Proceedings of the PAVESE SOCIETY 1999, Volume 10
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The Profumo Affair in Popular Culture: the Keeler Affair (1963) and 'The
Contemporary British History ISSN: 1361-9462 (Print) 1743-7997 (Online) Journal homepage: http://www.tandfonline.com/loi/fcbh20 The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer To cite this article: Richard Farmer (2016): The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’, Contemporary British History, DOI: 10.1080/13619462.2016.1261698 To link to this article: http://dx.doi.org/10.1080/13619462.2016.1261698 © 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 29 Nov 2016. Submit your article to this journal Article views: 143 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=fcbh20 Download by: [University of East Anglia Library] Date: 16 December 2016, At: 03:30 CONTEMPORARY BRITISH HISTORY, 2016 http://dx.doi.org/10.1080/13619462.2016.1261698 OPEN ACCESS The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer Department of Film, Television and Media Studies, University of East Anglia, Norwich, UK ABSTRACT KEYWORDS This article demonstrates that the Profumo affair, which obsessed Profumo affair; satire; Britain for large parts of 1963, was not simply a political scandal, but cinema; Christine Keeler; was also an important cultural event. Focussing on the production scandal of The Keeler Affair, a feature film that figured prominently in contemporary coverage of the scandal but which has been largely overlooked since, the article shows that this film emerged from a situation in which cultural entrepreneurs, many of them associated with the satire boom, sought to exploit the scandal for financial gain. -
Romantic Retreats
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NASAT 2013 Round #5
NASAT 2013 Round 5 Tossups 1. In this novel, a priest who has a marvelous collection of masks is found beheaded in a patch of hyacinths. That character, Father Huismans, teaches the son of Zabeth, a magician. The servant Ali takes the name Metty before coming to work with the protagonist of this novel, whose friend Indar says that his home country is not strong since they do not have a flag. The protagonist of this novel has an affair with Yvette, whose husband Raymond works in an area called the Domain for a ruler called the Big Man. For 10 points, name this novel in which Salim sets up a shop in an unnamed African country, written by V. S. Naipaul. ANSWER: A Bend in the River 192-13-83-05101 2. In one piece, this composer memorialized an incident in which a crowd waiting at a train station spontaneously broke out into song. Nicholas Slonimsky instructed part of his ensemble to play four measures in the same time that another part played three to evoke dueling bands in his rendition of another "orchestral set" by this composer. He instructed the pianist to create a tone cluster by hitting the keys with a piece of wood in the "Hawthorne" movement of another work. This composer used minor thirds in his quotations of songs like "Old Black Joe" in the first movement of his most famous piece, which depicts the Robert Gould Shaw Memorial. For 10 points, name this American composer of Concord Sonata and Three Places in New England. -
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make up a Christian Heart
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make Up a Christian Heart. Matthew 6:21 says, “For where your treasure is, there your heart will be also.” This verse is saying that you must have honesty within your heart. Be true to yourself and those around you – and you’ll discover that your heart will guide you when you’re feeling left astray or at bay from everything that’s near and dear to you. Always listen to your heart because it will help to cultivate your decisions between right and wrong. Proverbs 3:5 says, “Trust in the Lord with all your heart and lean not on your own understanding,” This verse is conveying the desperate need for faith within your heart. There will be challenging times that cause you to question your faith and your overall belief system; however, it’s important to have faith within your heart. When you find yourself in doubt, look to your heart to guide you into the right direction. If you have these seven elements within your heart, you’ll find that your life is much fuller – full of happiness, love and the Lord. Everyone’s heart has many other qualities and attributes that furnish their individuality however, these seven elements are the core to a Christian heart. Christine Keeler obituary: the woman at the heart of the Profumo affair. There were many victims of the Profumo affair, the sex and spying scandal that dominated the headlines in 1963, contributed to the resignation of the then prime minister, Harold Macmillan, soon afterwards, and still looms disproportionately large in the history of modern Britain. -
Title of Thesis: ABSTRACT CLASSIFYING BIAS
ABSTRACT Title of Thesis: CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis Directed By: Dr. David Zajic, Ph.D. Our project extends previous algorithmic approaches to finding bias in large text corpora. We used multilingual topic modeling to examine language-specific bias in the English, Spanish, and Russian versions of Wikipedia. In particular, we placed Spanish articles discussing the Cold War on a Russian-English viewpoint spectrum based on similarity in topic distribution. We then crowdsourced human annotations of Spanish Wikipedia articles for comparison to the topic model. Our hypothesis was that human annotators and topic modeling algorithms would provide correlated results for bias. However, that was not the case. Our annotators indicated that humans were more perceptive of sentiment in article text than topic distribution, which suggests that our classifier provides a different perspective on a text’s bias. CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis submitted in partial fulfillment of the requirements of the Gemstone Honors Program, University of Maryland, 2018 Advisory Committee: Dr. David Zajic, Chair Dr. Brian Butler Dr. Marine Carpuat Dr. Melanie Kill Dr. Philip Resnik Mr. Ed Summers © Copyright by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang 2018 Acknowledgements We would like to express our sincerest gratitude to our mentor, Dr. -
British Domestic Security Policy and Communist Subversion: 1945-1964
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Apollo British Domestic Security Policy and Communist Subversion: 1945-1964 William Styles Corpus Christi College, University of Cambridge September 2016 This dissertation is submitted for the degree of Doctor of Philosophy William Styles British Domestic Security Policy and Communist Subversion: 1945-1964 This thesis is concerned with an analysis of British governmental attitudes and responses to communism in the United Kingdom during the early years of the Cold War, from the election of the Attlee government in July 1945 up until the election of the Wilson government in October 1964. Until recently the topic has been difficult to assess accurately, due to the scarcity of available original source material. However, as a result of multiple declassifications of both Cabinet Office and Security Service files over the past five years it is now possible to analyse the subject in greater depth and detail than had been previously feasible. The work is predominantly concerned with four key areas: firstly, why domestic communism continued to be viewed as a significant threat by successive governments – even despite both the ideology’s relatively limited popular support amongst the general public and Whitehall’s realisation that the Communist Party of Great Britain presented little by way of a direct challenge to British political stability. Secondly, how Whitehall’s understanding of the nature and severity of the threat posed by British communism developed between the late 1940s and early ‘60s, from a problem considered mainly of importance only to civil service security practices to one which directly impacted upon the conduct of educational policy and labour relations. -
Housing, Equality and Choice
housing 21/8/03 11:43 am Page A HOUSING, EQUALITY AND CHOICE Chris Holmes housing 21/8/03 11:43 am Page B 30-32 Southampton Street, London WC2E 7RA Tel: 020 7470 6100 Fax: 020 7470 6111 [email protected] www.ippr.org Registered charity 800065 The Institute for Public Policy Research (ippr), established in 1988, is Britain’s leading independent think tank on the centre left. The values that drive our work include delivering social justice, deepening democracy, increasing environmental sustainability and enhancing human rights. Through our well-researched and clearly argued policy analysis, our publications, our media events, our strong networks in government, academia and the corporate and voluntary sector, we play a vital role in maintaining the momentum of progressive thought. ippr’s aim is to bridge the political divide between the social democratic and liberal traditions, the intellectual divide between the academics and the policy makers and the cultural divide between the policy-making establishment and the citizen. As an independent institute, we have the freedom to determine our research agenda. ippr has charitable status and is funded by a mixture of corporate, charitable, trade union and individual donations. Research is ongoing, and new projects being developed, in a wide range of policy areas including sustainability, health and social care, social policy, citizenship and governance, education, economics, democracy and community, media and digital society and public private partnerships. For further information you can contact ippr’s external affairs department on [email protected], you can view our website at www.ippr.org and you can buy our books from Central Books on 0845 458 9910 or email [email protected]. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
„Nowhere to Go but Up“? Die Gattungsmerkmale Des Musicals
„Nowhere to Go But Up“? Die Gattungsmerkmale des Musicals Dissertation zur Erlangung des Grades der Doktorin der Philosophie an der Fakultät für Geisteswissenschaften der Universität Hamburg im Promotionsfach Historische Musikwissenschaft vorgelegt von Sarah Baumhof Hamburg, 2021 Tag der Disputation: 21.1.2021 Vorsitzende der Prüfungskommission: Prof. Dr. Ivana Rentsch Erstgutachterin: Prof. Dr. Ivana Rentsch Zweitgutachter: Prof. Dr. Oliver Huck Anmerkungen zu Begrifflichkeiten, Schreibweisen und Quellenangaben ............................................ IV 1 Einleitung .......................................................................................................................... 1 1.1 Ziel und Titel der Dissertation .................................................................................... 1 1.2 Aktueller Forschungsstand ......................................................................................... 2 1.2.1 Sekundärliteratur: Umfang und Publikationsart ..................................................... 2 1.2.2 Subjektivität und qualitative Mängel ...................................................................... 6 1.2.3 Geographische Zentrierung .................................................................................. 11 1.2.4 Fehlende Musikanalyse ........................................................................................ 13 1.2.5 Determiniertheit .................................................................................................... 15 1.3 Fragestellung und -
Brian Klug What Do We Mean When We Say 'Antisemitsm'?
Brian Klug What Do We Mean When We Say ‘Antisemitsm’? Echoes of shattering glass Proceedings / International conference “Antisemitism in Europe Today: the Phenomena, the Conflicts” 8–9 November 2013 Organized by the Jewish Museum Berlin, the Foundation “Remembrance, Responsibility and Future” and the Center for Research on Antisemitism Berlin BRIAN KLUG What Do We Mean When We Say ‘Antisemitism’? 1 Brian Klug What Do We Mean When We Say ‘Antisemitism’? Echoes of shattering glass Guten abend. Let me begin by apologizing for the fact that those might be the only words in German that you hear from me this evening. I really have no excuse. I learned German – twice: once at the University of Vienna and again at the University of Chicago. And I forgot it – twice. Which goes to show that Klug by name does not necessarily mean Klug by nature. I grew up in London. My parents spoke Yiddish at home, which should have given me a solid foundation for speaking German. But, like many Jewish parents of their generation, they did so in order not to be understood by the children. And they succeeded. So, thank you, in advance, for listening. Let me also express my thanks to my hosts for their invitation, especially for inviting me to speak here and now: here, in Berlin, at the Jewish Museum, an institution that I admire immensely, and now, on the eve of the 75th anniversary of Pogromnacht, which took place across Nazi Germany and Austria on 9 November 1938. (In Britain, we still say ‘Kristallnacht’. I know and I respect the reasons why this word has been retired in Germany, and in my lecture tonight I shall use the name Pogromnacht. -
Western Europe
Western Europe Great Britain* JLHE PERIOD under review (July 1, 1962, to December 31, 1963) was an eventful one in British political and economic life. Economic recession and an exceptionally severe winter raised the number of unemployed in Jan- uary 1963 to over 800,000, the highest figure since 1939. In the same month negotiations for British entry into the European Common Market broke down, principally because of the hostile attitude of President Charles de Gaulle of France. Official opinion had stressed the economic advantages of union, but enthusiasm for the idea had never been widespread, and there was little disappointment. In fact, industrial activity rallied sharply as the year progressed. In March 1963 Britain agreed to the dissolution of the Federation of Rho- desia and Nyasaland, which had become inevitable as a result of the transfer of power in Nyasaland and Northern Rhodesia to predominantly African governments and the victory of white supremacists in the elections in South- ern Rhodesia, where the European minority still retained power. Local elections in May showed a big swing to Labor, as did a series of par- liamentary by-elections. A political scandal broke out in June, when Secretary for War John Pro- fumo resigned after confessing that he had lied to the House of Commons concerning his relations with a prostitute, Christine Keeler. A mass of infor- mation soon emerged about the London demimonde, centering on Stephen Ward, an osteopath, society portrait painter, and procurer. His sensational trial and suicide in August 1963 were reported in detail in the British press. A report issued in September by Lord Denning (one of the Law Lords) on the security aspects of the scandal disposed of some of the wilder rumors of immorality in high places but showed clearly the failure of the government to deal with the problem of a concurrent liaison between the war minister's mistress and a Soviet naval attache. -
Artistes Featured on the ‘Profumo the Musical’ CD
Artistes featured on the ‘Profumo the Musical’ CD Michael Mclean as John Profumo Michael studied at the Guildhall School of Music and Drama. His theatrical career as an actor and director has literally taken him around the world, with tours to Australia, New Zealand, Japan, Korea, The Philippines, Norway, Europe and numerous seasons in London’s West End. His extensive credits include ‘Sweeney Todd in Sweeney Todd’, ‘Albin in La Cage Aux Folles’, ‘Jean Valjean in Les Miserables’, ‘Walter de Courcey in Chess’, and many others. In addition Michael has directed six separate productions of ‘Phantom of the Opera’ in Japan and national tours of ‘Chicago’ and ‘Evita’ in New Zealand. Michael has appeared in many British television and film roles and his recording credits include work with the London Symphony Orchestra, the London City Orchestra and the BBC Concert Orchestra. He is also a regular broadcaster for BBC Radio 2 and BBC Radio 4. Michael has been teaching singing for over twenty years and regularly gives master classes in both singing and audition techniques to amateur, professional and educational groups throughout the United Kingdom and in Europe. Annette Yeo as Valerie Hobson Annette was born in Kent, South East England, and began training as a classical singer at the Guildhall School of Music and Drama, London. She trained at Mountview Theatre drama school and went on to her first West End theatre role in the award winning 'City of Angels'. Annette has had a long and successful career as a musical theatre actor and concert singer, performing in numerous West End shows including ; 'Les Miserables', 'The Phantom of the Opera', 'Kiss Me Kate' and 'Mamma Mia'.