Napster, Labels Face Off in Court, on Capitol Hill
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Campbell a Man and His Blues Mp3, Flac, Wma
John Campbell A Man And His Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: A Man And His Blues Country: Germany Style: Louisiana Blues MP3 version RAR size: 1807 mb FLAC version RAR size: 1932 mb WMA version RAR size: 1511 mb Rating: 4.6 Votes: 955 Other Formats: ASF AC3 MOD MP3 AA MP2 ASF Tracklist 1 Going To Dallas 3:36 2 Bad Night Blues 4:15 3 Judgement Day 5:15 4 Bluebird 4:26 5 Deep River Rag 3:01 6 Texas Country Boy 3:10 7 Sittin' Here Thinkin' 6:41 8 Sunnyland Train 4:51 9 White Lightnin' 5:50 Companies, etc. Phonographic Copyright (p) – Crosscut Records Copyright (c) – Crosscut Records Manufactured By – Optimal Media Production – A926853 Recorded At – Splice Of Life Studio Credits Acoustic Guitar, Electric Guitar – Ronnie Earl (tracks: 3, 7, 8) Acoustic Guitar, Vocals – John Campbell Drums – Per Hanson (tracks: 3, 6, 9) Harmonica – Jerry Portnoy (tracks: 3, 6) Producer – Ronnie Earl Vocals – Darrell Nulisch (tracks: 3) Notes Recorded April 18/19, 1988 at Splice Of Life Studios, Brighton, Massachusetts Issued in standard jewel case, black tray, with a 4-page booklet. ℗ & © 1988 CrossCut Records Different disc (see image) from A Man And His Blues, but same matrix Barcode and Other Identifiers Barcode (Text): 4 014924 110192 Barcode: 4014924110192 Mastering SID Code: ifpi L574 Mould SID Code: IFPI 9721 Matrix / Runout: A926853-01 Matrix / Runout: manufactured by optimal media production Rights Society: GEMA Label Code: LC 08059 SPARS Code: AAD Other versions Category Artist Title (Format) Label Category Country Year A Man And His Blues Crosscut CCR 1019 John Campbell CCR 1019 Germany 1988 (LP, Album) Records A Man And His Blues Crosscut CCD 11019 John Campbell CCD 11019 Germany 1994 (CD, Album) Records A Man And His Blues Blue Wolf BWCD 111 John Campbell BWCD 111 Norway 1994 (CD, Album) Records Inc. -
Slipstream Radio with Dwb on Monday, April 18, 2016
Playlist: SlipStream Radio with dwb on Monday, April 18, 2016 Show Notes: listening to the berkeley and nyc record haul (literally, hauled home) Time Artist Song Title Album Label Year 6:04 am robert fripp & brian eno “evening star” evening star opal 2014 6:14 am john lindberg ensemble “four fathers” a tree frog tonality between the lines 2000 6:23 am umar bin hassan “a.m.” to the last baraka fundation 2001 6:34 am dave douglas & keystone “creature” spark of being greenleaf 2010 6:40 am the tony williams lifetime “to whom it may ConCern: us/them” turn it over (bill laswell mix translation) 6:50 am jack bruce “mektoub” middle passage island 1990 6:58 am john coltrane quintet “intro > the inChworm” 2.16.62 birdland 7:06 am diga rhythm band “magnifiCent sevens” diga rounder 1976 7:17 am sacred system “driftwork” sacred system pan musiC 1998 7:27 am the awakening “jupiter” hear, sense and feel black jazz 1972 7:43 am sleater-kinney “the ballad of a ladyman” all hands on the bad one kill roCk stars 2000 7:44 am gorillaz “re-hash” gorillaz virgin 2001 7:47 am dj shadow “lesson 5” the 4-track era (best of the original reconstruction 2010 productions 1990-1992) 7:52 am bongwater “psyChedeliC sewing room” so muc hsleep shimmy disC 7:54 am tom waits “everything you can think of” alice anti 2002 8:03 am lou reed, laurie anderson, “tr 2” 1.10.08, the stone, nyc is it live or is it john zorn memorex? 8:18 am dave douglas & high risk “let's get one thing straight” dark territory greenleaf 2016 8:26 am henry kaiser “let's drink 100% healthy milk and it's a wonderful life metalanguage 1984 study hard” 8:41 am the out louds (mary “black garliC” the out louds relative pitch 2016 halverson trio) Time Artist Song Title Album Label Year 8:41 am brian eno “little fishes” another green world island 1975 8:46 am matthew shipp & miChael “where is the love?” live in seattle arena musiC 2016 bisio production 8:50 am starvue “body fusion (dj spinna remix)” strange games & funky things vol 5 bbe 8:59 am john zorn's dreamers “onCe upon a time” pellucidar tzadik 2015 . -
Hasseltkunstencentrum Burg . Bo
. B . 1 2 / 7 4 1 3500.HASSELT.1 P BELGIE-BELGIQUE editie: juli 2010 BELGIEBELGIE KUNSTENCENTRUMKUNSTENCENTRUM BURG.BOLLENSTR.54BURG.BOLLENSTR.54 3500-HASSELT3500-HASSELT NEW RELEASES / 19’ jaargang 5X per jaar: jan-maart-mei-juli-okt / Afgiftekantoor: 3500 Hasselt 1 - P 206555 vr 1 okt 2010 SHELLAC (US) + THE EX (NL) V.U. JO LIJNEN, Burg. Bollenstraat 54, 3500 Hasselt V.U. O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Gouden Palm Nominatie Cannes 2009 O ENTER THE VOID(FR/DE/IT / 2009 / 35 mm / 154’) Cast Nathaniel Brown, Paz de la Huerta, Cyril Roy, Emily Alyn Lind, Jesse Kuhn, Olly Alexander... O Gouden Palm Nominatie Filmfestival van Cannes 2009 O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Sinds kort wonen Oscar (Nathaniel Brown) en zijn zus Linda (Paz de la Huerta) in Tokyo. Oscar leeft van de inkom- sten van kleine drugdeals en Linda werkt als stripper in een nachtclub. Tijdens een inval van de politie wordt Oscar Regie geraakt door een kogel. Hij ligt op sterven maar zijn geest, die gezworen heeft om zijn zuster nooit achter te laten, weigert de wereld van de levenden te verlaten. Tijdens de dwaaltocht van zijn geest door de stad worden de visioenen Gaspar Noé chaotischer en zijn ze een ware nachtmerrie. Het verleden, het heden en de toekomst vermengen zich in een hallucino- gene draaikolk. De in Argentinië geboren Franse regisseur Gaspar Noé schreef in 2002 filmgeschiedenis met de hondsbrutale maar uiterst vindingrijke prent Irréversible. -
Making Our Own—Two Ethnographies of the Vernacular in New Zealand Music: Tramping Club Singsongs and the Māori Guitar Strumming Style
Making our own—two ethnographies of the vernacular in New Zealand music: tramping club singsongs and the Māori guitar strumming style by Michael Brown A thesis submitted to Victoria University of Wellington/Massey University in fulfilment of the requirements for the degree of Doctor of Philosophy in Music New Zealand School of Music 2012 ii Abstract This work presents two ethnographies of the vernacular in New Zealand music. The ethnographies are centred on the Wellington region, and deal respectively with tramping club singsongs and the Māori guitar strumming style. As the first studies to be made of these topics, they support an overall argument outlined in the Introduction, that the concept of ―vernacular‖ is a valuable way of identifying and understanding some significant musical phenomena hitherto neglected in New Zealand music studies. ―Vernacular‖ is conceptualised as an informal, homemade approach that enables people to customise music-making, just as language is casually manipulated in vernacular speech. The different theories and applications which contribute to this perspective, taken from music studies and other disciplines, are examined in Chapter 1. A review of relevant New Zealand music literature, along with a methodological overview of the ethnographies is presented in Chapter 2. Each study is based upon different mixtures of techniques, including participant-observer fieldwork, oral history, interviews, and archival research. They can be summarised as follows: Tramping club singsongs: a medium of informal self-entertainment among New Zealand wilderness recreationists in the mid-twentieth century. The ethnography focuses on two clubs in the Wellington region, the Tararua Tramping Club and the Victoria University College Tramping Club, during the 1940s-1960s period, when changing social mores, tramping‘s camaraderie and individualism, and the clubs‘ different approaches, gave their singsongs a distinctive character. -
“Napster” Is Released (At Northeastern University) • 04/04/00
• 03/07/97 - “Hotline” is released • 09/09/99 - “Napster” is released (at NorthEastern University) • 04/04/00 - “Gnutella 0.56” is released • 01/04/00 - “Napster” reaches 10 million downloads, but still has no revenue • 01/05/00 - Cable internet provider threaten to discontinue contracts with users that use “Napster” • 01/05/00 - Universal and Sony start to develop “Duet”, a “Napster” clone to be released 4/01 • 01/08/00 - AT&T start to develop “Publius”, a P2P network publishing system • 03/08/00 - Intel, HP and IBM create the “P2P Working Group” • 16/11/00 - Bertelsmann buys Napster; invests millions • 08/12/00 - Sun says it is working on a Java Peer-to-Peer platform • 18/01/01 - Microsoft initiates “Farsite” (“Federated, Available and Reliable Storage for an Incompletely Trusted Environment”) project [email protected] 24.1.01/UBIComp 1/44 • Background Etzard Stolte – History: P2P Networking IKS Group/ETH – A P2P Definition [email protected] – Merging technologies • What is out there? – File Sharing – Distributed Computing – Instant Messaging – Collaboration – Web Services • Summary • Discussion – Will P2P remain? – Will P2P be a profitable business concept? [email protected] 24.1.01/UBIComp 2/44 • Peer-to-Peer (P2P) has a specific meaning in many fields, e.g. – Literature (e.g. P2P review) – Psychology (e.g. counceling) – Education e.g. (peer groups) • In computer science P2P used to describe – A small network without dedicated server – Files and peripherals are shared – Some access control • What are then these P2P tools my younger sister talks about? – Isn’t the internet just a peer-to-peer network (e.g. -
Candye Kane * Jessie Galante Stacie Collins * Innes Sibun
N° 135 Mensuel Juin / Juillet 2011 BELGIQUE – BELGIE Ne paraît pas en Août N° Agréation : P202253 Bureau de dépôt : 4700 EUPEN 1 P.P. Editeur responsable : Francis GERON 4700 EUPEN 1 LOOK AT MUSIC Asbl : N° Entree. 0859.992.102 Avenue Reine Astrid 99a, 4831 LIMBOURG 9/1518 SPIRIT OF 66 LARRY CARLTON Trio SONNY LANDRETH DOC HOLLIDAY POINT BLANK CANDYE KANE * JESSIE GALANTE STACIE COLLINS * INNES SIBUN GUNSLINGER * TOMMY TALTON ROY METTE * RYAN McGARVEY ANIMA MUNDI * PAUL SIMUL CANNON BALL * YESsongs * TEEN SPIRIT NOVOTONES * CHICK FIGHT * LAST ROW MORRISON HOTEL * MONDAY MORNING SPIRIT OF 66 www.spiritof66.be Place du Martyr 16 Tél.087/35.24.24 e-mail : [email protected] VERVIERS Organ. Look at Music ASBL Mer.20h Blues, 08/06 CANDYE KANE (USA) The Thoughest Girl Alive! Swing & New album : SUPERHERO 13 € Rockabilly Jeu.20h Blues 09/06 JESSIE GALANTE (USA) + support : MONDAY MORNING (B) GRATUIT / FREE Rock Concert GRATUIT filmé pour une chaîne de télé américaine FREE show recorded for an important US Cable TV Network Ven.21h Supertramp 10/06 Tribute to SUPERTRAMP by CANNON BALL (B) Pour la 17 ème fois !! 13 € Hits Sam.21h Yes 11/06 YESSONGS (IT) play YES Un gros challenge … 12 € Hits Mar.20h PREV/PRES Slide 22 € 14/06 RECOM Guitar SONNY LANDRETH (USA) SLIDE GUITAR MAESTRO Maestro Mer.20h Blues 15/06 Ryan Mc GARVEY (USA) Le nouveau jeune prodige de la guitare aux USA 12 € Rock Jeu.20h Rock n 16/06 PAUL SIMUL & Rockett 88 (B) Anniversaire de + fêté par notre ami PAUL SIMUL 10 € Roll Ven.21h Nirvana 17/06 Tribute to NIRVANA by TEEN SPIRIT -
Golden Gate Grooves
THE GOLDEN GATE BLUES SOCIETY NEWSLETTER Issue 6, July 2010 GOLDEN GATE GROOVES FROM THE EDITOR Deb Lubin The period since the last newsletter was published was very busy, with planning for upcoming blues society events, going out to hear our favorite local blues bands, and our annual pilgrimage to Memphis in May for the Blues Music Awards. The BMAs are a wonderful event that all blues lovers should attend at least once. This year in Memphis, we got to see many of our favorite musicians from the Bay Area, among them Rick Estrin and the Nightcats, including Kid Andersen; the entire Tommy Castro Band, which took home several awards; Laura Chavez and Kennan Shaw from Candye Kane's band; Maria Muldaur, and others with Bay Area ties. I had so much fun reconnecting with old friends both on and off the stage. Meanwhile, the GGBS is rolling. We're getting ready for several big events that we're either sponsoring, partnering with, or supporting, including the 5th annual Redwood City Blues Festival in July, the first U.S. events of the European-based charity United by Music , the San Jose Jazz Festival in August, and events to select a member band to compete in the Blues Foundation's International Blues Challenge (IBC) in Memphis in February 2011, among others. Please look for information about all of these events in this issue of the newsletter. In addition, East Bay musician/cat lover/pre-war blues specialist Joel Fritz reviews four CDs by local bands. SF-based singer Cathy Lemons reviews E.C. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Canciones Desde Palestina
Canciones desde Palestina FILMANOVA & K 2000 mª luisa durán marquina, 20 – 1º 15011 a coruña telf.: 981 160 188 errekalde auzoa s/n 48960 galdakao – bizkaia fax: 981 145 303 [email protected] www.filmanova.com telf.: 94 4570000 [email protected] www.k2000.com 1 CONTENIDO FICHA………………………….........2 NOTAS DEL DIRECTOR………….3 NOTAS DEL PRODUCTOR………7 SINOPSIS……………………………9 CURRÍCULUMS DIRECTORES…10 EQUIPO TÉCNICO………………..16 1 Ficha Género: Documental Director: Fermín Muguruza Realizador: Javier Corcuera Productoras: Filmanova / K 2000 Guión: Fermín Muguruza Prod. Ejecutiva: Antón Reixa Ricardo González Dir. fotografía: Jordi Abusada Localizaciones: Palestina, Israel Formato: HD CAM Duración: 70 min. (aprox.) Idioma de rodaje: Árabe 2 Notas del director Me llamo Fermín Muguruza. Soy un músico del País Vasco que en semana santa del año 2002 viajó a Palestina con una delegación europea para reivindicar los derechos del Pueblo Palestino y festejar el día de la tierra con ellos. En colaboración con el Sound System italiano de 99 Posse, tenía la intención de participar en dos encuentros con músicos palestinos e israelíes en Jerusalén. Nuestra llegada coincidió con una bomba en Tel Aviv que causó numerosos muertos y la consecuente reacción del ejército israelí que sitió al entonces presidente Arafat en la Mukata (Palacio Presidencial) de Ramallah. Tras una reunión de urgencia, todas las facciones políticas palestinas nos pidieron que acudiéramos a Ramallah e hiciéramos de escudos humanos para salvar la vida de su presidente. 3 De los 500 miembros de la delegación, logramos entrar en la Ramallah sitiada y bajo el toque de queda 40 personas. Lo que viví y sentí en aquellos días todavía me produce escalofríos. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Fiona Hall Medicine Bundle for the Non-Born Child (Detail) 1994
Bulletin Summer Christchurch Art Gallery December 2008 — B.155 Te Puna o Waiwhetu February 2009 1 Bulletin B.155 Summer Christchurch Art Gallery December 2008 — Te Puna o Waiwhetu February 2009 Two cyclists use the custom-designed bikes that form Anne Veronica Janssens's Les Australoïdes installation in the Gallery foyer. Front and back cover images: Fiona Hall Medicine bundle for the non-born child (detail) 1994. Aluminium, rubber, plastic layette comprising matinee jacket. Collection of Queensland Art Gallery, purchased 2000. Queensland Art Gallery Foundation Grant. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney 2 3 Contents B.155 4 DIRECTOR'S FOREWORD A few words from director Jenny Harper 5 EXHIBITIONS PROGRAMME What's on at the Gallery this season 6 FIONA HALL: FORCE FIELD Paula Savage on one of Australia's finest contemporary artists 15 LOOKING INTO FORCE FIELD Two personal responses 16 SHOWCASE Recent gifts to the Gallery's collection 18 WUNDERBOX A collection of collections from the collection 26 THE ART OF COLLECTING Four artists show us their personal collections 30 LET IT BE NOW Six emerging Canterbury artists 34 WHITE ON WHITE Exploring the myriad possibilities of white 42 OUTER SPACES Richard Killeen takes his art out to the street 44 LONG WIRES IN DARK An interview with MUSEUMS Alastair Galbraith 46 ARE YOU TALKING TO ME? Jim and Mary Barr on collecting 47 PAGEWORK #1 Eddie Clemens 50 TE HURINGA / Pākehā colonisation TURNING POINTS and Māori empowerment 56 SCAPE 2008 Looking back at some of the Gallery projects 58 MY FAVOURITE Film-maker Gaylene Preston makes her choice 60 TIME-LAPSE Installing United We Fall 62 NOTEWORTHY News bites from around the Gallery 64 STAFF PROFILE Martin Young 64 COMING SOON Previewing Rita Angus: Life & Vision and Miles: a life in architecture Please note: The opinions put forward in this magazine are not necessarily those of Christchurch Art Gallery Te Puna o Waiwhetu. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos,