"Surprised by Joy": C.S. Lewis' Changing Attitudes Toward Women
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Surrounded! “C. S. LEWIS: SURPRISED by JOY!”
June 21, 2015 Surrounded! “C. S. LEWIS: SURPRISED BY JOY!” Rev. Gary Haller First United Methodist Church Birmingham, Michigan John 16:19-22 Jesus knew that they wanted to ask him, so he said to them, “Are you discussing among yourselves what I meant when I said, ‘A little while, and you will no longer see me, and again a little while, and you will see me’? Very truly, I tell you, you will weep and mourn, but the world will rejoice; you will have pain, but your pain will turn into joy. When a woman is in labor, she has pain, because her hour has come. But when her child is born, she no longer remembers the anguish because of the joy of having brought a human being into the world. So you have pain now; but I will see you again, and your hearts will rejoice, and no one will take your joy from you.” Matthew 13:44 “The kingdom of heaven is like treasure hidden in a field, which someone found and hid; then in his joy he goes and sells all that he has and buys that field.” “Once there were four children whose names were Peter, Susan, Edmund and Lucy. This story is about something that happened to them when they were sent away from London during the war because of the air-raids. They were sent to the house of an old Professor who lived in the heart of the country, ten miles from the nearest railway station and two miles from the nearest post office.” Peter, Susan, Edmund and Lucy soon realize that they have a lot of freedom due to the lack of supervision and decide to play a game of hide and seek in the house. -
Bibliography of the Marion E. Wade Center Related Writings of Clyde S
Bibliography of the Wade Related Writings of Clyde S. Kilby BOOKS AND PAMPHLETS Christianity and Aesthetics. Chicago: InterVarsity Press, 1961. The Christian World of C.S. Lewis. Grand Rapids: William B. Eerdmans Publishing Company, 1964 (Reprinted 1974, 1976). Published in Abingdon, England: Marcham Manor Press, 1965. The Rationale of Myth. Wheaton, IL: Wheaton College, 1973. Gilbert, Douglas R., and Clyde S. Kilby. C.S. Lewis: Images of His World. London: Hodder and Stoughton, 1973. Published in Grand Rapids, MI: Eerdmans, 1973. (Reprinted 1977, 2005) Tolkien and the Silmarillion. Wheaton, IL: Harold Shaw Publishers. 1976. (Reprinted 1977) Published in Berkhamsted, England: Lion Pub., 1977. Images of Salvation in the Fiction of C.S. Lewis. Wheaton, IL: Harold Shaw Publishers, 1978. A Well of Wonder: Essays on C.S. Lewis, J.R.R. Tolkien, and the Inklings, eds. Loren Wilkinson and Keith Call. Brewster MA: Paraclete Press Inc., 2016. The Arts and the Christian Imagination: Essays on Art, Literature, and Aesthetics, eds. William Dyrness and Keith Call. Brewster MA: Paraclete Press Inc., 2016. EDITED BOOKS Lewis, C.S., edited and with a preface by Clyde S. Kilby. Letters to an American Lady. Grand Rapids: William B. Eerdmans Publishing Company. (Reprinted 1969. Paperback edition 1971. Reprinted 1978, 1982, 1996, 2014). Published in London: Hodder and Stoughton, 1969. Lewis, C.S., edited by Clyde S. Kilby. A Mind Awake: an Anthology of C.S. Lewis. London: Geoffrey Bles, 1968. Published in New York: Harcourt, Brace and World, 1969. (Reprinted 1980, 1988, 2003). Lewis, W.H. edited by Clyde S. Kilby and Marjorie Lamp Mead. -
Satire and Social Criticism in C
Satire and Social Criticism in C. S. Lewis’ That Hideous Strength Marika Österberg Supervisor: Ulrika Andersson Examination in English, 15 ECTS English, C-course Department of Social and Behavioral Studies Spring 2012 Contents Introduction 3 Chapter 1: Background to a New Historicist Reading of That Hideous Strength 7 Satire in Fantasy and Dystopian Fiction 7 Babel and the Concept of Evil – Averting from Objective Values 11 Societal Phenomena in Lewis’ Time: Totalitarianism, Laboratory Animals and Education 17 Chapter 2: Satire and Social Criticism in That Hideous Strength 21 Societal Phenomena under the Satirist’s Attack 21 The Alternative 30 Conclusion 38 Appendix: The Story of the Tower of Babel 41 Works Cited 42 2 Introduction The imagination is, according to C. S. Lewis, the prerequisite for moral choices. It is not surprising then that he writes his war time social criticism in the genre of fantasy. He further writes in the dystopian and satiric modes, both of which characteristically comprise criticism of society. Modern society of Lewis’ time, he believed, denied absolute values, and wrongly considered goodness and badness to be subjective measures. This vacuum of objective values took several expressions on a societal level. One that Lewis found troublesome was science. Though science made progress in many ways in the first decades of the twentieth century, its utilization of nature, animals and humans threw dark shadows on it. Totalitarian governments took this to an extreme; was humanity going to survive? Science itself Lewis considered good. He even believed that science might bring the cure (1944, 76). What Lewis then means by a denial of objective values is that the wisdom of old ages is missing among scientists and others, a wisdom which wise individuals accumulated in their efforts to conform their souls to reality, and which they achieved through “knowledge, self-discipline and virtue” (1944, 77). -
The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy
Volume 34 Number 2 Article 3 4-15-2016 The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy Sarah Eddings Northern Arizona University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Eddings, Sarah (2016) "The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol34/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the contrasting symbolism and imagery of perpendicular structures (mountains, trees, built structures, and so on) and waves in the Space Trilogy as a whole. Eddings finds more than simple gendered symbolism in these clusters of images; verticality indicates reaching for the heavens and waves show submission to the will of Maleldil. -
Utopia in Deep Heaven: Thomas More and C.S. Lewis's Cosmic Trilogy
Volume 35 Number 2 Article 8 4-15-2017 Utopia in Deep Heaven: Thomas More and C.S. Lewis's Cosmic Trilogy Benjamin C. Parker Northern Illinois University in De Kalb, IL Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Parker, Benjamin C. (2017) "Utopia in Deep Heaven: Thomas More and C.S. Lewis's Cosmic Trilogy," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 35 : No. 2 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol35/iss2/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Teases out parallels to Thomas More’s Utopia the solar system of Lewis’s Cosmic Trilogy, to show how Lewis’s scholarly engagement with this text informs his depictions of Malacandra, Perelandra, and the smaller world of the N.I.C.E. -
Research Journal of English(RJOE) Vol-3,Issue-4,2018 an International Peer-Reviewed English Journal ISSN: 2456-2696
Oray’s Publications Research Journal Of English(RJOE) Vol-3,Issue-4,2018 www.rjoe.co.in An International Peer-Reviewed English Journal ISSN: 2456-2696 Archetypal Approach Spins around C.S.Lewis’s the Chronicles of Narnia Dr.J.Sripadmadevi Assistant Professor Department of English (SF) Nirmala College for Women Coimbatore,Tamilnadu,India Abstract As archetypes are recurrent patterns in literature, they shine exuberantly in the genre of high fantasy, which derives much of its power from the archetypal models it incorporates with the subject matter; and The Chronicles of Narnia series is of no exception in this regard. They are finely embedded with the archetypal images such as light and darkness, sibling rivalry, tyrannical bullies, quest motif and character types. Albeit, the series has hooked up with various archetypal characteristics such as the theme of virtue conquers vice, it is the archetypal patterns in characters which have left a sturdy imprint to execute the thematic design of good versus evil in the entire plot structure. The intrinsic study of the series illustrates the infinite variety of experience of the dominant characters; wherein it reveals certain archetypal traits. Hence, the present paper explores on the variety of Archetypes in C.S.Lewis‟s The Chronicles of Narnia. Key Words: Archetypes, Types of Archetypes, Child archetypes Research Journal Of English (RJOE) Copyright Oray’s Publication Page 173 Oray’s Publications Research Journal Of English(RJOE) Vol-3,Issue-4,2018 www.rjoe.co.in An International Peer-Reviewed English Journal ISSN: 2456-2696 As Children‟s literature has provided with numerous archetypes, the eminence of series lies more on archetypal figures and images which it shares with other texts in the huge gamut of stories ranging from oral roots of tales to the latest fantasy narratives. -
Introducing CS Lewis
Volume 1 Issue 3 Article 7 January 1972 Introducing C.S. Lewis: Sincerity Personified Kathryn Lindskoog Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Lindskoog, Kathryn (1972) "Introducing C.S. Lewis: Sincerity Personified," Mythcon Proceedings: Vol. 1 : Iss. 3 , Article 7. Available at: https://dc.swosu.edu/mythpro/vol1/iss3/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract An overview of C.S. Lewis’s life, primarily based on Surprised by Joy and Letters, covering the entire period from his birth to death with special emphasis on his education and conversion. Includes personal reminiscences of the author’s own meeting with him in 1956. This is the first chapter of Lindskoog’s biography of Lewis. Keywords Lewis, C.S.— Biography; Lewis, C.S.—Personal reminisences This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss3/7 Dnt:r<onacfnGLindskoog: Introducing C.S. Lewis:ml Sincerity ~ Personified l!ewfs= sfncer<ft:J! per<sont-i:ten by Kathryn Lindskoog "lie struck me as the most thoroughly converted for the distant green hills on the horizon. In contrast, man I ever met.• Walter Hooper they had some dazzling sandy summer days at the beach; C. -
Volume 1 a Collection of Essays Presented at the First Frances White Ewbank Colloquium on C.S
Inklings Forever Volume 1 A Collection of Essays Presented at the First Frances White Ewbank Colloquium on C.S. Lewis & Article 1 Friends 1997 Full Issue 1997 (Volume 1) Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation (1997) "Full Issue 1997 (Volume 1)," Inklings Forever: Vol. 1 , Article 1. Available at: https://pillars.taylor.edu/inklings_forever/vol1/iss1/1 This Full Issue is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER A Collection of Essays Presented at tlte First FRANCES WHITE EWBANK COLLOQUIUM on C.S. LEWIS AND FRIENDS II ~ November 13-15, 1997 Taylor University Upland, Indiana ~'...... - · · .~ ·,.-: :( ·!' '- ~- '·' "'!h .. ....... .u; ~l ' ::-t • J. ..~ ,.. _r '· ,. 1' !. ' INKLINGS FOREVER A Collection of Essays Presented at the Fh"St FRANCES WHITE EWBANK COLLOQliTUM on C.S. LEWIS AND FRIENDS Novem.ber 13-15, 1997 Published by Taylor University's Lewis and J1nends Committee July1998 This collection is dedicated to Francis White Ewbank Lewis scholar, professor, and friend to students for over fifty years ACKNOWLEDGMENTS David Neuhauser, Professor Emeritus at Taylor and Chair of the Lewis and Friends Committee, had the vision, initiative, and fortitude to take the colloquium from dream to reality. Other committee members who helped in all phases of the colloquium include Faye Chechowich, David Dickey, Bonnie Houser, Dwight Jessup, Pam Jordan, Art White, and Daryl Yost. -
Fiction and Philosophy: the Ideas of C
Kirkwood: Fiction and Philosophy: The Ideas of C. S. Lewis Fiction and Philosophy: The Ideas of C. S. Lewis Elizabeth Kirkwood Oglethorpe University Presented at the 22nd Annual Conference of the Association of Core Texts and Courses, April 2016 It is not surprising that C. S. Lewis, the author Theof Chronicles of Narnia, would also dabble in the realm of science fiction. Lewis uses the power of narrative in the third book of his sci-fi trilogy,That Hideous Strength, to give flesh to the philosophical ideas he writes about in his non-fiction work,The Abolition of Man. Lewis confirms and critiques several philosophical ideas when he writes The Abolition of Man and That Hideous Strength, including those of Aristotle and Hobbes. InThat Hideous Strength, many of the examinations of these ideas are revealed through the character Mark Studdock, in part because he is an intellectual, and in part because his character arc is perhaps the most dramatic within the narrative. For the most part, however, Lewis uses the exploratory nature of the science fiction genre to play out the potential consequences of Hobbes’ ideas, while affirming his own position as espoused inThe Abolition of Man, and that of Aristotle. In both hisPolitics and The Nicomachean Ethics, Aristotle speaks at length about life’s purpose being the instilling and pursuit of virtue (Aristotle 77). He believes that virtue is an end in and of itself. Lewis references Aristotle’s philosophy in The Abolition of Man, when he writes about the basic "doctrine of objective value” (Lewis 18) that provides the evaluation of truth. -
Myth in CS Lewis's Perelandra
Walls 1 A Hierarchy of Love: Myth in C.S. Lewis’s Perelandra A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English by Joseph Robert Walls May 2012 Walls 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Dr. Branson Woodard, D.A. _______________________________________________________________________ First Reader Date Dr. Carl Curtis, Ph.D. _______________________________________________________________________ Second Reader Date Dr. Mary Elizabeth Davis, Ph.D. Walls 3 For Alyson Your continual encouragement, support, and empathy are invaluable to me. Walls 4 Contents Introduction......................................................................................................................................5 Chapter 1: Understanding Symbol, Myth, and Allegory in Perelandra........................................11 Chapter 2: Myth and Sacramentalism Through Character ............................................................32 Chapter 3: On Depictions of Evil...................................................................................................59 Chapter 4: Mythical Interaction with Landscape...........................................................................74 A Conclusion Transposed..............................................................................................................91 Works Cited ...................................................................................................................................94 -
ABSTRACT C.S. Lewis and the Conversion of the Aeneas Story In
ABSTRACT C.S. Lewis and the Conversion of the Aeneas Story in the Ransom Trilogy Katherine Grace Hornell Directors: Phillip J. Donnelly, Ph.D. and Alan Jacobs, Ph.D. Many readers of C. S. Lewis’s writing consider his science fiction trilogy an odd divergence from his expected repertoire. Though Lewis’ "Ransom Trilogy" proves distinctive among his works, the books grow from the same deep roots in classical and medieval literary traditions that inform his other writings. Drawing from Virgil, Dante, and Arthurian legend to structure his narrative, Lewis unites ancient myth and modern fiction in order to illumine Classical stories with Christian faith. This thesis considers how Lewis’s science fiction draws on the features of secondary epic and its attendant meanings that appear in the Aeneid and in Arthurian stories. Ultimately, Lewis models how contemporary writers can make old stories live anew. APPROVED BY DIRECTOR OF HONORS THESIS: __________________________________________________ Dr. Phillip J. Donnelly, Department of Great Texts APPROVED BY THE HONORS PROGRAM: ________________________________________________ Dr. Elizabeth Corey, Director DATE: __________________ C.S. LEWIS AND THE CONVERSION OF THE AENEAS STORY IN THE RANSOM TRILOGY A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Katherine Grace Hornell Waco, Texas August 2016 TABLE OF CONTENTS Acknowledgments………………………………………………………....…………..iii Introduction…………………………………………………………………………….1 Chapter One: Out of the Silent Planet………………………………………………….4 Chapter Two: Perelandra……………………………………………………………..22 Chapter Three: That Hideous Strength………………………………………………..43 Conclusion…………………………………………………………………………….62 Bibliography…………………………………………………………………………..65 ii ACKNOWLEDGEMENTS I wish to express my sincere thanks both to Dr. Alan Jacobs and to Dr. Phillip J. -
Images of Spirit in the Fiction of Clive Staples Lewis
Volume 14 Number 2 Article 7 Winter 12-15-1987 Images of Spirit in the Fiction of Clive Staples Lewis Charlotte Spivak Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Spivak, Charlotte (1987) "Images of Spirit in the Fiction of Clive Staples Lewis," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol14/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Shows how Lewis, in his fiction, explor“ es the phenomenology of Spirit through his creation of several numinous figures who reflect medieval paradigms.” These figures reflect both medieval allegorical meanings and Jungian archetypes. Additional Keywords Lewis, C.S. Fiction—Representation of spirit; Spirit in Jung—Relation to C.S.