Community Impact on Post 9/11 Urban Planning of Lower
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Michigan's Historic Preservation Plan
Michigan’s state historic Preservation Plan 2014–2019 Michigan’s state historic Preservation Plan 2014–2019 Governor Rick Snyder Kevin Elsenheimer, Executive Director, Michigan State Housing Development Authority Brian D. Conway, State Historic Preservation Officer Written by Amy L. Arnold, Preservation Planner, Michigan State Historic Preservation Office with assistance from Alan Levy and Kristine Kidorf Goaltrac, Inc. For more information on Michigan’s historic preservation programs visit michigan.gov/SHPo. The National Park Service (NPS), U. S. Department of the Interior, requires each State Historic Preservation Office to develop and publish a statewide historic preservation plan every five years. (Historic Preservation Fund Grants Manual, Chapter 6, Section G) As required by NPS, Michigan’s Five-Year Historic Preservation Plan was developed with public input. The contents do not necessarily reflect the opinions of the Michigan State Housing Development Authority. The activity that is the subject of this project has been financed in part with Federal funds from the National Park Service, U.S. Department of the Interior, through the Michigan State Housing Development Authority. However, the contents and opinions herein do not necessarily reflect the views or policies of the Department of the Interior or the Michigan State Housing Development Authority, nor does the mention of trade names or commercial products herein constitute endorsement or recommendation by the Department of the Interior or the Michigan State Housing Development Authority. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Acts of 1964, Section 504 of the Rehabilita- tion Act of 1973 and the Age Discrimination Act of 1975, as amended, the U.S. -
PART I — the Budget by Functional Area
PART I THE BUDGET BY FUNCTIONAL AREA EDUCATION, LABOR AND FAMILY ASSISTANCE COUNCIL ON THE ARTS MISSION The primary responsibility for oversight and administration of the State’s artistic and cultural resources is assigned to three existing entities — the Council on the Arts, the Empire State Plaza Performing Arts Center Corporation and the New York State Theatre Institute. The 2003-04 Executive Budget proposes the establishment of the New York Institute for Cultural Education to administer a variety of statewide cultural education programs and important cultural institutions. Working together, these agencies expand access to the performing and fine arts, preserve the State’s cultural resources and promote greater public awareness of New York’s rich cultural heritage. ORGANIZATION AND STAFFING The Council on the Arts is headed by a Chair and a Vice Chair and consists of 20 members nominated for 5-year terms by the Governor with confirmation by the Senate. The Council’s staff, headed by an Executive Director, is organized into an Administrative Division and a Program Division, both located in New York City. The Council has expertise in several major artistic disciplines (including dance, theater and music) and provides advisory services and financial assistance to New York’s arts community. During 2003-04, the Council on the Arts will have a workforce of 52 for the review, processing and administration of arts grants and loans to nonprofit organizations. The Empire State Plaza Performing Arts Center Corporation (the “Egg”) was established in 1979 as a public benefit corporation to administer a performing arts center in Albany that offers a diverse array of cultural and artistic programming. -
Challenges and Achievements
The Pennsylvania State University The Graduate School College of Arts and Architecture NISEI ARCHITECTS: CHALLENGES AND ACHIEVEMENTS A Thesis in Architecture by Katrin Freude © 2017 Katrin Freude Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture May 2017 The Thesis of Katrin Freude was reviewed and approved* by the following: Alexandra Staub Associate Professor of Architecture Thesis Advisor Denise Costanzo Associate Professor of Architecture Thesis Co-Advisor Katsuhiko Muramoto Associate Professor of Architecture Craig Zabel Associate Professor of Art History Head of the Department of Art History Ute Poerschke Associate Professor of Architecture Director of Graduate Studies *Signatures are on file in the Graduate School ii Abstract Japanese-Americans and their culture have been perceived very ambivalently in the United States in the middle of the twentieth century; while they mostly faced discrimination for their ethnicity by the white majority in the United States, there has also been a consistent group of admirers of the Japanese art and architecture. Nisei (Japanese-Americans of the second generation) architects inherited the racial stigma of the Japanese minority but increasingly benefited from the new aesthetic light that was cast, in both pre- and post-war years, on Japanese art and architecture. This thesis aims to clarify how Nisei architects dealt with this ambivalence and how it was mirrored in their professional lives and their built designs. How did architects, operating in the United States, perceive Japanese architecture? How did these perceptions affect their designs? I aim to clarify these influences through case studies that will include such general issues as (1) Japanese-Americans’ general cultural evolution, (2) architects operating in the United States and their relation to Japanese architecture, and (3) biographies of three Nisei architects: George Nakashima, Minoru Yamasaki, and George Matsumoto. -
Borough Hall Skyscraper Historic District Designation Report
Cover Photograph: Court Street looking south along Skyscraper Row towards Brooklyn City Hall, now Brooklyn Borough Hall (1845-48, Gamaliel King) and the Brooklyn Municipal Building (1923-26, McKenzie, Voorhees & Gmelin). Christopher D. Brazee, 2011 Borough Hall Skyscraper Historic District Designation Report Prepared by Christopher D. Brazee Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT MAP ................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT BOUNDARIES ............................. 1 SUMMARY .................................................................................................................................... 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT ........................................................................................ 5 Early History and Development of Brooklyn‟s Civic Center ................................................... 5 Mid 19th Century Development -
The Egg Center for the Performing Arts Albany, New York Kitty Carlisle Hart Theatre Technical Specifications
The Egg Center for the Performing Arts Albany, New York Kitty Carlisle Hart Theatre Technical Specifications 1 | Hart Theatre Tech Specs - T h e E g g DIRECTIONS DO NOT USE GPS TO GET TO THE EGG. IT WILL SEND YOU TO THE WRONG PLACE. WE DO NOT HAVE A PHYSICAL STREET ADDRESS From the South (New York City): New York State Throughway/I-87 North to exit 23/787 N. Take 787 N to exit 3. Follow signs towards the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the North (Montreal): I-87 South to exit 1A/I-90 east. Take exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the East (Boston): I-90 W. Take exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the West (Buffalo): I-90 E to exit 24 (exiting the Throughway). Continue on I-90 E to exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. o For non-truck vehicle parking follow signs to visitor parking. o Please contact the Production Manager if you need directions from any local hotel to The Egg’s loading dock or visitor parking. -
To Read Sample Pages
“ Any detailed account of the architectural history of the World Trade Center must rely on the work of Anthony W. Robins.” — Angus Gillespie, author of Twin Towers: Th e Life of New York City’s World Trade Center THE WORLD TRADE CENTER CLASSICS OF AMERICAN ARCHITECTURE ANTHONY W. ROBINS Originally published in 1987 while the Twin Towers still stood — brash and controversial, a new symbol of the city and the country — this book off ered the fi rst serious con- sideration of the planning and design of the World Trade Center. It benefi ted from interviews with fi gures still on the scene, and archival documents still available for study. Many of those interviewed, and many of the documents, are gone. But even if they remained available today, it would be impossible now to write this book from the same perspective. Too much has happened here. In this, the tenth anniversary year of the disaster, a new World Trade Center is rising on the site. We can fi nally begin to imagine life returning, with thousands of people streaming into the new build- ings to work or conduct business, and thousands more, from all over the world, coming to visit the new memorial. It is only natural, then, that we will fi nd ourselves thinking about what life was like in the original Center. Th is new edition of the book — expanded to include copies of some of the documents upon which the text was based — is off ered as a memory of the World Trade Center as it once was. -
Highlights of What We Will Be Doing in NYC
“Learning by Experience” LEGACIES OF NEW YORK: The MUNDO Fall Break Experience 2019 Highlights of what we will be doing in NYC John's of Times Square has been voted one of New York's best pizzas because of its unique characteristics. All pizzas are made to order in one of our four coal-fired brick ovens and like a cast iron pan, our ovens season with age, making no two pizzas the same. The 800 degree coal fired ovens have no thermostats to control heat and are operated by our pizza men who have gone through months of extensive training. We pride ourselves on our fresh ingredients and incomparable recipes, making our pizzas second to none. The National September 11 Memorial & Museum (also known as the 9/11 Memorial & Museum) is a memorial and museum in New York City commemorating the September 11, 2001 attacks, which killed 2,977 people, and the 1993 World Trade Center bombing, which killed six.[4] The memorial is located at the World Trade Center site, the former location of the Twin Towers that were destroyed during the September 11 attacks. It is operated by a non-profit institution whose mission is to raise funds for, program, and operate the memorial and museum at the World Trade Center site. A memorial was planned in the immediate aftermath of the attacks and destruction of the World Trade Center for the victims and those involved in rescue and recovery operations.[5] The winner of the World Trade Center Site Memorial Competition was Israeli-American architect Michael Arad of Handel Architects, a New York- and San Francisco-based firm. -
Newsletter of Architecture E Summer/Fallc2004h R I 5 C a T6 7
www.coa.gatech.edu Collegenewsletter of Architecture e summer/fallc2004h r i 5 c a t6 7 ARCHITECTURE ARTS AND TECHNOLOGY/MUSIC BUILDING CONSTRUCTION CITY AND REGIONAL PLANNING CONTINUING EDUCATION INDUSTRIAL DESIGN PH.D. PROGRAM 8 9 QQE 10 Q E q e Letter from the Dean World Trade Center Memorial Competition, Clearly, international immersion of our stu- while another, Hawa Meskinyar, from dents is regarded as an important goal for Afghanistan returned to her home country both the Institute and the College, but why? and founded a humanitarian organization First, this experience is absolutely critical to e committed to helping women and children in the diversity of knowledge we desire for our Afghanistan find their way toward independ- students. This emphasis also has very practical ence. Other of our graduates, such as Mona importance due to the globalization of design, As can be seen in several stories of this El-Mousfy and Samia Rab are on the faculty construction and planning practice and the newsletter issue, the international thrusts of in the School of Architecture and Design at need for our graduates to be competitive in the College are clearlyu evident, involving stu- the American University of Sharjah in the this practice. But it is also important for dents, faculty and alumni. Recent interna- UAE, and another, Mohamed Bechir Kenzari, Georgia Tech and other major research uni- tional engagements of our faculty and stu- is winnere of the 2003 Outstanding Article of versities to continue its long-standing practice dents are quite diverse: the Year from the Association of Collegiate of educating future leaders and professional c• Ecuador –t the work of Professors Ellen Schools of Architecture and is on the faculty experts in the built environment in countries Dunham-Jones, Michael Gamble and Randy of the School of Architectural Engineering at throughout the world. -
Sep 16 1996 an Analysis of the Plan for the Revitalization of Lower Manhattan
--- 4, An Analysis of the Lower Manhattan Revitalization Plan By John E. Lodge M. Arch. University of Pennsylvania 1986 B.A. University of Pennsylvania 1982 Submitted to the Department of Architecture in partial fulfillment of the requirements for the degree of Master of Science in Real Estate Development at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 1996 @ John E. Lodge The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Athr Department of Architecture August 1, 1996 Certified by Gary Hack Professor of Urban Design Department of Urban Studies and Planning Thesis Supervisor Accepted By William C. Wheaton Chairman Interdepartmental Degree Program in Real Estate Development SEP 16 1996 AN ANALYSIS OF THE PLAN FOR THE REVITALIZATION OF LOWER MANHATTAN By John E. Lodge Submitted to the Department of Architecture on August 1, 1996 in partial fulfillment of the requirements for the degree of Master of Science in Real Estate Development at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY ABSTRACT Most older cities in the United States are looking for ways to revitalize their aging central business districts (CBDs). As urban development patterns become increasingly metropolitan with the growth of 'edge cities' and suburban commercil complexes, cities at the center are faced with structural and locational impediments to growth. New York has implemented a program called the Plan for the Revitalization of Lower Manhattan in an attempt to address the area's lack of competitiveness. This Plan combines zoning changes, tax abatements, energy charge abatements, and historic preservation initiatives in an incentive program designed to spur the redevelopment of existing building stock into both residential units and more modernized office space. -
Still Here Nearly Three Decades After It Opened in New York’S Battery Park City, This Small Site Continues to Spread Its Influence—And Bring People Joy
STILL HERE NEARLY THREE DECADES AFTER IT OPENED IN NEW YORK’S BATTERY PARK CITY, THIS SMALL SITE CONTINUES TO SPREAD ITS INFLUENCE—AND BRING PEOPLE JOY. BY JANE MARGOLIES / PHOTOGRAPHY BY LEXI VAN VALKENBURGH 102 / LANDSCAPE ARCHITECTURE MAGAZINE JUNE 2016 LANDSCAPE ARCHITECTURE MAGAZINE JUNE 2016 / 103 rom Mary Miss’s home and studio, it’s Today much of New York’s waterfront has been civic purpose—something she has continued to a couple blocks south, then west, to developed with attractive and popular parks and pursue with the nonprofit she founded, City as reach Battery Park City, the landmark public spaces like this one. But South Cove— Living Laboratory. residential and commercial develop- conceived at a time when the shoreline was a Fment built on landfill just off Lower Manhattan. no-man’s-land, cut off from the rest of the city “To work on something on this scale—something Miss, an artist, is a walker, and when her dog by roadways and railroad tracks, and dotted with permanent that would affect the lives of New Yorkers was young and spry, they used to make the trek derelict warehouses—helped spark New York’s —that was an amazing experience,” she says. together regularly, wending their way down to ABOVE rediscovery of its waterfront. It gave those who The landfill area— South Cove, the small park along the Hudson still mostly undeveloped lived and worked in Manhattan a toehold on The three of them had never worked together River she designed with the landscape architect when this photograph the river. -
Institutional Backgrounder
INSTITUTIONAL BACKGROUNDER This document serves as an informational tool for members of the media who are interested in the National September 11 Memorial & Museum. Those looking for access to the Memorial and Museum are encouraged to visit the online media center. Please direct specific media inquiries to [email protected]. ESSENTIAL MEDIA BRIEFING • There are 2,983 names on the 9/11 Memorial, honoring the 2,977 people killed at the three attack sites on September 11, 2001 and the six people killed in the February 26, 1993 bombing at the World Trade Center. • The 9/11 attacks killed 2,977 people. 2,753 people were killed in New York, 184 people were killed at the Pentagon and 40 people were killed on Flight 93. • The February 26, 1993 bombing killed 6 people at the World Trade Center. • The largest loss of life of rescue personnel in American history occurred on September 11, 2001. 343 FDNY firefighters, along with 37 Port Authority Police Department officers and 23 New York Police Department officers, were killed. In total, 441 first responders representing over 30 agencies died on 9/11. • The Memorial pools stand in the footprints of the Twin Towers. Each pool is one acre in size. There are 413 swamp white oak trees on the Memorial plaza, and one callery pear tree known as the Survivor Tree. • The 9/11 Memorial Glade is located in the southwest corner of the Memorial. The Glade is dedicated to all who are sick or have died as a result of exposure to toxins and hazards in the aftermath of 9/11 as well as those who responded with courage and bravery. -
Then & Now: Albany, the South Mall and a Neighborhood Lost
Then & Now: Albany, the South Mall and a Neighborhood Lost City Engineer, Public Works Negatives, 1930-1949. From the Archival Collection of the Albany County Hall of Records. The Princess and “The Gut” 89-01830. Private Donor. Netherlands Royal Family Visit to Albany Photo Collection. Princess Beatrix of the Netherlands, Governor Nelson Rockefeller and Mayor Erastus Corning, September, 1959. “The South Mall will be the greatest single governmental office complex history has ever known.” – Mayor Erastus Corning 2nd In September of 1959, Princess Beatrix of the Netherlands came to Albany, New York to commemorate the 350th anniversary of Henry Hudson’s exploratory voyage on the Hudson River at the Hudson-Champlain Celebration. While giving the young royal a tour of downtown Albany, Governor Nelson A. Rockefeller felt embarrassed by the deteriorating South End neighborhood referred to by some as “The Gut,” an area of many dilapidated buildings and vacant structures. Albany Mayor Erastus Corning 2nd told the Knickerbocker News in 1979 that: “Rockefeller thought [the] buildings the Princess and those with her saw were not as good-looking or appropriate for a capital city as he thought they should be.” In an attempt to revitalize Albany and transform it into a city outsiders would deem worthy of being New York’s capital, Rockefeller proposed the construction of a large, modern governmental complex. In order to create this lavish site he envisioned, Rockefeller seized 98.5 acres of land in Albany’s South End through eminent domain in 1962 and demolition soon began. As a result, thousands of families and business owners lost their properties and were forced to relocate.