WO 2012/085915 A2 28 June 2012 (28.06.2012) P O P C T
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Note Staff Symbol Carnatic Name Hindustani Name Chakra Sa C
The Indian Scale & Comparison with Western Staff Notations: The vowel 'a' is pronounced as 'a' in 'father', the vowel 'i' as 'ee' in 'feet', in the Sa-Ri-Ga Scale In this scale, a high note (swara) will be indicated by a dot over it and a note in the lower octave will be indicated by a dot under it. Hindustani Chakra Note Staff Symbol Carnatic Name Name MulAadhar Sa C - Natural Shadaj Shadaj (Base of spine) Shuddha Swadhishthan ri D - flat Komal ri Rishabh (Genitals) Chatushruti Ri D - Natural Shudhh Ri Rishabh Sadharana Manipur ga E - Flat Komal ga Gandhara (Navel & Solar Antara Plexus) Ga E - Natural Shudhh Ga Gandhara Shudhh Shudhh Anahat Ma F - Natural Madhyam Madhyam (Heart) Tivra ma F - Sharp Prati Madhyam Madhyam Vishudhh Pa G - Natural Panchama Panchama (Throat) Shuddha Ajna dha A - Flat Komal Dhaivat Dhaivata (Third eye) Chatushruti Shudhh Dha A - Natural Dhaivata Dhaivat ni B - Flat Kaisiki Nishada Komal Nishad Sahsaar Ni B - Natural Kakali Nishada Shudhh Nishad (Crown of head) Så C - Natural Shadaja Shadaj Property of www.SarodSitar.com Copyright © 2010 Not to be copied or shared without permission. Short description of Few Popular Raags :: Sanskrut (Sanskrit) pronunciation is Raag and NOT Raga (Alphabetical) Aroha Timing Name of Raag (Karnataki Details Avroha Resemblance) Mood Vadi, Samvadi (Main Swaras) It is a old raag obtained by the combination of two raags, Ahiri Sa ri Ga Ma Pa Ga Ma Dha ni Så Ahir Bhairav Morning & Bhairav. It belongs to the Bhairav Thaat. Its first part (poorvang) has the Bhairav ang and the second part has kafi or Så ni Dha Pa Ma Ga ri Sa (Chakravaka) serious, devotional harpriya ang. -
MUSIC MPA Syllabus Paper Code Course Category Credit Marks
MUSIC MPA Syllabus Paper Code Course Category Credit Marks Semester I 12 300 MUS-PG-T101 Aesthetics Theory 4 100 MUS-PG-P102 Analytical Study of Raga-I Practical 4 100 MUS-PG-P103 Analytical Study of Tala-I Practical 4 100 MUS-PG-P104 Raga Studies I Practical 4 100 MUS-PG-P105 Tala Studies I Practical 4 100 Semester II 16 400 MUS-PG-T201 Folk Music Theory 4 100 MUS-PG-P202 Analytical Study of Raga-II Practical 4 100 MUS-PG-P203 Analytical Study of Tala-II Practical 4 100 MUS-PG-P204 Raga Studies II Practical 4 100 MUS-PG-P205 Tala Studies II Practical 4 100 MUS-PG-T206 Music and Media Theory 4 100 Semester III 20 500 MUS-PG-T301 Modern Traditions of Indian Music Theory 4 100 MUS-PG-P302 Analytical Study of Tala-III Practical 4 100 MUS-PG-P303 Raga Studies III Practical 4 100 MUS-PG-P303 Tala Studies III Practical 4 100 MUS-PG-P304 Stage Performance I Practical 4 100 MUS-PG-T305 Music and Management Theory 4 100 Semester IV 16 400 MUS-PG-T401 Ethnomusicology Theory 4 100 MUS-PG-T402 Dissertation Theory 4 100 MUS-PG-P403 Raga Studies IV Practical 4 100 MUS-PG-P404 Tala Studies IV Practical 4 100 MUS-PG-P405 Stage Performance II Practical 4 100 1 Semester I MUS-PG-CT101:- Aesthetic Course Detail- The course will primarily provide an overview of music and allied issues like Aesthetics. The discussions will range from Rasa and its varieties [According to Bharat, Abhinavagupta, and others], thoughts of Rabindranath Tagore and Abanindranath Tagore on music to aesthetics and general comparative. -
University of Mauritius Mahatma Gandhi Institute
University of Mauritius Mahatma Gandhi Institute Regulations And Programme of Studies B. A (Hons) Performing Arts (Vocal Hindustani) (Review) - 1 - UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART I General Regulations for B.A (Hons) Performing Arts (Vocal Hindustani) 1. Programme title: B.A (Hons) Performing Arts (Vocal Hindustani) 2. Objectives To equip the student with further knowledge and skills in Vocal Hindustani Music and proficiency in the teaching of the subject. 3. General Entry Requirements In accordance with the University General Entry Requirements for admission to undergraduate degree programmes. 4. Programme Requirement A post A-Level MGI Diploma in Performing Arts (Vocal Hindustani) or an alternative qualification acceptable to the University of Mauritius. 5. Programme Duration Normal Maximum Degree (P/T): 2 years 4 years (4 semesters) (8 semesters) 6. Credit System 6.1 Introduction 6.1.1 The B.A (Hons) Performing Arts (Vocal Hindustani) programme is built up on a 3- year part time Diploma, which accounts for 60 credits. 6.1.2 The Programme is structured on the credit system and is run on a semester basis. 6.1.3 A semester is of a duration of 15 weeks (excluding examination period). - 2 - 6.1.4 A credit is a unit of measure, and the Programme is based on the following guidelines: 15 hours of lectures and / or tutorials: 1 credit 6.2 Programme Structure The B.A Programme is made up of a number of modules carrying 3 credits each, except the Dissertation which carries 9 credits. 6.3 Minimum Credits Required for the Award of the Degree: 6.3.1 The MGI Diploma already accounts for 60 credits. -
Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan
Table of Contents From the Publications & Outreach Committee ..................................... Lakshmi Radhakrishnan ............ 1 From the President’s Desk ...................................................................... Balaji Raghothaman .................. 2 Connect with SRUTI ............................................................................................................................ 4 SRUTI at 30 – Some reflections…………………………………. ........... Mani, Dinakar, Uma & Balaji .. 5 A Mellifluous Ode to Devi by Sikkil Gurucharan & Anil Srinivasan… .. Kamakshi Mallikarjun ............. 11 Concert – Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan ..... 14 A Grand Violin Trio Concert ................................................................... Sneha Ramesh Mani ................ 16 What is in a raga’s identity – label or the notes?? ................................... P. Swaminathan ...................... 18 Saayujya by T.M.Krishna & Priyadarsini Govind ................................... Toni Shapiro-Phim .................. 20 And the Oscar goes to …… Kaapi – Bombay Jayashree Concert .......... P. Sivakumar ......................... 24 Saarangi – Harsh Narayan ...................................................................... Allyn Miner ........................... 26 Lec-Dem on Bharat Ratna MS Subbulakshmi by RK Shriramkumar .... Prabhakar Chitrapu ................ 28 Bala Bhavam – Bharatanatyam by Rumya Venkateshwaran ................. Roopa Nayak ......................... 33 Dr. M. Balamurali -
Mpa Music Syllabus (Unrevised)
MPA MUSIC SYLLABUS (UNREVISED) Subject Semester: Paper: Title: Credits: Hours/Week Hours/Semester Nature: 7 34 History and 3 (3 + Theory 3 60 Contemporary Issues in 0) Ethnomusicology. 7 35 Aesthetics in Music 3 (3 + Theory 3 60 0) 7 36 Hindustani Music Vocal 6 (0 + 12 240 OR 6) Practical Hindustani Music Instrumental Any one from the following – Violin, Flute and Tabla OR Western Music (Guitar) 7 37 Practical 4 (0 + Practical 8 160 Music/Instrumental 4) (Semi-Classical/Folk). Total: 520 Subject Semester: Paper: Title: Credits: Hours/Week Hours/Semester Nature: 8 38 Acoustics 3 (3 + Theory 3 48 0) 8 39 Music of Northeast India 3 (3 + Theory 3 48 0) 8 40 Hindustani Music Vocal 6 (0 + Practical 12 192 OR 6) Hindustani Music Instrumental Any one from the following – Violin, Flute and Tabla OR Western Music (Guitar) 8 41 Practical Music 4 (0 + Practical 8 128 Vocal/Instrumental 4) (Semi-Classical/Folk). Total 416 Subject Semester: Paper: Title: Credits: Hours/Week Hours/Semester Nature: 9 42 Music and Media 3 (3 + 0) Theory 3 60 9 43 Music in Dance and 3 (3 + 0) Theory 3 60 Theatre 9 44 Hindustani Music Vocal 6 (0 + 6) Practical 12 240 OR Hindustani Music Instrumental Any one from the following – Violin, Flute and Tabla OR Western Music (Guitar) 9 45 Practical Music 4 (0 + 4) Practical 8 160 Vocal/Instrumental (Semi-Classical/Folk) Total: 520 Subject Semester: Paper: Title: Credits: Hours/Week Hours/Semester Nature: 10 46 Music of Sikkim 3 (3 + 0) Theory 3 48 10 47 Fieldwork, Lab. -
Recording Release Forms 1 2 3 4 5 6 7 8 9 10
Recording Date of Release Last Name First Name or Group Date Signed Tape Forms Recording 1 Siddick (Siddiq) Mohammed Sep 11, 1963 1 Sep 28, 1963 2 Khan Ramzan Nov 17, 1963 2A Nov 17, 1963 3 Kader Razak Oct 1, 1963 3A Oct 1, 1963 4 Barve Manahar Oct 11, 1963 3C-F Oct 10-11, 1963 5 Feb 23-24, 1964 6 Nabibax Ziauddin Oct 3, 1963 4A Oct 3, 1963 7 Ahemad Rafique Oct 3, 1963 4A Oct 3, 1963 8 Ishaque Mohammed Oct 3, 1963 4A Oct 3, 1963 9 Surdas Shamrao Banshode Oct 4, 1963 5A Oct 4, 1963 10 Jaffar Khan Abdul Hamid Oct 6, 1963 6A, 6B-6F Oct 6, 1963 11 Barve Madhukar Manahar (Manhar) Oct 10, 1963 7C Oct 10, 1963 12 Damle Anant (Anand) Shankar Oct 11, 1963 7D Oct 10-11, 1963 13 Qawal (Qawall) Yacoob Oct 16, 1963 8A, 8D 3 and 16 Oct, 1963 14 Madhukar P. Oct 10, 1963 8B Oct 10, 1963 15 Ghaisas Vimal Oct 15, 1963 8C Oct 15, 1963 16 Sable Shahir Oct 10, 1963 9A Oct 10, 1963 17 Shijwadkar (Shejwadkar) Jayashree Oct 17, 1963 11A Oct 17, 1963 18 Damle Anant (Ananta ) Shankar Oct 17, 1963 11A Oct 17, 1963 19 Jaffar Ali Mohammad Ali Oct 18, 1963 11B Oct 18, 1963 20 Kumthekar Krishnarao S. Nov 8, 1963 11C Nov 8, 1963 21 Damle Anant Shankar Oct 21, 1963 12A Oct 21, 1963 22 Joglekar Yogini Oct 21, 1963 12B Oct 21, 1963 23 Kamat Ramdas Oct 21, 1963 13A Oct 21, 1963 24 Khadilkar Indirabai Oct 21, 1963 13B Oct 21, 1963 25 Nevrekar Shripad Oct 21, 1963 13C Oct 21, 1963 26 Pendharkar B.V. -
M.A. (MUS) Vocal IV Semester 1. Two Theory Papers (40+40) = Total 80
M.A. (MUS) Vocal IVth Semester 1. Two Theory papers (40+40) = Total 80 Marks Internal Assessment (10+10) = Total 20 Marks Total 100 Marks 2. Two Practical paprs each of 50 Marks Total 100 Marks Project paper – 1st Theory Paper 40 Marks Applied theory of Music 1. Theoretical study of the Ragas Prescribed for practical paper 1st of IVth Semester. 2. Writing of Muktalap and taan/Bole taan in the Ragas prescribed for the practical paper IInd of IVth Semester. 3. Knowledge of the Rangang classification and intensive study of Ragas as prescribed in practical paper – 1st of IVth Semester. 4. Writing of Dhrupad and Dhamar in notation with different laykaries in the ragas prescribed for IVth Semester. Internal Assessment 10 Marks Theory Paper –IInd 40 Marks 1. Study of Gharana of Khayal Gayaki 2. Study of Khayal, Dhrupad, Dhamar, Thumri, Dadra and Tappa with their historical background. 3. Study of Kumauni Holi. 4. Research Methodology in Music (Meaning area sources) Internal Assessment 10 Marks Practical – 1st 50 Marks Practical Demonstration with Viva-Voice 1. Intensive study of any two of the following Ragas classified under section (A) and general study of Ragas classified under section (B) 25 Marks Asavari Ang – Komal Rishab Asavari (A) Gandhari (B) Shree Ang – Shree (A) Jait Shree(B) Ragas not grouped in any particular Ang Jog (A) Jog kauns (B) 2. Vilambit Khayal with alap and taan in any one of the following rag and Madhyalaya Khayal in each to be learnt. 10 Marks 1. Darbari kanada 2. Chhayanat 3. Rageshree 4. Multani 5. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume - Annual: TRN 2007 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2007 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities-II Other articles : Teheran Records, O. P. Nayyar. 1 ‘The Record News’ – Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members --------------------------- V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US$ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy -
Music & Dance Examinations
MUSIC & DANCE EXAMINATIONS I. THE AIMS AND OBJECTIVES OF THE FACULTY ARE 1. To encourage the study of Performing Arts as a vocation 2. To institute degree and Junior Diploma Courses in Performing Arts 3 To produce artists of high order and to train and prepare teachers well versed in theory, practice and history of Performing Arts; 4 To conduct research and to carry on auxiliary activities such as collection and publication of manuscripts; 5. To develop a high standard of education and knowledge of the Theory of Music and aesthetics, both ancient and modern, through the study of old and new literature in Sanskrit and other languages and give training in performing arts as a vocation 6. To make special arrangements by way of extension course for those who are not otherwise qualified to be admitted to the Faculty. 7. The Faculty while serving as a repository of all forms of Music including different schools of Music and regional styles, seeks to preserve the traditional methods of teaching and in doing so makes use of all modern techniques e.g. notation and Science of voice culture. In furthering the objectives laid down above, the Faculty arranges for lectures, concerts, demonstrations and excursion tours to important centers of Music in India. II. ADMISSION TO COLLEGES/FACULTIES OF THE UNIVERSITY 1. The last date for admission to all the constituent Colleges / Faculties of the University shall be fixed each year by the Academic Council. 2. Each College/ Faculty maintained by the University shall have a separate form of application which will be serially numbered and issued by the Principal/Dean of the College /Faculty concerned, on payment of the prescribed amount of application fee or by any other officer deputed by University. -
EEG Study of Ragas and Its Impact on Brain Waves Aashish.A.Bardekar 1, Ajay
ISSN(Online) : 2319-8753 ISSN (Print) : 2347-6710 International Journal of Innovative Research in Science, Engineering and Technology (An ISO 3297: 2007 Certified Organization) Website: www.ijirset.com Vol. 6, Issue 4, April 2017 EEG Study of Ragas and its Impact on Brain Waves Aashish.A.Bardekar 1, Ajay. A. Gurjar 2 Asst. Professor, Department of Information Technology, Sipna College of Engineering and Technology,Amravati(M.S), india1 Professor, Department of Electronics &Telecommunication, Sipna College of Engineering and Technology, Amravati(M.S),India2 ABSTRACT: Ragas like khamaj and pooriya are found to help in defusing mental tension, particularly in the case of hysterics. Raga malhar Pacifies anger, excessive mental, excitement & mental instability. It is require to verify this raga correlation systematically. By survey, it has been seen that no schemes have demonstrated yet. The proposed research presented in this paper is aimed to discover the science behind phonetics of raga and its effects on nerve system. This research is one step to explore scientifically the ancient way of alternative medicine i.e. raga therapy, which is a need of the day since current advances in technology and rising workload on human being is accompanied by stress. This research focuses on to study the influence of Indian classical ragas structure on human body while person is listening and experiencing an emotion in it by capturing EEG signals. The brainwave signals database will be collected and analyze. This research objectives and aim is to present a strong case study which will help medical practitioners like psychiatrist, to treat patient by injecting music stimulus. -
Effects of Music Therapy on Clinical and Biochemical Parameters of Metabolic Syndrome
Article Effects Of Music Therapy On Clinical And Biochemical Parameters Of Metabolic Syndrome Madhuri Sharma1 Rajnee2 Kamlesh Chandra Mathur3 Abstract Background: Music therapy is a new approach being used for the management of metabolic abnormalities and stress related illness. Objective: To study the effect of Music therapy on various clinical and biochemical parameters of Metabolic Syndrome. Methods: This cross sectional study was carried out on 100 patients of metabolic syndrome selected randomly. These patients were divided into two equal groups after age, sex adjustment. In control group (group I) 50 patients underwent the conventional treatment. 50 patients in study group were treated with supervised music protocol along with conventional treatment. The Body Mass Index, ;Waist-Hip ratio, Blood pressure, Fasting blood sugar were monitored weekly while HbA1c and lipid profile were determined at the baseline and after three months of exposure to music therapy. Statistical analysis was performed by employing student t- test. Results: In the study group there was a significant decrease in BMI (27.18±5.02 to 25.44±3.49 kg/m2, p<0.05), waist hip ratio (0.95±0.05 to 0.93±0.05 cm, p<0.05), Fasting blood sugar (196.00±47.80mg/ dl to152.00±16.19mg/dl , p<0.001), HbA1c (8.41±1.31% to 7.08±0.78 % p<0.001), Systolic Blood Pressure (151.00±12.10 to 136±9.04 mmHg p<0.001), Diastolic Blood Pressure (94±4.80 to 86.44±3.16 mmHg, p<0.01), Mean serum cholesterol (257.80±18.92 to 229.12±17.82mg/dl, p<0.001) and triglycerides (180.86±14.04 to 136.50±8.92mg/dl, p<0.001), LDL (167.97±14.40 to 140.20±15.41mg/dl, p<0.001), and VLDL (33.60±2.88 to 28.04±3.08mg/dl, p<0.001) and increase in HDL (33.32±3.38 to 39.71±3.41mg/dl, p<0.001), when compared with those of control group not receiving the music therapy along with the conventional treatment. -
B.A.) (3Rd and 4Th Sem
GURU JAMBHESHWAR UNIVERSITY OF SCIENCE & TECHNOLOGY, HISAR (Established by State Legislature Act 17 of 1995) ‘A’ Grade, NAAC Accredited Index for the Subjects of B.A. 2nd Year (3rd and 4th Semester) for the academic session 2019-20 Sr. No. Scheme and Syllabi of Subjects Page No. 1. Commercial Art, Drawing & Painting B.A. 2nd Year (3rd and 4th sem) 02 to 07 2. Computer Science (Pass Course) B.A. 2nd Year (3rd and 4thsem) 08 to 20 3. Defence Studies BA 2nd Year (3rd and 4th sem) 21 to 28 4. English Compulsory B.A. 2nd Year (3rd and 4th sem) 29 to 34 5. Functional English B.A. 2nd Year (3rd and 4th sem) 35 to 40 6. English Hons B.A. 2nd Year (3rd and 4th sem) 41 to 55 7. Fashion Designing B.A. 2nd Year (3rd and 4th sem) 56 to 61 8. Geography B.A. (Pass Course) 2nd Year (3rd and 4th sem) 62 to 70 9. Geography B.A. Hons 2nd Year (3rd and 4th sem) 71 to 87 10. Health & Physical Education B.A. 2nd Year (3rd and 4th sem) 88 to 95 11. Hindi B.A. 2nd Year (3rd and 4th sem) 96 to 105 12. History B.A. (General) 2nd Year (3rd and 4th sem) 106 to 115 13. Home Science B.A. 2nd Year (3rd and 4th sem) 116 to 121 14. Mathematics B.A. 2nd Year (3rd and 4th sem) 122 to 133 15. Music Instrumental B.A. 2nd Year (3rd and 4th sem) 134 to 139 16.