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DW 71521-Dave Carter
DharmaWheelPlaylist 7/15/21-Dave Carter special Song Artist Album The Emperor Is Naked Today-o Dave Carter & Tracy Grammer If I Had a Song: Songs of Pete Seeger Vol. 2 Hey ho Dave Carter & Tracy Grammer Dharma Wheel in studio performance Ordinary Town Dave Carter & Tracy Grammer Drum Hat Buddha 41 Thunderer Dave Carter & Tracy Grammer Demo recording 1999 Snake Handlin Man Dave Carter & Tracy Grammer 7 is the Number Little Liza Jane Dave Carter & Tracy Grammer When I Go Cat Eyed Willie Dave Carter & Tracy Grammer Tanglewood Tree Crocodile Man Dave Carter & Tracy Grammer Tanglewood Tree Highway 80 Dave Carter & Tracy Grammer Drum Hat Buddha I Go Like The Raven Dave Carter & Tracy Grammer Drum Hat Buddha Shadows of Evangeline Tracy Grammer live on the Dharma Wheel, KBOO-fm 6-2-05 Don't Tread on Me Dave Carter & Tracy Grammer live house conncert 2001 Tillman Co. Dave Carter & Tracy Grammer Drum Hat Buddha The Promised Land Dave Carter & Tracy Grammer 7 is the Number Red Elegy Dave Carter & Tracy Grammer 7 is the Number Way Over Yonder in the Minor Key Dave Carter & Tracy Grammer Little Blue Egg The River, Where She Sleeps Dave Carter & Tracy Grammer When I Go Gentle Arms Of Eden Dave Carter & Tracy Grammer Drum Hat Buddha Tanglewood Tree Dave Carter & Tracy Grammer Tanglewood Tree The Mountain Dave Carter & Tracy Grammer Tanglewood Tree Amazon Dave Carter & Tracy Grammer Little Blue Egg Mother I Climbed Dave Carter & Tracy Grammer live in concert UNV 2002 Farewell to Bitterroot Valley Dave Carter & Tracy Grammer Tanglewood Tree Lord of the Buffalo Dave Carter & Tracy Grammer live concert Ann Arbor, MI When I Go -live Dave Carter & Tracy Grammer live St. -
Folk Notes [November 2002]
F O L K C L U B O F S O U T H F L O R I D A Visit us at http://members.aol.com/souflafolk for FOLK NOTES music links and upcoming events November, 2002 ______________________________________________________________________________ ACOUSTIC UNDERGROUND FOLK FRIDAY PRESENTS CONCERT SERIES PRESENTS: Andrew Calhoun Friday November 15th, 8:00pm Radoslav Lorkovic If there is an Saturday November 2nd, 8:00pm aristocracy in Despite the Croatian contemporary folk name and heritage music Andrew singer/ songwriter Calhoun is royalty Radoslav Lorkovic is and membership in solidly based and that heady group grounded in an amazing is not by birth but range of genres from by work. Critics elegant classical and place him in the jazz to the rawest, most company of his basic blues, country, close friend, the zydeco, Cajun and soul. late Dave Carter who said of him: "Andrew Calhoun tells the truth. To With roots in Iowa from the age of six, a grandmother my knowledge, there is no better songwriter alive." who was an internationally known classical pianist, and Others put him with Leonard Cohen, Bob Dylan, John an early diet of Slavic folk songs, he built on an already Prine, Michael Smith, Steve Goodman and, his eclectic background. On keyboard or accordion, you mentor, Martin Carthy. The commonality here is the might hear the influence of the New Orleans styles of love of language, the word, the turn of phrase labored Professor Longhair, James Booker or Doctor John. and crafted plus the ability to use that skill to describe His blues credentials include tours with Bo Ramsey, and illuminate life as it is lived and observed. -
The Folk Club of Reston-Herndon Preserving the Traditions of Folk Music, Folk Lore, and Gentle Folk Ways Volume 24, Issue 6 June 2008
The Folk Club of Reston-Herndon Preserving the traditions of Folk Music, Folk Lore, and Gentle Folk Ways www.RestonHerndonFolkClub.com Volume 24, Issue 6 June 2008 June 10 Showcase – Richard White with David Jaroneski and Ron Goad Talk about beginner's luck! The very first time I put my name in the showcase hat, I won! I am so happy to have found the Folk Club and the wonderful people that make up the group. There is a nice vibe here, a welcoming feeling, and that is what makes it special to me. For this showcase I will present some of my original songs with me on the guitar, my old Richmond friend David Jaroneski on bass, and Ron Goad adding percussion. I first picked up a guitar when I was twelve and I was hooked! I was listening to lots of good music in those days. I really liked the swampy sound of John Fogerty, and those Johnny Cash tunes with that string-bending guitar sound (so cool). I can't say that my playing was "formed" enough to have a style, but I knew what I liked! In the early 90's I first heard the late guitarist Michael Hedges, and I really liked what he was doing with alternate tunings. I studied his tunings and began to experiment with my own. I also listened to Pierre Bensusan, Leo Kottke and the Hawaiian slack key masters and their many tunings. I began to write guitar solos using new tunings, and that's when I started playing out in the Richmond area. -
FW May-June 03.Qxd
INTERVIEW MARK O’CONNOR • FESTIVALS • CAMPS • FREE CONCERTS • MANY FACES OF FOLK FREE Volume 3 Number 3 May-June 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Many“Don’t you know that Faces Folk Music is illegal in Los Angeles?” of— WARREN FolkC ASEYof the Wicked Tinkers BY JERRY BRESEE tart with Leadbelly. Draw checking out and is a good yard- a line over to Woody stick of their musical evolution. Guthrie. Drop straight The two bands coexisted for a down to Bob Dylan, and while with the Moonshiners play- again to Neil Young. ing 100% bluegrass and the Nitty Draw your line sideways Gritty Dirt Band being eclectic. to Tracy Chapman. Draw The McCabe’s Guitar Shop gang S a line from her back up to liked playing jug band music; Les both Leadbelly and Bob points to Jim Kweskin and the Jug Dylan. Link in B.B. King. Hook Band as an influence. With both Woody Guthrie up to Bob Wills and Bob Dylan and the Beatles hap- hook them both up to Dave Carter. pening at that time, the NGDB was Then write down Bill Monroe and pulled in many directions, and the Vassar Clements. Hook them Moonshiners soon merged into the together, and then hook them both to band. Their stage shows, which Dave Carter and Bob Wills. Add were being heard at The links to Nickel Creek, Allison Kraus, Troubadour, The Ice House, The and link them both to Bela Fleck. Mecca and The Ash Grove, were Keep adding names: Joni Mitchell, made up of a broad range of mate- Ladysmith Black Mombazo, Lila rial, drawing from all their many Downs, Los Lobos. -
The New Year Off with the Music of Tracy
Volume 41 No. 1 January 2015 Start the New Year off with the music of Tracy Grammer Review by Darcy Greder musical genius as well as the humanity of ences to Carter songs performed by the High praise for Tracy Grammer came her late partner. Early shows were a bit of duo—Gentle Arms of Eden, The Mountain early in her career and accolades con- a struggle and the loss of Carter was palat- and I Go Like the Raven create a mosaic tinue to flow forth following her transition able as Tracy performed and talked about to reveal Tracy’s circuitous journey from from being one-half of the most promising him. Her grief work was, in part, played grief to acceptance of Carter’s death. For duos in the last twenty-five years—Carter out in the intimate clubs and venues that fans and reviewer’s alike, The Verdant and Grammer—to the solo work she has provided a stage as Tracy honored the Mile gave a promise for things to come, crafted since the untimely death of part- bookings. As in the arc of any grieving, and Tracy has kept faith through her sub- ner, Dave Carter. For five short years, there came a time for Tracy to evaluate sequent releases. Flower of Avalon is folk from 1997-2002, Carter and Grammer what would come next, both personally with a country-rock inflection. Produced produced four studio CDs, toured exten- and professionally. And the answers to by Tracy and John Jennings, the record- sively and garnered the attention of fel- those questions have given rise the next ing combines outstanding musical ar- low artists, critics and fans on the strength chapter of her musical story. -