SOM Musikreleaser Våren 2020
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Allie X - Biography
Allie X - Biography With over a quarter billion streams globally, Allie X has amassed a cult following for her glassine goth-pop style. Her latest album, "Cape God,” is continuing to soar with hit tracks like “Love Me Wrong (feat. Troye Sivan)" and “Susie Save Your Love (feat. Mitski ).” Latest release, the critically acclaimed, "Cape God" has received positive reviews from NME, Vice, The Guardian and Pitchfork. “Cape God” has also been nominated for a Polaris Music Award in her home country of Canada. She’s played sold out shows across North America, Latin America, and Europe and toured the world with pop-star counterparts like Dua Lipa, Charli XCX, and MARINA. Known for her bold visual style and her gaudy-goth-pop sound, Allie X is a master curator, creative directing every aspect of her project from hand picking her photographers, directors, fashion and glam teams, to editing her own videos. This singularity has attracted much attention from the fashion world, where she has attended Paris Fashion Week, been covered by Vogue, and formed relationships with some of the world's most incredible designers (Iris Van Herpen, Margiela, Olivier Theyskens, Lanvin). Allie continues to be an outspoken ally for the LGBTQ+ community, sponsoring and spearheading charity events, playing pride festivals across the globe, and continuing to speak out and use her platform to fight injustices and empower LGBT youth. Allie also appeared as the guest judge on Canada's Drag Race (Season 1) . . -
Allie X Album Download Download Allie X – Cape God (2020) Zip Torrent 320 Kbps
allie x album download Download Allie X – Cape God (2020) zip Torrent 320 kbps. Allie X – Cape God (2020) rar Zippyshare Album 320 kbps mp3 m4a Free. Allie X – Cape God (2020) zip Full Album Mediafire Download. TRACKLIST: 01 – Fresh Laundry 02 – Devil I Know 03 – Regulars 04 – Sarah Come Home 05 – Rings a Bell 06 – June Gloom 07 – Love Me Wrong (feat. Troye Sivan) 08 – Super Duper Party People 09 – Susie Save Your Love (feat. Mitski) 10 – Life of the Party 11 – Madame X 12 – Learning in Public. ALLIE X Cape God album is not just Pop | Enjoy her evolution until the latest single, ‘ Glam! ’ Canadian artist Allie X ‘s style has been called gothic pop, synthetic pop, extravagant…. The truth is that nobody knows how to define it, which means that she has something unique and special . Come with us on a trip through Allie X’s discography, you will discover an unprecedent musical growth and her new song, “ Glam! ”. Allie X Catch. Allie X A journey through her music. Canada | 1985-2021. Allie X Official Website. Alexandra Ashley Hughes , or what is the same, Allie X, is a Canadian singer-songwriter who began learning classic piano and singing when she was young . She would complement it when she grew up with musical theatre She started in the independent scene under the name Allie Hughes , recording the album ‘ Ladies & Gentlemen ’, without much success. The following years she would participate in Canadian TV shows and movies, but the music path seemed muddy . In 2013 she made the decision to move to Los Angeles, modified her aesthetic and changed her name to Allie X . -
Performance E Experiência Estética “Limítrofe” De Um Concerto Ao Vivo1
PPGCOM ESPM // SÃO PAULO // COMUNICON 2016 (13a15 de outubro de 2016) IN CONCERT: performance e experiência estética “limítrofe” de um concerto ao vivo1 Miriam Barros2 Universidade Federal da Paraíba Resumo O trabalho de iamamiwhoami, projeto audiovisual independente da Suécia, explora formas peculiares de construção narrativa voltadas para o meio digital, com destaque para o IN CONCERT, primeira performance considerada “ao vivo” pela banda. Utilizando conceitos dos estudos de performance levantados por Diana Taylor (2013), Marvin Carlson (2010) e Richard Schechner (2006), dialogamos com textos de Martin Seel (2014) e John Dewey (2005) acerca da experiência estética para analisarmos a cadeia de acontecimentos que levaram ao IN CONCERT. Nossa hipótese é a de que artefatos audiovisuais “limítrofes” como IN CONCERT parecem reformular os conceitos de presença - que já não se limita ao corpo físico -, de lugar – que não se resume ao espaço real -, de tempo e de incorporação, envolvendo as artes da performance. Palavras-chave: iamamiwhoami; performance; internet; experiência. Introdução Na internet, a informação abundante unida à facilidade de acesso e aos recursos oferecidos fazem do ciberespaço um lugar propício para que, além dos artistas já consolidados na indústria musical, figuras emergentes encontrem um ambiente favorável para disseminar conteúdos audiovisuais como artes de performance, gerando uma memória que retroalimenta seus projetos e instaura formas peculiares de consumo. A vasta disposição de ferramentas convida os indivíduos inseridos no meio artístico a explorarem as diversas possibilidades de criação e disseminação de seus produtos de ordens musical e visual através da internet, levando alguns a adotarem práticas que dificilmente seriam possíveis sem o agenciamento com grandes gravadoras 1 Trabalho apresentado no GT Comunicação, consumo e memória: cenas culturais e midiáticas, do 6º Encontro de GTs de Pós-Graduação - Comunicon, realizado nos dias 14 e 15 de outubro de 2016. -
THE READY SET Sean Bello Jason Witzigreuter Gets Bamboozled
March 24-30, 2010 \ Volume 20 \ Issue 12 \ Always Free Film | Music | Culture SPRING’S HIGH NOTES Concerts and CDs not to Pass Over She & Him and More! ©2010 CAMPUS CIRCLE • (323) 988-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON Join CAMPUS CIRCLE www.campuscircle.com Saturday Are You Being Treated + Fitness March 27, 2010 for Bipolar Disorder? 11:00am to 4:00pm Do You Have Mood Swings? Music Center Plaza Are You Still Struggling with Depression? If you: n Are between the ages of 18 and 75 n Are diagnosed with bipolar disorder and are regularly suffering from depression n Are currently taking either Lithium or Divalproex (Depakote) to treat your bipolar disorder You may qualify for a research study that compares Lurasidone (an investigational drug) to placebo (an inactive substance) in treating bipolar depression. Compensation is up to $900 for participating in eight visits over seven weeks. Study completers may be eligible to continue in a 24-week extension study that includes six visits with $720 in additional compensation. Study participants will receive study medication and a medical evaluation at no cost, along with reimbursement for study-related expenses. For more information, please call Explore how dance has taken 1-888-CEDARS-3 the fitness world by storm. or visit us at Learn new moves and taste test a variety of dance fitness stlyes. NO EXPERIENCE NECESSARY. www.cedars-sinai.edu/psychresearch $1 per lesson. More info: musiccenter.org IRB No: Pro17928 UCR Summer Sessions 2010 About an hour away with easy parking! Easy one-page application online. -
Sondage Exclusif
SONDAGE EXCLUSIF POUR 44 % DES FRANÇAIS, SARKOZY AURAIT FAIT MIEUX QUE HOLLANDE P.8 ORBAN-POOL / SIPA www.20minutes.fr LUNDI 17MARDI SEPTEMBRE 17 JUIN 2008 2012 N°N° 23151429 ÉDITION DE LYON SANTÉ C . VILLEMAIN / 20 MINUTES Les personnels des Hôpitaux de Lyon appellent à la grève P. 2 ÉCOLE Des cartables qui pèsent sur la santé P. 6 MUSIQUE The XX ravive l’héritage J-J MEDINA gothique P. 14 FOOTBALL Lyon garde enfin son but inviolé à domicile contre Ajaccio (2-0) P. 21 ALEXANDRE GELEBART / 20 MINUTES Imprimé sur du papier recyclé, ne jetez pas ce journal sur la voie publique : donnez-le. Merci ! PUBLICITÉ 2 GRAND LYON LUNDI 17 SEPTEMBRE 2012 SOCIAL Le personnel des Hospices civils appelle à la grève cette semaine 20 secondes LA GROGNE S’ÉTEND AUX HCL FAITS DIVERS Lyon Free VTT endeuillé ELISA RIBERRY-FRISULLO Un homme âgé de 62 ans est décédé dimanche matin vers 9 h entrée difficile aux Hospices sur le chemin du Rosaire (5e), civils de Lyon.... Après le centre au cours de la Lyon Free VTT, R de rééducation Henry-Ga- une épreuve sportive qui a fêté ses brielle, où les personnels sont mobili- 10 ans. L’homme, un participant sés contre la suppression de postes expérimenté qui avait choisi d’aides-soignantes et d’infirmières, la le parcours de 55 km, a été victime grogne gagne du terrain dans d’autres d’un malaise cardiaque peu après services et hôpitaux lyonnais. le début de la course. Les secours n’ont rien pu faire pour le ranimer. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
Anastasios Thesis FINAL
Interrogating Composition in the Age of Remix: the role of format in musical composition Anastasios Sarakatsanos post-viva submission for the degree of Doctor of Philosophy Royal Holloway, University of London 2016 Abstract This thesis is concerned with composing audiovisual mashup pieces that involve filmed music performance and remix practices. I present here a number of audiovisual mashups I composed by separately filming and recording clips that were produced in other contexts and by later subsuming them into a new compositional form. These pieces, produced between 2011 and 2016, range from music clip inserts and music videos featured in television programmes, to urban development documentaries and self-commissioned projects. Focusing on hybrid audiovisual art-forms closely related to music videos, I examine the work of contemporary audiovisual artists, Ophir Kutiel (‘Kutiman’), Jack Conte (‘Pomplamoose’) and Mark Johnson (‘Playing for Change’), focusing on projects produced between 2008 and 2014, in relation to their composition techniques and methods of production and distribution. My research has included an examination of the way that music functions in this particular audiovisual context. As well as presenting my portfolio of compositions, I also perform a close textual analysis of certain specific samples from the portfolio, identifying the methods and techniques I adopted and adapted from the aforementioned artists and reflecting on their use and effects in my own compositions. Over the last decade, there has been a noticeable increase in the number of music artists who include video in their work and make it available through online streaming of their music, especially on audiovisual platforms such as YouTube. -
Music Is for Every Body
CHICAGO’SFREEWEEKLYSINCE | FEBRUARY | FEBRUARY CHICAGO’SFREEWEEKLYSINCE Music is for every body Chicago’s concert venues have made welcome advances in accessibility, but a regulatory gray area lets them fall short of what they should be. By BO’D THIS WEEK CHICAGOREADER | FEBRUARY | VOLUME NUMBER IN THIS ISSUE T R - ARTS&CULTURE environmentalfablethecocreator morethisweek @ 10 VisualArtsFashiondesigner ofRussianDolllandsamasterpiece 33 TheSecretHistoryof DuroOlowucuratesoneofthe inTheLayoverandMlima’sTale ChicagoMusicBluesmanFrank PTB MCA’slargestshowseverfi lledwith showsthecostsoftheivorytrade “LittleSonny”ScottJrgavehisallto ECS K KH localtreasures MaxwellStreetforhalfacentury CLRH MEP M 35 EarlyWarningsJudasPriestthe TDKR MagneticFieldstheWeekndand CEBW morejustannouncedconcerts AEJL SWMD L G 35 GossipWolfPosteverything DIBJ MS fusionbandJe’rafcelebratetheir EAS N L debutalbumNickyFlowers GD AH CITYLIFE L CSC -J 03 TransportationThoughtful resuscitatesaMorrisseytweaking CE BN B transportationadvocacyrequires allsynthSmithscoverprojectand L C MDLC M intersectionality more C J F SF J H IH C MJ M K S K NEWS&POLITICS N DLJL 04 Joravsky|PoliticsAfew 13 LitJasmonDrain’sdebutcollection FILM MMA M-K JRN JN M reasonswhyTrumpreleasedBlago addshimtotheranksofChicago’s 21 ReviewKantemirBalagovsolidifi es O M S C S fromprison greatestauthors hissignaturestylewithBeanpole ---------------------------------------------------------------- 14 ListingsAnemovarietyshowan 22 MoviesofnoteWeAreNot DD J D artisticchilicookoff -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
MX V5n7 006-114
GRATIS VOLUMEN 5 NÚMERO 7 VICE.COM 1 Vans-DPS-0507.indd 1 12-08-07 6:25 PM Vans-DPS-0507.indd 2 12-08-07 6:25 PM Jansport-DPS-0507.indd 1 12-08-08 1:48 PM Jansport-DPS-0507.indd 2 12-08-08 1:48 PM CONTENIDO Ahmed Salem, parado junto a su escultura Crocodile Morocco. Es comandante del Frente Popular de Liberación (Polisario), un movimiento rebelde que lucha por la independencia del Sahara Occidental. Cuando no está patrullando el desierto o cazando a miembros de Al Qaeda, Ahmed se divierte crea ndo arte político con los restos de explosivos. Foto por Karlos Zurutuza. VOLUMEN 5 NÚMERO 7 Portada por Jim Mangan LOS ÁNGELES TIENEN UN MENSAJE PARA LOS NARCOS FANTASMAS DE LA SELVA Ciudad Juárez encuentra formas inusuales Guerrilleros de Myanmar queman laboratorios para comenzar a reconstruirse . 20 de metanfetaminas y asesinan a cabrones genocidas . 52 ADIÓS, CUERO CABELLUDO EL BATEADOR DE BEISBOL . 58 Los botes improvisados del Amazonas BEDU . 66 pueden arrancarte la piel . 24 MAMITA, MAMITA, RICA Y APRETADITA ¿QUIÉN NECESITA A LA FIFA? Sueños de látex en la selva brasileña . 76 Naciones sin estado celebran su propio mundial ESTACIONES DEL METRO DE PYONGYANG, en las canchas de Kurdistán . 26 COREA DEL NORTE (1989) . 92 ARAÑANDO EL TRIUNFO MUJERES GUERRERAS Las olimpiadas de uñas convierten las En La Esperanza, Guerrero, las chicas se parten cutículas en “bellículas” . 30 la cara para pedir una buena cosecha . 96 MI VIDA CON GRANDES HOMBRES LA DROGA DE LOS ZOMBIS Unas extrañas vacaciones en Las sales de baño destruyeron la comunidad el escondite selvático de Mobutu . -
Kim A. Brillante Knight, Ph.D. Assistant Professor, Emerging Media and Communication University of Texas at Dallas [email protected] |
Kim A. Brillante Knight, Ph.D. Assistant Professor, Emerging Media and Communication University of Texas at Dallas [email protected] | http://kimknight.com Published in the peer-reviewed journal, The Projector. Fall 2014. https://sites.google.com/site/projectorjournal/ “The Work of iamamiwhoami in the Age of Networked Transmission” On January 31, 2010, the science fiction author William Gibson hit send on a tweet1 that read, “that putative Lady GaGa Virus is as seriously Footage-y as anything I’ve seen on YouTube.” The “Lady GaGa Virus” turns out to have nothing at all to do with Lady GaGa. It is a series of online videos that are produced by a collective called iamamiwhoami that is led by Swedish singer Jonna Lee, who had a few pop records prior to this project. Despite no traceable connection to GaGa, the iamamiwhoami videos are, in fact, “seriously Footage-y.” The production and circulation strategies employed by iamamiwhoami bear an eerie resemblance to those of the anonymous online videos called “the footage” in Gibson’s 2003 novel Pattern Recognition. Gibson’s fictional footage is a series of thirty-five video clips that are produced anonymously, released onto the internet, and spawn a devoted fan community. The quest to unveil the identity of the maker of the footage is the mystery that drives much of the plot of the novel. As with the fictional footage, the iamamiwhoami videos are produced and shared via unconventional means and are part of a larger viral structure that includes the media objects, discourse about them, remixes, and other elements of fan production. -
Fill the Air with Screams Uppsats Benjamin Ek Klar
FG1299 Självständigt arbete, grundnivå inom lärarprogram (musik som ämne 2), 15 hp Ämneslärarexamen med inriktning mot arbete i gymnasieskolan 2018 Institutionen för musik, pedagogik och samhälle (MPS) Handledare: Anna Backman Bister Benjamin Ek Fill The Air With Screams Semiotisk jämförelse av ett audiovisuellt verk och ett sceniskt Inspelning av det självständiga, konstnärliga arbetet finns dokumenterat i det tryckta exemplaret av denna text på KMH:s bibliotek. ! Sammanfattning Inspirerad av iamamiwhoamis audiovisuella verk skrev jag föreställningen Fill The Air With Screams som genomfördes den 27 oktober 2017. Det som intresserade mig hos iamamiwhoami var deras användning av symboler och i denna uppsats undersöks symbolspråket i deras verk bounty och jämförs med mitt eget verk. Syftet är att genomföra ett sceniskt verk utifrån ett audiovisuellt symbolspråk. Frågeställningen är: Hur kan ett audiovisuellt symbolspråk användas i en scenisk föreställning? Det audiovisuella verket tolkades med denotation och konnotation, dessutom analys av texterna och den emotionella strukturen. Artistens liv och omvärldens tolkningar togs in och sist jämfördes verket med den sceniska föreställningen. Slutsatsen är att Fill The Air With Screams har mycket gemensamt med iamamiwhoamis verk bounty men att deras symbolspråk är mer utvecklat och bygger upp en värld på ett mer lyckat sätt. Arbetet har lärt mig mer om hur symbolspråk kan användas och idéer på hur jag kan utveckla mina egna symboler. Nyckelord: musikvideo, semiotik, kvalitativ, audiovisuell, musik,