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A Discography of Robert Burns 1948 to 2002 Thomas Keith
Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns. -
Melodic Identity and Tune Resemblance Karen E. Mcaulay
1 ABSTRACTS (grouped by session) Session 1: Melodic Identity and Tune Resemblance Karen E. McAulay (Royal Conservatoire of Scotland, Glasgow) ‘All the right notes, but not necessarily in the right order’*: Musical Resemblances over the Border The appealing Northumbrian pipe-tune, “I saw my love come passing by me”, appears in at least three nineteenth century sources, and again in Cock’s Tutor for the Northumbrian Half-Long Bagpipes. The latest two of these are shorter, whilst the first two elaborate the tune with variations. Nonetheless, the resemblances are clear; their kinship is indisputable. However, there are two much earlier appearances of similar tunes in publications north of the border. A century older, each has a different title, and although the shapes of these tunes are undeniably similar, they are certainly neither identical forerunners to one another, nor to “I saw my love”. Indeed, one source was linked in 1925 to a totally different tune. Notwithstanding this earlier identification, I dispute the similarity, and propose that there is some kind of link between “I saw my love” and her earlier Scottish cousins. Whilst the Tune Archive enabled me to trace the iterations of the Border tunes, it failed to flag up these Scottish tunes as potential relatives, partly because their rhythmic notation means the Theme Code index failed to pick up the same strong beats. I propose to demonstrate the methodology I have adopted to attempt to prove my hypothesis. If I’m right, it suggests that before I saw my love come passing by me, she had enjoyed a bit of a shadowy Celtic past. -
The Songs of Robert Burns
— ; ; — I. LOVE-SONGS : PERSONAL 387 ' O saw ye my father, or saw ye my mother, Or saw ye my true love, John? I saw not your father, I saw not your mother, But I saw your true love, John. ' Up Johnnie rose, and to the door he goes, And gently tirled the pin ; The lassie taking tent, unto the door she went, And she open'd and let him in. * Flee, flee up, my bonny grey cock. And craw whan it is day Your neck shall be like the bonny beaten gold, And your wings of the silver grey. ' The cock prov'd false, and untrue he was. For he crew an hour o'er soon The lassie thought it day when she sent her love away, And it was but a blink of the moon.' The origin of this beautiful song has been disputed by Chappell {Popular Music, p. 7J/), who claimed that the original publication of five stanzas is in Vocal Music, or the Songsters Companion, London, 1772, ii. j6. He stated that a Scottified version was reprinted by Herd in 1776, but I have shown that the song was printed in Herd's first edition of 1769. The third stanza in Focal Music, as follows, can be compared with the above second stanza : ' Then John he up arose, and to the door he goes, And he twirled, he twirled at the pin ; The lassie took the hint, and to the door she went, And she let her true love in.' The English copyist discloses his ignorance of the Scots language in the second line, where the lover tirls the wooden latch or pin of the door to arrest his sweetheart's attention. -
The Songs of Robert Burns
BIBLIOGRAPHY I. WORKS OF BURNS. [Burns was born January 25, 1759 ; he wrote his first song in the autumn of first 1773 or 1774 ; published the edition of his Works in 1786, and the last in 1794. His connexion with Johnson's Scots Musical Museum began in the spring or summer of 1787, and with Thomson's Scotish Airs in September, 1792, and he continued to contribute to both collections until his death on July 21, 1796. The Bibliography of Burns in the ' Memorial Catalogue of the Bums Exhibition, 1896. Glasgow: Hodge, 1898,' describes 696 editions of the Works of Bums published in the United Kingdom.] Hastie MSS., in the British Museum (No. 22,307), include 162 songs, mostly in the handwriting of Burns, which he contributed to the Scots Musical MtiseufH. Dalhousie MS., in Brechin Castle, consists of Letters to George Thomson, and songs intended for publication in Scotish Airs. Gray's MS. Lists, belonging to George Gray, Esq., of the Coimty Buildings, Glasgow, are a number of detached sheets containing the titles of songs pro- posed for insertion in the second and subsequent volumes of the Scots Musical Museum. The lists are partly in the handwriting of Burns and partly in that of James Johnson. Law's MS. List, lately in the possession of William Law, Littleborough, is a holograph of Burns, entitled ' List of Songs for 3rd Volume of the Scots Musical Mtiseum^ which he sent to Johnson in a letter dated April 24, 1789. This MS., now referred to for the first time, definitely settles the authorship of many songs, some of which in the following pages are printed for the first time as the work of Burns. -
Building Churches in Scotland 96 Occupying 132 Relating – Church Buildings and Their Surroundings 164 Conclusion 200 Bibliography 212
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Building the Reformed Kirk: the cultural use of ecclesiastical buildings in Scotland, 1560–1645 by Graham T. Chernoff A thesis submitted for the degree of Doctor of Philosophy at the University of Edinburgh July 2012 Abstract This thesis examines the built environment and culture of Scotland between 1560 and 1645 by analysing church buildings erected during the period. The mid-sixteenth- century ecclesiastical Reformation and mid-seventeenth-century political and ecclesiastical tumult in Scotland provide brackets that frame the development of this physical aspect of Scottish cultural history. This thesis draws most heavily on architectural and ecclesiastical history, and creates a compound of the two methods. That new compound brings to the forefront of the analysis the people who produced the buildings and for whom the church institution operated. -
Changing English Perceptions of the Irish from the 1820S Through the 1860S
Graduate Theses, Dissertations, and Problem Reports 2011 From Peasant to Pariah: Changing English Perceptions of the Irish from the 1820s Through the 1860s Traci J. Scully West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Scully, Traci J., "From Peasant to Pariah: Changing English Perceptions of the Irish from the 1820s Through the 1860s" (2011). Graduate Theses, Dissertations, and Problem Reports. 3462. https://researchrepository.wvu.edu/etd/3462 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. From Peasant to Pariah: Changing English Perceptions of the Irish from the 1820s Through the 1860s Traci J. Scully Dissertation submitted to the College of Arts and Sciences At West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Joseph Hodge, Ph.D., Chair Katherine Aaslestad, Ph.D. Kate Staples, Ph.D. Lisa Weihman, Ph.D. Sandra den Otter, Ph.D. -
The Liberal Party in Scotland, 1843- 1868: Electoral Politics and Party Development
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] The Liberal party in Scotland, 1843- 1868: electoral politics and party development Gordon F. Millar Departments of Scottish and Modern History University of Glasgow Presented for the degree of Ph.D. at the University of Glasgow © Gordon F. Millar October 1994 ProQuest Number: 10992153 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10992153 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
Janet V Deatherage Phd Thesis
THE IMPACT OF THE UNION OF 1707 ON EARLY EIGHTEENTH-CENTURY FIFE ELECTORAL POLITICS, 1707-1747 Janet V. Deatherage A Thesis Submitted for the Degree of PhD at the University of St Andrews 2006 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3708 This item is protected by original copyright The Impact of the Union of 1707 on Early Eighteenth-Century Fife Electoral Politics - 1707-1747 Janet\T.I>eatllerage Thesis submitted for tlle degree ofPh.I>. University of St. Andrews March 2006 Declarations (i) I, Janet Deatherage, hereby certify that this thesis, which is approximately 90,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. - .~ ' ~_.r-:- Date . ?~~ Signature of candidat ; -- --, ...... - ~ ~~ " .o.= . '!" ''.:' (ii) I was admitted as a research student in September 2000 and as a candidate for the degree of Ph.D. in September 2001; the higher study for which this is a record was carried out in the University of St Andrews between 2000 and 2006. _ . ~"',~- "" - .1T_-·· ~ _ ..;..,., . - . 2 hu.uL ~ . r -' - _~ Date .............. Signature of candida . ... • • v ".. .. :;__ :-:::. !! .0' ..t;;. (iii) I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Les Référendums Sur La Souveraineté De L'écosse Et De La Catalogne
Université de Montréal Les Référendums sur la souveraineté de l’Écosse et de la Catalogne Le Renvoi relatif à la sécession du Québec en comparaison par Anthony Beauséjour Faculté de droit Mémoire présenté à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Legum Magister (LL.M.) Septembre 2015 © Anthony Beauséjour, 2015 Les Référendums sur la souveraineté de l’Écosse et de la Catalogne Le Renvoi relatif à la sécession du Québec en comparaison Résumé L’année 2014 est marquée par les référendums sur la souveraineté de l’Écosse et de la Catalogne, deux nations partageant de nombreux points communs sur les plans de l’histoire et de la culture. Le cadre juridique pré-référendaire de chacune de ces régions est fondamentalement le même : l’existence juridique de l’Écosse et de la Catalogne est directement issue de la volonté d’un État central unitaire, respectivement le Royaume-Uni et l’Espagne. La compétence législative de tenir un référendum sur l’autodétermination de ces régions est d’ailleurs ambiguë. Devant ce dilemme, le Royaume-Uni permet à l’Écosse d’organiser un référendum sur sa souveraineté. Il en résulte un processus démocratique juste, équitable, décisif et respecté de tous. De son côté, l’Espagne interdit à la Catalogne d’en faire de même, ce qui n’empêche pas Barcelone de tout mettre en œuvre afin de consulter sa population. Il en découle un processus de participation citoyenne n’ayant rien à voir avec un référendum en bonne et due forme. 20 ans après le dernier référendum sur la souveraineté du Québec, l’étude des référendums de l’Écosse et de la Catalogne nous permet de mettre en lumière la justesse, mais aussi l’incohérence partielle des enseignements de la Cour suprême du Canada dans son Renvoi relatif à la sécession du Québec. -
The Book of Erin, Or, Ireland's Story Told to the New Democracy
• -' r f^?: MORRISON DAVIDSON. THE UNIVERSITY OF ILLINOIS LIBRARY From the collection of James Collins, Drumcondra, Ireland. Purchased, 1918. 941.5 D26b Return this book on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. University of Illinois Library -' m % m HARa^igef mi: t L161 — t)-10'v6 THE IIBMRr OF THE wnmm of illimis •' for the sky is re d And When it is evening, ye say, it will be lair weather ; tor sky is red and lowring in the morning, it will be foul weather to-day ; the O but can ye not discei a tba ye hypocrite?, ye can discern the face of the sky ; " signs of the times ? Maithdv, xvi., 2, 5. THE BOOK OF ERIN OR IRELAND'S STORY TOLD TO THE NEW DEMOCRACY. BY J. MORRISON DAVIDSON \n OF THE MIDDLE TLMi';^Ki BA R R I STER-AT-L A , Author of ''Eminent Radu'a'.sr "Th? Sen Book cf Kvigs,' "The B90h ' of Lords. v.^-"."., 6-r. Ro}al:N \>\\\ be " In the Twentieth Century War will be dead ; will live. For all there dead; Dogmas will be dead ; but Ma:i all will be but one Country— that Cuu ntr\ the whole Earth , for there will be but one Hope— the who:-.- Heaven. All liail then to the noble Twentieth Ontury which shall own our ci il .rer. ar: j which our children shall inherit V.::.'7 li-^; WILLIAM REEVES, 185, Fleet Street. -
Scotland's Music Prog 24 Txn 24.06.07 Dmcg
Scotland’s Music ©BBC 2007 Programme 24 24.06.07 A Rose for Oswald’s Grave writer/presenter: John Purser producer: David McGuinness FX: St Clement’s Bells John Purser: It’s early morning in London in the mid eighteenth century. James Oswald, some forty years old and ten years married, is sorting out music at his shop on the north side of St Martin’s Church. Oswald had already been publishing in Edinburgh and, back in 1731, writing music in Dunfermline, where he laid the groundwork for his musical misson, to show that Scottish music could demand an honoured place alongside the Italian style which had swamped Europe. A man could get fed up with the capers of visiting continentals. Oswald had been a dancing master and knew there was no need for artificial airs and graces. His song The Dancing Master said it all. Pseudo-Italian recitative followed by a lesson in seduction with high-stepping mannerisms verging on the silly. Oswald: The Dancing Master Iain Paton, tenor, Concerto Caledonia CD Colin’s Kisses Linn CKD 101 Track 18 JP: The Dancing Master sung by Iain Paton. James Oswald was born in Crail in 1710. His dad was the town drummer and was jailed more than once for swearing and drunkenness, so it hadn’t been the best of starts in life; but Jamie’s heart was always in Scotland and Scotland’s heart was with him. He’d proof of that in a poem published in The Scots Magazine. It was by none other than the great Allan Ramsay protesting at Oswald’s defection to London in 1741, and naming some of the tunes he used to play. -
A Summary of Recent Constitutional Reform in the United Kingdom Lesley Dingle
International Journal of Legal Information the Official Journal of the International Association of Law Libraries Volume 33 Article 7 Issue 1 Spring 2005 1-1-2005 A Summary of Recent Constitutional Reform in the United Kingdom Lesley Dingle Bradley Miller Follow this and additional works at: http://scholarship.law.cornell.edu/ijli The International Journal of Legal Information is produced by The nI ternational Association of Law Libraries. Recommended Citation Dingle, Lesley and Miller, Bradley (2005) "A Summary of Recent Constitutional Reform in the United Kingdom," International Journal of Legal Information: Vol. 33: Iss. 1, Article 7. Available at: http://scholarship.law.cornell.edu/ijli/vol33/iss1/7 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in International Journal of Legal Information by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. A summary of recent constitutional reform in the United Kingdom * ** LESLEY DINGLE AND BRADLEY MILLER Contents Present constitution: the status quo Background to post-1997 proposals for constitutional change Changes influenced by domestic policy post-1997 Reform of the House of Commons Reform of the House of Lords Judicial Reform Devolution Scottish Parliament Welsh Assembly Northern Ireland Assembly Devolution to English Regions Other areas of reform Monarchy and the royal prerogative Civil Service Electoral Law Proportional Representation (PR) Referenda Electoral procedures Freedom of Information legislation Changes influenced by European Legislation General European Union legislation Human Rights European Union Constitution Conclusions Present Constitution: the status quo The United Kingdom of Great Britain and Northern Ireland consists of four countries: England, Northern Ireland, Scotland and Wales.1 *Foreign & International Law Librarian, Squire Law Library, University of Cambridge, UK.