Annual March 27 – April 7, 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Annual Report Thursday, May 16, 2019
Annual Report Thursday, May 16, 2019 Table of Contents Opening Prayer ....................................................................................................................4 Agenda .................................................................................................................................4 Senior Rabbi’s Report .........................................................................................................5 President’s Report ............................................................................................................ 11 Treasurer’s Report and Budget ....................................................................................... 14 BHS New Heights Capital Campaign............................................................................... 17 Nominating Committee .................................................................................................... 18 General Donations ........................................................................................................... 19 Tribute Gifts ...................................................................................................................... 24 High Holy Days Schedule ................................................................................................. 28 Executive Director’s Report ............................................................................................. 29 Membership Commitments 2019-20 ............................................................................ -
Pandemic Passover 2.0 Answer to This Question
Food for homeless – page 2 Challah for survivors – page 3 Mikvah Shoshana never closed – page 8 Moving Rabbis – page 10 March 17, 2021 / Nisan 4, 5781 Volume 56, Issue 7 See Marking one year Passover of pandemic life Events March 16, 2020, marks the day that our schools and buildings closed last year, and our lives were and drastically changed by the reality of COVID-19 reaching Oregon. As Resources the soundtrack of the musical “Rent” put it: ~ pages Congregation Beth Israel clergy meet via Zoom using “525,600 minutes, how 6-7 CBI Passover Zoom backgrounds, a collection of which do you measure a year?” can be downloaded at bethisrael-pdx.org/passover. Living according to the Jewish calendar provides us with one Pandemic Passover 2.0 answer to this question. BY DEBORAH MOON who live far away. We measure our year by Passover will be the first major Congregation Shaarie Torah Exec- completing the full cycle Jewish holiday that will be celebrated utive Director Jemi Kostiner Mansfield of holidays and Jewish for the second time under pandemic noticed the same advantage: “Families rituals. Time and our restrictions. and friends from out of town can come need for our community Since Pesach is traditionally home- together on a virtual platform, people and these rituals haven’t stopped in this year, even based, it is perhaps the easiest Jewish who normally wouldn’t be around the though so many of our usual ways of marking these holiday to adapt to our new landscape. seder table.” holy moments have been interrupted. -
The Transgender-Industrial Complex
The Transgender-Industrial Complex THE TRANSGENDER– INDUSTRIAL COMPLEX Scott Howard Antelope Hill Publishing Copyright © 2020 Scott Howard First printing 2020. All rights reserved. No part of this publication may be copied, besides select portions for quotation, without the consent of its author. Cover art by sswifty Edited by Margaret Bauer The author can be contacted at [email protected] Twitter: @HottScottHoward The publisher can be contacted at Antelopehillpublishing.com Paperback ISBN: 978-1-953730-41-1 ebook ISBN: 978-1-953730-42-8 “It’s the rush that the cockroaches get at the end of the world.” -Every Time I Die, “Ebolarama” Contents Introduction 1. All My Friends Are Going Trans 2. The Gaslight Anthem 3. Sex (Education) as a Weapon 4. Drag Me to Hell 5. The She-Male Gaze 6. What’s Love Got to Do With It? 7. Climate of Queer 8. Transforming Our World 9. Case Studies: Ireland and South Africa 10. Networks and Frameworks 11. Boas Constrictor 12. The Emperor’s New Penis 13. TERF Wars 14. Case Study: Cruel Britannia 15. Men Are From Mars, Women Have a Penis 16. Transgender, Inc. 17. Gross Domestic Products 18. Trans America: World Police 19. 50 Shades of Gay, Starring the United Nations Conclusion Appendix A Appendix B Appendix C Introduction “Men who get their periods are men. Men who get pregnant and give birth are men.” The official American Civil Liberties Union (ACLU) Twitter account November 19th, 2019 At this point, it is safe to say that we are through the looking glass. The volume at which all things “trans” -
College Council & Attachments
COLLEGE COUNCIL AGENDA & ATTACHMENTS MARCH 11, 2015 1 JOHN JAY COLLEGE OF CRIMINAL JUSTICE The City University of New York The College Council March 11, 2015 1:40 p.m. – 2:40 p.m. 9.64NB I. Adoption of the Agenda II. Minutes of the February 11, 2015 College Council (attachment A), Pg. 2 III. Proposals from the Undergraduate Curriculum and Academic Standards Committee (attachments B1-B2) – Associate Provost and Dean of Undergraduate Studies, Scott Stoddart New Courses B1. AFR 2XX (204) Religion, Terrorism and Violence in the Africana World (LP), Pg. 5 B2. SOC 2XX (243) Sociology of Sexualities, Pg. 18 IV. Proposal from the Interdisciplinary Studies Program (attachment C) – Professor Richard Haw C. Proposal to Form a Department of Interdisciplinary Studies, Pg. 33 V. New Business VI. Administrative Announcements – President Jeremy Travis VII. Announcements from the Faculty Senate – President Karen Kaplowitz VIII. Announcements from the Student Council – President Shereef Hassan 2 A JOHN JAY COLLEGE OF CRIMINAL JUSTICE The City University of New York MINUTES OF THE COLLEGE COUNCIL Wednesday, February 11, 2015 The College Council held its fifth meeting of the 2014-2015 academic year on Wednesday, February 11, 2015. The meeting was called to order at 1:50 p.m. and the following members were present: Barna Akkas, Schevaletta Alford, Warren Benton, Adam Berlin, Jane P. Bowers, Claudia Calirman, Anthony Carpi, James Cauthen, Katarzyna Celinska, Marsha Clowers, Angelique Corthals, Sylvia Dapia, Sandrine Dikambi, Artem Domashevskiy, Janice Dunham, -
Swedish House Mafias “Don't You Worry Child” Passerer 1 Millioner Solgte Kopier
21-11-2012 12:56 CET Swedish House Mafias “Don’t You Worry Child” passerer 1 millioner solgte kopier Den svenske stjernegruppen Swedish House Mafia kan i dag annonsere at singelen ”Don’t You Worry Child” har passert 1 millioner solgte kopier verden over på 9 uker. I Norge har singelen i skrivende stund solgt til 3x platina og over 4 millioner streams på Spotify. Denne helgen besøker avskjedsturnéen ”One Last Tour” Stockholm, hvor Swedish House Mafia spiller sine tre siste konserter på svensk jord for mer enn 105 000 fans. Billettene ble utsolgt på få timer. Fredag kveld gjester gruppen TV-programmet ”Skavlan” på NRK1. Swedish House Mafia spiller på Telenor Arena utenfor Oslo lørdag 22 desember, dette blir gruppens siste konsert noensinne i Europa. Se innebygd innhold her Live-video "Don't You Worry Child: Se video på YouTube her EMI er ett av verdens største og eldste plateselskaper. Blant våre internasjonale artister finner du The Beatles, Pink Floyd, David Bowie, Katy Perry, Robyn, Coldplay, David Guetta, Swedish House Mafia, Roxette, Kim Larsen, Tinie Tempah, Adam Tensta, Alice In Chains, LCD Soundsystem, Deadmau5, The Kooks, 30 Seconds To Mars, Jane’s Addiction, Kate Bush, Peter Gabriel, Rise To Remain, Iron Maiden m.fl. Blant våre norske artister finner du, Åge Aleksandersen, Susanne Sundfør, Marit Larsen, Henning Kvitnes, Hellbillies, Frida Amundsen, Lars Haavard Haugen, Madrugada, Dumdum Boys, Morten Abel, Halvdan Sivertsen m.fl Kontaktpersoner Matea Grøvik Pressekontakt Prosjektleder [email protected] + 47 478 65 722 Mona Olsen Pressekontakt Senior Project Manager Domestic [email protected] +47 95 82 54 20 Yordana Jakobsen Pressekontakt International Project Manager [email protected] +47 47 30 64 73. -
WATER-Presskit-06.09.2012.Pdf
World Sales - WIDE 40, rue Sainte Anne - 75002 Paris - France Tel. +33 1 53 95 04 64 Fax: +33 1 53 95 04 65 - www.widemanagement.com water pages corrigées_water 14/08/12 14:33 Page2 A FEATURE FILM BORN OUT OF A UNIQUE ISRAELI-PALESTINIAN COOPERATION THE FILM HD, 120 minutes, color, original version : Arabic, Hebrew, English Produced by the Film and Television department of the Tel Aviv University In association with Tu Vas Voir. The project WATER is a cinematic coope- WATER exemplifies cinema's ability to ration created within the Department of penetrate forbidden zones. This movie Film and Television at Tel-Aviv University. In make us, Israelis and Palestinians, rea- 2012, a small group of Israeli and Palesti- lize that we all yearn for a solution. nian filmmakers directed a feature film with total artistic freedom, exploring a strongly unifying subject: WATER. Yael Perlov Project initiator and Artistic Director Tel Aviv University WATER is a poetic and pastoral subject, but one that is also very political as well as violent in the context of the Israel-Palestine conflict. WATER belongs to two conflicting popula- tions, who seldom manage to overcome prejudice and political intimidation, but have found a platform for a unique colla- boration, in the form of this feature film. STILL WATERS - By an ancient spring near Jerusalem, an Israeli couple finds a quiet moment away from the rat race of Tel Aviv life. The cool water spring is also used by a group of Palestinians heading to their jobs in Israel. At high noon, they are forced to look each other in the eye. -
Early-Chapters-–-SIMPLY-BRILLIANT.Pdf
01 02 03 PROLOGUE: THE NEW 04 STORY OF SUCCESS 05 06 “The Possible Is Immense” 07 08 09 10 11 12 13 ho doesn’t want to be part of a great success story? 14 To run, start, or play a leadership role in a company 15 that wins big and changes the course of its industry. 16 ToW launch a brand that dazzles customers and dominates its mar- 17 ket. To be the kind of executive or entrepreneur who creates jobs, 18 generates wealth, and builds an organization bursting with energy 19 and creativity. 20 These days, in the popular imagination, the quest for success 21 has become synonymous with the spread of disruptive technolo- 22 gies and viral apps, with the rise of radical business models and 23 newfangled work arrangements. This is the stuff that fuels the 24 dreams of countless engineers and venture capitalists in Silicon 25 Valley, and inspires hard-charging innovators such as Facebook’s 26 Mark Zuckerberg and Uber’s Travis Kalanick. The “new economy,” 27 the story goes, belongs to a new generation of companies and lead- S28 ers who have little in common with what came before. N29 1 9781591847755_Simply_i-xvi_1-256_B1.indd 1 7/27/16 10:56 PM SIMPLY BRILLIANT 01 But why should the story of success be the exclusive domain of 02 a few technology-driven start-ups or a handful of young billion- 03 aires? The story of this book, its message for leaders who aim to do 04 something important and build something great, is both simple 05 and subversive: In a time of wrenching disruptions and exhilarat- 06 ing advances, of unrelenting turmoil and unlimited promise, the 07 future is open to everybody. -
Media Release
MEDIA RELEASE The peak body of the international Jewish LGBT+ community is to hold its World Congress in Sydney for the first time in March 2019, bringing a global focus to Sydney and providing a space for ideas, networking and good fun. Keynote speaker - joining a host of local and international presenters - is Australia’s newly-elected Independent Member of Parliament, DR KERRYN PHELPS. Dr Phelps (pictured below, right) and her partner celebrated the first same-sex marriage to take place at Sydney’s Emanuel Synagogue – which is hosting the Congress - after Australia’s historic YES vote in 2017. World Congress - Keshet Ga’avah, the worldwide voice of Jews of diverse sexual orientations and gender identities, will bring delegates from the United States, France, Holland, Italy, Latin America, New Zealand, Israel and around the globe. The Congress is hosted by Dayenu – Sydney’s Jewish LGBT+ group, and will take place at the Emanuel Synagogue, Woollahra from 21 to 24 March. The Congress theme “Kol Koleinu” (All Our Voices) comes from the title of the recently published World Congress book, reflecting its vision to create a space where all voices can be heard, dialogue can emerge, and insight and understanding can be nourished. The four-day conference features a host of international speakers addressing Jewish LGBT+ issues, panel discussions, a tour of the Sydney Jewish Museum, entertainment, a harbour cruise and so much more. The interface between Jewish and LGBT+ cultures is a complex one - minorities within minorities. Conference convener, Dayenu’s Kim Gotlieb said the Sydney community was thrilled to have attracted leading facilitators to present sessions on ways to get along with others with more understanding. -
The Radicals and the Renaissance Nationalistic, Class Conscious, and International-Minded Than Were 5· Can-Born Blacks."84
=":S'" ttlt:;J UI;;I;;U lllgllly lj~fieficia1 to Harlem-and to America at Essays focusing on the contributions of Caribbean Americans to Harlem the United States would not have called attention to Huiswoud's and "gifts" to the Third International. Domingo and his colleagues however, the significance of the 1922 Moscow congress in placing the ofall peoples ofAfrican descent on the international agenda. Wayne F. per has noted that "the official stance of the Comintern regarding 1922 was influenced by West Indians, who were simultaneously much The Radicals and the Renaissance nationalistic, class conscious, and international-minded than were 5· can-born blacks."84 When the first version ofDomingo's article was issued in March 1925, ofthe four veteran radicals were positioned to wage their campaign racism and colonialism on many fronts as functionaries of organizati( allied with the Workers Party, such as the ANLe. Hermie was also now tiorred to join the group. She had graduated from high school in 1924 through Huiswoud had become friendly with his close comrades and As Hermie Dumont approached her twentieth birthday in 1925 she was be to radical politics along with the gifts ofwriters and artists in Harlem. ginning to appreciate that she was in the midst of a vibrant, eclectic, creative Huiswoud went to Chicago to help launch the ANLC he asked her to community. Bold print on the cover ofthe March 1925 Survey Graphic mag for him. And she did. azine declared "Harlem-Mecca of the New Negro" and included interest ing short stories and other writings by people she had met or recognized from meetings, newspaper articles, or just walking down the street. -
Tim Minchin with West Australian Symphony Orchestra Apart / Together
WORLD PREMIERE TIM MINCHIN WITH WEST AUSTRALIAN SYMPHONY ORCHESTRA APART / TOGETHER Image: Damian Bennett Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Stay COVID-19 safe 1.5m Physical distancing Wash your hands Stay home if you are sick Register your attendance For latest health advice visit healthywa.wa.gov.au/coronavirus TIM MINCHIN WITH WEST AUSTRALIAN SYMPHONY ORCHESTRA APART / TOGETHER KAARTA KOOMBA / PERTH CBD KINGS PARK & BOTANICAL GARDEN M T W T F S S FEBRUARY 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Sat & Sun Gates open 5.30pm Tim Minchin 7pm Duration 80mins With thanks to Mellen Events and Kings Park & Botanic Garden CONTENTS CONTENTS CONTENTS WELCOME WELCOME 6 Welcome 8 Credits 10 Repertoire CREDITS BACKGROUND 12 Apart Together - The Album REPERTOIRE BIOGRAPHIES 20 Tim Minchin 22 Jessica Gethin BACKGROUND 24 West Australian Symphony Orchestra ACKNOWLEDGEMENTS 26 Perth Festival Partners BIOGRAPHIES 27 Perth Festival Donors * Just tap the interactive tabs on the left to skip to a specific section ACKNOWLEDGEMENTS CONTENTS WELCOME Image: Jess Wyld CREDITS Perth Festival 2021 is a love song to this place – its people, artists and stories. And so, it is fitting that one of our city’s favourite sons (and a dear friend of many REPERTOIRE of us in the Festival family and beyond) is back in town to perform a special version of his very personal album Apart / Together. -
Re-Mediating the Israeli-Palestinian Conflict: the Use of Films to Facilitate Dialogue." Dissertation, Georgia State University, 2007
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 5-3-2007 Re-Mediating the Israeli-Palestinian Conflict: The Use of Films ot Facilitate Dialogue Elana Shefrin Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Shefrin, Elana, "Re-Mediating the Israeli-Palestinian Conflict: The Use of Films to Facilitate Dialogue." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/14 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RE-MEDIATING THE ISRAELI-PALESTINIAN CONFLICT: THE USE OF FILMS TO FACILITATE DIALOGUE by ELANA SHEFRIN Under the Direction of M. Lane Bruner ABSTRACT With the objective of outlining a decision-making process for the selection, evaluation, and application of films for invigorating Palestinian-Israeli dialogue encounters, this project researches, collates, and weaves together the historico-political narratives of the Israeli- Palestinian conflict, the artistic worldviews of the Israeli and Palestinian national cinemas, and the procedural designs of successful Track II dialogue interventions. Using a tailored version of Lucien Goldman’s method of homologic textual analysis, three Palestinian and three Israeli popular film texts are analyzed along the dimensions of Historico-Political Contextuality, Socio- Cultural Intertextuality, and Ethno-National Textuality. Then, applying the six “best practices” criteria gleaned from thriving dialogue programs, coupled with the six “cautionary tales” criteria gleaned from flawed dialogue models, three bi-national peacebuilding film texts are homologically analyzed and contrasted with the six popular film texts. -
'Carole Zabar's Other Israel Festival,'
Dina Iordanova, ‘Carole Zabar’s Other Israel Festival,’ In: Film Festival Yearbook 6: Film Festivals and the Middle East. St Andrews: St Andrews Film Studies. 2014, 235-247. Carole Zabar’s Other Israel Film Festival Dina Iordanova First held in 2007, the Other Israel Film Festival (www.otherisrael.org) abides by a Mission Statement, according to which it uses film to foster social awareness and cultural understanding. The Festival presents dramatic and documentary films, as well as engaging panels about history, culture and identity on the topic of minority populations in Israel with a focus on Arab / Palestinian citizens of Israel. Our goal is to provide a dynamic and inclusive forum for exploitation of, and dialogue about, diverse communities in Israel, and encourage cinematic expression and creativity dealing with these themes. (Other Israel) In addition to Israel’s Muslim and Christian Arab populations (close to 2 million people), the festival is concerned with the cinematic treatment of other Israeli minorities. There are Druze, Bedouins, as well as the significant population of foreign workers (nearly half a million) and other non-Jewish immigrants whose experiences constitute an important yet lesser-known part of the country’s multicultural context. Initiated and largely funded by Carole Zabar (of Zabar’s, the famous Upper West Side food emporium; http://www.zabars.com), the Other Israel takes place over a week in mid- November and is headquartered at the Jewish Community Centre (JCC) in Manhattan. For a festival that is still in its first decade, it has generated an encouraging amount of media 1 attention, with articles in The Washington Post, The New York Times and the Village Voice, among other publications.1 In June 2013, I travelled to New York for a meeting with the festival’s team.