of Tarazona, Barcelona and Mallorca Cathedrals are presented. Particular attention is given to Mallorca Cathedral because of the uniqueness and audacity of its structural design and because of the challenges that the analyst must face to conclude about its actual condition and long-tem stability. 1 CONSIDERATIONS ON THE ANALYSIS OF ANCIENT CONSTRUCTIONS One of the main elements of the European architectural heritage is found in the significant number of Gothic churches and cathedrals built during the last period of the Middle Age. Preserving these constructions requires a certain understanding of their structural features and stability condition; this, in turn, requires a certain knowledge of their material, construction and resisting nature. However, the attempt to understand a complex ancient construction, such as a Gothic cathedral, based on modern techniques and concepts, encounters important difficulties stemming from both practical and theoretical causes. Among the difficulties of practical character is the virtual impossibility of obtaining a detailed knowledge of the properties of the materials, construction details and internal composition. -
Noticies Sobre Activitat Mercantil I Mercaders De La Ciutat De Tarragona Entre 1575 I 1610
NOTICIES SOBRE ACTIVITAT MERCANTIL I MERCADERS DE LA CIUTAT DE TARRAGONA ENTRE 1575 I 1610 LES FONTS Tota la documentació que hem consultat pertany al Fons Municipal de Tarragona i a l'Arxiu de Protocols notarials de Tarragona, dipositats a XArxiu Historie de Tarragona. C^om sigui que la procedencia de la documentació consul- tada és tínica, obviarem de mencionar-la a les cites documentals c]ue fem en el decurs del treball. El "Llibre de la credenceria de la lleuda, 1578-1580" és la font que dóna més informació sobre el comerç marítim tarragoní de finals del segle XVI. La lleuda era un aranzel que gravava els productes que entraven, transitaven i sortien a la ciutat i C-amp de Tarragona . Al Llibre de la credenceria, de caràcter fiscal, se assentaran tots los despatxos se faran del dret de la lleuda, lo qual dret vindrà en mà y poder de m" Francesc Freixa, Hender Vany present, portat per mi Jaume Fontanilles, comensant el primer de maig de 1578, com consta a la primera pàgina. Els despatxos anotats pel crcdcncer Fontanilles es limiten a productes embarcats i desembarcats als ports i platges de Earragona, Salou i Tamarit . Donada la finalitat fiscal del Llibre de la credenceria, no és estrany que el credencer fos primmirat a detallar la classe i quantitats de la mercaderia subjecte a la lleuda, i descurat a consignar dades sobre patrons, mercaders i consignataris; o sobre la tipologia dels vaixells, -per exemple, confonia barques amb llondros o sageties- la seva procedència i destinació. En canvi té més cura a consignar el lloc d'origen dels traginers que transportaven la mercaderia desembarcada fins al lloc de consum. -
A History of Merchant, Central and Investment Banking Learning
Chapter 2: A History of Merchant, Central and Investment Banking Learning Objectives: To apply the history and evolution of money and banking to comprehension of existing systems To diagnose and calculate seniorage and debasement To recount how conditions drawn from history led to today's instruments and institutions To examine how economic problems lead to banking and capital market innovations To describe how money and banking integrated into the many economies over thousands of years To summarize the many artistic, literary, technological and scientific achievements that were funded or otherwise facilitated by banking To recognize the problems associated with usury in religious, social and economic contexts To express how academic, exploration, technological, trading, religious and other cultural developments contributed to the practice of banking A. Early History of Money In Chapter 1, we briefly discussed the economic roles of a number of types of financial institutions along with their origins. In this chapter, we discuss in greater detail the history of money and banking, beginning with the early history of money and extending through the advent of modern banking in the early 20th century. In later chapters, we will discuss the repeated occurrence and consequences of banking crises and development of banking regulation from a historical perspective. Commodity and Representative Money The earliest forms of money tended to have alternative intrinsic value as commodities. For example, grain-money has been used since the dawn of agriculture. Neolithic peoples in what is now China are believed to have used cowrie (sea snail) shells as money perhaps as long ago as 4,500 years. -
News 7 Tesoros Materiales-Angles
7 TREASURES OF THE CULTURAL HERITAGE OF THE STATE OF COLIMA MEXICO July 2013 The International Bureau of Cultural Capitals Ronda Universitat, 7 E-08007 Barcelona ℡ +34-934123294 [email protected] www.ibocc.org WORLD HERITAGE CULTURAL TREASURES The International Bureau of Cultural Capitals has developed a spe- cial project that establishes a list of the most representative local cul- tural “treasures” to be considered as “World Heritage Cultural Treasures." The purpose of this endeavor is to select, promote and communica- te the cultural heritage of a given territory, in order to promote local culture and tourism in an innovating way. This initiative also aims at establishing new touristic routes that engage visitors in learning about the rich cultural heritage of a place with an entertaining educational focus, while promoting local participation. A "territory" is defined as a place where political, geographical, administrative and/or historical coherence coexist. Therefore, for this purpose, cities, regions, provinces, states, nations, etc. are conside- red territories. Campaigns to gather the list of potential “World Heritage Cultural Treasures" developed by the International Bureau of Cultural Capitals have driven strong local participation, as well as national and inter- national media impact. Any “territory” should contact the International Bureau of Cultural Capitals via email in order to partici- pate in the “World Heritage Cultural Treasure" initiative. In order to select the cultural treasures of a territory, a three-fold campaign takes place. First, local citizens have the opportunity to submit a particular “treasure” as contender to the local World Heritage Cultural Treasure list. During the second phase, all potential treasures undergo a selection through a local voting system. -
La Institucion Bancaria En Barcelona (Siglos Xv-Xvii)
LA INSTITUCION BANCARIA EN BARCELONA (SIGLOS XV-XVII) Valentín Vázquez de Prada Universidad de hTavarra 1. Diferencias entre el sistema bancario catalán y castellano A diferencia de Castilla, en la Corona de Aragón 10s bancos privados coexisten con 10s públicos o municipales.' . La Taula de Canvi de Barcelona, aunque sea un modelo en su genero, no es, como habían proclamado 10s historiadores romántieos del siglo pasado, "el coronamiento de un progreso en 10s métodos financieros catalanes", sino según el pa- recer de su mis conspicuo investigador, una institución que nace, ante todo, como garantia contra el crecimiento constante de las cargas municipales y ante la inestabilidad de las ban- cas privadas2. El hecho de que la Taula en 1401 y Banc en 1609 hayan sido creados para hacer frente a una crisis determinada y no por necesidad de crecimiento de 10s negocios, prueba que Barcelona en ningun momento, salvo en el siglo XIV, desempeñó un gran pa- pel bancario. Pero la existencia de tales instituciones representa un signo de inteligente adaptación a las necesidades del rnomento3. El proyecto de creación de un banco públic0 partió de personas que no eran miembros del Consell de Cent, que pensaron que si la ciu- dad dispusiera un Banco de depósito seria posible colocar en 6110s fondos o ingresos de la ciudad, y, además, dinero de muchas personas que preferirian guardarlas en el Banco que tenerlas, con riesgo en sus casas. Con tales fondos, podria, entre otras cosas, redimirse la deuda de la Ciudadb. La Taula de Canvi i de Comuns Diposits abrió sus puertas el 19 de Enero de 1401. -
Aesthetic Attitudes in Gothic Art: Thoughts on Girona Cathedral Actitudes Estéticas En El Arte Gótico Pensamientos Sobre La
[Recepción del artículo: 16/06/2019] [Aceptación del artículo revisado: 27/07/2019] AESTHETIC ATTITUDES IN GOTHIC ART: THOUGHTS ON GIRONA CATHEDRAL ACTITUDES ESTÉTICAS EN EL ARTE GÓTICO: PENSAMIENTOS SOBRE LA CATEDRAL DE GERONA PAUL BINSKI Cambridge University [email protected] ABSTRACT The aim of this paper is to explore aspects of medieval aesthetic experience and criticism of architecture by means of the documented Catalan and Latin expertise held at Girona Cathedral in 1416-17. Medieval documentation of this type is relatively rare. Having outlined the cases made by the architects summoned to give their opinions on the development of the cathedral, the discussion considers three particular junctures. The first is that of illumination and affect, particularly jucunditas and laetitia; the second is that of nobility and magnificence; and the third is the juncture of the palace and church. I suggest that there is significant common ground between secular and religious buildings in regard to aesthetic experience and verbal articulation. Arguing against comprehensive aesthetic and theological orders of thought and experience, and in favour of the occasional character of medieval experience (that is, the sense in which experience should be understood within a particular set of circumstances, appropriately), I conclude that much of the known language of this sort sits ill with Romantic and post-Romantic concepts of the Sublime. KEYWORDS: Girona cathedral, Gothic, expertise, affects, nobility, magnificence, Sublime RESUMEN El objetivo de este trabajo es explorar aspectos de la experiencia estética medieval y la crítica de la arquitectura a través de las visuras redactadas en catalán y en latín, que tuvieron lugar en la Catedral de Girona en 1416-1417. -
Master Thesis Cami De Sant Jaume
Master Thesis Business writing in academic institution. Cami de Sant Jaume: From Port de la Selva till Montserrat Proposition Model of development of touristic destination. Presented By: Polina Balakina Tutor: Carmen Velez Casellas Universitat de Girona, Spain Faculty of Tourism Prologue. Adventure of travelling is new knowledge, feelings, emotions and acquaintances; frightening, challenging and amazing experience. History of tourism industry as we know it today started with the first one-day package tour created by Thomas Cook in 1841. It has developed tremendously since then and is recognized by UNWTO (2016) to be the third export category after fuels and chemicals worldwide. But, with development of mass tourism, the sense of travel as a challenging and refreshing experience vanished. Great masses of tourists spend vacations in crowded spots and do similar activities. Such concentrations of visitors in certain places and time periods cause damage to local communities, environment and tourist´s perception of vacation. Current tendency in contemporary tourism in Europe, particularly Spain and especially Catalonia is sustainable development of touristic destinations, which means the use of resources for economic development in such a way that they are not damaged, but conserved and restored for future generations. This tendency involves development of sustainable touristic products that diffuse tourism demand and supply equally in terms of geography and seasonality. My Master Thesis is dedicated to a particular type of touristic activity that fits perfectly the criteria described above - route-based trekking. It is gradually becoming popular with travellers. It consists of walking from one place to another on a pre-arranged route for a prolonged period of time.