Volume 1 a Collection of Essays Presented at the First Frances White Ewbank Colloquium on C.S
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A Checklist of George Macdonald's Books Published in America, 1855-1930
North Wind: A Journal of George MacDonald Studies Volume 39 Article 2 1-1-2020 A Checklist of George MacDonald's Books Published in America, 1855-1930 Richard I. Johnson Follow this and additional works at: https://digitalcommons.snc.edu/northwind Recommended Citation Johnson, Richard I. (2020) "A Checklist of George MacDonald's Books Published in America, 1855-1930," North Wind: A Journal of George MacDonald Studies: Vol. 39 , Article 2. Available at: https://digitalcommons.snc.edu/northwind/vol39/iss1/2 This Article is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. A Checklist of George MacDonald Books Published in America, 1855-1930 Richard I. Johnson Many of George MacDonald’s books were published in the US as well as in the United Kingdom. Bulloch and Shaberman’s bibliographies only provide scanty details of these; the purpose of this article is to provide a more accurate and comprehensive list. Its purpose is to identify each publisher involved, the titles that each of them published, the series (where applicable) within which the title was placed, the date of publication, the number of pages, and the price. It is helpful to look at each of these in more detail. Publishers About 50 publishers were involved in publishing GMD books prior to 1930, although about half of these only published one title. -
Eastern Regional Meeting of the Society of Christian Philosophers Concurrent Paper Abstracts
Eastern Regional Meeting of the Society of Christian Philosophers Concurrent Paper Abstracts Majid Amini, Virginia State University From Absolute to Maximal God: Would that Solve the Problem? The classical monotheistic concept of God has been bedeviled by a plethora of logical and metaphysical paradoxes. Recently there have been a number of attempts claiming that by reforming the traditional concept of God as an omniscient, omnipotent and omnibenevolent being to a concept of God as the being with maximal consistent set of knowledge, power and benevolence, the monotheistic concept of God can be rescued from contradictions and thereby reinstating a viable version of Anselmian theism. By focusing on omnipotence specifically, the purpose of this paper is therefore twofold: (1) to show the logical impossibility of maintaining an absolute or infinite conception of divine attributes, and (2) to show that even a maximal conception of divine attributes is plagued with the problem of uniqueness of God and a variant of the paradox of omnipotence thus indicating that such reformulations are still beset with dilemmas and paradoxes. Greg Bassham, King’s College A Critique of C. S. Lewis’s Argument from Desire In various places, C. S. Lewis offers an argument for God and/or a heavenly afterlife that is now widely called the argument from desire. Lewis appears to give at least two versions of the argument, one inductive and the other deductive. Both versions focus on a special form of spiritual or transcendental longing that Lewis calls “Joy.” The gist of his deductive argument is this: Joy is an innate, natural desire. -
Memorial Review of “George Macdonald: a Study of Two Novels.” by William Webb, Part of Volume 11 of Romantic Reassessment
Memorial review of “George MacDonald: A Study of Two Novels.” by William Webb, part of volume 11 of Romantic Reassessment. Salzburg, 1973. Deirdre Hayward illiam Webb’s aim in this study is to examine two “rather neglected”W novels of George MacDonald in order to bring out “what is most characteristic in them of the author’s undoubted genius” (105). He sets out to demonstrate that Mary Marston is “a capable piece of fiction” (58), and his discussion of Home Again, though brief, brings out several interesting features of the novel. I have chosen to comment on aspects of his study which give the reader fresh insights, and illuminate less well-known areas of MacDonald’s writing. The study itself is rather loosely structured, with the plan and links between the topics not always clear; and it is frustrating that Webb almost never gives sources for the many quoted passages, and often drops in references—for example a comparison with Dickens in Hard Times or Our Mutual Friend—without any supporting detail to contextualise his comments. Having said this, I found myself impressed by many of the issues discussed, and interested in the directions (sometimes quite obscure and fascinating) in which he points the reader. Additionally, his exploration of some of the literary sources and artistic relationships recognisable in Mary Marston contribute with some authority to MacDonald scholarship. Webb recognises the influence of seventeenth-century English literature on Mary Marston (1881), and observes that in chapter 11, “William Marston,” where Mary’s father, the saintly William Marston, dies, the theme of poetry is related to the plot (83). -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Folk Hinduism in West Bengal
1 Folk Hinduism in West Bengal In the rural areas of India, we see a variety of notions about the nature of gods and goddesses. They are not “high gods,” as we see in the pan-Indian brahmanical forms of Hinduism, but rather regional deities, intimately associated with villages and towns. Indeed, some would not be characterized as gods and goddesses by most people, for those supernatural entities given offerings and worship include ghosts, ancestors, water and plant essences, guardian spirits, and disease con- trollers. We see some overlap of tribal deities, the deities of non-Hindu or semi- Hindu villagers, with the village gods or gramadevatas of village Hinduism. These may be µeld or mountain spirits, or angry ghosts of women who died violent deaths. All of these may be seen in the large area of folk Hinduism. There is no sharp differentiation between the tribal deities, village deities, and gods and god- desses of brahmanical Hinduism. Rather than a polarity, we see a continuum, for these traditions worship many deities in common. Some themes that may be noted in the worship of folk gods and goddesses: Regionalism: These deities are associated with speciµc places, temples, µelds, and streams. The Kali of one village is not the same as the next village’s Kali. One Chandi gives good hunting, another Chandi cures disease. Goddesses are not pan-Indian; they are speciµc to a person’s tribal or caste group, ex- tended family, neighborhood, or village. Pragmatism: These deities are rarely worshiped in a spirit of pure and ab- stract devotion. -
Bibliography of the Marion E. Wade Center Related Writings of Clyde S
Bibliography of the Wade Related Writings of Clyde S. Kilby BOOKS AND PAMPHLETS Christianity and Aesthetics. Chicago: InterVarsity Press, 1961. The Christian World of C.S. Lewis. Grand Rapids: William B. Eerdmans Publishing Company, 1964 (Reprinted 1974, 1976). Published in Abingdon, England: Marcham Manor Press, 1965. The Rationale of Myth. Wheaton, IL: Wheaton College, 1973. Gilbert, Douglas R., and Clyde S. Kilby. C.S. Lewis: Images of His World. London: Hodder and Stoughton, 1973. Published in Grand Rapids, MI: Eerdmans, 1973. (Reprinted 1977, 2005) Tolkien and the Silmarillion. Wheaton, IL: Harold Shaw Publishers. 1976. (Reprinted 1977) Published in Berkhamsted, England: Lion Pub., 1977. Images of Salvation in the Fiction of C.S. Lewis. Wheaton, IL: Harold Shaw Publishers, 1978. A Well of Wonder: Essays on C.S. Lewis, J.R.R. Tolkien, and the Inklings, eds. Loren Wilkinson and Keith Call. Brewster MA: Paraclete Press Inc., 2016. The Arts and the Christian Imagination: Essays on Art, Literature, and Aesthetics, eds. William Dyrness and Keith Call. Brewster MA: Paraclete Press Inc., 2016. EDITED BOOKS Lewis, C.S., edited and with a preface by Clyde S. Kilby. Letters to an American Lady. Grand Rapids: William B. Eerdmans Publishing Company. (Reprinted 1969. Paperback edition 1971. Reprinted 1978, 1982, 1996, 2014). Published in London: Hodder and Stoughton, 1969. Lewis, C.S., edited by Clyde S. Kilby. A Mind Awake: an Anthology of C.S. Lewis. London: Geoffrey Bles, 1968. Published in New York: Harcourt, Brace and World, 1969. (Reprinted 1980, 1988, 2003). Lewis, W.H. edited by Clyde S. Kilby and Marjorie Lamp Mead. -
The Argument from Desire
THE ARGUMENT FROM DESIRE Robert Holyer In this essay I offer a reformulation and defense of the argument from desire as it is presented in the works of C. S. Lewis. Specifically, I try to answer the criticisms of the argument made by John Beversluis in his recent book C. S. Lewis and the Search for Rational Religion. However, my concern is not so much Lewis as it is the argument itself, which I argue is worthy of serious and more extended philosophical treatment. In his critical discussion of C. S. Lewis's case for Christianity, John Beversluis extracts from Lewis's writings something he calls the argument from desire. I Although Lewis himself never presented it as a philosophical argument, he did insinuate it at several points in his writings, especially in the autobiographical works, The Pilgrim's Regress and Surprised by Joy, and it was arguably the most important consideration in his own conversion. What Beversluis does is to present this facet of Lewis's development as a philosophical argument, which he then goes on to reject for both "logical and theological" reasons. In what follows I shall consider Lewis's argument only from a philosophical point of view. My intention is to reformulate and defend it, and this not primarily to vindicate Lewis from what I think are some superficial criticisms (though I hope that what I have to say will have this effect), but more importantly, because I think Lewis offers us in rough form an argument from religious experience that is both different from the one that is most commonly discussed and deserving of a more careful philosophical treatment than it receives from Beversluis. -
Mathematical Circus & 'Martin Gardner
MARTIN GARDNE MATHEMATICAL ;MATH EMATICAL ASSOCIATION J OF AMERICA MATHEMATICAL CIRCUS & 'MARTIN GARDNER THE MATHEMATICAL ASSOCIATION OF AMERICA Washington, DC 1992 MATHEMATICAL More Puzzles, Games, Paradoxes, and Other Mathematical Entertainments from Scientific American with a Preface by Donald Knuth, A Postscript, from the Author, and a new Bibliography by Mr. Gardner, Thoughts from Readers, and 105 Drawings and Published in the United States of America by The Mathematical Association of America Copyright O 1968,1969,1970,1971,1979,1981,1992by Martin Gardner. All riglhts reserved under International and Pan-American Copyright Conventions. An MAA Spectrum book This book was updated and revised from the 1981 edition published by Vantage Books, New York. Most of this book originally appeared in slightly different form in Scientific American. Library of Congress Catalog Card Number 92-060996 ISBN 0-88385-506-2 Manufactured in the United States of America For Donald E. Knuth, extraordinary mathematician, computer scientist, writer, musician, humorist, recreational math buff, and much more SPECTRUM SERIES Published by THE MATHEMATICAL ASSOCIATION OF AMERICA Committee on Publications ANDREW STERRETT, JR.,Chairman Spectrum Editorial Board ROGER HORN, Chairman SABRA ANDERSON BART BRADEN UNDERWOOD DUDLEY HUGH M. EDGAR JEANNE LADUKE LESTER H. LANGE MARY PARKER MPP.a (@ SPECTRUM Also by Martin Gardner from The Mathematical Association of America 1529 Eighteenth Street, N.W. Washington, D. C. 20036 (202) 387- 5200 Riddles of the Sphinx and Other Mathematical Puzzle Tales Mathematical Carnival Mathematical Magic Show Contents Preface xi .. Introduction Xlll 1. Optical Illusions 3 Answers on page 14 2. Matches 16 Answers on page 27 3. -
Research Journal of English(RJOE) Vol-3,Issue-4,2018 an International Peer-Reviewed English Journal ISSN: 2456-2696
Oray’s Publications Research Journal Of English(RJOE) Vol-3,Issue-4,2018 www.rjoe.co.in An International Peer-Reviewed English Journal ISSN: 2456-2696 Archetypal Approach Spins around C.S.Lewis’s the Chronicles of Narnia Dr.J.Sripadmadevi Assistant Professor Department of English (SF) Nirmala College for Women Coimbatore,Tamilnadu,India Abstract As archetypes are recurrent patterns in literature, they shine exuberantly in the genre of high fantasy, which derives much of its power from the archetypal models it incorporates with the subject matter; and The Chronicles of Narnia series is of no exception in this regard. They are finely embedded with the archetypal images such as light and darkness, sibling rivalry, tyrannical bullies, quest motif and character types. Albeit, the series has hooked up with various archetypal characteristics such as the theme of virtue conquers vice, it is the archetypal patterns in characters which have left a sturdy imprint to execute the thematic design of good versus evil in the entire plot structure. The intrinsic study of the series illustrates the infinite variety of experience of the dominant characters; wherein it reveals certain archetypal traits. Hence, the present paper explores on the variety of Archetypes in C.S.Lewis‟s The Chronicles of Narnia. Key Words: Archetypes, Types of Archetypes, Child archetypes Research Journal Of English (RJOE) Copyright Oray’s Publication Page 173 Oray’s Publications Research Journal Of English(RJOE) Vol-3,Issue-4,2018 www.rjoe.co.in An International Peer-Reviewed English Journal ISSN: 2456-2696 As Children‟s literature has provided with numerous archetypes, the eminence of series lies more on archetypal figures and images which it shares with other texts in the huge gamut of stories ranging from oral roots of tales to the latest fantasy narratives. -
Haunting the Tradition of the Novel : Generic Double Play in Diasporic
HAUNTING THE TRADITION OF THE NOVEL: GENERIC DOUBLE PLAY IN DIASPORIC FICTION by Shan Qiang He B.A., Shanghai International Studies University, 1982 M.A., Shanghai International Studies University, 1985 M.A., Simon Fraser University, 1989 THESIS SUBMlTIED IN PARTIAL FULFLLLMENT OF THE REQUIREMENTS FOR THE DEGREE OF in the Department of English @ ShanQiang He SIMON FRASER UNIVERSITY April 1995 All rights reserved This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Approval Name: Shan Qiang He Degree: Doctor of Philosophy Title of thesis: Haunting the Tradition of the Novel: Generic Double Play in Diasporic Fiction Examining Committee: Chair: Prof Paul Budra Prof Paul Delany Senior Supervisor Prof Samuel Wong Department of English Prof Paul Matthew St Pierre Department of English Prof Gail Faurschou School of Communication Faculty of Applied Sciences Prof Sneja Gunew External Examiner Department of English University of Victoria Date Approved: April 10, 1995 PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser Universi the right to lend my thesis, pro'ect or extended essay (the title oB which is shown below) to users o f' the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is,understood that copying or publication of this work for financial gain shall not be allowed without my written permission. -
György Könczei1
DOI 10.31287/FT.en.2018.1.3. GYÖRGY KÖNCZEI1 NEW EXAMPLES AND APPROACHES IN METHODOLOGY FOR THE WRITING OF THE HISTORY OF DISABILITY 1. INTRODUCTION – THE CONTEXTUAL FRAMEWORK 1.1. Discard or hold in high esteem? A specific vantage point in research efforts in the context of the history of disability In this paper our scrutiny regarding the history of disability aims to undertake the reconstruction of patterns perceived in the context of both the acceptance and exclusion of persons with disability. The continuous revisiting of this topic, broken down to research-related questions formulated time and time again, is an essential ingredient of the research effort, due partly to the changing components perceived in the development of society, partly to new findings rooted in the nature of science in development. The primary focus of our paper is related to specific methodological issues in the context of the history of disability. 1.1.1. A social issue to provide the background to our research effort The social issue which necessitates the invocation of the history of disability as a vantage point to be provided – a background, as it were, to the whole concept of | S research – is the oppression of persons with disability in constantly changing forms at various epochs throughout the history of social as well as cultural development. PECIAL This spectacularly visible phenomenon justifies the need for scrutiny while providing a context for the everyday relevance of that issue. I ssE 1.1.2. Our research-related question U The focus, in a nutshell, -
A Horse: Macdonald's Theodicy in at the Back of the North Wind
32 Stott This is (Not) a Horse: MacDonald’s Theodicy in At the Back of the North Wind G. St. John Stott I George MacDonald insisted in his essay “The Fantastic Imagination” that the meaning of a work should be evident to its readers. He did not mean by this that there was only one meaning to a text, or that the author’s intent in writing was privileged, but that if a reader could not make any sense of what was written and the author had to step in, something had gone wrong. Under such circumstances commentary was a mistake. As he noted, using a simple analogy, “[I]f I cannot draw a horse, I will not write THIS IS A HORSE under what I foolishly meant for one” (LP xii). We might remember this when we read in At the Back of the North Wind (1871) a conversation between what might (or might not be) two cab horses: Diamond and Ruby. It is a puzzling scene which MacDonald refuses to make clear. Cab horse conversations can be easy to understand. In Anna Sewell’s Black Beauty (1877), a work that was perhaps written as a response to At the Back of the North Wind,1 the eponymous Beauty discusses with Captain (a former army horse) the latter’s experiences in the Crimea: I said, ‘I have heard people talk about war as if it was a very fine thing.’ ‘Ah!’ said he, ‘I should think they never saw it. No doubt it is very fine when there is no enemy, when it is just exercise and parade and sham fight.