Building Churches in Scotland 96 Occupying 132 Relating – Church Buildings and Their Surroundings 164 Conclusion 200 Bibliography 212

Total Page:16

File Type:pdf, Size:1020Kb

Building Churches in Scotland 96 Occupying 132 Relating – Church Buildings and Their Surroundings 164 Conclusion 200 Bibliography 212 This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Building the Reformed Kirk: the cultural use of ecclesiastical buildings in Scotland, 1560–1645 by Graham T. Chernoff A thesis submitted for the degree of Doctor of Philosophy at the University of Edinburgh July 2012 Abstract This thesis examines the built environment and culture of Scotland between 1560 and 1645 by analysing church buildings erected during the period. The mid-sixteenth- century ecclesiastical Reformation and mid-seventeenth-century political and ecclesiastical tumult in Scotland provide brackets that frame the development of this physical aspect of Scottish cultural history. This thesis draws most heavily on architectural and ecclesiastical history, and creates a compound of the two methods. That new compound brings to the forefront of the analysis the people who produced the buildings and for whom the church institution operated. The evidence used reflects this dual approach: examinations of buildings themselves, where they survive, of documentary evidence, and of contemporary and modern maps support the narrative analysis. The thesis is divided into two sections: Context and Process. The Context section cements the place of the cultural contributions made by ecclesiastical buildings to Scottish history by analysing the ecclesiastical historical, theological, and political contexts of buildings. The historical analysis helps explain why, for example, certain places managed to build churches successfully while others took much longer. The creative tension between these on-the-ground institutions and theoretical ideas contributed to Scotland’s ability to produce cultural spaces. The Process section analyses the narratives of individual buildings in several different steps: Preparing, Building, Occupying, and Relating. These steps connected people with the physical entity of a church building. The Preparing chapter shows how many reasons in Scotland there were to initiate a building project. The Building chapter uses financial, design, and work narratives to tease out the intricacies of individual church stories. Occupying and Relating delve into later histories of individual congregations to understand how churches sat within the world about them. Early modern Scottish church building was immensely varied: the position, style, impact, purpose, and success of church buildings were different across the realm. The manner people building and using churches reacted to their environments played no small role in forming habits for future action. Church buildings thus played a role establishing who early modern Scottish people were, what their institutions did, and how their spirituality was lived daily. ii I, Graham T. Chernoff, declare that this thesis has been composed by me, that the work is my own, and that it has not been submitted for any other degree or professional qualification. _________________________ iii Acknowledgements Thank you to Prof. Jane Dawson for her knowledge in every area this thesis touches upon, and her continuing mentorship. This research was supported by the Social Sciences and Humanities Research Council of Canada, the University of Edinburgh and the School of Divinity at the university. Further financial support with the costs of fieldwork has been provided by the Society of Architectural Historians of Great Britain’s Annabel Ricketts and Ramsden bursaries, and the Centre for Medieval and Renaissance Studies at the University of Edinburgh. To the dozens of ministers, kirk officers, and session elders who have let me into buildings, fascinated me with history not in books, and received me with trusting hospitality goes my deepest gratitude for continuing to build the Church in Scotland. I would not have been able to accomplish this task without my wife and her overflowing reserves of love, patience, and laughter. Her willingness to do this with me has kept me going at every turn. Though I should have been unable to complete this thesis without the above- mentioned support, any fault found in its content, implications, or structure is entirely my own. G.T.C. 2012 iv Contents Abstract ii Acknowledgements iv Contents v Figures vi A note on the text vii Abbreviations vii Introduction 1 Methods of ‘Building History’ 18 Historical and theological contexts 28 Preparing 66 Building churches in Scotland 96 Occupying 132 Relating – church buildings and their surroundings 164 Conclusion 200 Bibliography 212 v Figures Table I.1 12 Maps I.1 13 I.2 14 4.1 67 5.1 97 6.1 134 7.1 169 Images 4.1 to 4.5 93–95 5.1 to 5.11 126–131 6.1 to 6.4 161–163 7.1 to 7.11 195–199 vi A note on the text All money is in Scots pounds, unless indicated otherwise. In 1603, James VI regulated the exchange rate between Scots and English pounds at £12 to £1 sterling. A merk was worth two-thirds of £1, equivalent to 13s 4d. Transcriptions of manuscripts have been left in the original Scots, aside from modernising v’s, w’s, i’s, thorns, and yoghs. Contractions have been expanded. Abbreviations FES : Scott, Hew. Fasti Ecclesiae Scoticanae: The Succession of Ministers in the Church of Scotland from the Reformation . New ed. 11 vols. Vols. 1 to 8. Edinburgh: Oliver & Boyd, 1925–1950. NAS : National Archives of Scotland. NLS : National Library of Scotland. RPS : Records of the Parliament of Scotland: http://www.rps.ac.uk. University of St Andrews, 2007-2012. Reg. Episc. Brech. : Chalmers, Patrick, and John Ingles Chalmers, eds. Registrum Episcopatus Brechinensis : Cui Accedunt Cartae Quamplurimae Originales . 2 vols. Vol. 2. Aberdoniae: [Bannatyne Club], 1856. vii Introduction People and buildings This is a history of people and their buildings. The evidence people leave when they live with buildings can provide essential insight into how they see the world. For this reason, people are the topic while buildings are the focus that brings the topic into sharp relief. For many ordinary people, buildings themselves might be the only tangible connection to history available. The past can be alive in stone and timber: the physical longevity of particular structures is a testament to how people in the past understood permanence in a time of change. When a building survives long enough, it can carry the past into the present. The commitment, energy, resources, and expression invested in buildings throughout history demonstrate that these structures can hold within them significant meanings. 1 Meaning is an elusive concept when taking the long view, so in order to uncover just how much meaning people were capable of investing into buildings, it is essential to focus on particular types of meaning and particular types of buildings. A particular type of building where such memory, investment, and longevity are possible is a church. The spiritual, cultural, institutional, political, and societal importance of the gathering together of adherents to the Christian religion in Scotland is plain to see in the history of the country in the early modern period. In the sixteenth and seventeenth centuries the Scottish ecclesiastical world was characterised by both interruption and continuity. The adjustments of the Reformation fit into old traditions, setting a pattern of accommodation and conflict that would be seen throughout the country. The period after the 1560 Reformation Crisis ushered in a long time where societal and cultural change became essentially the norm for everyday life. In church buildings and the stories that led to their building, occupying, and use, there is abundant evidence that this time of societal and cultural change bedded down across Scotland in entirely different ways. Establishing a new church building, a place where memories and meanings could thrive, was an exercise in negotiating the fine distinctions between tradition and novelty, national and local politics, and accommodation and single-mindedness. This 1 For a succint exposition of the ability of architecture—the artistic expression of building structures— to create spaces and thereby delineate first relationships among people and groups and second the meanings flowing from such relationships, see Helen Hills, Architecture and the Politics of Gender in Early Modern Europe , Women and Gender in the Early Modern World (Aldershot: Ashgate, 2003), p. 2. 1 thesis explains how people negotiated those fine distinctions by examining the cultural meaning of church buildings in early modern Scotland. The examination focuses on a particular type of building: the new parish church. Parish churches were one of the main places the community gathered in ecclesiastical life, but also in political and cultural life. Building a church was an undertaking that required the energy of many people in a community. There were important connections between ordinary people and those people who knew how to gain access to the institutional avenues that allowed them to accomplish the task. These connections allowed the less powerful people to participate in this activity in a way that gave them ownership over the church that eventually sat at the heart of their community. The people who drove this building activity are at the heart of this thesis: what they were providing for the society of Scotland at the time, and how they managed to produce culture and participate in a nation- and church-edifying exercise that was expressed for the most part through the localities.
Recommended publications
  • LOCAL LIFE Template
    LOCAL FEB | MAR 2020 LIFECOMMUNITY & LIFESTYLE MAGAZINE NOTHING SAYS LOVE LIKE ARTISAN CHOCOLATE www.thechocolatestag.co.uk CONTENTS THIS ISSUE A Sweet Tradition 4 Look what we Found! 5 relaxed living Fashion | Spring’s Nature Inspired Palette 9 Go Green at Old Smiddy 14 Interiors | Rules for Renting 18 Out of the Wood 19 Interiors | Inspired Colour 22 Food and Drink | Chocolate Chestnut Pot 24 26 Out & About elcome to our Leonardo Da Vinci: A Life in Drawing 28 first issue of the Head to the Hill 30 new decade. And for us, 31 Wthe first issue in our new home. We’re Stories in Stone | Lauderdale House excited to have moved into the Lighthouse, Dates for your Diary, Useful Numbers & Tide Times 32 in North Berwick and to be working Mind, Body & Soul | Be Free to be Who You Truly Are 34 alongside other businesses and creatives with a diverse range of skills. Mind, Body & Soul | 21 Day Self-Love Challenge 35 Yoga Poses for New Beginnings 36 The start of a new year brims with 37 excitement, new trends, new beginnings Competition | win a Personal Training Session and, of course, new year’s resolutions. Ah, 39 Health | Could I have a Dental Implant? new year’s resolutions – those things you Gardening | Ten Jobs to do in the Garden in February 42 embark upon with such gusto at the start 50 of the year, determined that this will be And Finally the year! Then, as always, life gets in the way and even with the best intentions, your resolutions do not always come to fruition.
    [Show full text]
  • Dirleton Castle
    Property in Care (PIC) ID: PIC 139 Designations: Scheduled Monument (SM90096), Listed Building (LB1525 Category A), Garden and Designed Landscape (GDL00136) Taken into State care: 1923 (Guardianship) Last reviewed: 2012 HISTORIC ENVIRONMENT SCOTLAND STATEMENT OF SIGNIFICANCE DIRLETON CASTLE We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH DIRLETON CASTLE SYNOPSIS Dirleton Castle, in the heart of the pretty East Lothian village of that name, is one of Scotland's oldest masonry castles. Built around the middle of the 13th century, it remained a noble residence for four centuries. Three families resided there, and each has left its mark on the fabric – the de Vauxs (13th century – the cluster of towers at the SW corner), the Haliburtons (14th/15th century – the entrance gatehouse and east range) and the Ruthvens (16th century – the Ruthven Lodging, dovecot and gardens). The first recorded siege of Dirleton Castle was in 1298, during the Wars of Independence with England. The last occurred in 1650, following Oliver Cromwell’s invasion. However, Dirleton was primarily a residence of lordship, not a garrison stronghold, and the complex of buildings that we see today conveys clearly how the first castle was adapted to suit the changing needs and fancies of their successors.
    [Show full text]
  • June & July 2018
    local life free community & lifestyle magazine JUNE|JULY 2018 Caring about our coffee, our customers and our planet CONTENTS Look What we Found! 5 Fashion | Summer Suitcase Edit 11 F is for Father’s Day 12 Food and Drink | Almond and Saffron Sticky Cake 16 News for Foodies 17 SUMMER LIVING Local News 18 Finding your Inner Zen 20 Mind, Body & Soul | Your Gremlins Don’t Live in Nature 23 Dates for your Diary & Guide to Local Galas and Games 26 Fidra Fine Art Relocates to Gullane 28 LOCAL LIFE this issue It’s Show Time 32 The sun has been shining for at least three #East Lothian 34 days in a row and whilst the farmers, Your Local People | Peter and Jenny Maniam 35 greenkeepers and gardeners amongst us A Touch of the Hamptons Comes to Gullane 36 might be performing evening rain dances, the sun has everyone at Local Life HQ Let’s Talk Waffle 39 smiling and dreaming of the long hazy Interiors | Colour to Dip your Toes Into 42 days of summer. Gardening | Why Use a Garden Designer 46 This is my favourite time of year, when Tide Times & Local Numbers 54 the East Lothian landscape is at its most glorious; all in all, an inspiring setting for the fêtes and festivals that flourish across the county, from Fringe by the Sea to gala’s, festivals and games days in our local villages. We’ve pulled together a guide of this summer’s events, all you have to do is roll up! The warmer weather also encourages us out into the garden.
    [Show full text]
  • Planning Application Numbers: 16/00710/PM and 16/00711/P
    Planning Application Numbers: 16/00710/PM and 16/00711/P Proposed Development for 24 Dwellings at Ware Road, Dirleton The Dirleton Village Association’s Objections to the Application 24 October 2016 Background Following the statutory community consultation carried out by Muir Homes in Dirleton, the Dirleton Village Association compiled and published its comments on the proposals in a document entitled Dirleton Expects. Muir Homes responded to this document, and revised their proposals, showing them to the DVA advisers at a meeting on 2 nd August. It was explained that no approvals could be given at the meeting. The advisers were to report back to the DVA and wait for a su bse quent application before making comment. The application was made and registered on 20 th September 2016 as two submissions. The emerging LDP has now reached the ‘Proposal’ stage, and at the end of the current response period, due to end on 30 th October 2016, it will become the ‘Final’ LDP and will then be presented to the Scottish government for approval. It is therefore at an advanced stage and has already been extensively consulted upon, considered and scrutinised by ELC officers and councillors. It is described as ‘the settled view’ of the council. It contains proposals for housing developments on sites that it proposes to allocate for housing development. The application site is not included. In fact, it is shown as protected countryside under the Countryside Around Towns policy section. The following objections to the applications fall into two groups: those relating to planning matters in relation to the Proposed Local Development Plan and those which relate to the details of the proposed applications.
    [Show full text]
  • Gullane Outlook Magazine (August 2019)
    Outlook Gullane Parish Church August 2019 Autumn You are warmly invited to join us in the SACRAMENT OF HOLY COMMUNION Sunday 25 August 2019 9.45am and 6.30pm All welcome Dear Friends Some months ago, a good friend gave me a birthday gift. It was a book; a slim volume entitled “A Splash of Words” and written by someone of whom I had never heard, Mark Oakley. The subtitle of the work is “Believing in poetry”, a neat play on words, as its focus is both the importance of poetry and the conviction that “from its very beginnings the human intuition that the world is a gift, that it has a divine origin, and that life and love come from this same source, was explored and shared poetically.” (A Splash of Words” page xviii). In the moment of receiving, I was, of course, appreciative; grateful for my friend’s thoughtfulness and generosity. When I unwrapped it, my gratitude grew as I read the title and some of the reviews printed on the back cover. It looked like something I would enjoy. When I sat down, some weeks on, to read the first chapter, I had, once again, an increased sense of blessing as I felt immediately at home with the writing and enriched by it. The trend has continued as I have savoured the rest of the book and ordered another by the same author. I know that I will continue to dip into and benefit from Mark Oakley’s writing. Truly this has been a gift that keeps on giving.
    [Show full text]
  • PATRICIA FORTINI BROWN Curriculum Vitae - 1
    PATRICIA FORTINI BROWN Curriculum Vitae - 1 Patricia Fortini Brown, Professor Emerita Princeton University Dept. of Art and Archaeology Princeton, NJ 08544-1018 Home 609/683-4076; Cell 609/462-9838 Email [email protected] EDUCATION: University of California, Berkeley: A.B. Political Science, 1959; M.A. History of Art, 1978; Ph.D. History of Art, 1983 Dissertation: “The Painted Histories of the Scuole Grandi of Venice, c. 1494-1534" ACADEMIC POSITIONS: University of California, Berkeley, Dept. of History of Art Teaching Assistant/Associate, 1978-80 Mills College, Oakland, California, Dept. of Art Lecturer, 1983 Princeton University, Dept. of Art and Archaeology Assistant Professor, 1983-89; Associate Professor, 1989-97; Professor, 1997-2010; Professor Emeritus, 2010-present Department Chair, 1999-2005; Acting Chair, Fall 2007 University of Cambridge, Slade Professor of Fine Arts, 2000-1 (Lent term: January-March 2001) Fellow Commoner, St John’s College Venice International University, Summer Humanities Seminar, Lecturer, 2003, 2004 American Universities in Asia, Summer School, Tsinghua University, Beijing, China, Summer 2012 HONORS, AWARDS AND FELLOWSHIPS: 1980-82: Social Science Research Council and American Council of Learned Societies International Doctoral Research Fellowship 1980-81: Fulbright-Hays Grant to Italy 1980-81: University of California Italian-American Traveling Fellowship (declined) 1982: Gladys Krieble Delmas Foundation Grant for Research in Venice 1982: University of California Humanities Research Grant 1984, 1985, 1986, 1987, 1991, 1997, 2005: Princeton University, University Committee on Research in the Humanities and the Social Sciences, research grants 1989-90: Rome Prize Fellowship, American Academy in Rome 1989-90: Villa I Tatti Fellowship (declined) 1989-90: John Simon Guggenheim Fellowship (deferred to 1992-93) 1989: Premio "Salotto Veneto 89", for the best book published on Venetian culture -- second prize awarded to Venetian Narrative Painting in the Age of Carpaccio 1991-95: Andrew W.
    [Show full text]
  • LOCAL LIFE Template
    LOCAL JUNE | JULY 2019 JUNE | JULY LIFECOMMUNITY & LIFESTYLE MAGAZINE FROM EAST AFRICA TO EAST LOTHIAN CONTENTS Look what we Found! 5 THIS ISSUE relaxed living Fashion | Club Tropicana 11 Feel Good Festivals 13 From East Africa to East Lothian 14 Making Spaces 16 Butterfly Splendour 20 Interiors | The Lazy Summer Guide to a High Vibe Life 25 Summer Glamping Season in Full Swing at Harvest Moon 26 Don’t you Just love a Fête? 28 30 Dates for your Diary, Useful Numbers & Tide Times s I write we’re It’s Show Time 33 enjoying a spell of Food and Drink | Sunshine Tomatoes 34 settled and dry weather and whilst 35 Athe farmers, greenkeepers and gardeners Farming your Local Quality Produce amongst us might be performing evening Healing Herbs 36 rain dances, the rest of us are dreaming of Home Grown Passion takes you Places 38 the long hazy days of summer. 40 Mind, Body & Soul | Take a Walk in Nature This is my favourite time of year – the East Mind, Body & Soul | Nothing in this Life is Permanent 41 Lothian landscape is at its most glorious with fields of yellow and green, reminding Time for Yoga 44 me how lucky we are to live in a county full 46 Gardening | Climbing Plants for the Garden of nature’s bounty. Our cover image (taken And Finally 54 by local photographer Martin Covey) sets the scene for our cover story, From East Africa to East Lothian, telling us why it’s so important to think about the production process when we’re enjoying the fruits of farmers and producers labour.
    [Show full text]
  • LOCAL LIFE Template
    local life Free your community magazine FEBRUARY/MARCH 2016 Steampunk delivers the goods!....page 11 local life in this issue… Editor’s Letter 2 What’s On 4 This Issue, We’re Loving 5 Gardening – Bumper Year at Smeaton 9 Steampunk Delivers the Goods! 11 NB Gin selected by Rolls-Royce Enthusiasts’ Club 12 Food & Drink – Pecan, Maple and Brioche Pudding 14 Dear Readers A Shopper’s Guide to Spring Fashion 17 Welcome to the first issue of Local Life for 2016. The Healthy You – Back Care in the Garden 19 start of a new year brims with excitement, new trends Easter Fun at Scottish Seabird Centre 23 and the possibility of new beginnings. What’s On – Local Art Exhibitions 24 Our cover girl Mavis turns 40 this year and whilst her owners Steampunk Coffee are not ready to see her In the Spotlight – Laura Young MBE 27 retire, they are starting a new chapter in their lives with Interiors – Start Fresh this Spring 28 the launch on their online shop (page 11). A huge thanks to Rachel Seago for designing our gorgeous cover. Easter Fun 31 Archerfield Walled Garden Setting Roots Back at Home 33 Also celebrating is Laura Young, founder of the Teapot Trust, who received a MBE in the Queen’s New Year Tumbled Marble Tiles for a Chic 2016 34 Café/restaurant, deli & gallery shop Honours List in recognition of her services to chronically- The Golden Rules for Selling your Home 36 ill children in Scotland. We speak to her on page 27. Open daily from Building Wealth in Property 41 This issue features some of the key spring trends for 9.30am Useful Numbers and Weekend Tide Times 46 2016.
    [Show full text]
  • Changing English Perceptions of the Irish from the 1820S Through the 1860S
    Graduate Theses, Dissertations, and Problem Reports 2011 From Peasant to Pariah: Changing English Perceptions of the Irish from the 1820s Through the 1860s Traci J. Scully West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Scully, Traci J., "From Peasant to Pariah: Changing English Perceptions of the Irish from the 1820s Through the 1860s" (2011). Graduate Theses, Dissertations, and Problem Reports. 3462. https://researchrepository.wvu.edu/etd/3462 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. From Peasant to Pariah: Changing English Perceptions of the Irish from the 1820s Through the 1860s Traci J. Scully Dissertation submitted to the College of Arts and Sciences At West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Joseph Hodge, Ph.D., Chair Katherine Aaslestad, Ph.D. Kate Staples, Ph.D. Lisa Weihman, Ph.D. Sandra den Otter, Ph.D.
    [Show full text]
  • Dirleton Castle
    Property in Care no: 108 Designations: Scheduled Monument (SM90096), Listed Building (LB1525 Category A), Garden and Designed Landscape (GDL00136) Taken into State care: 1923 (Guardianship) Last reviewed: 2012 HISTORIC ENVIRONMENT SCOTLAND STATEMENT OF SIGNIFICANCE DIRLETON CASTLE We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH DIRLETON CASTLE SYNOPSIS Dirleton Castle, in the heart of the pretty East Lothian village of that name, is one of Scotland's oldest masonry castles. Built around the middle of the 13th century, it remained a noble residence for four centuries. Three families resided there, and each has left its mark on the fabric – the de Vauxs (13th century – the cluster of towers at the SW corner), the Haliburtons (14th/15th century – the entrance gatehouse and east range) and the Ruthvens (16th century – the Ruthven Lodging, dovecot and gardens). The first recorded siege of Dirleton Castle was in 1298, during the Wars of Independence with England. The last occurred in 1650, following Oliver Cromwell’s invasion. However, Dirleton was primarily a residence of lordship, not a garrison stronghold, and the complex of buildings that we see today conveys clearly how the first castle was adapted to suit the changing needs and fancies of their successors. The castle is surrounded by eye-catching gardens. These were probably laid out by the Ruthvens but in their present state are 19th/20th-century creations, as is the bowling green.
    [Show full text]
  • The Voice of the People
    THE VOICE OF THE PEOPLE: THE LOYAL REFORMERS' GAZETTE AND THE PASSING OF SCOTTISH REFORM 1832 A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by MARK DORSEY In partial fulfilment of requirements for the degree of Master of Arts January, 2011 © Mark Dorsey, 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-80045-4 Our file Notre r6f4rence ISBN: 978-0-494-80045-4 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantias de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • The World of the Venetian Cittadino
    THE DAPHNE MAYO LECTURE 2012 Deborah Howard is Professor of Architectural Good Citizenship: The World History in the Faculty of Architecture and History of Art at the University of Cambridge. A graduate of Cambridge and of the Venetian cittadino of the Courtauld Institute of Art, she taught at University College London, Edinburgh University and the Courtauld Institute, before How were the ‘middle classes’ in Venice returning to Cambridge in 1992. distinguished by rank, wealth, and taste? She has held visiting appointments at Yale, Harvard, Princeton, Smith College, the The cittadini of Venice are best-known to art National Gallery of Art in Washington DC, and the Villa I Tatti in Florence. Her principal historians through their patronage of the great research interests are the art and architecture citizens’ guilds or Scuole Grandi. But they also of Venice and the Veneto; music and architecture in the Renaissance; and the relationship between Italy and the Eastern Mediterranean. In commissioned works of art and architecture in their 2005 she established the Centre for Acoustic and Musical Experiments in own right. Often highly educated and prosperous, Renaissance Architecture (CAMERA) in the Department of History of Art, University of Cambridge. they proved to be ambitious clients for artists of the She was elected a Fellow of the British Academy in 2010. Her most Venetian Renaissance. This lecture challenges the recent books are Sound and Space in Renaissance Venice: Architecture, Music, Acoustics (Yale University Press, 2009, with Laura Moretti), and common perception that their tastes in art were Venice Disputed: Marc’Antonio Barbaro and Venetian Architecture 1550- less refined than those of the ruling nobility.
    [Show full text]