The Rise and Fall of the World Trade Center the World Trade Center In

Total Page:16

File Type:pdf, Size:1020Kb

The Rise and Fall of the World Trade Center the World Trade Center In The Rise and Fall of The World Trade Center by newsdesk The World Trade Center in New York City (sometimes informally referred to as the WTC or the Twin Towers) was a complex of seven buildings, mostly designed by American architect Minoru Yamasaki and developed by the Port Authority of New York and New Jersey. Best known for its iconic 110-story twin towers, the World Trade Center was beset by a fire on February 13, 1975 and a bombing on February 26, 1993. All of the original buildings in the complex were destroyed in the September 11, 2001, attacks. The World Trade Center included many structural engineering innovations in skyscraper design and construction. The towers were designed as framed tube structures, with columns grouped around the perimeter and within the core. Construction: Groundbreaking for the construction of the World Trade Center was on August 5, 1966. The construction was under the auspices of the semi-autonomous Port Authority of New York and New Jersey. Thirteen square blocks of low rise buildings in Radio Row, some of which pre-dated the American Civil War, were razed to clear the site for construction. When completed in 1972, 1 WTC became the tallest building on Earth, unseating the Empire State Building after a 40 year reign. 2 WTC became the second tallest building in the world when completed in 1973. Life of the World Trade Center: On any given day, approximately 50,000 people worked in the towers, with another 200,000 passing through as visitors.The towers offered spectacular views from the observation deck (located on top of the South Tower) and the Windows on the World restaurant (located on top of the North Tower). The trade center had its many admirers, particularly visitors. For those who deemed it cold and sterile, there were just as many who appreciated its sheer grandeur; some even took advantage of it. French high wire acrobatic performer Philippe Petit walked between the towers on a tightrope in 1974, and Brooklyn toymaker George Willig scaled the south tower in 1977. The Twin Towers became known worldwide, appearing in movies, TV shows, postcards, merchandise, magazines and much more. The twin towers became a New York icon, such as the Empire State Building, or Statue of Liberty. Attacks on WTC: On February 26, 1993 at 12:17 PM, a Ryder truck filled with 1,500 pounds (680 kg) of explosives was planted by Ramzi Yousef and detonated in the underground garage of the North Tower, opening a 100 foot (30 m) hole through 5 sublevels of concrete leaving 50,000 workers and visitors gasping for air in the shafts of the 110 story towers. Many people inside the North Tower were forced to walk down darkened stairwells which contained no emergency lighting, some taking two hours or more to reach safety. As the Port Authority was a bi-state agency, the towers were exempt from New York City building codes. Subsequent to the bombing The Port Authority installed emergency lighting in the stairwells. It is believed that this lighting saved many lives during the events of September 11, 2001. September 11, 2001 On September 11, 2001 at 8:46 a.m., Al Qaeda suicide hijackers crashed American Airlines Flight 11 into the northern facade of the North Tower. Seventeen minutes later, 9:03 a.m., a second team of hijackers crashed United Airlines Flight 175 into the South Tower, which collapsed at 9:59 a.m. At 10:28 a.m., the North Tower collapsed. At 5:20 p.m., 7 World Trade Center collapsed. The four remaining buildings in the WTC plaza sustained heavy damage from debris, and were ultimately demolished. At the time of the incident, media reports suggested that tens of thousands might have been killed in the massacre, as on any given day upwards of 100,000 people could be inside the towers. Ultimately, 2,749 death certificates were filed relating to the 9/11 attacks, as of February 2005. Of these, 1,588 (58%) were forensically identified from recovered physical remains. Rebuilding the World Trade Center The Lower Manhattan Development Corporation, the agency charged with coordinating the reconstruction of the World Trade Center site, selected the master plan, Memory Foundations by Daniel Libeskind, which includes the 1,776 ft (541 m) Freedom Tower. The height of 1,776 feet (541 m) was chosen as a reference to the year of American independence. A new 7 World Trade Center office building, which was not part of the site master plan, officially opened on May 23, 2006. The Lower Manhattan Development Corporation sponsored the World Trade Center Site Memorial Competition, an international design competition for the World Trade Center Memorial in spring 2003. The winning design, Michael Arad and Peter Walker's Reflecting Absence, was chosen in January 2004. The Rise and Fall of The World Trade Center by newsdesk.
Recommended publications
  • Highlights of What We Will Be Doing in NYC
    “Learning by Experience” LEGACIES OF NEW YORK: The MUNDO Fall Break Experience 2019 Highlights of what we will be doing in NYC John's of Times Square has been voted one of New York's best pizzas because of its unique characteristics. All pizzas are made to order in one of our four coal-fired brick ovens and like a cast iron pan, our ovens season with age, making no two pizzas the same. The 800 degree coal fired ovens have no thermostats to control heat and are operated by our pizza men who have gone through months of extensive training. We pride ourselves on our fresh ingredients and incomparable recipes, making our pizzas second to none. The National September 11 Memorial & Museum (also known as the 9/11 Memorial & Museum) is a memorial and museum in New York City commemorating the September 11, 2001 attacks, which killed 2,977 people, and the 1993 World Trade Center bombing, which killed six.[4] The memorial is located at the World Trade Center site, the former location of the Twin Towers that were destroyed during the September 11 attacks. It is operated by a non-profit institution whose mission is to raise funds for, program, and operate the memorial and museum at the World Trade Center site. A memorial was planned in the immediate aftermath of the attacks and destruction of the World Trade Center for the victims and those involved in rescue and recovery operations.[5] The winner of the World Trade Center Site Memorial Competition was Israeli-American architect Michael Arad of Handel Architects, a New York- and San Francisco-based firm.
    [Show full text]
  • Newsletter of Architecture E Summer/Fallc2004h R I 5 C a T6 7
    www.coa.gatech.edu Collegenewsletter of Architecture e summer/fallc2004h r i 5 c a t6 7 ARCHITECTURE ARTS AND TECHNOLOGY/MUSIC BUILDING CONSTRUCTION CITY AND REGIONAL PLANNING CONTINUING EDUCATION INDUSTRIAL DESIGN PH.D. PROGRAM 8 9 QQE 10 Q E q e Letter from the Dean World Trade Center Memorial Competition, Clearly, international immersion of our stu- while another, Hawa Meskinyar, from dents is regarded as an important goal for Afghanistan returned to her home country both the Institute and the College, but why? and founded a humanitarian organization First, this experience is absolutely critical to e committed to helping women and children in the diversity of knowledge we desire for our Afghanistan find their way toward independ- students. This emphasis also has very practical ence. Other of our graduates, such as Mona importance due to the globalization of design, As can be seen in several stories of this El-Mousfy and Samia Rab are on the faculty construction and planning practice and the newsletter issue, the international thrusts of in the School of Architecture and Design at need for our graduates to be competitive in the College are clearlyu evident, involving stu- the American University of Sharjah in the this practice. But it is also important for dents, faculty and alumni. Recent interna- UAE, and another, Mohamed Bechir Kenzari, Georgia Tech and other major research uni- tional engagements of our faculty and stu- is winnere of the 2003 Outstanding Article of versities to continue its long-standing practice dents are quite diverse: the Year from the Association of Collegiate of educating future leaders and professional c• Ecuador –t the work of Professors Ellen Schools of Architecture and is on the faculty experts in the built environment in countries Dunham-Jones, Michael Gamble and Randy of the School of Architectural Engineering at throughout the world.
    [Show full text]
  • Institutional Backgrounder
    INSTITUTIONAL BACKGROUNDER This document serves as an informational tool for members of the media who are interested in the National September 11 Memorial & Museum. Those looking for access to the Memorial and Museum are encouraged to visit the online media center. Please direct specific media inquiries to [email protected]. ESSENTIAL MEDIA BRIEFING • There are 2,983 names on the 9/11 Memorial, honoring the 2,977 people killed at the three attack sites on September 11, 2001 and the six people killed in the February 26, 1993 bombing at the World Trade Center. • The 9/11 attacks killed 2,977 people. 2,753 people were killed in New York, 184 people were killed at the Pentagon and 40 people were killed on Flight 93. • The February 26, 1993 bombing killed 6 people at the World Trade Center. • The largest loss of life of rescue personnel in American history occurred on September 11, 2001. 343 FDNY firefighters, along with 37 Port Authority Police Department officers and 23 New York Police Department officers, were killed. In total, 441 first responders representing over 30 agencies died on 9/11. • The Memorial pools stand in the footprints of the Twin Towers. Each pool is one acre in size. There are 413 swamp white oak trees on the Memorial plaza, and one callery pear tree known as the Survivor Tree. • The 9/11 Memorial Glade is located in the southwest corner of the Memorial. The Glade is dedicated to all who are sick or have died as a result of exposure to toxins and hazards in the aftermath of 9/11 as well as those who responded with courage and bravery.
    [Show full text]
  • The Politics of Planning the World's Most Visible Urban Redevelopment Project
    The Politics of Planning the World's Most Visible Urban Redevelopment Project Lynne B. Sagalyn THREE YEARS after the terrorist attack of September 11,2001, plans for four key elements in rebuilding the World Trade Center (WC) site had been adopted: restoring the historic streetscape, creating a new public transportation gate- way, building an iconic skyscraper, and fashioning the 9/11 memorial. Despite this progress, however, what ultimately emerges from this heavily argued deci- sionmakmg process will depend on numerous design decisions, financial calls, and technical executions of conceptual plans-or indeed, the rebuilding plan may be redefined without regard to plans adopted through 2004. These imple- mentation decisions will determine whether new cultural attractions revitalize lower Manhattan and whether costly new transportation investments link it more directly with Long Island's commuters. These decisions will determine whether planned open spaces come about, and market forces will determine how many office towers rise on the site. In other words, a vision has been stated, but it will take at least a decade to weave its fabric. It has been a formidable challenge for a city known for its intense and frac- tious development politics to get this far. This chapter reviews the emotionally charged planning for the redevelopment of the WTC site between September 2001 and the end of 2004. Though we do not yet know how these plans will be reahzed, we can nonetheless examine how the initial plans emerged-or were extracted-from competing ambitions, contentious turf battles, intense architectural fights, and seemingly unresolvable design conflicts. World's Most Visible Urban Redevelopment Project 25 24 Contentious City ( rebuilding the site.
    [Show full text]
  • TM 3.1 Inventory of Affected Businesses
    N E W Y O R K M E T R O P O L I T A N T R A N S P O R T A T I O N C O U N C I L D E M O G R A P H I C A N D S O C I O E C O N O M I C F O R E C A S T I N G POST SEPTEMBER 11TH IMPACTS T E C H N I C A L M E M O R A N D U M NO. 3.1 INVENTORY OF AFFECTED BUSINESSES: THEIR CHARACTERISTICS AND AFTERMATH This study is funded by a matching grant from the Federal Highway Administration, under NYSDOT PIN PT 1949911. PRIME CONSULTANT: URBANOMICS 115 5TH AVENUE 3RD FLOOR NEW YORK, NEW YORK 10003 The preparation of this report was financed in part through funds from the Federal Highway Administration and FTA. This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The contents of this report reflect the views of the author who is responsible for the facts and the accuracy of the data presented herein. The contents do no necessarily reflect the official views or policies of the Federal Highway Administration, FTA, nor of the New York Metropolitan Transportation Council. This report does not constitute a standard, specification or regulation. T E C H N I C A L M E M O R A N D U M NO.
    [Show full text]
  • Frise Historique
    Construction on the north tower The Port Authority of New York and New Jersey began began. obtaining property at the World Trade Center site. 01/08/1968 01/03/1965 Demolition at the site began with the clearance of thirteen square blocks of low rise buildings for construction of the Minoru Yamasaki, The The Port Authority chose the current site for the World Trade World Trade Center. architect of the World Center. 01/01/1966 Trade Center. 20/09/1962 1960 Minoru Yamasaki was selected to design the project. He was a second generation Groundbreaking for the construction began on Japanese-American who studied architecture at the August 5, 1966. Site preparations were vast and University of Washington and New York University. included an elaborate method of foundation work Construction of He considered hundreds of different building for which a "bathtub" had to be built 65 feet configurations before deciding on the twin towers below grade. The bathtub was made of a bentonite the south tower design. The Port Authority unveiled the $525 million (absorbent clay) slurry wall intended to keep out World Trade Center plan to the public. It was a groundwater and the Hudson River. began. composite of six buildings comprised of 10 million Yamasaki's design for the World Trade square feet of office space. At its core were the Twin Center was unveiled to the public. 01/01/1969 Towers, which at 110 stories (1,368 and 1,362 feet) The design consisted of a square plan each would be the world's tallest skyscrapers. approximately 207 feet in dimension on each side.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI DATE: May 15, 2003 I, James Gilbert Jenkins , hereby submit this as part of the requirements for the degree of: Master of Architecture in: The Department of Architecture of the College of DAAP It is entitled: New World Trade Approved by: Michael McInturf Arati Kanekar NEW WORLD TRADE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE In the Department of Architecture Of the College of Design, Art, Architecture, and Planing 2003 by James G. Jenkins B.S., University of Cincinnati, 2001 Committee Chair : Michael Mcinturf Abstract In these Modern Times, “facts” and “proofs” seem necessary for achieving any credibility in a field where there is a client. To arrive at a “truth,” many architects quickly turn to a dictionary for the final “truth” of a word, such as “privacy” or to a road map to find the “truth” in site conditions, or to a census count for the “truth” of people migration. It is, of coarse, part of the Modern Crisis that many feel the need to go with the way of technology, for fear that Architecture might otherwise fall by the wayside because of its perceived irrelevancy or frivolousness. Following this action, with time, could very well reduce Architecture to a form of methodology and inevitably end with the replacement or removal of the profession from its importance- as creators of a “Truth.” The following thesis is a serious reclamation. The body of work moves to take back for Architecture its power, and specifically it holds up and praises the most important thing we have, but in modern times have been giving away: Life.
    [Show full text]
  • 9/11 Memorial
    MAKING THE 9/11 MEMORIAL EDUcatOR’S GUIDE Memorial at Night. Visualization by Squared Design Lab KEY TERMS: In the wake of the 9/11 attacks, Americans from all walks of life joined together to rebuild the area around the World Trade Center. Students may want to define the list The nation grieved the loss of nearly 3,000 Americans as the result of terms below which are referenced of these horrific attacks in New York City. As time passed, a huge in this program, and they can also decision loomed at the site: what was the best way to memorialize keep their own list of terms to define and pay tribute to those who lost their lives? This 1-hour HISTORY® as they watch. special is a behind-the-scenes exploration of the process of con- structing the 9/11 Memorial, from its inception through its installation. Arduous An architect named Michael Arad was the winner of a worldwide Bevel competition to design a memorial for the site. Arad’s design, entitled Commemorate “Reflected Absence” is situated on 8 acres of land near the Twin Fabrication Towers site, with two waterfalls cascading into reflecting pools below Parapet the surface of the ground. Bronze parapets at the site are inscribed Patina with the names of those who lost their lives on 9/11 and in the 1993 World Trade Center bombing. This program gives students an oppor- Prevail tunity to reflect on the significance of 9/11 through the eyes of those Tangible who conceptualized and created this meaningful memorial.
    [Show full text]
  • SEPTEMBER 11Th: ART LOSS, DAMAGE, and REPERCUSSIONS Proceedings of an IFAR Symposium
    International Foundation for Art Research (IFAR) www.ifar.org This article may not be published or printed elsewhere without the express permission of IFAR. SEPTEMBER 11th: ART LOSS, DAMAGE, AND REPERCUSSIONS Proceedings of an IFAR Symposium SPEAKERS • Saul S. Wenegrat: Art Consultant; Former • Dietrich von Frank: President and CEO, AXA Art Director, Art Program, Port Authority of NY and NJ Insurance Corporation • Elyn Zimmerman: Sculptor (World Trade Center • Gregory J. Smith: Insurance Adjuster; Director, Memorial, 1993) Cunningham Lindsey International • Moukhtar Kocache: Director, Visual and Media Arts, • John Haworth: Director, George Gustav Heye Center, Lower Manhattan Cultural Council Smithsonian National Museum of the American Indian • Suzanne F.W. Lemakis: Vice President and Art • Lawrence L. Reger: President, Heritage Preservation, Curator, Citigroup Heritage Emergency National Task Force IFAR SYMPOSIUM: THE ART LOST & DAMAGED ON 9/11 INTRODUCTION SHARON FLESCHER* Five months have passed since the horrific day in September that took so many lives and destroyed our sense of invulner- ability, if we were ever foolish enough to have had it in the first place. In the immediate aftermath, all we could think about was the incredible loss of life, but as we now know, there was also extensive loss of art—an estimated $100 mil- lion loss in public art and an untold amount in private and corporate collections. In addition, the tragedy impacted the art world in myriad other ways, from the precipitous drop in museum attendance, to the dislocation of downtown artists’ Left to right: Sharon Flescher, Saul S. Wenegrat, Elyn studios and arts organizations, to the decrease in philan- Zimmerman, Moukhtar Kocache, and Suzanne F.
    [Show full text]
  • On May 17, 2006, Governor George E. Pataki and Mayor Michael R
    FRANK J. SCIAME WORLD TRADE CENTER MEMORIAL DRAFT RECOMMENDATIONS AND ANALYSIS INTRODUCTION On May 17, 2006, Governor George E. Pataki and Mayor Michael R. Bloomberg announced that we would help lead the effort to ensure a buildable World Trade Center Memorial. The goal of our process was to ensure the World Trade Center Memorial be brought in line with the $500 million budget while remaining consistent with the Reflecting Absence vision and Daniel Libeskind’s Master Plan for the World Trade Center site. This document summarizes the findings and recommendations that arose from our process. After several phases of value engineering and analysis of the various components of the Memorial, Memorial Museum, and Visitor Orientation and Education Center (VOEC) design, we narrowed the field of options and revisions that were most promising to fulfill the vision of the Reflecting Absence design and the Master Plan, while providing significant cost savings and meeting the schedule to open the Memorial on September 11, 2009. Various potential design refinements were reviewed at a meeting with the Governor and the Mayor on June 15, 2006. Upon consultation with the Governor and the Mayor, it was determined that one option best fulfilled the three guiding principles articulated below. BACKGROUND SELECTION OF WTC SITE MASTER PLAN (Following are excerpts on the LMDC’s process – for more information please visit: http://www.renewnyc.com/plan_des_dev/wtc_site/Sept2003Overview.asp) In the summer of 2002, the Lower Manhattan Development Corporation (LMDC) initiated a worldwide search for design and planning professionals to propose a visionary land use plan for the World Trade Center area.
    [Show full text]
  • NEW YORK CITY and 9/11 MEMORIAL COMMEMORATE 12Th ANNIVERSARY of SEPTEMBER 11, 2001
    FOR IMMEDIATE RELEASE September 11, 2013 NEW YORK CITY AND 9/11 MEMORIAL COMMEMORATE 12th ANNIVERSARY OF SEPTEMBER 11, 2001 (New York) September 11, 2013 – The National September 11 Memorial & Museum today observed the 12th anniversary of September 11 by remembering and honoring the 2,983 men, women and children killed in the attacks at the World Trade Center site, the Pentagon, aboard Flight 93, and those who died in the February 26, 1993 WTC bombing. The ceremony at the 9/11 Memorial was for victims’ family members, who participated in the reading of the 2,983 names. There were six moments of silence, marking the times the planes struck the Twin Towers, when each tower collapsed, the attack on the Pentagon and the crash of Flight 93 near Shanksville, Pa. The first moment of silence was at 8:46 a.m. “Today, we come together to remember and honor the thousands of innocent men, women and children who were taken from us too soon 12 years ago. We also recognize the endurance of those who survived, the courage of those who risked their lives to save others, and the compassion of all who supported us along the path of recovery,” 9/11 Memorial President Joe Daniels said. “In the wake of the attacks, we showed the world that the best of humanity can overcome the worst hate.” The 9/11 Memorial has welcomed nearly 10 million visitors from all 50 states and 188 nations since opening in the fall of 2011. Construction on the accompanying 9/11 Memorial Museum continues to move forward in anticipation of its opening in the spring of 2014.
    [Show full text]
  • The Park 51/Ground Zero Controversy and Sacred Sites As Contested Space
    Religions 2011, 2, 297-311; doi:10.3390/rel2030297 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article The Park 51/Ground Zero Controversy and Sacred Sites as Contested Space Jeanne Halgren Kilde University of Minnesota, 245 Nicholson Hall, 216 Pillsbury Dr. SE., Minneapolis, MN 55455, USA; E-Mail: [email protected]; Tel.: 612-625-6393 Received: 9 June 2011; in revised form: 14 July 2011 / Accepted: 19 July 2011 / Published: 25 July 2011 Abstract: The Park 51 controversy swept like wildfire through the media in late August of 2010, fueled by Islamophobes who oppose all advance of Islam in America. Yet the controversy also resonated with many who were clearly not caught up in the fear of Islam. This article attempts to understand the broader concern that the Park 51 project would somehow violate the Ground Zero site, and, thus, as a sign of "respect" should be moved to a different location, an argument that was invariably articulated in “spatial language” as groups debated the physical and spatial presence of the buildings in question, their relative proximity, and even the shadows they cast. This article focuses on three sets of spatial meanings that undergirded these arguments: the site as sacred ground created through trauma, rebuilding as retaliation for the attack, and the assertion of American civil religion. The article locates these meanings within a broader civic discussion of liberty and concludes that the spatialization of the controversy opened up discursive space for repressive, anti-democratic views to sway even those who believe in religious liberty, thus evidencing a deep ambivalence regarding the legitimate civic membership of Muslim Americans.
    [Show full text]