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Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Dionne Warwick the Windows of the World Mp3, Flac, Wma
Dionne Warwick The Windows Of The World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Windows Of The World Country: UK Released: 1967 Style: Soul MP3 version RAR size: 1609 mb FLAC version RAR size: 1588 mb WMA version RAR size: 1253 mb Rating: 4.9 Votes: 490 Other Formats: FLAC MP3 WMA FLAC VOC XM AIFF Tracklist Hide Credits The Windows Of The World A Written-By – Burt Bacharach, Hal David Walk Little Dolly B Written-By – Burt Bacharach, Hal David Notes A Scepter U.S.A. Recording Barcode and Other Identifiers Matrix / Runout (Stamped Side 1): 7N 25428A-1 ∆F Matrix / Runout (Stamped Side 2): 7N 25428A-1 ∆F Other versions Category Artist Title (Format) Label Category Country Year Dionne The Windows Of The Scepter SCE-12196 SCE-12196 US 1967 Warwick World (7", Single) Records The Windows Of The Scepter Dionne 45.210-A World / Walk Little Records, 45.210-A Spain 1967 Warwick Dolly (7", Single) Vergara Dionne The Windows Of The INT.80095 Disques Vogue INT.80095 France 1967 Warwick World (7", Single) Dionne The Windows Of The Scepter SCE-12196X SCE-12196X Canada 1967 Warwick World (7", Single) Records Dionne The Windows Of The Scepter HS 1023 HS 1023 Netherlands 1967 Warwick World (7", Single) Records Related Music albums to The Windows Of The World by Dionne Warwick Dionne Warwick - Golden Hits Part 2 Dionne Warwick - Trains And Boats And Planes Dionne Warwick - Dionne Warwick Dionne Warwick - Who Is Gonna Love Me? Dionne Warwick - On Stage And In The Movies Dionne Warwick - The Sensitive Sound Of Dionne Warwick Dionne Warwick - I'll Never Fall In Love Again / What The World Needs Now Is Love Dionne Warwick - La Favolosa Dionne Warwick Dionne Warwick - Presenting Dionne Warwick Dionne Warwick - Valley Of The Dolls / Go With Love. -
TM 3.1 Inventory of Affected Businesses
N E W Y O R K M E T R O P O L I T A N T R A N S P O R T A T I O N C O U N C I L D E M O G R A P H I C A N D S O C I O E C O N O M I C F O R E C A S T I N G POST SEPTEMBER 11TH IMPACTS T E C H N I C A L M E M O R A N D U M NO. 3.1 INVENTORY OF AFFECTED BUSINESSES: THEIR CHARACTERISTICS AND AFTERMATH This study is funded by a matching grant from the Federal Highway Administration, under NYSDOT PIN PT 1949911. PRIME CONSULTANT: URBANOMICS 115 5TH AVENUE 3RD FLOOR NEW YORK, NEW YORK 10003 The preparation of this report was financed in part through funds from the Federal Highway Administration and FTA. This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The contents of this report reflect the views of the author who is responsible for the facts and the accuracy of the data presented herein. The contents do no necessarily reflect the official views or policies of the Federal Highway Administration, FTA, nor of the New York Metropolitan Transportation Council. This report does not constitute a standard, specification or regulation. T E C H N I C A L M E M O R A N D U M NO. -
Frise Historique
Construction on the north tower The Port Authority of New York and New Jersey began began. obtaining property at the World Trade Center site. 01/08/1968 01/03/1965 Demolition at the site began with the clearance of thirteen square blocks of low rise buildings for construction of the Minoru Yamasaki, The The Port Authority chose the current site for the World Trade World Trade Center. architect of the World Center. 01/01/1966 Trade Center. 20/09/1962 1960 Minoru Yamasaki was selected to design the project. He was a second generation Groundbreaking for the construction began on Japanese-American who studied architecture at the August 5, 1966. Site preparations were vast and University of Washington and New York University. included an elaborate method of foundation work Construction of He considered hundreds of different building for which a "bathtub" had to be built 65 feet configurations before deciding on the twin towers below grade. The bathtub was made of a bentonite the south tower design. The Port Authority unveiled the $525 million (absorbent clay) slurry wall intended to keep out World Trade Center plan to the public. It was a groundwater and the Hudson River. began. composite of six buildings comprised of 10 million Yamasaki's design for the World Trade square feet of office space. At its core were the Twin Center was unveiled to the public. 01/01/1969 Towers, which at 110 stories (1,368 and 1,362 feet) The design consisted of a square plan each would be the world's tallest skyscrapers. approximately 207 feet in dimension on each side. -
University of Cincinnati
UNIVERSITY OF CINCINNATI DATE: May 15, 2003 I, James Gilbert Jenkins , hereby submit this as part of the requirements for the degree of: Master of Architecture in: The Department of Architecture of the College of DAAP It is entitled: New World Trade Approved by: Michael McInturf Arati Kanekar NEW WORLD TRADE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE In the Department of Architecture Of the College of Design, Art, Architecture, and Planing 2003 by James G. Jenkins B.S., University of Cincinnati, 2001 Committee Chair : Michael Mcinturf Abstract In these Modern Times, “facts” and “proofs” seem necessary for achieving any credibility in a field where there is a client. To arrive at a “truth,” many architects quickly turn to a dictionary for the final “truth” of a word, such as “privacy” or to a road map to find the “truth” in site conditions, or to a census count for the “truth” of people migration. It is, of coarse, part of the Modern Crisis that many feel the need to go with the way of technology, for fear that Architecture might otherwise fall by the wayside because of its perceived irrelevancy or frivolousness. Following this action, with time, could very well reduce Architecture to a form of methodology and inevitably end with the replacement or removal of the profession from its importance- as creators of a “Truth.” The following thesis is a serious reclamation. The body of work moves to take back for Architecture its power, and specifically it holds up and praises the most important thing we have, but in modern times have been giving away: Life. -
WDAM Radio's History of Dionne Warwick
WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S. -
The Song of the Prairie Land 101 Pauline Johnson
CONTENTS PAGE A TOAST TO BEAUTY 17 PRELUDE 18 TIrE CRY OF THE SONG CHILDREN 20 A SONG TO CANADA 24 A POET STOOD FORLORN 27 SONG OF THE SNOWSHOE TRAMP 34 ADVERSITY. 40 WHOM SHALL MY HEART CONDEMN? • 42 FIRST SONG WITHOUT A NAME 49 THE WHIP-POOR-WILL 51 TRAPPER ONE AND TRAPPER Two; OR, THE GHOST OF UNGAVA. 57 REED SONGS 69 A SONG OF BROTHERHOOD 74 BARBARY 78 To THE UNCROWNED KINGS 80 I FEEL NOR UNDERSTAND 83 AT THE PIANO 85 THE WAKING THOUGHT 87 OTUS AND RISMEL (A BALLADE OF THE LONG SEA LANES) PAG! THE SONG OF THE PRAIRIE LAND 101 PAULINE JOHNSON. 107 THE HAUNT OF A LoST LoVE. 108 AT THE FORD • 109 THE ROSE AND THE WILDFLOWER 112 SECOND SONG WITHOUT A NAME 116 BRITISH COLUMBIA. 117 A SONG TO THE SINGERS. 119 ALONE 120 A SONG OF BETTER UNDERSTANDING 121 THE MONGREL. 126 WHIST-WHEE 132 THIRD SONG WITHOUT A NAME. 134 THE CONVICT MARCH. 135 MARY MAHONE. 137 SAINT ELIAS 141 AT BROOKSIDE MANOR. 144 SOMEWHERE, SOMETIME THE GLORY. 146 FRANCE • 148 GIFTS 149 By HOWE SOUND 150 PEACE 152 6 Prelude PRELUDE wo jugs upon a table stood; 1 am Caneo; T One ample of girth and sweet of cavern, And my skin is brown from the comrade sun. But a shapeless bit of homely wood And my heart is a cluster of grapes; each one That .you would scorn in the poorest tavern; I ip and ready to flow together The other traced and interlaced In the channel sweet of a purple song. -
SEPTEMBER 11Th: ART LOSS, DAMAGE, and REPERCUSSIONS Proceedings of an IFAR Symposium
International Foundation for Art Research (IFAR) www.ifar.org This article may not be published or printed elsewhere without the express permission of IFAR. SEPTEMBER 11th: ART LOSS, DAMAGE, AND REPERCUSSIONS Proceedings of an IFAR Symposium SPEAKERS • Saul S. Wenegrat: Art Consultant; Former • Dietrich von Frank: President and CEO, AXA Art Director, Art Program, Port Authority of NY and NJ Insurance Corporation • Elyn Zimmerman: Sculptor (World Trade Center • Gregory J. Smith: Insurance Adjuster; Director, Memorial, 1993) Cunningham Lindsey International • Moukhtar Kocache: Director, Visual and Media Arts, • John Haworth: Director, George Gustav Heye Center, Lower Manhattan Cultural Council Smithsonian National Museum of the American Indian • Suzanne F.W. Lemakis: Vice President and Art • Lawrence L. Reger: President, Heritage Preservation, Curator, Citigroup Heritage Emergency National Task Force IFAR SYMPOSIUM: THE ART LOST & DAMAGED ON 9/11 INTRODUCTION SHARON FLESCHER* Five months have passed since the horrific day in September that took so many lives and destroyed our sense of invulner- ability, if we were ever foolish enough to have had it in the first place. In the immediate aftermath, all we could think about was the incredible loss of life, but as we now know, there was also extensive loss of art—an estimated $100 mil- lion loss in public art and an untold amount in private and corporate collections. In addition, the tragedy impacted the art world in myriad other ways, from the precipitous drop in museum attendance, to the dislocation of downtown artists’ Left to right: Sharon Flescher, Saul S. Wenegrat, Elyn studios and arts organizations, to the decrease in philan- Zimmerman, Moukhtar Kocache, and Suzanne F. -
Photographs of Falling Bodies and the Ethics of Vulnerability in Jonathan Safran Foer’S Extremely Loud and Incredibly Close Chris Vanderwees
Photographs of Falling Bodies and the Ethics of Vulnerability in Jonathan Safran Foer’s Extremely Loud and Incredibly Close Chris Vanderwees Abstract: The article explores the ethical and political relationship between Jonathan Safran Foer’s Extremely Loud and Incredibly Close and the photographs of those who fell (or leapt) from the World Trade Center on 11 September 2001. Drawing on Judith Butler’s theorization of the ethics of vulnerability, the article briefly outlines ongoing debates around the photography of atrocity in order to suggest that rather than reaffirm tropes of American exceptionalism and victory culture in the wake of the 9/11 attacks, Foer’s novel and its engagement with the falling body may prompt readers to consider ethical recognition and responsibility to others. Keywords: Jonathan Safran Foer, Judith Butler, September 11 terrorist at- tacks, photography, visual culture, ethics, trauma Re´sume´ : Cet article explore la relation e´thique et politique entre le roman Extreˆmement fort et incroyablement pre`s de Jonathan Safran Foer et les photo- graphies des personnes qui sont tombe´es (ou se sont jete´es) du World Trade Center, le 11 septembre 2001. S’inspirant de l’e´thique de la vulne´r- abilite´ telle qu’elle est the´orise´e par Judith Butler, l’article e´voque brie`ve- ment le de´bat re´current sur la photographie de l’atroce pour sugge´rer que le roman de Foer, dans son rapport e´troit au corps qui chute, ne renforcer- ait pas ne´cessairement, dans le sillage des attentats du 11 septembre, les lieux communs sur l’exceptionnalisme e´tatsunien et la culture de la vic- toire, mais inciterait plutoˆt les lecteurs a` re´fle´chir a` une e´thique de la reconnaissance et a` la responsabilite´ envers autrui. -
DH&S New York Celebrates Move to World Trade Center
University of Mississippi eGrove Haskins and Sells Publications Deloitte Collection 1981 DH&S New York celebrates move to World Trade Center Anonymous Follow this and additional works at: https://egrove.olemiss.edu/dl_hs Part of the Accounting Commons, and the Taxation Commons Recommended Citation DH&S Reports, Vol. 18, (1981 no. 1), p. 21-28 This Article is brought to you for free and open access by the Deloitte Collection at eGrove. It has been accepted for inclusion in Haskins and Sells Publications by an authorized administrator of eGrove. For more information, please contact [email protected]. t was with panache and a distinctive Big Apple flair that the New York Ioffice formally celebrated its relo- cation to the World Trade Center, mark- ing the event with not one, not two but three separate receptions — one for clients and other guests, the second for alumni and a third for families of DH&S people. On the other hand, seen in per- spective against the time and planning required for moving a practice office of almost eight hundred people without seriously interrupting the normal flow of professional activity, and the awesome size of the World Trade Center itself, the three receptions held last fall were cer- tainly in scale. Pat Waide, partner in charge in New York, began talks with the Port Authority of New York and New Jersey, owner of the World Trade Center, almost two years earlier Before moving to the WTC the office had been located at Two Broadway, near Battery Park at the southern tip of Manhattan Island. -
Here Are Things I Needed to Say.” the Album Was Released in the U.S
BURT BACHARACH Biography Six decades into one of songwriting’s most successful and honored careers – marked by 48 Top 10 hits, nine #1 songs, more than 500 compositions and a landmark 49-year run on the charts, Burt Bacharach’s music continues to set industry records and creative standards. “At This Time,” his 2005 album, which won the Grammy for Best Pop Instrumental Album, breaks new ground with Bacharach’s first-ever lyrical collaborations, supplementing the melodies which reflect the pioneering Bacharach sound. He says it is the “most-passionate album” of his career as “At This Time” marks the first time Bacharach takes on social and political issues in his music. Bacharach’s global audiences span several generations, and he is viewed as the unique combination of one of the greatest composers of all time and the ultra-cool cult hero of the contemporary music set who often has several songs on various music charts in many countries simultaneously. His many concerts are SRO, as he tours the United States and the world conducting orchestras and with his own musicians and singers performing his music. Along with Bob Dylan, John Lennon and Paul McCartney and Paul Simon, Bacharach is a legend of popular music. A recipient of three Academy Awards and seven Grammy Awards (including the 1997 Trustees Award with collaborator Hal David), he revolutionized the music of the 1950s and 60s and is regularly bracketed with legendary names, ranging from Cole Porter, to Sir George Martin, as one of a handful of visionaries who pioneered new forms of music from the second half of the 20th Century and into the 21st Century. -
Wake Forest Magazine December 2001
2000-2001 Honor Roll of Donors Wake For e st M A G A Z I N E Volume 49, Number 2 December 2001 Wake For e st M A G A Z I N E and Honor Roll of Donors Features 16 After Disaster by Cherin C. Poovey An American tragedy bonds the University community in patriotism, compassion, unity, and hope. 23 Religion of Peace? by Charles A. Kimball Understanding Islam means grasping its complexities, which are rooted in rancor. 28 Opportunity Knocks by Liz Switzer The Richter Scholarships open doors for five students to study abroad— and open their eyes as well. Page 16 Essay 34 Great Expectations Page 28 by Leah P. McCoy Reflective students in the Class of 2001 say Wake Forest met most of theirs. Departments Campus Chronicle 2 52 Honor Roll of Donors 14 Sports 37 Class Notes Page 34 Volume 49, Number 2 December 2001 2 Campus Chronicle New school ‘a natural partnership’ Engineering a President Thomas K. Hearn Dean, senior vice president for Jr. said the new school will aid health affairs of Wake Forest. r esource in the transformation of “Currently, all of the top NIH- Winston-Salem’s economy. funded institutions have an AKE FOREST and “The school will strengthen engineering school or biomed- WVirginia Tech (Virginia Wake Forest’s intellectual ical engineering department. Polytechnic Institute and resources, thereby strengthening This new school will address State University) have the capabilities of the Piedmont the goals of both institutions.” announced plans to establish Triad Research Park.” If the planning proceeds as a joint School of Biomedical “This is a natural partner- hoped, the universities will Engineering and Sciences.