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Recording Release Forms 1 2 3 4 5 6 7 8 9 10
Recording Date of Release Last Name First Name or Group Date Signed Tape Forms Recording 1 Siddick (Siddiq) Mohammed Sep 11, 1963 1 Sep 28, 1963 2 Khan Ramzan Nov 17, 1963 2A Nov 17, 1963 3 Kader Razak Oct 1, 1963 3A Oct 1, 1963 4 Barve Manahar Oct 11, 1963 3C-F Oct 10-11, 1963 5 Feb 23-24, 1964 6 Nabibax Ziauddin Oct 3, 1963 4A Oct 3, 1963 7 Ahemad Rafique Oct 3, 1963 4A Oct 3, 1963 8 Ishaque Mohammed Oct 3, 1963 4A Oct 3, 1963 9 Surdas Shamrao Banshode Oct 4, 1963 5A Oct 4, 1963 10 Jaffar Khan Abdul Hamid Oct 6, 1963 6A, 6B-6F Oct 6, 1963 11 Barve Madhukar Manahar (Manhar) Oct 10, 1963 7C Oct 10, 1963 12 Damle Anant (Anand) Shankar Oct 11, 1963 7D Oct 10-11, 1963 13 Qawal (Qawall) Yacoob Oct 16, 1963 8A, 8D 3 and 16 Oct, 1963 14 Madhukar P. Oct 10, 1963 8B Oct 10, 1963 15 Ghaisas Vimal Oct 15, 1963 8C Oct 15, 1963 16 Sable Shahir Oct 10, 1963 9A Oct 10, 1963 17 Shijwadkar (Shejwadkar) Jayashree Oct 17, 1963 11A Oct 17, 1963 18 Damle Anant (Ananta ) Shankar Oct 17, 1963 11A Oct 17, 1963 19 Jaffar Ali Mohammad Ali Oct 18, 1963 11B Oct 18, 1963 20 Kumthekar Krishnarao S. Nov 8, 1963 11C Nov 8, 1963 21 Damle Anant Shankar Oct 21, 1963 12A Oct 21, 1963 22 Joglekar Yogini Oct 21, 1963 12B Oct 21, 1963 23 Kamat Ramdas Oct 21, 1963 13A Oct 21, 1963 24 Khadilkar Indirabai Oct 21, 1963 13B Oct 21, 1963 25 Nevrekar Shripad Oct 21, 1963 13C Oct 21, 1963 26 Pendharkar B.V. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume - Annual: TRN 2007 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2007 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities-II Other articles : Teheran Records, O. P. Nayyar. 1 ‘The Record News’ – Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members --------------------------- V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US$ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy -
Music & Dance Examinations
MUSIC & DANCE EXAMINATIONS I. THE AIMS AND OBJECTIVES OF THE FACULTY ARE 1. To encourage the study of Performing Arts as a vocation 2. To institute degree and Junior Diploma Courses in Performing Arts 3 To produce artists of high order and to train and prepare teachers well versed in theory, practice and history of Performing Arts; 4 To conduct research and to carry on auxiliary activities such as collection and publication of manuscripts; 5. To develop a high standard of education and knowledge of the Theory of Music and aesthetics, both ancient and modern, through the study of old and new literature in Sanskrit and other languages and give training in performing arts as a vocation 6. To make special arrangements by way of extension course for those who are not otherwise qualified to be admitted to the Faculty. 7. The Faculty while serving as a repository of all forms of Music including different schools of Music and regional styles, seeks to preserve the traditional methods of teaching and in doing so makes use of all modern techniques e.g. notation and Science of voice culture. In furthering the objectives laid down above, the Faculty arranges for lectures, concerts, demonstrations and excursion tours to important centers of Music in India. II. ADMISSION TO COLLEGES/FACULTIES OF THE UNIVERSITY 1. The last date for admission to all the constituent Colleges / Faculties of the University shall be fixed each year by the Academic Council. 2. Each College/ Faculty maintained by the University shall have a separate form of application which will be serially numbered and issued by the Principal/Dean of the College /Faculty concerned, on payment of the prescribed amount of application fee or by any other officer deputed by University. -
EEG Study of Ragas and Its Impact on Brain Waves Aashish.A.Bardekar 1, Ajay
ISSN(Online) : 2319-8753 ISSN (Print) : 2347-6710 International Journal of Innovative Research in Science, Engineering and Technology (An ISO 3297: 2007 Certified Organization) Website: www.ijirset.com Vol. 6, Issue 4, April 2017 EEG Study of Ragas and its Impact on Brain Waves Aashish.A.Bardekar 1, Ajay. A. Gurjar 2 Asst. Professor, Department of Information Technology, Sipna College of Engineering and Technology,Amravati(M.S), india1 Professor, Department of Electronics &Telecommunication, Sipna College of Engineering and Technology, Amravati(M.S),India2 ABSTRACT: Ragas like khamaj and pooriya are found to help in defusing mental tension, particularly in the case of hysterics. Raga malhar Pacifies anger, excessive mental, excitement & mental instability. It is require to verify this raga correlation systematically. By survey, it has been seen that no schemes have demonstrated yet. The proposed research presented in this paper is aimed to discover the science behind phonetics of raga and its effects on nerve system. This research is one step to explore scientifically the ancient way of alternative medicine i.e. raga therapy, which is a need of the day since current advances in technology and rising workload on human being is accompanied by stress. This research focuses on to study the influence of Indian classical ragas structure on human body while person is listening and experiencing an emotion in it by capturing EEG signals. The brainwave signals database will be collected and analyze. This research objectives and aim is to present a strong case study which will help medical practitioners like psychiatrist, to treat patient by injecting music stimulus. -
Effects of Music Therapy on Clinical and Biochemical Parameters of Metabolic Syndrome
Article Effects Of Music Therapy On Clinical And Biochemical Parameters Of Metabolic Syndrome Madhuri Sharma1 Rajnee2 Kamlesh Chandra Mathur3 Abstract Background: Music therapy is a new approach being used for the management of metabolic abnormalities and stress related illness. Objective: To study the effect of Music therapy on various clinical and biochemical parameters of Metabolic Syndrome. Methods: This cross sectional study was carried out on 100 patients of metabolic syndrome selected randomly. These patients were divided into two equal groups after age, sex adjustment. In control group (group I) 50 patients underwent the conventional treatment. 50 patients in study group were treated with supervised music protocol along with conventional treatment. The Body Mass Index, ;Waist-Hip ratio, Blood pressure, Fasting blood sugar were monitored weekly while HbA1c and lipid profile were determined at the baseline and after three months of exposure to music therapy. Statistical analysis was performed by employing student t- test. Results: In the study group there was a significant decrease in BMI (27.18±5.02 to 25.44±3.49 kg/m2, p<0.05), waist hip ratio (0.95±0.05 to 0.93±0.05 cm, p<0.05), Fasting blood sugar (196.00±47.80mg/ dl to152.00±16.19mg/dl , p<0.001), HbA1c (8.41±1.31% to 7.08±0.78 % p<0.001), Systolic Blood Pressure (151.00±12.10 to 136±9.04 mmHg p<0.001), Diastolic Blood Pressure (94±4.80 to 86.44±3.16 mmHg, p<0.01), Mean serum cholesterol (257.80±18.92 to 229.12±17.82mg/dl, p<0.001) and triglycerides (180.86±14.04 to 136.50±8.92mg/dl, p<0.001), LDL (167.97±14.40 to 140.20±15.41mg/dl, p<0.001), and VLDL (33.60±2.88 to 28.04±3.08mg/dl, p<0.001) and increase in HDL (33.32±3.38 to 39.71±3.41mg/dl, p<0.001), when compared with those of control group not receiving the music therapy along with the conventional treatment. -
WO 2012/085915 A2 28 June 2012 (28.06.2012) P O P C T
(12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization International Bureau (10) International Publication Number (43) International Publication Date WO 2012/085915 A2 28 June 2012 (28.06.2012) P O P C T (51) International Patent Classification: AO, AT, AU, AZ, BA, BB, BG, BH, BR, BW, BY, BZ, G09B 15/02 (2006.01) CA, CH, CL, CN, CO, CR, CU, CZ, DE, DK, DM, DO, DZ, EC, EE, EG, ES, FI, GB, GD, GE, GH, GM, GT, HN, (21) International Application Number: HR, HU, ID, IL, IN, IS, JP, KE, KG, KM, KN, KP, KR, PCT/IL201 1/000961 KZ, LA, LC, LK, LR, LS, LT, LU, LY, MA, MD, ME, (22) International Filing Date: MG, MK, MN, MW, MX, MY, MZ, NA, NG, NI, NO, NZ, 22 December 201 1 (22. 12.201 1) OM, PE, PG, PH, PL, PT, QA, RO, RS, RU, RW, SC, SD, SE, SG, SK, SL, SM, ST, SV, SY, TH, TJ, TM, TN, TR, (25) Filing Language: English TT, TZ, UA, UG, US, UZ, VC, VN, ZA, ZM, ZW. (26) Publication Language: English (84) Designated States (unless otherwise indicated, for every (30) Priority Data: kind of regional protection available): ARIPO (BW, GH, 61/426,5 17 23 December 2010 (23. 12.2010) US GM, KE, LR, LS, MW, MZ, NA, RW, SD, SL, SZ, TZ, UG, ZM, ZW), Eurasian (AM, AZ, BY, KG, KZ, MD, RU, (71) Applicant (for all designated States except US): P.R. TJ, TM), European (AL, AT, BE, BG, CH, CY, CZ, DE, SOUNDS LTD. -
Music (Vocal) for College Education Department
RAJASTHAN PUBLIC SERVICE COMMISSION, AJMER SYLLABUS FOR COMPETITIVE EXAMINATION FOR THE POST OF LECTURER IN MUSIC (VOCAL) FOR COLLEGE EDUCATION DEPARTMENT PAPER-I UNIT-I: 1. Define Sangeet, Nad, Shruti, Swar, Saptak & Swarsthan according to Ancient to Modern Music Scholars. 2. General idea regarding Varna and Alankar, Types of Kaku, Rag Jati, Ashray Rag, Vadi, Samvadi, Vivadi, Anuvadi, Sandhi-Prakash Rag, Parmel Praveshak Rag, Aaroh, Avroh, Rag-Lakshan, Alpatva – Bahutva and Aavirbhav - Tirobhav. 3. Define Rag-Vargikaran and Samay-Sidhant. UNIT-II: 1. Tunning of Tanpura & Tabla and it’s technique. 2. Life-sketches and contribution of following Musicians-Pt. Raja Bhaiya Puchwale, Pt. Bheemsen Joshi, Ustad Alladiya Khan, Ustad Faiyaz Khan, Ustad Bade Gulam Ali Khan, Ustad Abdul Karim Khan, Ustad Amir Khan, Girija Devi, Parveen Sultana, Kishori Amonkar, Dagar Bandhu, M.S. Subblaxmi and Trinity. 3. Evolution of Indian and Western Notation System. UNIT-III: 1. Knowledge of Swar-Malika, Lakshan Geet, Dhruvpad, Dhamar, Thumri, Tappa, Khayal, Tarana, Chaturang, Trivat, Raag Mala, Taal Mala, Gazal and Qwaali. 2. Knowledge of Musical Techniques- Adhunik Aalaap-Gayan, Kan, Khatka, Murki, Andolan, Gamak, Taan, Jod-Alaap and Meend. 3. General study of following Ragas- Alhaiya Bilawal, Vrindavani Sarang, Yaman, Bhoopali, Malkauns, Bageshree, Bhairav, Deshkar, Todi, Marva, Bhimpalasi, Jaunpuri, Desh, Khamaj, Darbari, Shyamkalayan, Jaijaivanti and Puriyadhanashri. 4. Definitions of Taal, Laya, Matra, Sam, Khali, Bhari, Aavartan, Tihai, Chakkardar, Navhukka, their importance in Indian Classical Music & General Knowledge of Dugun, 1 Tigun, Chaugun & Chchagun in the following Taalas- Trital, Ektal, Chautal, Ada Chautal, Jhoomara, Deepchandi, Punjabi, Dhamar, Roopak, Sooltal, Jhaptal, Kaharava, Dadra, Tilwada and Teevra. -
Indian Music (V, VI Semester)
SEMESTER –V THEORY (CBCS) INDIAN MUSIC (HINDUSTANI MUSIC) VOCAL AND INSTRUMENTAL(SITAR) DESCIPLINE SPECIFIC ELECTIVE(DSE)-I Examination to be held in DEC. 2018, 2019 and 2020 COURSECode. UMUTE 501 MAX. MARKS: 40 (32+08) CREDITS:2(2hrs/week) INTERNAL EXAMINATION:08 DURATION OF EXAMINATION:2½Hrs EXTERNALEXAMINATION: 32 TECHNICAL ASPECTS AND STUDY OF RAGAS AND TALAS OF INDIAN MUSIC UNIT – I Prescribed Ragas: 1. BAGESHRI 2. DES 3. JAIJAIVANTI 1. Writing description of the prescribed ragas and comparative study of the ragas with their similar Ragas (Samprakritik Ragas) & Identifying the Swar combinations of prescribed Ragas. 2. Writing of Notation of Vilimbit Khayal/Maseetkhani Gat in any One of the above prescribed Ragas & Chota Khayal/Razakhani Gat in all the prescribed Ragas of the syllabus, in Pandit V.N. Bhatkhandey notation system. 3. Writing Description & Notaion of below mentioned Talas with their single, Dugun,Tigun & Chougun layakaries in Pandit V.N. Bhatkhandey notation system. 1. Deepchandi 2.JhapTaal ( Including talas of previous semesters ) UNIT – II 1. Description of the following :- Nibadh & Anibadh Gaan, Dadra, Kajri Chaturang, Sadra, Tirvit, Chorus(Vrindgaan). 2. Esablishment of shudha and vikrit swaras on 22 Shruties according to medieval & modern scholars of india with relation to the vibrations and length of string . 3. Prelimnary knowedge of Indian Classical Dances A. Kathak B. Kathakali C. Manipuri D. Bharatnatyam 4. Voice- Culture 5. Taal & Ten Pranas of Tala (Das pran) UNIT– III Essays:- 1. Light & Classical Music. 2. Principles of Stage Performance( Manch Pradarshan) 3. Literature & Music (Sahitya aur Sangeet) 4. Folk Music of Jammu( Lok Sangeet). 5..Role of media to popularise & promote the Indian Classical Music. -
Sunadamala Digital Lehra
SUNADAMALA DIGITAL LEHRA OPERATION MANUAL 1.GENERAL INFORMATION : The new compact "Sunadamala" is a sophisticated electronic lehera instrument catering to the needs of classical tabla artistes. The instrument produces 202 leheras (rhythmic tunes) set to different Taals and Raags which can be selected by the user through the keyboard. The instrument utilizes the latest state-of-the-art microprocessor technology to produce a realistic sound of the lehera as played on a harmonium. The instrument has facility to control the volume of the sound, the base pitch (sur) and the tempo of the tune. A built-in drone is also provided, the volume of which can be independently controlled. The "Sunadamala" can also be repeatedly programmed by the user to play and store two leheras of his/ her composition. The instrument automatically operates on any voltage between 90 - 260 V AC or a set of four internal dry batteries (C size). The special features of the improved compact model are: 1. 202 preset tunes including special "Masitkhani" and "gayaki ang" tunes. 2. Digital display of matras, tempo, tune number & pitch. 3. Accurate built-in digital pitch-pipe with fine tuning facility. 4. Four harmonium tones selectable by the user. 5. Memory facility for two user programmed leheras, pitch, tempo and tone selections. 6. Can also be used as an excellent sur-peti (drone). 7. Built-in metronome. A three digit display provides the following indications : a. The currently selected tune number when the tune is not being played. b. The rhythmic count (matra) when the tune is being played. c. -
40 an Effect of Raga Therapy on Our Human Body
International Journal of Humanities and Social Science Research ISSN: 2455-2070 www.socialresearchjournals.com Volume 1; Issue 1; November 2015; Page No. 40-43 An effect of Raga Therapy on our human body 1 Joyanta Sarkar, 2 Utpal Biswas 1 Department of Instrumental Music, RabindraBharati University 2 Assistant Professor, Department of Music, Tripura University Abstract Now a days, music assumes a vital part in each human life. Because of overwhelming work weight, people listen music to relax. Music increases the metabolic activities within the human body. It accelerates the respiration, influences the internal secretion, improves the muscular activities and as such affects the "Central Nervous System” and Circulatory System of the listener and the performer. A Raga is the sequence of selected notes (swaras) that lend appropriate ‘mood’ or emotion in a selective combination. It’s a yoga system through the medium of sonorous sounds. Depending on its nature, a raga could induce or intensify joy or sorrow, violence or peace, and it is this quality which forms the basis for musical application. Keywords: Raga Therapy, human body Introduction Music therapy as a means to identify with cultural and spiritual identity Music therapy to assist memory and imagination. Etc The goals of Raga therapy are dependent upon the purpose of music therapy for each individual case. Drug and alcohol centers and schools may use music therapy and behavior changing may be an important goal (Sairam, 2004a) [3]. Whereas, nursing homes may use music therapy in more of a support role or to relieve pain. Autism, a neurological disorder that affects normal brain functioning is usually noticed within 30 months of age. -
Study of Classical Ragas Desh and Todi Structure and Impact on Brain
ISSN XXXX XXXX © 2017 IJESC Research Article Volume 7 Issue No. 2 Study of Classical Ragas Desh and Todi Structure and Impact on Brain Waves A.A.Bardekar1, Ajay.A.Gurjar2 Department of Information Technology1, Department of Electronics &Telecommunication2 Sipna College of Engineering and Technology Amravati, M.S, India Abstract: Some ragas like desh, todi, darbari kanada, khamaj and pooriya influences emotions of human being by changing the resonance of human body and are found to help in defusing mental tension. Raga malhar Pacifies anger, excessive mental, excitement & mental instability, Raga jaijaivanti have also been pound effective in curing mental disorders and calming the mind. Although it is require to verify this raga correlation systematically. By survey, it has been seen that no sch emes have demonstrated yet. The proposed research presented in this paper is aimed to discover the science behind phonetics of raga and its effects on nerve system. T his research is one step to explore scientifically the ancient way of alternative medicine i.e. raga therapy, which is a need of the day since current advances in technology and rising workload on human being is accompanied by stress. This research focuses on to study the influence of Indian classical ragas structure on human body while person is listening and experiencing an emotion in it by capturing EEG signals. The brainwave signals database will be collected and analyze. This research work addresses these objectives and aims to present a strong case which will help musical therapist, medical practitioners like psychiatrist, to treat patient by injecting raaga stimulus. -
Lie Academy Madras ’•Road, Madras - 600014
\4& ./uS& .Sirf o*:':*H *£te :' i’" ,■>; v^-v < * /I 'f«3 & - ^ l; Jft* > ' a 4 a 'i. f ‘*»' * :£f ? , ^ K - .. ;. E d j t e d l ^ I s : - p f r - , » :1980 ' - * - n >• ' v r ’;-, lie Academy Madras ’•Road, Madras - 600014 ’W-.v.^v Subscription - Rs. 12; Foreign S 3-QO V" 1 3?. r - - 'V».-- .v,.*.„ sapvv *tv.t.•'*•. *0 ■ ■ ..v«(i- §fefe£|i;#x)i' V ‘ l i OURSELYES The Journal is now being published as an Annual, h • All correspondence relating to ihe Journal should be addressed and all books, advertisement money and cheques intended for it should be sent to Sri T. S. Parthassrathy, Editor, Journal of !the Music Academy, 306, Mowbray’s JRoad, Madras-600 014. ' V , * ■ $V ' Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type written (double-spaced and on one side of the paper only) and should be signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. JOURNAL COMMiTTEB OF THE MUSIC ACADEMY 1. Sri T. S. Parthasarathy — Editor (and Secretary, Music Academy) 2. „ T. V. Rajagopalan — Trustee 3. „ S. Ramaswamy — Executive Trustee 4. Sandhyavandanam — Member Srinivasa Rao 5. Prof. S. Ramanathan — Member Sri S. Natarajan "t 7. „ R. Ranganathan > Secretaries of Music s. „ T. S. Rangarajan 1 Academy, Ex-officio CONTENTS PAGE The 51st Annual Conference of the Music Acadmy, Madras: Official Report: — 1 A Syama Sastry Bibliography — 72 The Rudra Vina of Somanatha: Ranganayaki Ayyangar — 77 Some Related Ragas: S.