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Introducing CS Lewis
Volume 1 Issue 3 Article 7 January 1972 Introducing C.S. Lewis: Sincerity Personified Kathryn Lindskoog Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Lindskoog, Kathryn (1972) "Introducing C.S. Lewis: Sincerity Personified," Mythcon Proceedings: Vol. 1 : Iss. 3 , Article 7. Available at: https://dc.swosu.edu/mythpro/vol1/iss3/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract An overview of C.S. Lewis’s life, primarily based on Surprised by Joy and Letters, covering the entire period from his birth to death with special emphasis on his education and conversion. Includes personal reminiscences of the author’s own meeting with him in 1956. This is the first chapter of Lindskoog’s biography of Lewis. Keywords Lewis, C.S.— Biography; Lewis, C.S.—Personal reminisences This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss3/7 Dnt:r<onacfnGLindskoog: Introducing C.S. Lewis:ml Sincerity ~ Personified l!ewfs= sfncer<ft:J! per<sont-i:ten by Kathryn Lindskoog "lie struck me as the most thoroughly converted for the distant green hills on the horizon. In contrast, man I ever met.• Walter Hooper they had some dazzling sandy summer days at the beach; C. -
Myth in CS Lewis's Perelandra
Walls 1 A Hierarchy of Love: Myth in C.S. Lewis’s Perelandra A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English by Joseph Robert Walls May 2012 Walls 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Dr. Branson Woodard, D.A. _______________________________________________________________________ First Reader Date Dr. Carl Curtis, Ph.D. _______________________________________________________________________ Second Reader Date Dr. Mary Elizabeth Davis, Ph.D. Walls 3 For Alyson Your continual encouragement, support, and empathy are invaluable to me. Walls 4 Contents Introduction......................................................................................................................................5 Chapter 1: Understanding Symbol, Myth, and Allegory in Perelandra........................................11 Chapter 2: Myth and Sacramentalism Through Character ............................................................32 Chapter 3: On Depictions of Evil...................................................................................................59 Chapter 4: Mythical Interaction with Landscape...........................................................................74 A Conclusion Transposed..............................................................................................................91 Works Cited ...................................................................................................................................94 -
ABSTRACT C.S. Lewis and the Conversion of the Aeneas Story In
ABSTRACT C.S. Lewis and the Conversion of the Aeneas Story in the Ransom Trilogy Katherine Grace Hornell Directors: Phillip J. Donnelly, Ph.D. and Alan Jacobs, Ph.D. Many readers of C. S. Lewis’s writing consider his science fiction trilogy an odd divergence from his expected repertoire. Though Lewis’ "Ransom Trilogy" proves distinctive among his works, the books grow from the same deep roots in classical and medieval literary traditions that inform his other writings. Drawing from Virgil, Dante, and Arthurian legend to structure his narrative, Lewis unites ancient myth and modern fiction in order to illumine Classical stories with Christian faith. This thesis considers how Lewis’s science fiction draws on the features of secondary epic and its attendant meanings that appear in the Aeneid and in Arthurian stories. Ultimately, Lewis models how contemporary writers can make old stories live anew. APPROVED BY DIRECTOR OF HONORS THESIS: __________________________________________________ Dr. Phillip J. Donnelly, Department of Great Texts APPROVED BY THE HONORS PROGRAM: ________________________________________________ Dr. Elizabeth Corey, Director DATE: __________________ C.S. LEWIS AND THE CONVERSION OF THE AENEAS STORY IN THE RANSOM TRILOGY A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Katherine Grace Hornell Waco, Texas August 2016 TABLE OF CONTENTS Acknowledgments………………………………………………………....…………..iii Introduction…………………………………………………………………………….1 Chapter One: Out of the Silent Planet………………………………………………….4 Chapter Two: Perelandra……………………………………………………………..22 Chapter Three: That Hideous Strength………………………………………………..43 Conclusion…………………………………………………………………………….62 Bibliography…………………………………………………………………………..65 ii ACKNOWLEDGEMENTS I wish to express my sincere thanks both to Dr. Alan Jacobs and to Dr. Phillip J. -
CS Lewis As Doctor Ecclesiae
Inklings Forever Volume 9 A Collection of Essays Presented at the Ninth Frances White Ewbank Colloquium on C.S. Lewis & Article 20 Friends 5-29-2014 Cartographer of the Divine: C.S. Lewis as Doctor Ecclesiae Donald T. Williams Toccoa Falls College Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Williams, Donald T. (2014) "Cartographer of the Divine: C.S. Lewis as Doctor Ecclesiae," Inklings Forever: Vol. 9 , Article 20. Available at: https://pillars.taylor.edu/inklings_forever/vol9/iss1/20 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IX A Collection of Essays Presented at the Ninth FRANCES WHITE EWBANK COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2014 Upland, Indiana Cartographer of the Divine: C.S. Lewis as Doctor Ecclesiae Donald T. Williams Toccoa Falls College Williams, Donald T. “Cartographer of the Divine: C.S. Lewis as Doctor Ecclesiae.” Inklings Forever 9 (2014) www.taylor.edu/cslewis Cartographer of the Divine: C.S. Lewis as Doctor Ecclesiae Donald T. Williams Toccoa Falls College INTRODUCTION: argument from reason). We do not yet have a book that looks at Lewis’s presentation of When George Sayer’s first meeting Christian doctrine as a unified whole and asks with his new Oxford tutor C. -
The Liberal Arts, Antidote for Atheism a Partial Theological Justification for the Liberal Arts
LINGUACULTURE 2, 2014 THE LIBERAL ARTS, ANTIDOTE FOR ATHEISM A PARTIAL THEOLOGICAL JUSTIFICATION FOR THE LIBERAL ARTS DR. JOEL D. HECK Concordia University Texas Abstract C. S. Lewis once stated that the decline of classical learning was a contributory cause of atheism. This article explores why he made this very unusual statement, describing how Lewis saw the Classics as a literature full of gods and goddesses, providing hints of truth, giving us things to write about, and preparing for the Christian faith. Using some remarkable quotations from Virgil and Plato, Lewis demonstrated how those writers anticipated both the birth and the death of Christ. Lewis’s concept of myth, powerfully present in the Classics, shows how the Gospel story itself is a “true myth,” one with a pattern that is similar to many of the pagan myths. The personal story of Lewis himself demonstrates how the Classics, and, more broadly, the liberal arts were a testimony to the truth of God and how the Greek plays of Euripides, the philosophy of Samuel Alexander, the imagination of writer William Morris, the poetry of George Herbert, and the historical sensibility of G. K. Chesterton combined (with many other similar influences) to convince Lewis that the death and resurrection of Jesus Christ were especially a “true myth,” one that happened in history, demonstrating him to be the Son of God. Keywords: Atheism, classical learning, the Classics, conversion, patron saint, liberal arts, myth One of the most puzzling quotations from C. S. Lewis that I have ever come across is this statement, written by Lewis to his lifelong friend Arthur Greeves on Dec. -
A Cosmic Shift in the Screwtape Letters
Volume 39 Number 1 Article 1 Fall 10-15-2020 A Cosmic Shift in The Screwtape Letters Brenton D.G. Dickieson University of Prince Edward Island Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Dickieson, Brenton D.G. (2020) "A Cosmic Shift in The Screwtape Letters," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 39 : No. 1 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol39/iss1/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol39/iss1/1 COSMIC SHIFT IN THE SCREWTAPE LETTERS BRENTON D.G. DICKIESON HOUGH IT WAS THE BOOK THAT LAUNCHED LEWIS INTO PUBLIC FAME, and T although he returned eighteen years later with a “Toast,” by all accounts, Lewis had no desire to capitalize on The Screwtape Letters. -
The Stylistic Achievement of Mere Christianity
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2011 The tS ylistic Achievement of Mere Christianity Gary L. Tandy George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/eng_fac Part of the English Language and Literature Commons Recommended Citation Tandy, Gary L., "The tS ylistic Achievement of Mere Christianity" (2011). Faculty Publications - Department of English. Paper 3. http://digitalcommons.georgefox.edu/eng_fac/3 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. The Stylistic Achievement of Mere Christianity GARY L. TANDY N encouraging development in Lewis scholarship over the last two Adecades has been the tendency of critics to pay closer attention to his achievement as a literary artist. Two books published recently by Oxford Uni versity Press are representative of this trend: Planet Narnia by Michael Ward, 1 and C. S. Lewis on the Final Frontier by Sanford Schwartz.2 Ward's book argues for the imaginative unity of The Chronicles of Narnia, suggesting that each of the seven books is focused on-and creates an atmosphere related to-one of the seven planets of medieval cosmology. Schwartz's work looks closely at the themes, imagery, and structure of the Ransom Trilogy and ar gues that the Trilogy is more integrated and unified than has previously been assumed; he presents the author of these volumes as one deeply engaged with the modern intellectual revolution, contrary to Lewis' self-styled image as an intellectual and cultural dinosaur. -
The Abolition of Man in Retrospect Paul E
Inklings Forever Volume 6 A Collection of Essays Presented at the Sixth Frances White Ewbank Colloquium on C.S. Lewis & Article 14 Friends 5-29-2008 The Abolition of Man in Retrospect Paul E. Michelson Huntington University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Michelson, Paul E. (2008) "The Abolition of Man in Retrospect," Inklings Forever: Vol. 6 , Article 14. Available at: https://pillars.taylor.edu/inklings_forever/vol6/iss1/14 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume VI A Collection of Essays Presented at the Sixth FRANCES WHITE EWBANK COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2008 Upland, Indiana The Abolition of Man 1943-2008 Paul E. Michelson Abstract: The paper reviews some of the principal contentions of C. S. Lewis's The Abolition of Man (1943) and assesses their status, relevance, and importance 65 years on. Michelson, Paul E. “The Abolition of Man 1943-2008.” Inklings Forever 6 (2008) www.taylor.edu/cslewis 2 The Abolition of Man 1943-2008 I. INTRODUCTORY Sixty-five years ago, in February of 1943, C. S. Lewis delivered the Riddell Memorial Lectures at King's College of the University of Durham under the title "The Abolition of Man." The aim of the Riddell lectureship was to explore the relationship between religion and contemporary thought.1 My purpose here is to assess in retrospect C. -
Mysticism in CS Lewis
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 13 Lewis & Friends 3-2004 Into the Region of Awe: Mysticism in C.S. Lewis David C. Downing Elizabethtown College Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Downing, David C. (2004) "Into the Region of Awe: Mysticism in C.S. Lewis," Inklings Forever: Vol. 4 , Article 13. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/13 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Into the Region of Awe: Mysticism in C.S. Lewis David C. Downing, Elizabethtown College Downing, David C. “Into the Region of Awe: Mysticism in C.S. Lewis.” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 Into the Region of Awe: Mysticism in C.S. Lewis David C. Downing C.S. Lewis is arguably the most influential voice not merely a set of religious beliefs, nor institutional for Christian faith in the modern era. Whether writing customs, nor moral traditions. It was rooted rather in a as a scholar, lay theologian, or story-teller, he is famous vivid, immediate sense of the Divine presence—in for his commitment to “mere Christianity,” for world history and myth, in the natural world, and in presenting the basic tenets of faith shared “in all places every human heart. -
C. S. Lewis and Christian Postmodernism: Jewish Laughter Reversed
Inklings Forever: Published Colloquium Proceedings 1997-2016 Volume 10 A Collection of Essays Presented at the Tenth Frances White Ewbank Colloquium on Article 69 C.S. Lewis & Friends 6-5-2016 C. S. Lewis and Christian Postmodernism: Jewish Laughter Reversed Kyoko Yuasa Fuji Women’s University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Yuasa, Kyoko (2016) "C. S. Lewis and Christian Postmodernism: Jewish Laughter Reversed," Inklings Forever: Published Colloquium Proceedings 1997-2016: Vol. 10 , Article 69. Available at: https://pillars.taylor.edu/inklings_forever/vol10/iss1/69 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever: Published Colloquium Proceedings 1997-2016 by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. C. S. Lewis and Christian Postmodernism: Jewish Laughter Reversed Kyoko Yuasa Kyoko Yuasa is a lecturer of English Literature at Fuji Women’s University, Japan. She is the author of C. S. Lewis and Christian Postmodernism: Word, Image, and Beyond (2016), the Japanese translation of Bruce L. Edwards’s A Rhetoric of Reading: C. S. Lewis’s Defense of Western Literacy (2007), and many published essays. C. S. Lewis’s last novel Till We Have Faces (TWHF) details the tragedy of a queen who fails to find self-fulfillment. It seems to be far from humorous. -
Select Bibliography of the Works of C.S. Lewis
C.S. Lewis: A Select Bibliography This is not a comprehensive listing of Lewis’s works. For a more complete list, please see the following: C.S. Lewis: An Annotated Checklist by Joe R. Christopher and Joan K. Ostling (Kent State UP), 1974. Remembering C.S. Lewis: Recollections of Those Who Knew Him. James Como, Ed. San Francisco: Ignatius Press, 2005. (Includes updated Lewis bibliography by Walter Hooper) FICTION -Boxen: The Imaginary World of the Young C. S. Lewis (1905-1913, not published until 1985) -The Pilgrim's Regress (1933) -Out of the Silent Planet (1938) (Science Fiction, Book I of the Space Trilogy) -The Screwtape Letters (1942) -Perelandra (1943) (Science Fiction, Book II of the Space Trilogy) -That Hideous Strength (1945) (Science Fiction, Book III of the Space Trilogy) -The Great Divorce (1945) -The Lion, the Witch, and the Wardrobe (1950) (The Chronicles of Narnia) -Prince Caspian (1951) (The Chronicles of Narnia) -The Voyage of the Dawn Treader (1952) (The Chronicles of Narnia) -The Silver Chair (1953) (The Chronicles of Narnia) -The Horse and His Boy (1954) (The Chronicles of Narnia) -The Magician's Nephew (1955) (The Chronicles of Narnia) -The Last Battle (1956) (The Chronicles of Narnia) -Till We Have Faces (1956) -Screwtape Proposes a Toast and Other Pieces (1965) -Mark vs. Tristram (imaginary correspondence by C.S. Lewis and Owen Barfield, 1967) -The Dark Tower and Other Stories, Walter Hooper, ed. (1977) CORRESPONDENCE -Letters of C.S. Lewis, W.H. Lewis, ed. (1966) -Letters to an American Lady, Clyde Kilby, ed. (1967) -The Letters of C.S. -
For That Hideous Strength by C
Readers Guide for That Hideous Strength by C. S. Lewis Compiled and Written by Ted Lewis- 2021 In the mid-1930s, C. S. Lewis and J. R. R. Tolkien, on a walk, agreed that there was a dearth of quality writing in “speculative fiction.” The genre term “science fiction” didn’t really become popular until the 1950s, but that is the sort of literature they were thinking about. “There is too little of what we really like in stories,” Lewis said. “I am afraid we shall have to try and write some ourselves.” As the anecdote goes, they flipped a coin to decide who would write about time-travel and who would take up space-travel. Tolkien ended up with time-travel and wrote two unfinished works related to the Silmarillion (The Lost Road, The Notion Club Papers). Lewis landed with space- travel and soon began his famed Ransom Trilogy. The first two novels clearly venture out into “Deep Heaven.” The protagonist Ransom has his adventures, respectively, on Mars and Venus, or rather, Malacandra and Perelandra. In both stories, Ransom confronts the ambitious agenda of a scientist, Weston, who is bent on colonizing these pre-fallen planets in the name of evolutionary and transhumanistic progress. It is certainly best to read these two books first as a foundation for reading the third book which takes place back on Earth, or Thulcandra, “The Silent Planet.” Why is it silent? Because the spiritual beings that steward the rest of the solar system (Arbol’s Field) are not able to communicate through Earth’s outer barrier (which splits through the moon) due to its fallen nature.