Integrating Intercultural Learning in English for Specific Academic Purposes
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EDITORIAL Defining, Measuring, and Facilitating Intercultural Learning: a Conceptual Introduction to the Intercultural Education Double 5 Supplement
CEJI_A_437254.fm Page 1 Thursday, October 8, 2009 8:01 PM Intercultural Education Vol. 20, No. S1–2, Month 2009, S1–13 EDITORIAL Defining, measuring, and facilitating intercultural learning: a conceptual introduction to the Intercultural Education double 5 supplement Supplement 1 on ‘State of the art research on intercultural learning in study abroad’ 10 and Supplement 2 on ‘Best practice for intercultural learning in international educational exchange’ 15 Milton J. Bennett* Intercultural Development Research Institute, Hillsboro, Oregon, USA TaylorCEJI_A_437254.sgm10.1080/14675980903370763Intercultural1467-5986Editorial200920S1-20000002009Professormilton.bennett@idrinstitute.org and& FrancisMiltonBennett (print)/1469-8439Francis Education (online) If you do not already think so, the papers in this volume will convince you that study 20 abroad has changed. At the university level, it has transcended its history as a ‘grand tour’ for the leisure class and the more plebian ‘junior year abroad’. Now university study abroad encompasses massive mobility of students among European Union univer- sities and to and from the US and other countries through a myriad school-based and 25 consortia-based programs. At the secondary (high school) level, the traditional AFS Intercultural Programs year in the US or Europe has been expanded by AFS and other organizations to include shorter programs to and from a broader range of countries. Added to the change in format and destination are educational foci that go well beyond traditional study to include internships, service learning and other learning opportunities. 30 However, a basic tenet of international educational exchange and study abroad has remained unchanged. Every program, no matter at what level, format or focus, continues to claim that educational cross-cultural contact contributes to intercultural competence and thus to global citizenship. -
Central Problems in Cultural Studies
Central Problems in Cultural Studies 1 Language and Material For Marxism, culture is a corporeal force locked into the socially organized production of the material conditions of existence. Marxism has argued that the material mode of production is ‘the real foundation’ of cultural superstructures. That is, the material – understood here as the economic – determines the cultural. However, this orthodox reading of Marx proved to be too mechanical and deterministic in exploring the specific features of culture. Consequently, the narrative of cultural studies involves a distancing of itself from Marxist reductionism. Instead, the analysis of the autonomous logic of language, culture, representation and consumption was placed in the foreground. – Barker, pp. 25-26 2 The Textual Character of Culture Most students of cultural studies are aware that culture can be read as a text, using concepts like signification, code or discourse. However, an emphasis on structuralist and poststructuralist accounts of signification has sometimes led cultural studies to reify language as a ‘thing’ or ‘system’ rather than grasp it as a social practice. – Barker, p. 26 3 The metaphor of culture as ‘like a language’ has a great deal to recommend it. However, there is also much to be gained by describing culture in terms of practices, routines and spatial arrangements. Not only is language always embedded in practice, but also all practices signify. Further, the identification of textual codes and subject positions does not guarantee that the proscribed meanings are ‘taken up’ by concrete persons in daily life (see Ang, 1985; Morley, 1992). – Barker, p. 26 4 The Location of Culture For Raymond Williams (1981, 1983) culture is located, for all intents and purposes, within flexible but identifiable boundaries. -
Visions for Intercultural Music Teacher Education Landscapes: the Arts, Aesthetics, and Education
Landscapes: the Arts, Aesthetics, and Education Heidi Westerlund Sidsel Karlsen Heidi Partti Editors Visions for Intercultural Music Teacher Education Landscapes: the Arts, Aesthetics, and Education Volume 26 Series Editor Liora Bresler, University of Illinois at Urbana-Champaign, Urbana, USA Editorial Board Judith Davidson, University of Massachusetts, Lowell, USA Magne Espeland, Stord University, Stord, Norway Chris Higgins, University of Illinois at Urbana-Champaign, Urbana, USA Helene Illeris, University of Adger, Kristiansand S, Norway Mei-Chun Lin, National University of Tainan, Tainan City, Taiwan Donal O’Donoghue, The University of British Columbia, Vancouver, Canada Mike Parsons, The Ohio State University, Columbus, USA Eva Sæther, Malmö Academy of Music, Lund University, Malmö, Sweden Shifra Schonmann, University of Haifa, Haifa, Israel Susan W. Stinson, The University of North Carolina at Greensboro, Greensboro, USA Scope This series aims to provide conceptual and empirical research in arts education, (including music, visual arts, drama, dance, media, and poetry), in a variety of areas related to the post-modern paradigm shift. The changing cultural, historical, and political contexts of arts education are recognized to be central to learning, experience, knowledge. The books in this series presents theories and methodological approaches used in arts education research as well as related disciplines—including philosophy, sociology, anthropology and psychology of arts education. More information about this series at http://www.springer.com/series/6199 -
ART, TECHNOLOGY, and HIGH ART/LOW CULTURE DEBATES in CANONICAL AMERICAN ART HISTORY I. Overview in His Media Ar
CHAPTER ONE: ART, TECHNOLOGY, AND HIGH ART/LOW CULTURE DEBATES IN CANONICAL AMERICAN ART HISTORY I. Overview In his Media Art History, Hans-Peter Schwarz of the Center for Art and Media in Karlsruhe, Germany (ZKM) wrote: “The history of the new media [sic] is inextricably linked with the history of the project of the modern era as a whole. It can only be described as the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” I begin with his words, which have strong resonance for me, perhaps beyond his initial intent or ultimate direction. His astute triangulation of those three concepts—new media history, the project of the modern era, and “social reality”—form the nexus of my theoretical investigation. For it seems that current social realities and the project of the modern era largely govern new media’s reception within the Western art history canon. Perhaps clarity regarding the ideological interconnection of these three elements will only be possible with more historical distance. However, this dissertation represents a step toward a better understanding of the sometimes-vicious canonical opposition to the fusion of art and technology, in light of these intersections. Key are his two phrases: “the project of the modern era,” and “the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” On the basis of Schwarz’s text, I take the second phrase to mean the dehumanization that results from industrialization and modern warfare. In regard to artistic production, he rightly underscores the abrupt reorganization of vision precipitated by, for example, developments in photography and cinematography during the early modernist period. -
Culturalistic Design: Design Approach to Create Products
CULTURALISTIC DESIGN: DESIGN APPROACH TO CREATE PRODUCTS FOR SPECIFIC CULTURAL AND SUBCULTURAL GROUPS Except where reference is made to the work of others, the work described in this thesis is my own or was done in collaboration with my advisory committee. This thesis does not include proprietary or classified information. Brandon J. Allen Certificate of Approval: Bret Smith Tin Man Lau, Chair Professor Professor Industrial Design Industrial Design Tsai Lu Liu George T. Flowers Assistant Professor Dean Industrial Design Graduate School CULTURALISTIC DESIGN: DESIGN APPROACH TO CREATE PRODUCTS FOR SPECIFIC CULTURAL AND SUBCULTURAL GROUPS Brandon J. Allen A Thesis Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Master of Industrial Design Auburn, Alabama May 9, 2009 CULTURALISTIC DESIGN: DESIGN APPROACH TO CREATE PRODUCTS FOR SPECIFIC CULTURAL AND SUBCULTURAL GROUPS Brandon J. Allen Permission is granted to Auburn University to make copies of this thesis at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. Signature of Author Date of Graduation iii THESIS ABSTRACT CULTURALISTIC DESIGN: DESIGN APPROACH TO CREATE PRODUCTS FOR SPECIFIC CULTURAL AND SUBCULTURAL GROUPS Brandon J. Allen Master of Industrial Design, May 9, 2009 (B.I.D., Auburn University, 2005) 93 Typed Pages Directed by Tin Man Lau Designers have a unique process for solving problems commonly referred to as design thinking. Design thinking, especially on a cultural level can be used to tackle a wide range of creative and business issues. Design thinking with true cultural infusion is known as “Culturalistic Design”, and can have profound and varying effects on product designs. -
Developing Intercultural Awareness in ELT: Students' Attitudes Toward
rEFLections Vol 26, No.1, January – June 2019 Developing Intercultural Awareness in ELT: Students’ Attitudes toward their Intercultural Learning Experience MARISSA PHONGSIRIKUL* Department of English, Faculty of Liberal Arts, Thammasat University, Bangkok, Thailand SANEH THONGRIN Department of English, Faculty of Liberal Arts, Thammasat University, Bangkok, Thailand *Corresponding author e-mail: [email protected] Article Information Abstract Article History: This study aimed at investigating students’ attitudes toward their Received: April 18, 2019 intercultural learning experience to develop intercultural awareness in an Accepted: June 28, 2019 English language classroom. The participants were a group of 31 students Available Online: at tertiary level. They registered for an elective English course, the June 30, 2019 objective of which was to prepare students for job application, job interview Keywords: and working effectively in multicultural contexts. A set of teaching and Intercultural awareness learning materials intended to develop intercultural awareness was Intercultural communication especially designed and integrated into the existing English course. A English language teaching survey questionnaire, reflective writing, self-assessment forms, and Intercultural speaker semi-structured interviews were used to collect the data. The results showed that the participants had highly positive attitudes toward their intercultural learning experience in various aspects, but still were hesitant with the overall ideas of an incorporation of intercultural components into an English course. INTRODUCTION As a number of non-native English users are greatly increasing nowadays, an important question to answer in English Language Teaching (ELT) is whether the nature of current English classrooms can effectively equip the 21st century learners with a sufficiency of language ability and intercultural ability for intercultural communication. -
The Straightedge Subculture on the Internet: a Case Study
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2003 The Straightedge Subculture on the Internet: A Case Study James Patrick Williams University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Sociology Commons Recommended Citation Williams, James Patrick, "The Straightedge Subculture on the Internet: A Case Study. " PhD diss., University of Tennessee, 2003. https://trace.tennessee.edu/utk_graddiss/2358 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James Patrick Williams entitled "The Straightedge Subculture on the Internet: A Case Study." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. , Major Professor We have read this dissertation and recommend its acceptance: Thomas C. Hood, Suzanne B. Kurth, Sherry Cable, Handel Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by J. Patrick Williams entitled “The Straightedge Subculture on the Internet: A Case Study.” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Sociology. -
Cultural Theory and Popular Culture by John Storey
CUL T CULTURAL FIFTH EDITION U FIFTH EDITION R THEORYAND JOHN STOREY AL POPULAR THEORY CULTURE AN INTRODUCTION AN CULTURAL D In this fifth edition of his successful Cultural Theory and Popular Culture: An Introduction, John Storey has extensively revised the text throughout. As before, the book presents a clear and critical survey P of competing theories of and various approaches to popular culture. O PULA Retaining the accessible approach of previous editions, and using relevant and appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. AND R THEORY NEW TO THIS EDITION CUL • Extensively revised, rewritten and updated • Improved and expanded content throughout including: • New chapter on ‘Race’, racism and representation T U • New sections on the Panoptic Machine and Convergence Culture RE • Continued explicit links to the new edition companion reader Cultural Theory and Popular Culture: A Reader POPULAR • More illustrative diagrams and images AN INTRODUCTION • Fully revised, improved and updated companion website at www.pearsoned.co.uk/storey providing practice questions and extension activities, as well as annotated links to relevant sites on the web and further reading, and a glossary of key terms, to promote further understanding of the study of cultural theory and popular culture The new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects. CULTURE JOHN STOREY is Professor of Cultural Studies and Director of the Centre for Research in Media and Cultural Studies at the University of Sunderland. -
Introduction: Why Popular Culture Matters
Introduction: Why Popular Culture Matters CARRIELYNN D. REINHARD This is my first issue as the new editor for this journal, so please grant me some leeway to address the question of why popular culture matters being highlighted in these pages, including with our first attempt at a multimedia, interactive component. Please indulge my brief time on the soap box to explain my perspective to hopefully clarify my approach as the Editor of this journal. I come to this—field? discipline? interest? passion?—from three separate perspectives: communication studies, fan studies, and psychology. I am fascinated with how people make sense of themselves, each other, and the world around them. Being a fan provides a particular slant to these sense-makings and can shape, and be shaped by, communication. I see all interactions with others as communicating because meaning is always exchanged. Sometimes that meaning is exchanged in a word; sometimes a picture; sometimes a cake; sometimes a slap. As a part of a person’s identity, fandom informs, is created through, and impacts others through communication. The context or situation in which the communication occurs also shapes these interactions. Time of day. Place. Participants. So many factors impact what we communicate, how, and why. Popular culture comes in through our fandoms and our situations. Popular culture is popular. It is for the public. The masses. For everyday working folk who perhaps could not afford the “finer” things of a society or culture but still find meaning and solidarity through so-called “low culture.” Popular culture helps people handle the drudgery of labor for the profit of others. -
5. Proposing a Multiplicity of Meanings
SHIRLEY R. STEINBERG 5. PROPOSING A MULTIPLICITY OF MEANINGS Research Bricolage and Cultural Pedagogy In the contemporary information environment of the twenty-first century-so aptly named hyperreality by Jean Baudrillard, knowledge takes on a different shape and quality. What appears to be commonsense dissipates slowly into the ether, as electronic media refract the world in ways that benefit the purveyors of power. We have never seen anything like this before, a new world – new forms of social regulation, new forms of disinformation, and new modes of hegemony and ideology. In such a cyber/mediated jungle new modes of research are absolutely necessary. This chapter proposes a form of critical cultural studies research that explores what I refer to as cultural pedagogy. Cultural pedagogy is the educational dimension of hyperreality, as learning migrates into new socio-cultural and political spaces. In these pages, I will focus my attention on my research with film, specifically on doing educational research with a bricolage of methods leading to tentative interpretations. Relating to the hyperreality of the times, I am asserting that the notion of one orthodox methodology cannot achieve a rich text and present a multiplicity of meanings: essential components in contemporary research. CRITICAL CULTURAL STUDIES Observing that the study of culture can be fragmented between the disciplines, those who advocate cultural studies look at an interdisciplinary approach, that which transcends any one field. Additionally, a critical cultural studies does not commit a qualitative evaluation of culture by a definition of “high” or “low” culture, and culture may be the most ambiguous and complex term to define in the domain of the social sciences and humanities. -
Intercultural Learning T-Kit Welcome to the T-Kit Series
Intercultural LearningIntercultural Learning Intercultural Learning In 1998, The Council of Europe and the European Commission decided to No.4 No.4 take common action in the field of European Youth Worker Training, and therefore initiated a Partnership Agreement. The aim of the Agreement, which is laid down in several covenants, is “to promote active European citizenship and civil society by giving impetus to the training of youth leaders and youth workers working within a European dimension”. The co-operation between the two institutions covers a wide spectrum of activities and publications, as well as developing tools for further networking. Three main components govern the partnership: a training offer (long term training for trainers and training on European Citizenship), publications (both paper and electronic versions of training materials and magazine) and networking tools (trainers pool and exchange possibilities). The ultimate goal is to raise standards in youth worker training at a European level and define quality criteria for such training. Intercultural Learning N o .4 www.training-youth.net www.training-youth.net fhfghjfghj Intercultural Learning T-kit Welcome to the T-Kit series Some of you may have wondered: what does T-kit mean? We can offer at least two answers. The first is as simple as the full version in English: “Training Kit”. The second has more to do with the sound of the word that may easily recall “Ticket”, one of the travelling documents we usually need to go on a journey. So, on the cover, the little figure called “Spiffy” holds a train ticket to go on a journey to discover new ideas. -
PDF Download Intercultural Communication for Global
INTERCULTURAL COMMUNICATION FOR GLOBAL ENGAGEMENT 1ST EDITION PDF, EPUB, EBOOK Regina Williams Davis | 9781465277664 | | | | | Intercultural Communication for Global Engagement 1st edition PDF Book Resilience, on the other hand, includes having an internal locus of control, persistence, tolerance for ambiguity, and resourcefulness. This textbook is suitable for the following courses: Communication and Intercultural Communication. Along with these attributes, verbal communication is also accompanied with non-verbal cues. Create lists, bibliographies and reviews: or. Linked Data More info about Linked Data. A critical analysis of intercultural communication in engineering education". Cross-cultural business communication is very helpful in building cultural intelligence through coaching and training in cross-cultural communication management and facilitation, cross-cultural negotiation, multicultural conflict resolution, customer service, business and organizational communication. September Lewis Value personal and cultural. Inquiry, as the first step of the Intercultural Praxis Model, is an overall interest in learning about and understanding individuals with different cultural backgrounds and world- views, while challenging one's own perceptions. Need assistance in supplementing your quizzes and tests? However, when the receiver of the message is a person from a different culture, the receiver uses information from his or her culture to interpret the message. Acculturation Cultural appropriation Cultural area Cultural artifact Cultural