The Development of Robot System for Pressurizer Maintenance in Npps 3

Total Page:16

File Type:pdf, Size:1020Kb

The Development of Robot System for Pressurizer Maintenance in Npps 3 KR0000124 KAERI/RR-1953-98 The development of robot system for pressurizer maintenance in NPPs Sf 7| 3 1/31 KAERI/RR-1953-98 The development of robot system for pressurizer maintenance in NPPs 7} & PS ck -§ IB PS iY lo p PS PS # it -t PS lo it PS lo it xb PS lo it xb PS texbPS lo b No it jr PS ^ ^ & it jr PS Is it jz PS 'Z\ '6661 k-13-k k -te fe i. n\ II. 7] & 7m$ , 7) , 3-D (Dangerous, Dirty, Difficult ) III. 5-1 7}<&7) - 1 - O 4^ 3. JIB. O O PWM o ^l^ O 71 Bf iv. A - 11 - - Ill - "-frft (I) folb: :hI? -Ur=T5"lo-fci "5"l°-b (e) OV0aOH tain #k-Ri Fn ibk feHan (2) te i& (0 foi,^|Y G7 ^^ ^ $X 71 7>^i7> ^ 7^0] jLi^l 71 71 - IV - S UMMARY I. Project Title The development of robot system for pressurizer maintenance in NPPs II. Objective and Necessity of the Project The robot has been widely applied to manufacturing system in the areas of automobile and electrical industry by the help of the progress of precise machine, semiconductor technology, and control technology. Nowadays, the area is widened to the non manufacturing industry such as nuclear power plant, space project, underwater exploring system, medical system, service system, agricultural & aquatic-products industry, construction and so on. Especially, the development of robot for nuclear power plant is much required, since it is very dangerous for the human to perform the task such as monitoring, maintenance, atomic pile disassembly, waste recycling, treatment of atomic fuel, assembly and disassembly of contaminated system, disposal of contaminated matter, washing the high voltage power line. The development of the robot for nuclear power plant monitoring and maintenance can replace the expensive system from abroad and reinforce the national competence in this area. Recently the developed countries attempt to make other countries technical colony through patent, royalty, copyright. Therefore we should develope the high technology to get out of the technical dependency. In modern civilization, there exist many extreme situations such as nuclear power plant, deep sea task, space developing project, tasks in high voltage, high pressure, high radiation environment. It is very hard for human to work in these environments and people don't like to 3-D (Dangerous, Dirty, Difficult) work in these dangerous environment even thought the task is very important. The robot for extreme hazard environment of nuclear power plant can reduce the possibility of danger and perform the extreme task quickly and efficiently. Also, efficient monitoring and maintenance of extreme environment using robot can improve the safety of nuclear power plant. - v - III. Contents and Scope of the Project O Design and producing of articulated manipulator • Analysis of task, design of robot structure • Simulation of controller for the performance test • Concept design using graphic representation O Inspection task simulation using graphic simulation • 3D task environment modeling • Development of task procedure simulation module O Design of electrical controller • Analysis of electrical device characteristic in radiation environment • Design of processor board and multi axis servo controller • Design of distributed remote control system and PWM amplifier • Production of electrical actuator controller O Development of system management control part • Design of management control system and main program study. • Console design for remote control. O Etc. • Composition of the manual and installation guide book. • Composition of the task procedure guide book. • Composition of robot maintenance manual. IV. Results of the Project In this project, the study of main element technology and the development of system construction technology for application to the atomic field has been performed. Based on the previous results, articulated robot manipulator was designed and manufactured. Also, the underwater robot system was built to be able to perform the task in the pressurizer filled with water. Development results of robot system considering water-filled and non water-filled pressurizer are - vi - summarized as follows. 1. Non water-filled system development for surveillance/inspection in pressurizer (1) Design and building of articulated robot manipulator the developed robot system is composed of a 2D0F link, a portable gripper using a steel wire, and a controller. (2) Inspection graphic simulator Simulation has been performed using ROBCAD to analyze the interference of a manhole when a robot was injected into the pressurizer. (3) Electrically manipulated controller design This method is used for security of control block by use of diode. In circuit, the role of diode is recharging which suppies rechargible battery with rectified voltage normally and cutting supply voltage when the main power system problem occurs. So it can be safely said that more stability and safety of motor via using direction of voltage is acquired. (4) Development of position and rigid body vibration control algorithm and vision processing algorithm Modelling of robot system for pressurizer maintenance ,control algorithm, processing of sensor information, and checking by cameras are developed. The result of this research also includes the position control and vibration control of rigid body and development of processing visual information for vision sensor. 2. Water-filled system inside of pressurizer for surveillance and maintenance The robot system is designed and developed which composed of 4 actuator for forward/backward, left/right, up/down movement and camera unit for surveillance and maintenance of buoyance so that the reasonable depth is maintained. - VI1 - V. The Application of the Results The high-tech teleoperation must be secured urgently for unmanned surveillance of facilities preventing abnormal operation of nuclear power plant as soon as possible. Multi-purpose, radiation-proof robot for extreme situation can be developed via organically composing composite hi-tech and engineering because it has the property of repercussions of technology and high added value. And by that reason, the developed countries are preventing outflow of these technologies. Therefore if this technology is accomplished the base in which the level of the technology is raised up to the one of developed country is constructed and it is able that we can export the technology. And the necessity of this technology is raised as in our country the quality of the man power is admirable and the development of the high technology is entrusted. As the frail technology with respect to developed country is developed the velocity of the development can be accelerated. - VI11 - CONTENTS Chapter 1. Introduction l Chapter 2. Overview of the State-of-the Technology 3 Section 1. State-of-the Art 3 Section 2. Overview of Technologies 3 Chapter 3. Contents and Results of Project 6 Section 1. Robot Design Criteria and Pressurizer Modelling 6 1. Robot Design Criteria 6 2. Pressurizer Modelling 7 Section 2. Pressurizer inner part Inspection and Maintenance for Water Shunk 9 1. System Composition 9 2. Robot Conceptual Design 16 3. Robot Base Frame Stress Analysis 21 4. Robot Criteria and Manufacture 23 5. Robot Path Planing, Control and vision Inspection system for Tele-Manipulation 26 - ix - Section 3. Pressurizer Inner Part Inspection and Maintenance for Water Filled 46 1. System Composition 46 2. Robot Conceptual Design 51 3. Performance Evaluation and Field Test of Robot System..54 Chapter 4. Achievements and Contributions 60 Chapter 5. Applications and Future Plans 61 Chapter 6. References 62 Appendix A. Robot Drawing of Pressurizer inner part Inspection and Maintenance (Water Shunk) Appendix B. Robot Drawing of Pressurizer inner part Inspection and Maintenance (Water Filled) - x - 1 3 ^ 7)^7^ W 3 S|^}-3 6 ^Aj X\^&\ g 1 X\^~ Efl $] ^2-Aj Q 2. 5.21^.^1 ^.dt^^] 16 3. SiLJE^ 7)$- ^2fl^fi] -g-^ «fl^ 21 - XI - 5. 26 .46 1. ,46 2. .51 3. ,54 .60 61 62 - xii - n^29. S^^-^l ^^S 49 - xiii - - xiv - - XV - I i—• "—- i F / I I / \*r I I •-' «— • I i— •• • I I I ^— t I 'II *-f \J »— i—. I I I 'I - 1 - - 2 - _ o _ - 4 - - 5 - - 6 - - 7 - - 8 - - 9 - - 10 - - 11 - 'Ci.OTT" ^l|-i "G. ill ill as. x-| i Ji ,M "H • - 12 - 1 [ mif»? r" *—r <>• ©----. = •••BUB* •M*1H» <•• y At ci " 1 44 J NMllWlaklHi •MM* •M*MI «•• A*/ 1f^LlJfti^^ ^ *>Cl • •>• a 1 a * sa us MB 11 X11 ft i s» ® '© U1 -^ an i^Q BMStlt 9"" aa* £s;?#£ S tl x I-"" rr "5" - 13 - 7. 4. - 14 - _..i •^ ill mwm ill ' - 15 - - 16 - - 17 - ^°1 5U<H 7o^# ^<H ^ ^^ ^4. O.B]jl 1-4 i^^ol s-o^ol^ ^^^^> - 18 - P = F / ( Q-f2) cos(q) - 2 f sin(q) ) (7) - 19 - - 20 - - 21 - sj &4. ^71 . 1992 ^-^ 3 7fl, SL 4 7fl) , 1997 ^-71-1- - 61 - 1. ANSYS User's Manual, Vol. I-IV, Swanson Analysis System, Int, 1992 2. Benjamin C.Kuo, Jacob Tal, DC Motor and Control Systems, SRL, Illinois, 1978 3. John J. Craig, Introduction to Robotics, Addison-Wesley, Massachsetts, 1989 4. Harrold A. Rothbart, Mechanical Design Handbook, McGraw-Hill, New York, 1996 5. Joseph E. Shigley, Charles R. Mischke, Standard Handbook of Mechine Design, McGraw-Hill, New York, 1996 6. Arora J. S, Introduction to Optimum Design, MaGraw-Hill, New York, 1989 7. $n%-, *t&q, ^iL, mrSL, 1995 8. £#C °1^, "TMS320c30# KACC ^r^, Vol.1, pp.520-522, 1996. 9. ^#5\, ¥&7], "jsliLJ=L pflq#e|o]E^ ^1^ ^m\-", ^*M^l^S|fe^^, Vol.12, No.4, pp.730-737, 1988. 10. K.A. F.Moustafa, T.G.Abou-El-Yazid, "Load sway control of overhead cranes with load hoisting via stability analysis", JSME int'l. Journal Series C, Vol.39, No.l, pp.34-40, 1996 11. C. Edward, S.K.
Recommended publications
  • Big Bang – Shout out to the World!
    Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style.
    [Show full text]
  • Conceptually Androgynous
    Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION .................................................................................................................................
    [Show full text]
  • Korean Superstars GD&TOP and SEUNGRI to Perform at the 2011
    Aug 25, 2011 17:14 +08 Korean Superstars GD&TOP AND SEUNGRI to Perform at the 2011 FORMULA 1 SINGTEL SINGAPORE GRAND PRIX Fans of K-pop have good reason to bring the house down this September at the 2011 FORMULA 1 SINGTEL SINGAPORE GRAND PRIX. For the first time ever, Singapore GP has added the dynamic trio of Korean pop stars GD&TOP AND SEUNGRI to a line-up of world-class acts at the only Formula One night race. Better known as G-Dragon, T.O.P. and Seungri of the massively popular band BIGBANG, this powerhouse trio will drive fans wild with their polished dance moves and infectious tracks at the Padang main stage (Zone 4) on Friday, 23 September. G-Dragon and T.O.P. (GD&TOP) debuted with the album GD & TOP in 2010 and released three singles 'High High', 'Oh Yeah' and 'Knock Out'. Their music is a brilliant hybrid of hiphop and rap, infused with electro, pop and acoustic elements. With their edgy persona and a series of chart-topping successes, GD&TOP has quickly earned a reputation as the "ones to watch" in the Korean music industry. Joining his BIGBANG mates is the multi-talented Seungri, a hip-hop performer, actor, record producer and songwriter who released his solo mini- album VVIP in 2011. While the album's groovy tracks like 'VVIP' and 'What Can I Do' showcase Seungri's vocal prowess, the music videos effectively demonstrate his magic on the dance floor. To start your party on a high note, don't miss this one night only live performance by GD&TOP AND SEUNGRI on Friday.
    [Show full text]
  • Big Bang, Hands Up!!! GD: Brand New World Is Coming, We Are the World
    Big Bang, Hands up!!! GD: Brand new world is coming, we are the world. Say say say hello to the world, into my world, hello to the world, we are the world. GD: Hey, ho, hey, ho!!!!!!!! Let me say Hey, ho, hey, ho!!!!!!!! One more time Hey, ho, hey, ho!!!!!!!! Let me hear you say Hey, ho, hey, ho!!!!!!!! Daesung: Hands up high, high and low te to te awasete tsuyoku nigitte Taeyang: Hands up high, high and low, inside out, just one step, two step GD: Hands up high, dont stop the beat ore no shinzou no you ni Hands up high ni, ni, nidonai kono toki Mawari no koe nante mou we dont care Lets work it, lets work it, lets work it now Taeyang: Mireba wakaru sa kokoro no me wa Umaretate no inochi no you ni Seungri: Imasa ai no kagayaki hanate Baby just 1,2,3 go Seungri: Hands up high, high and low te wo tori aichi ni ashitsukete Taeyang: Hands up high, high and low, inside out, just one step, two step Daesung: Everybody please dont stop sono omoi kanjite Seungri: Nani ga okite mo cause we belong together Taeyang: Everybody please dont stop, you got me going crazy Inside out, just one step, two step TOP: Aseru na, Sono toki ga kuru no wo matsu I see now Mizukara sessatakumashi genzai shinkouchuu Ponponpow what about chu ponpondown Lets work it, lets work it, lets work it now Taeyang: Uteba hibiku hitori hitori ni Tsutawaru tamashii no sakebi ten ni Daesung: Kibou no hikari kokoro ni tomose Baby just 1,2,3 go Seungri: Hands up high, high and low Daseung: te to te awasete tsuyoku nigitte Taeyang: Hands up high, high and low, inside out, just one step, two step GD: (Now put your hands up)x2 GD: Hey, ho, hey, ho!!!!!!!! Let me say Hey, ho, hey, ho!!!!!!!! One more time Hey, ho, hey, ho!!!!!!!! Let me hear you say Hey, ho, hey, ho!!!!!!!! Daesung: Hands up high, high and low te to te awasete tsuyoku nigitte Taeyang: Hands up high, high and low, inside out, just one step, two step Seungri: Hands up high, high and low te wo tori aichi ni ashitsukete Taeyang: Hands up high, high and low, inside out, just one step, two step Big Bang - Hands up!!! w Teksciory.pl.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology.
    [Show full text]
  • Hallyu at a Crossroads: the Clash of Korea's Soft Power Success and China's Hard Power Threat in Light of Terminal High
    Asian International Studies Review Vol. 18 No.1 (June 2017): 153-169 153 Received March 15, 2017 Revised May 10, 2017 Accepted May 20, 2017 Hallyu at a Crossroads: The Clash of Korea’s Soft Power Success and China’s Hard Power Threat in Light of Terminal High Altitude Area Defense (THAAD) System Deployment HANNAH JUN* The past two decades have witnessed the remarkable success of Hallyu, or the Korean Wave, with Korea welcoming a large influx of foreign visitors and benefiting from massive consumption of products ranging from Korean television and film, K-pop and lifestyle products. A more recent announcement by CJ E&M points to an even more aggressive plan for regional ubiquity, as encapsulated by Hallyu 4.0. Simultaneously, we have already felt some of the effect of policy changes in China – a core Hallyu market – as a response to Korea’s plan to deploy a Terminal High Altitude Area Defense (THAAD) system. In this sense, we see the stirrings of a clash between Korean soft power and Chinese hard power, and are uncertain who will emerge on top. This paper examines the broad success of Hallyu from key theoretical perspectives, while addressing linkages between Korean corporations and cultural power/influence that have led to an announcement such as Hallyu 4.0. This paper also highlights the recent tensions between Korea and China, specifically with respect to THAAD deployment, and outlines potential implications for businesses and policymakers through preliminary scenarios. Keywords: Nuclear Taboo, Nuclear Arms, Deterrence, Norms, Proliferation, Just War * Assistant Professor, Ewha Womans University, Seoul, South Korea; E-mail: [email protected]; DOI: 10.16934/isr.18.1.201706.153 Downloaded from Brill.com09/28/2021 03:33:20PM via free access 154 Hallyu at a Crossroads I.
    [Show full text]
  • Kasus Club Malam Burning Sun - Seungri Eks Bigbang Ditinjau Dari Teori Etika Aristotelian
    KASUS CLUB MALAM BURNING SUN - SEUNGRI EKS BIGBANG DITINJAU DARI TEORI ETIKA ARISTOTELIAN Disusun Oleh : Retno Ayu Widyaningrum 32318425 PROGRAM STUDI D3 FARMASI FAKULTAS MATEMATIKA DAN ILMU PENGETAHUAN ALAM UNIVERSITAS KATOLIK WIDYA MANDALA MADIUN Jl Manggis 15-17 Madiun, Jawa Timur Tahun Ajaran 2018/2019 ABSTRAK KASUS CLUB MALAM BURNING SUN - SEUNGRI EKS BIGBANG DITINJAU DARI TEORI ETIKA ARISTOTELIAN Oleh : Retno Ayu Widyaningrum 32318425 Club Malam Burning Sun adalah salah satu Club Malam yang berada di Gangnam, Korea Selatan. Club Malam ini pada saat ini menjadi sorotan utama di masyarakat Korea Selatan khususnya bagi penikmat industri hiburan Korea. Karena diduga adanya beberapa kasus di Club Malam ini, mulai dari kasus kekerasan, pelecehan seksual, bisnis prostitusi, suap, judi, penghindaran pembayaran pajak, perekaman dan pendistribusian video ilegal, hingga penggunaan dan pendistribusian narkoba. Pasalnya, usai munculnya kasus tersebut, sederet nama selebriti, pebisnis, dan para tokoh-tokoh penting dan ternama di Korea Selatan ikut terseret dalam kasus mega skandal ini. Apakah yang melatarbelakangi kasus-kasus tersebut? Dan apa saja dampaknya? Apakah Bisnis Club Malam Burning Sun sudah sesuai dengan Teori Etika Aristotelian?. Kata Kunci : Bisnis, Etika, Prostitusi PENDAHULUAN Burning Sun merupakan salah satu Club Malam di Korea Selatan, tepatnya di daerah Gangnam. Club Malam Burning Sun baru dibuka pada tanggal 23 Februari 2018. Walaupun Club Malam Burning Sun baru berdiri selama 1 tahun, tetapi hebatnya Club Malam Burning Sun
    [Show full text]
  • YG Entertainment (122870 KQ ) Global Platform Revenue Exhibits Strong Growth
    YG Entertainment (122870 KQ ) Global platform revenue exhibits strong growth 3Q18 review: Parent and YouTube both better than expected Entertainment For 3Q18, YG Entertainment reported consolidated revenue of W65.2bn (-13.3% YoY ) and operating profit of W2.6bn (+77.8% YoY). Operating profit fell short of our Results Comment estimate, which did not include content production losses (W1.7bn ). Still, we believe the company pe rformed in line with market expectations, considering the unfavorable November 12, 2018 earnings variables it faced in the quarter. Revenue from YouTube was also better than expected. Despite a widely anticipated void in concerts, Seungri, iKON, and BLACKPINK made great strides in the quarter. In particular, 1) BLACKPINK’s success drove robust digital (Maintain) Buy music revenue (W14.1bn; -11.3% YoY). 2) In addition, revenue from YouTube, a key area of focus, grew strongly to more than W3bn, likely exceeding the 1H18 total. Even after excluding one-time revenue from G-Dragon ’s documentary, YouTube revenue was Target Price (12M, W) 60,000 better than our expectation of W2bn. We believe domestic digital music sales, a relatively stable source of income, and global platform sales (YouTube ads, Apple Share Price (11/09/18, W) 36,200 Music/Spotify licensing, etc.), a fast-growing source of income, will both continue to make an increasing contribution to profits. Expected Return 66% 3) The content production business recorded a loss of W1.7bn (vs. loss of W10.1bn in 4Q17-2Q18), due to higher-than-expected fixed costs. Upcoming programs include YG Treasure Box and another new title for Netflix (NFLX US/CP: US$301.00).
    [Show full text]
  • Research on the Identity Construction of Korean Pop Music's Fandom
    Research on the Identity Construction of Korean Pop Music’s Fandom Groups on the Weibo Platform, Exemplified by G-Dragon (Kwon Ji-Yong) Department of Informatics and Media Master Program in Digital Media & Society Uppsala University Author: Yifan Chang Advisor: Göran Svensson 2014 0 I. Abstract In this thesis, I take a research on the identity construction of G-Dragon’s fandom group on the Weibo platform. Through the blended netnography, which consists of online participant observation and offline in-depth interview, I analyze the process of how the self-identity constructs among those fans through their online practical activities and how the fandom group forms their cultural identity from the cross-cultural perspective. In my analysis, I find that the construction of self-identity is realized in several ways, which are self-evaluation and the other’s evaluation, the projection of intention and emotion, anti-group consumption and cosplay. Also, I try to discuss the identity construction from the cross-cultural perspective. Because the K-pop music is a cross-cultural media product, so the fans have to face two identities: Chinese and Korean pop music fans. Through an analysis of cultural similarity and cultural conflict, I aim to discuss how the cultural similarity affects the construction process of self-identity, how the fandom group struggles in the cultural conflict in order to construct their self-identity and how we consider the abroad fandom group constructing their self-identity from the cultural hybridity perspective. In my discussion chapter, I will try to set some further prospects for the future research field.
    [Show full text]
  • YG Entertainment (122870.KQ) Positives Abound
    YG Entertainment (122870.KQ) Positives abound Company Comment │ Feb 1, 2019 In addition to unveiling two new boy groups and a solo artist this year, YG Ent should see its presence expand in the US. Backed by its growing artist lineup and greater use of existing artists, we expect the firm to enjoy sound earnings improvement in 2019. We suggest YG Ent as our entertainment Buy (maintain) sector top pick. TP W56,000 (maintain) CP (19/01/31) W43,500 Sector Entertainment Two boy groups and So-mi to debut this year Kospi/Kosdaq 2,204.85 / 716.86 Market cap (common) US$707.41mn At YG Ent, two new boy groups are slated to debut this year. Through the reality Outstanding shares (common) 18.2mn singing show YG Treasure Box, the company has selected members for the boy 52W high (’18/12/26) W48,950 group Treasure. The group should soon release a digital track and start low (’18/03/08) W27,050 Average trading value (60D) US$12.25mn contributing to the company’s sales. The firm also plans to form a second boy Dividend yield (2018E) 0.32% group from YG Treasure Box participants by Feb 4. With some of the new Foreign ownership 16.2% members already disclosed, the group is projected to debut within the year. Major shareholders Having recently signed a contract with The Black Label (a consolidated HS Yang & 6 others 21.2% subsidiary of YG Ent), So-mi, the winner of the reality singing show Produce NAVER 9.1% 101, is expected to debut as a solo artist in 2Q19.
    [Show full text]
  • Global Audience Participation in the Production and Consumption of Gangnam Style Soo Keung Jung
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 5-10-2014 Global Audience Participation in the Production and Consumption of Gangnam Style Soo keung Jung Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Jung, Soo keung, "Global Audience Participation in the Production and Consumption of Gangnam Style." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/communication_theses/106 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GLOBAL AUDIENCE PARTICIPATION IN THE PRUDUCTION AND CONSUMPTION OF GANGNAM STYLE by SOOKEUNG JUNG Under the Direction of Professor Hongmei Li ABSTRACT This thesis examines the cultural consumption of the Korean music video Gangnam Style in the broader context of the increasing popularity of Korean popular content, often called the Korean Wave, and of complex conditions of transnational consumption. Specifically, it in- vestigates why the music video Gangnam Style gained popularity not only in East Asia but also over the world, how it is circulated, and what conditions contribute to its success. It focuses on the role of the networked audiences and the interactions between the networked audiences and mainstream media through a chronological analysis on the distribution and reproduction process of Gangnam Style on YouTube.
    [Show full text]
  • Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung
    Vassar College Digital Window @ Vassar Senior Capstone Projects 2012 Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Part of the Film and Media Studies Commons Recommended Citation Leung, Sarah, "Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music" (2012). Senior Capstone Projects. 149. http://digitalwindow.vassar.edu/senior_capstone/149 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung Media Studies Senior Thesis Thesis Adviser: Tarik Elseewi April 20, 2012 Chapter List: I. Going with the Flow: K-Pop and the Hallyu Wave…….…………………………………2 1. Introduction…………………………………………………..……………………2 2. So What is K-Pop? Local vs. Global Identities……………...…………….…….10 II. Making the Band: K-Pop Production………………….…….…….….….………………25 1. The Importance of Image……………………………………………..………….25 2. Idol Recruitment, Training, and Maintenance………………………….…..……28 III. Around the World: Patterns of K-Pop Consumption…………….….….…….………….34 1. Where is K-Pop being Consumed? …………………….….…………………….34 2. Interculture, Transnational Identity, and Resistance……...……………….……..42 IV. Crazed! The “Pop” in K-Pop………………………………………………………….…48 1. H.O.T.? Issues of Gender and Sexuality in K-Pop’s Appeal……..…..………….48 2. Fan Culture and Media Convergence………………...……………………….…69 V. Conclusions……………………………………………..………………………….…….77 Bibliography…………………………………………………………………………………85 Leung 1 I.
    [Show full text]