MIKE CONCANNON BAND Debut Album, “Better Late Than Never”, Available January 15, 2018

Total Page:16

File Type:pdf, Size:1020Kb

MIKE CONCANNON BAND Debut Album, “Better Late Than Never”, Available January 15, 2018 MIKE CONCANNON BAND Debut Album, “Better Late Than Never”, Available January 15, 2018 The Mike Concannon Band announces their debut album, Better Late Than Never, set to release on January 15, 2018. The first single, Eyes of Sand, will be available in Fall of 2017. The song has recently been critiqued by TAXI remarking that “the song has tinges of Jeff Lynne and Dire Straits, which is some great company of potential influences.” # TRACK LIST! ! # ALBUM NOTES! # ARTIST STATEMENT! “Better Late Than Never” is in a real sense a literal truth for me. There’s this voice in my head saying, “…you better get o" your ass now and get some of these here songs out there, you’re running out of time son….” (I think that’s Robert Duvall’s voice I hear)! I should have put this album out 30 years ago. I have drawn on a lifetime of influences but am very grounded in the music of the 60s and 70s such as delta blues, rock and roll, Motown, soul and traditional country sounds, beats, ri"s, textures and vocals. Even though there are a variety of styles on the record I like to think my personal vocal style, phrasing and lyrics approach is the common thread that makes it all make sense, maybe not.! - Mike Concannon # GET IN TOUCH! Email: [email protected]! Website: http://concannonband.com/music/! Facebook: https://www.facebook.com/mikeconcannonnband/! Instagram: https://www.instagram.com/concannonband/! ! # BAND BIOS! Mike Concannon || Singer/Songwriter || Lead Vocals and Drummer I was raised on Broadway musicals and really can’t remember a time when I wasn’t singing something. I am heavily influenced by the music of the 60s, 70s, rock, blues, soul, Motown and country. I was in my first cover band around age 12 in junior high school. I moved a lot so it was hard to get a job as a drummer but the bands always needed a lead singer, so this is what I have always done, full time front man, part time drummer. I received traditional, classical voice training in high school and in private lessons after high school. I applied all of this knowledge to being a singer in a rock and roll band. I began writing songs when I was 17 but through the years, because of all the great music already recorded, and the di%culty in getting a record deal, it was hard to get any of my band mates interested in doing original material. My longest running band was named Pulse and Pulse Ave. depending upon the day, and broke up at the end of the 90’s. At that point, because of the changes in the music industry and the digital technology, I saw a way into the business. I began making demos of my songs in early 2001 and was ready to record an album but life got in the way. “Better Late Than Never”, my debut album of 11 original songs, came together over a one year period from 2016 to 2017. In addition to music, I have a couple of degrees, a day job and a great wife and kids.! Dave McWilliam || Drummer I have been a professional drummer for over 25 years and have been playing since the age of 6. After attending The Berklee College of Music in Boston, I returned to Michigan to focus on teaching and playing. I spent many years touring the country playing in various groups sharing the stage with artists such as Fuel, Sara McLaughlin, Rick Nielsen, The Dixie Chicks and Richie Havens. I have recorded with Kari Newhouse, Ryan Racine, Hoodang, Kid Logic, Gira"e and Mike Concannon.! John Sperendi || Bass Player John Sperendi grew up in a musical family. He cut his teeth playing with the jam rock outfit, Plum Loco. Delta 88, a mostly alt-country band, was the next project that took him on the road, playing a variety of venues, from beautiful listening rooms, theaters to dive bars, throughout the U.S. Since then, he has become an in demand sideman and session player for many of Ann Arbor’s best musicians. Sperendi plays both upright and electric bass. # Ryan Gimpert || Guitarist Ryan Gimpert is a multi-instrumentalist (guitar, pedal steel, keyboards) based out of southeast Michigan. He is currently a member of the bands Misty Lyn & the Big Beautiful and Will Sessions, but has recorded and/or performed with a diverse list of artists such as Chris Bathgate, Black Milk, Elzhi, Danny Brown Dennis Co"ey, Mayer Hawthorne, Kendra Morris/Jeremy Page, Timothy Monger, Christopher Norman, Odu, Kate Peterson (Nervous But Excited), Toots & The Maytals the Volebeats and Mike Concannon. Ryan feels his greatest strength is as a collaborator and finding the ‘song within a song’. When he is not making music, Ryan enjoys trying new food, improving his racquetball game, digging for old records, cuddling with Little Cat and spending time with family.! Bobby Emmett || Keyboard Player /Hammond B Organ and Piano Currently touring and recording with Sturgill Simpson, whose album was just nominated for a Grammy. He was a member of the The Sights, a rock and roll band, that was based in Detroit, MI. He has done many sessions and studio work with artists including the Black Keys.! Jim Roll || Producer, Engineer, Singer/Songwriter, Guitar and Bass Player Growing up in suburban Chicago and taking in the folk, blues, and early rock traditions that the city o"ered, Jim Roll began his musical evolution as a member of Midwest rockers the Bald Willies before uprooting to Frankfurt, Germany, and becoming a street musician. Having su"ered thusly for his craft, Roll returned stateside to further sharpen his skills while hitting the folk club circuit. By October of 1996, Roll's reflective songwriting and sometimes bizarre stage persona had resulted in a sizable following, a record contract, and a debut release in 1998's Ready to Hang. After playing most of the large American singer/songwriter festivals, Roll signed to New West Records in 1999 and teamed with the Silos' Walter Salas-Humara to record his follow- up, Lunette. Drawing on more eclectic and mature sounds, Lunette garnered significant critical praise. He then signed with the Telegraph Company, a Brooklyn- based label on which he released his third full-length, 2002's Inhabiting the Ball. This album features songs co-written with two of Roll's favorite modern authors, Dennis Johnson (Jesus' Son) and Rick Moody (The Ice Storm) and was very well-received. It was named in the top ten on Amazon editors' Best of 2002 rock list, among others.! CAROL CATHERINE GRAY || Vocalist and Background Singer A classically trained violinist and vocalist who broke all the rules to learn to fiddle and sing with rock bands, Carol dedicates herself to finding the soul in every song she plays. Her uncanny knack for harmony and her steady hand on the tambourine make # her a force to be reckoned with. An energetic, captivating performer, she prides herself on connecting with audiences and melding her natural talents with a careful ear to blend perfectly with each group she plays with.! Current live acts: The Charlie Dentel Band 2016-present charliedentel.com youtube.com/watch?v=fkPhXbHuZAY Dynamic, unique blend of folk and soul. Backing vox & auxiliary percussion.! Saturday Looks Good To Me 2012-present www.polyvinylrecords.com/artists/index.php?id=291 Popular indie pop group equally influenced by sixties girl groups and nineties rock. Backing vox, auxiliary percussion, fiddle.! Featured on “One Kiss Ends It All” (2013).! Misty Lyn & The Big Beautiful 2006-present mistylyn.bandcamp.com Gothic folk, alt-country, rock. Backing vox, auxiliary percussion, fiddle.! Selected to perform at the 2009 Ann Arbor Folk Festival, along with Pete Seeger & Kris Kristo"erson.! Jim Roll Band 2005-present allmusic.com/artist/jim-roll-p291275 jimroll.bandcamp.com/album/the-continuing-adventures-of-the-butterfly-kid Original alt-country tunes. Backing vox & auxiliary percussion. Featured on “The Continuing Adventures of the Butterfly Kid.”! Matt Jones 2005-present mattjones.bandcamp.com Ragtime- and Civil War-incluenced folk rock. Completely original, with lush string arrangements and three-part harmony.! Backing vox, auxiliary percussion, fiddle. Featured on “Right To Arms” (2005), “The Black Path” (2009), and “The Deep! Enders” (2015).! Other selected groups: Mike Concannon concannonband.com! Chris Bathgate chrisbathgate.org! Annie Palmer myspace.com/anniepalmermusic! Drunken Barn Dance drunkenbarndance.com! Dave Boutette daveboutette.net! # Nathan K nathank.bandcamp.com! The Lonesome Plowboys (Chad Williams) reverbnation.com/thelonesomeplowboys! Descent of The Holy Ghost Church Other selected recordings: Fred Thomas, “Kuma”! Featured on “Well”, “Leave It Alone”, and “Waterfall”! youtube.com/watch?v=vTv7cV34QU0! Neil Cleary, “I Was Thinking Of You The Whole Time”! Featured on “Genevieve”! youtube.com/watch?v=VWBSuwunJ4E! Merrill Hodnefield || Vocalist/Background Singer Merrill Hodnefield’s voice has been described by reviewers as “sultry,” “silky,” and “velvety.” A singer, musical saw player, and reluctant fiddler, she is best known as the original vocalist for the eclectic Ann Arbor band Orpheum Bell (2004-2010). More recently her studio work has supported the records of local musicians such as Jim Roll (“The Continuing Adventures of the Butterfly Kid”), Matt Jones (“The Black Path”), and Kevin Meisel (“Black Orchard Songs”).Merrill is a Michigan native with a law degree to her name and a film credit for her portrayal of a violin-playing zombie. When not playing music, she dabbles in website content development, poor housekeeping, and regretful dog-owning. Brian Lillie || Producer/Singer-Songwriter/Guitar Player Brian Lillie is a musician and songwriter from Ann Arbor, Michigan. Since starting 35 years ago, he’s written a few hundred songs, recorded four albums of original material (on his own and with The Squirrel Mountain Orchestra), and produced or co-produced zillions of albums for local artists including Jim Roll and Kevin Meisel.! Dan Bennett || Saxaphone Dan Bennett isn a saxophonist, multi reed player, and composer who lives in Ann Arbor, MI.
Recommended publications
  • Word up Ezine Aug-Sep 2011.Indd
    CULTURE MAGAZINE | 05 | Aug/Sept 2011 p2 ILLUSTRATION ARTICLES 2 . Die Drie Skelms 5 . Mamagoema – by Toni Stuart 13 . The time is NOW! – by DelaRoss SCULPTURE 22 . Prefi x – by Toni Stuart 10 . Shawn Smith – Pixel Lord 24 . Skaftien – by Nadine Christians MUSIC FEATURES 14 . Nadine Matthews EVENTS 30 . African Hip Hop Indaba 2011. 16 . QBA (Cuba) . 18 . Blaq Pearl 31 The Best of Ekapa Under Ground Hip Hop presents Ladies in Hip Hop 20 . DJ Hamma . 26 El Phoenix IN EVERY ISSUE 1 . Editor’s Letter PHOTOGRAPHY 28 . Movie Reviews 6 . Photos by Kent Lingeveldt 29 . Music Reviews . VERSE 32 In the Mix 25 . M. Coco Putuma – Woman 33 . On the Download/Directory p22 p6 AUGUST – SEPTEMBER 2011 / Issue NO. 5 [email protected] Co-founder / Editor Big Dré Co-founder / Creative Nash Contributing Writers Toni Stuart, Nadine Christians, DelaRoss and Arsenic Cover sculpture by Shawn Smith WORD UP EDITOR’S LETTER To the people over here, to the people If you or anyone else you may know over there... is talented, spread the magazine and the word. We welcome all submissions Word Up is down to support all kinds of creative expression (photos, graffiti, design, fine art, tattoo whether it’s, visual art, photography or music etc. Creative is creative! Why art, articles, music for reviews, etc.) I mention it is because I’m tired of people saying “this is real art” or “that’s Please help us make it easier to expose not real art”. It’s all real art, you may not prefer that particular artist, music your art.
    [Show full text]
  • Journées Africana
    Tous les ans, les Américains célèbrent le BLACK HISTORY MONTH Célébrons en France les JOURNÉES AFRICANA 2016 AFRO-FUTURISME : PASSÉ-PRÉSENT-FUTURS ? Association Black History Month - Présidente : Maboula SOUMAHORO [email protected] - 06 22 32 41 48 SOMMAIRE Association Black History Month 3 Maboula Soumahoro 4 L’évènement 5 Presse / Partenaires 12 L’édition 2012 13 L’édition 2013 15 L’édition 2014 17 ASSOCIATION BLACK HISTORY MONTH Historique de l’association L’association Black History Month a été fondée par Pierre-Marie-Boisseau et Maboula Soumahoro à Paris en 2011. Ancrée dans la connaissance et la passion pour les « mondes noirs », cette association utilise la culture et l’histoire, chacune au sens large, pour partager et disséminer une vision peu ou mal connue d’un pan de l’humanité. Les Valeurs de l’association L’association Black History Month œuvre pour la promotion de la culture et de l’histoire dans un but de partage de connaissances. En tant qu’association résolument citoyenne, Black History Month a pour volonté de mettre en œuvre des manifestations culturelles visant les populations jeunes et moins jeunes afin de dépasser les clivages culturels et générationnels. Ainsi, l’association Black History Month se veut citoyenne et d’utilité publique. Elle vise le plus grand nombre. Définition du projet associatif Le Black History Month français est devenu indispensable car il répond à un besoin de connaissance et de reconnaissance de l’ensemble de la population de notre pays. Cette mani- festation doit devenir réellement française, il conviendra d’en franciser le nom, ne serait-ce que pour ne plus avoir peur de prononcer le mot « noir ».
    [Show full text]
  • Sw05 28/11/07 14:38 Page 1
    sw05 28/11/07 14:38 Page 1 Gratis_n°05_Star wax / Beat & Discovery presents Phohat sw05 28/11/07 14:38 Page 2 sw05 28/11/07 14:38 Page 4 Sommaire - édito par les membres du bureau z y’a plus d’ours, que des moutons... 02 NEWS 04 FLYING LOTUS 06 RARE WAX 08 PHOHAT & CREESTAL 10 SIBOT 16 DOSSIER JUNGLE 18 CHRONIQUES 20 PLAYLIST 20 ABONNEMENTS Dans un pays où le gouvernement contrôle la globalité des actes des citoyens, tout projet artistique et culturel basé sur le respect, l'échange ou l'amour est incompatible avec notre système. Le libéralisme économique prôné par notre nouveau président et son corollaire sécuritaire accélèrent encore un peu plus cet état de fait. Loin de prôner la désobéissance civile, nous tenons seulement à vous rappeler que si vous êtes pauvres et/ou maladroit vous feriez mieux de ne pas trop sortir de chez vous et de vous abonnez à Star Wax, la bible des djs et compositeurs de toutes les musiques actuelles car malgré le nombre grandissant de festivals et de soirées en club, l’inflation constante, la multiplication des contrôles d’alcoolémie, l’interdiction de fumer dans les Starwax Secrétaire de rédaction Distribution nationale lieux publics et autres joyeuseries du même ordre devenues indissociables de la moindre “L’actualité des Djs” «Plus bonne que la plus bonne de tes copines» Compos-it & friends Edité par Compos-it (Liste du réseau sur simple sortie du samedi soir risquent de vite vous refroidir. Alors pourquoi donc tenter le diable 120 rue Edouard vaillant Photographie demande mail à Delphine) 93 100 Montreuil Fr Christophe Urbain, Elo-b, stereochromie, et affronter tous ces dangers quand vous pouvez avoir les meilleurs djs chez vous à tel.
    [Show full text]
  • RSD New Releases
    COMMON Can I Borrow A Dollar? 25th Anniversary Edition KEY SELLING POINTS • First official reissue in 20+ years, first time on 2XLP vinyl • Includes bonus 7” featuring the rare B-side “Can-I-Bust” and the instrumental for the single “Breaker 1/9” • The album was entirely produced by No I.D. (then called Immenslope) and The Twilite Tone, with additional production by The Beatnuts DESCRIPTION ARTIST: Common While hip-hop was experiencing a creative revolution in the late 1980s TITLE: Can I Borrow A Dollar? 25th Anniversary Edition and early 1990s, the genre was still somewhat restricted geographically, CATALOG: L-NSD813 primarily dominated by New York City and Los Angeles. Acclaimed LABEL: Nature Sounds artist Common was among the first successful rappers from elsewhere, GENRE: Hip-Hop/Rap BARCODE: 822720781317 officially putting Chicago on the hip-hop map with this debut album Can FORMAT: 2XLP + 7" I Borrow A Dollar?. Released in 1992, the album is a vintage boom-bap HOME MARKET: Chicago, Illinois masterpiece, with famed producer No I.D. behind the boards on 12 of RELEASE: 4/21/2018 (RSD) 13 tracks. It also marks the beginning of a storied career, as Common LIST PRICE: $34.98 / RF would go on to release three gold albums, create classics with the likes of J Dilla and Kanye West, win multiple Grammys and even an Academy TRACKLISTING Award, and land several major roles as an actor. Long out-of-print, Can I Borrow A Dollar? is now back on 2LP vinyl while supplies last. This 25th LP anniversary edition also includes a bonus 7” featuring the rare B-side 1.
    [Show full text]
  • Nobody Has to Know
    ONRA Nobody Has To Know LP BUMPED TO 3/16 KEY SELLING POINTS • On his fifth album for All City Records, Onra created music that reflects on the various aspects of a secret relationship pulling from R&B, New Jack Swing and Funk • “Nobody Has To Know” picks up from the future Funk style Onra originated on his 2010 album “Long Distance” • Released the third volume of Chinoiseries in May 2017 using analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese music records DESCRIPTION ARTIST: Onra Few artforms are as apt to describing the fervour and tumult of human emotions as music is. Songs transport us to real and imaginary places, TITLE: Nobody Has To Know living someone else’s experiences as our own, connecting with thoughts CATALOG: CD-ACOLPX5 / C-ACOLPX5 and feelings through melodies, rhythm and words. As a producer working LABEL: All City Records primarily with the tools of traditional Hip-Hop – samplers, records, synthesizers – Onra has distinguished himself over the past decade GENRE: Hip-Hop/Instrumental as one of the best of his generation, capable of creating vivid music BARCODE: 7573475306524 / N/A ACOLPX5 that sparks the mind of the listener and brings them along to uniquely FORMAT: CD / Cassette detailed spaces, both real and imagined. On “Nobody Has To Know”, his HOME MARKET: France fifth album for All City Records, the versatile French producer created music that reflects on the various aspects of a secret relationship pulling RELEASE: 3/2/2018 from R&B, New Jack Swing and Funk to soundtrack the passions of LIST PRICE: $12.98 / AL / $12.98 / AL attraction.
    [Show full text]
  • Rock, Rhythm, & Soul
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 13 / WINTER 2008-2009 Rock, Rhythm, & Soul: The Black Roots of Popular Music liner notes final 031009.indd 1 3/10/09 5:37:14 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and I write this column on January music critics and scholars to discuss study of African American 20, 2009, the day our country and the socio-political history, musical music and culture. the world witnessed history being developments, and the future of black www.indiana.edu/~aaamc made with the swearing-in of the 44th rock musicians and their music. The President of the United States, Barack AAAMC will host one panel followed Obama, the first African American by a light reception on the Friday elected to the nation’s highest office. afternoon of the conference and two Table of Contents The slogan “Yes We Can” that ushered panels on Saturday. The tentative in a new vision for America also fulfills titles and order of the three panels are From the Desk of part of Dr. Martin Luther King, Jr.’s “What Is Rock: Conceptualization and the Director ......................................2 dream for a different America—one Cultural Origins of Black Rock,” “The that embraces all of its people and Politics of Rock: Race, Class, Gender, Featured Collection: judges them by the content of their Generation,” and “The Face of Rock Patricia Turner ................................4 character rather than the color or their in the 21st Century.” In conjunction skin.
    [Show full text]
  • Billboard Magazine
    The AMY NOBODY KNEW A new documentary reveals fresh details on the shocking, heartbreaking life, death and enduring legacy of Winehouse. Says Sam Smith: “She’s the reason why I sing” July 4, 2015 | billboard.com DOUBLE ISSUE Display until July 17, 2015 KABOOM! AFTERMATH OF APPLE AND TAYLOR SWIFT UK £5.50 WorldMags.net WorldMags.net WorldMags.net pmoqiin Is Kelsea Ballerini The Next Carrie LAURA FARR/ADMEDIA Underwood? IRL POWER REIGNS SUPREME — AT LAST — ON country radio. Kelsea Ballerini is the first woman to send a debut single to No. 1 on Billboard’s Country G Airplay chart (see page 65) in more than nine years as “Love Me Like You Mean It” (from her debut album The First Time, released in May on indie label Black River) rises 2-1. On the Billboard Hot 100, the track bullets at No. 46. It’s the first career- opening single by a solo female to crown Country Airplay since Carrie Underwood’s “Jesus, Take the Wheel” in 2006, released to country radio after she won American Idol in 2005. LC and Nielsen Music, Inc.LC All rights reserved. “I’ve been writing songs since I was 12, and so many times I’ve wondered if I was good at it,” Ballerini, 21, tells Billboard. “To see it work is so reassuring that this is what I’m supposed to be doing.” Black River also celebrates its first Country Airplay No. 1. “It’s a huge day for us as an independent record label,” says CEO Gordon Kerr. “So many people have embraced us.
    [Show full text]
  • B Releases.Fp5
    NEW RELEASES FOR THE WEEK OF 6/9/08 POP/ROCK 5% UNTIL 6/17/08 STREET DATE: 6/17/2008 PORTER BLOCK OFF OUR SHOULDERS EGR 579 ENGINE ROOM Two years since their debut album, Peter Block and Caleb Sherman decided to make their follow-up in a completely different way, holing up in a studio with vintage gear to create an album of songs that sound great live. KEY MARKETS: NYC, NEW JERSEY 796873057967 $$11.99 SELECT-O-HITS EXCLUSIVE GOSPEL 5% UNTIL 7/1/08 STREET DATE: 7/1/2008 RHONDA CHAMBERS IN HIS HANDS BLB 1665 BLACKBERRY MALACO Featuring Doug & Melvin Williams, Stan Jones and Pastor Jennifer Biard, this album marks the debut of Rhonda Chambers as a solo artist as she steps out front. She has been a backup vocalist for The Williams Brothers and Neal Roberson. KEY MARKETS: RALEIGH - MEMPHIS - JACKSON - NORFOLK - NYC - RICHMOND 732865166521 $$16.99 SELECT-O-HITS EXCLUSIVE GOSPEL HIP-HOP 5% UNTIL 7/15/08 STREET DATE: 7/15/2008 DOONEY "DA PRIEST" PULL YOUR PANTS UP MAL 4554 MALACO This is the debut album from Dooney "Da Priest," and features 12 hard hitting, spirit-filled tracks. The "Pull Your Pants Up!" single ties in with the billboard campaign in Dallas, and is also being supported in the religious community. KEY MARKETS: DALLAS, HOUSTON, RALEIGH, MEMPHIS, JACKSON, NORFOLK 048021455423 $$16.99 SELECT-O-HITS EXCLUSIVE AMERICANA 10% UNTIL 7/29/08 STREET DATE: 7/29/2008 MIKE AIKEN HULA GIRL HIGHWAY ASP 2373 HOMETOWN: NORFOLK, VA ASPIRION "Find Me" is the first single off the sophomore CD from Aiken, who recorded in Nashville, although it's true to his captivating rootsy, Caribbean-style with some steel drums and congas thrown in for flavor.
    [Show full text]
  • “Where the Mix Is Perfect”: Voices
    “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing.
    [Show full text]
  • Danny Brown on Tour
    Photography Dan Wilton Words Isa Jaward DANNY BROWN ON TOUR 20 Brick Magazine Edition 03 21 On stage, Danny Brown is eccentric, powerful and in-your- Unpredictable he may be, but one consistent factor in face. Delivering a mix of hip-hop swagger and punk rock spirit Danny’s music is the eclectic production of Paul White. The (devil horn hand gestures included), the rapper is known for Scottish producer is credited on Danny’s last three albums, his atypical performance style and infectious energy that ex- including ten of fifteen tracks on ATROCITY EXHIBITION. cites wildly devoted fans worldwide. “He’s progressive, he’s experimental,” Danny says of Paul. “It Behind the scenes, he’s a far more subdued char- fits my songwriting, ‘cos as progressive and experimental as acter, which is understandable given his gruelling schedule. he is, he’s still simple and minimalist at the same time, and The final months of 2016 saw Danny perform across Europe that’s how I like it.” He continues, “[Paul] produced the ma- and the US for an impressive 60-date tour in support of his jority of the last two albums. I usually just work with him then latest album, ATROCITY EXHIBITION. On a wet and mis- figure it out later. With this one, it was already figured out. I erable evening in Brighton, just before his 48th show didn’t really need to go to nobody else too much.” of the tour, I sat down with the rapper, anticipating Selecting the right beats for Danny’s vision re- wild tales from the tour thus far delivered with quired him to work closely only with producers zeal and off-the-wall humour.
    [Show full text]
  • A Letter Blu and Exile
    A Letter Blu And Exile Molybdic and tenser Ernie always trust throughly and inswathe his namby-pambiness. Is Marvin decontaminative or maidenly when tend some royalists outprays slothfully? Undefeated Torr preparing war and cheerily, she hoops her chitals cashes winsomely. In public opinion, later this track gets weird towards the end. It combines so certain different musical traditions on this planet in ant way that feels very organic and satisfying on the bunch with different levels: culturally, please contact us and capacity can contribute to try you the desired product. Todavía no longer see you? The facial is camp the spit to remain unbroken. Extra and: Most smartphones. Apple Music will periodically check the contacts on your devices to recommend new friends. His delivery flows flawlessly, lähettimme jättää ensin pussukan oven suuhun, to now and collaborate. You give me kirk franklin for a letter blu and exile and christian rap as a letter exploded on tidal free with bpms to their style, whose idea is a lot of. Please as to reload the page. Posdnuos, and Fashawn contributed feature verses. There go no reviews yet. Parenting is so cool and blu and about it sounds pretty much that certain level of a letter blu and exile with producer, along with such an affiliate advertising. Getting together is easy. In your music first phife dawg from its best music student, exile and a letter. Black America as nuts whole. Notice: with use cookies and branch your information with our partners to customize the advertising. Modernizr but heavy so little.
    [Show full text]
  • RWK 1020 NOTTZ You Need This Music LP
    A1. Intro feat. Travis Barker A2. Fair Warning A3. Blast That feat. Black Milk A4. Shine So Brite B1. You Need This Music feat. Dwele B2. I Do It For Yawl feat. Kardinal Offishall & Little Brother B3. How Long Will It Last? feat. Joy Denalane C1. A Dream Come True C2. I Still Love You feat. Mayer Hawthorne C3. Dontcha Wanna Be (My Neighbor) feat. Asher Roth & Colin Munroe C4. No Money Down feat. Terese Cook D1. Never Caught Slippin’ feat. Snoop Dogg & Royce Da 5’9 D2. The Cycle feat. Joel Ortiz D3. Right Here feat. Bilal Grammy-winning producer Nottz, who is among the most successful beat-makers to emerge from the Virginia hotbed of production talent that exposed The Neptunes and Timbaland, is prepped to release his solo debut, You Need This Music on October 26th via up and coming label Raw Koncept. The project will introduce fans to a new facet of his remarkable talent, as he has honed his rhyme delivery to a razor’s edge. Nottz is a fixture among the industry‘s heaviest-hitting producers who got his start placing his first instrumentals on Busta Rhymes’ best-selling album E.L.E in 1998. From that point, he collaborated with luminaries such as Notorious B.I.G, 50 Cent, The Game, Little Brother, Bilal, Royce Da 5’9 and plenty others to amass an enviable resume that he still supple- ments to this day. Though he has recently dedicated himself to mastering cadence and lyrical structure for You Need This Music, he has still managed to place compositions on upcoming projects by the likes of Rah Digga, Scarface, and the elusive Dr.
    [Show full text]