J. Ras the Genesis of the Babad Tanah Jawi; Origin and Function of the Javanese Court Chronicle
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The Influence of Hindu, Buddhist, and Chinese Culture on the Shapes of Gebyog of the Javenese Traditional Houses
Arts and Design Studies www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) Vol.79, 2019 The Influence of Hindu, Buddhist, and Chinese Culture on the Shapes of Gebyog of the Javenese Traditional Houses Joko Budiwiyanto 1 Dharsono 2 Sri Hastanto 2 Titis S. Pitana 3 Abstract Gebyog is a traditional Javanese house wall made of wood with a particular pattern. The shape of Javanese houses and gebyog develop over periods of culture and government until today. The shapes of gebyog are greatly influenced by various culture, such as Hindu, Buddhist, Islamic, and Chinese. The Hindu and Buddhist influences of are evident in the shapes of the ornaments and their meanings. The Chinese influence through Islamic culture developing in the archipelago is strong, mainly in terms of the gebyog patterns, wood construction techniques, ornaments, and coloring techniques. The nuance has been felt in the era of Majapahit, Demak, Mataram and at present. The use of ganja mayangkara in Javanese houses of the Majapahit era, the use of Chinese-style gunungan ornaments at the entrance to the Sunan Giri tomb, the saka guru construction technique of Demak mosque, the Kudusnese and Jeparanese gebyog motifs, and the shape of the gebyog patangaring of the house. Keywords: Hindu-Buddhist influence, Chinese influence, the shape of gebyog , Javanese house. DOI : 10.7176/ADS/79-09 Publication date: December 31st 2019 I. INTRODUCTION Gebyog , according to the Javanese-Indonesian Dictionary, is generally construed as a wooden wall. In the context of this study, gebyog is a wooden wall in a Javanese house with a particular pattern. -
Understanding the Meaning of Wayang Kulit Performance Using Thick Description Approach
Understanding the Meaning of Wayang Kulit Performance using Thick Description Approach Mario Nugroho Willyarto1, Krismarliyanti2 and Ulani Yunus3 1 Language Center, Primary Teacher Education Department, Faculty of Humanities, Bina Nusantara University, Jakarta, Indonesia 11480 2Independent Writer 3 Marketing Communication Program, Communication Department, Faculty of Economics & Communication, Bina Nusantara University, Jakarta, Indonesia 11480 Keywords: Wayang Kulit, Thick Description, Cultural Heritage Abstract: This paper described the meaning of Wayang Kulit in Javanese philosophy, a brief description of the figures represented by the puppets. Wayang is one of the cultural heritages of Java which is very deep understanding of the culture and character of the people of Indonesia. The meaning of symbols of wayang is the focus of this paper. The symbols are represented by character of Semar, Bagong, Petruk and Gareng. What is the role wayang in daily life, especially for Indonesian people, is becoming the main discussion as well. There are a lot of wayang performances that have a deep meaning of the life itself. Although there are some scholars who say that wayang is originally from India but it is not proved and, in the end, people accepted that wayang came from Java. Opinion about wayang originated from India was because the story in the puppet was adapted from the Mahabharata story originating from India. Using the concept of thick description by Clifford Geertz, the author tries to explain about the history and character of the puppet figures according to Javanese philosophy. Prominent figures such as Semar, Gareng, Petruk and Bagong were the reflection of the ideal human being depicted with an imperfect physical form. -
Asia Society Presents Music and Dance of Yogyakarta
Asia Society Presents Music and Dance of Yogyakarta Sunday, November 11, 2018 7:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This program is approximately ninety minutes with no intermission In conjunction with a visit from Hamengkubuwono X, the Sultan of Yogyakarta in Indonesia, Asia Society hosts a performance by the court dancers and musicians of Yogyakarta. The Palace of Karaton Ngayogyakarta Hadiningrat is the cultural heart of the city. From generation to generation, the Sultans of Yogyakarta are the traditional governors of the city and responsible for passing on art and culture heritage. The entire royal family is involved in preserving these art forms, and the troupe must perform with a member of the royal family present. The dances from Yogyakarta will be accompanied by gamelan music native to Java. Program Golek Menak Umarmaya Umarmadi Dance Masked Dance Fragment (Wayang Wong) “Klana Sewandana Gandrung” Bedhaya Sang Amurwabhumi About the forms: Golek Menak The golek menak is a contemporary example of the seminal influence exerted by the puppet theater on other Javanese performing arts. This dance was inspired by the stick–puppet theater (wayang golek), popular in the rural area of Yogyakarta. Using the three dimensional rod-puppets, it portrays episodes from a series of stories known as menak. Unlike the high-art wayang kulit (shadow puppets), it is a village entertainment, and it did not flourish at the court. As a dance drama, golek menak focuses on imitating this rod-puppet theater with amazing faithfulness. Human dancers realistically imitate the smallest details of puppet movement, right down to the stylized breathing of the puppets. -
Historical Scholarship Between South Asia and Europe
Java’s Mongol Demon. Inscribing the Horse Archer into the Epic History of Majapahit1 Jos Gommans Abstract The temple of Panataran near Blitar in Java features a unique scene in which one of the Ramayana demons, Indrajit, is depicted as a Mongol mounted horse-warrior. This essay explores the meaning of this representation on the basis of the multi- layered history and historiography of Java’s Mongol invasion. “Everything that happened in the Ramayana was absolutely real.” Maheshvaratirtha, sixteenth century (cited in Pollock 1993: 279) Panataran Temple Walking anti-clockwise around the base of the main terrace at Panataran Tem- ple, twelve kilometres north-east of Blitar in Java, the visitor is treated to the truly remarkable display of 106 relief panels carved with sequential scenes from the story of the Ramayana – the source of this particular series is the Kakawin version, which almost certainly dates from the ninth century CE, making it the earliest surviving work of Old Javanese poetry. Interestingly, the main charac- ter in this pictorial rendering is not the more customary figure of Rama, the exiled king, but instead his loyal monkey companion Hanuman. However, given the popularity of Hanuman in the Indic world in around the time the Panataran panels were made – the mid-fourteenth century – his prominence is perhaps not all that surprising after all (Lutgendorf 2007). Except for Hanu- man’s unusual role, the panels follow the conventional narrative, starting with the abduction of Rama’s wife Sita by Ravana, the demon king of Lanka. Many of the panels depict Hanuman’s heroic fights with demons (rakshasas), and the first series of battles culminates in panel 55, which shows Hanuman being attacked by Ravana’s son Indrajit. -
Tenaga Dalam Volume 2 - August 1999
Tenaga Dalam Volume 2 - August 1999 The Voice of the Indonesian Pencak Silat Governing Board - USA Branch Welcome to the August issue of Tenaga Dalam. A lot has occurred since May issue. Pendekar Sanders had a very successful seminar in Ireland with Guru Liam McDonald on May 15-16, a very large and successful seminar at Guru Besar Jeff Davidson’s school on June 5-6 and he just returned from a seminar in England. The seminar at Guru Besar Jeff Davidson’s was video taped and the 2 volume set can be purchased through Raja Naga. Tape 1 consists of blakok (crane) training and Tape 2 has about 15 minutes more of blakok training followed by a very intense training session in various animal possessions including the very rare Raja Naga possession. Guru Besar Davidson and his students should be commended on their excellent portrayal of the art. Tape 1 is available to the general public, but due to the intense nature of tape 2 you must be a student. It is with great sadness that I must report that Guru William F. Birge passed away. William was a long time personal student of Pendekar Sanders and he will be missed by all of the people that he came into contact with. 1 Tribute to Guru William F. Birge Your Memory Will Live On In Our Hearts. 2 DJAKARTA aeroplane is a lead-coloured line of sand beaten by EX ‘PEARL OF THE EAST’ waves seeping into a land as flat as Holland. The Dutch settlers who came here in 1618 and founded The following is a passage from the wonderful Batavia must have thought it strangely like their book Magic and Mystics of Java by Nina Epton, homeland. -
1 Peraturan Daerah Kabupaten Semarang Nomor
BUPATI SEMARANG PERATURAN DAERAH KABUPATEN SEMARANG NOMOR 1 TAHUN 2013 TENTANG HARI JADI KABUPATEN SEMARANG DENGAN RAHMAT TUHAN YANG MAHA ESA BUPATI SEMARANG, Menimbang : a. bahwa berdasarkan catatan dan fakta sejarah, hasil kajian dari Tim Penelusur Sejarah Kabupaten Semarang dan Sarasehan serta Seminar tentang Kesejarahan Terbentuknya Kabupaten Semarang; b. bahwa Tanggal 12 Rabiulawal 927 H, yang jatuh pada tanggal 15 Maret Tahun 1521 adalah hari pengangkatan Made Pandan sebagai Bupati Semarang oleh Sultan Trenggono yang disyahkan oleh Sunan Giri dengan gelar Ki Ageng Pandan Aran I; c. bahwa agar momentum terbentuknya Kabupaten Semarang dapat memiliki kepastian hukum dan guna meningkatkan rasa memiliki dan memperkokoh jati diri bangsa pada umumnya dan Kabupaten Semarang pada khususnya, maka perlu ditetapkan Hari Jadi Kabupaten Semarang; d. bahwa berdasarkan pertimbangan sebagaimana dimaksud dalam huruf a, huruf b dan huruf c, perlu menetapkan Peraturan Daerah tentang Hari Jadi Kabupaten Semarang; Mengingat : 1. Pasal 18 ayat (6) Undang-Undang Dasar Negara Republik Indonesia Tahun 1945; 2. Undang – Undang Nomor 13 Tahun 1950 tentang Pembentukan Daerah – daerah Kabupaten Dalam Lingkungan Propinsi Jawa Tengah; 1 3. Undang – Undang Nomor 67 Tahun 1958 tentang Perubahan Batas – batas Wilayah Kotapraja Salatiga dan Daerah Swatantra Tingkat II Semarang (Lembaran Negara Republik Indonesia Tahun 1958 Nomor 118, Tambahan Lembaran Negara Republik Indonesia Nomor 1652); 4. Undang – Undang Nomor 32 Tahun 2004 tentang Pemerintahan Daerah (Lembaran Negara Republik Indonesia Tahun 2004 Nomor 125, Tambahan Lembaran Negara Republik Indonesia Nomor 4437) sebagaimana telah beberapa kali diubah terakhir dengan Undang – Undang Nomor 12 Tahun 2008 tentang Perubahan Kedua Atas Undang – Undang Nomor 32 Tahun 2004 tentang Pemerintahan Daerah (Lembaran Negara Republik Indonesia Tahun 2008 Nomor 59, Tambahan Lembaran Negara Republik Indonesia Nomor 4844); 5. -
Topeng Patih Dance: a Manifestation of the Beginning of Human Life In
ICADECS International Conference on Art, Design, Education and Cultural Studies Volume 2020 Conference Paper Topeng Patih Dance: A Manifestation of the Beginning of Human Life in the Malang Mask Puppet’s World Soerjo Wido Minarto and Kelik Desta Rahmanto Study Program of Dance and Music Education, Faculty of Letters, Universitas Negeri Malang, Malang, Indonesia Abstract The focus of the study in this research was the Patih Mask dance in the Malang Masked Puppet performance as the opening dance. This dance has a close relationship with space, time, and content in the structure of the show. The purpose of this study is to examine the expression of aesthetic concepts through the structure of artistic symbols in the performance of Malang Masked Puppet. This research used ethnographic methods by emphasizing structural and hermeneutic theories. The aesthetic symbols that are reflected in the unity of the show consist of the ritual concept, characterization, Corresponding Author: communication, dance moves, make-up and fashion, accompaniment music, and Soerjo Wido Minarto elements of the stage which all lead to a noble behavior. The whole unity of the [email protected] elements is a symbol of ”Sangkan Paran”. Received: Month 2020 Keywords: Symbols, beginning, Sangkan Paran, Patih Mask, Malang Mask Puppet Accepted: Month 2020 Published: Month 2020 Publishing services provided by Knowledge E Soerjo Wido Minarto and 1. Introduction Kelik Desta Rahmanto. This article is distributed under the The Malang Puppet Mask Dramatari is believed to be the remnants of the noble heritage terms of the Creative Commons Attribution License, which of the great kingdoms in Malang. -
The Basic Standard of Obedience Toward the Ruler in Javanese Culture
The Basic Standard of Obedience toward the Ruler in Javanese Culture (Critical Study of Serat Siti Jenar Ingkang Tulen) By: Aris Fauzan Doctoral Program (S3) of Psychology of Islamic Education (PIE) Postgraduate of Muhammadiyah University of Yogyakarta e-mail: [email protected] and [email protected] Abstract This paper attempts to reveal how the doctrine leads a person's political obedience in the context of the background setting of the monarchy system power in Islamic kingdom in Demak (16-17 centuries).The Islamic kingdom of Demak was known as the first Islamic Kingdom as the continuation of Majapahit Hindu kingdom. The doctrine that the writer means is taken from Serat Siti Jenar Ingkang Tulen. This serat (Text) especially is about the disobedience of Syekh Siti Jenar (a member of Walisongo) towards the Islamic kingdom of Demak. Because of his attitude, Syeikh Siti Jenar finally had to be beheaded in front of the King and other Walisongo members. To reveal that doctrine, the writer read the whole content of that script from the beginning to the end, then analyzed by using a descriptive method towards the whole content from the beginning to the end in Serat Siti Jenar Ingkang Tulen. The writer got at least six instruments of doctrine for a person or group or institution that is considered to meet the basic standard of obedience towards the ruler. The instruments are: first, the person or group or institution has to accept and understand the system of pattern and religious identity that is same as the ruler; second, the person or group or institution has to attend the Jumat prayer in mosque or worship place that is built by the kingdom. -
Syekh Siti Jenar and Danghyang Nirartha,Historical Relation of Islam
Proceeding Book SYEKH SITI JENAR AND DANGHYANG NIRARTHA: Historical Relation of Islam and Hindu in Java and Bali I Ketut Ardhana Faculty of Arts – Udayana University Yayasan Widya Kerthi-Universitas Hindu Indonesia (UNHI), Denpasar Abstract There have not many studies that have been done in relation to the historical links between Hindu and Islam in the historical context. However, the historical ties, it is not only traced back in the written sources, but also oral sources or folklore that developed in the Javanese and Balinese historical tradition. This can be viewed from religious figure that played by the Wali Songo and one of them was Syekh Siti Jenar that related to the religious figure of Danghyang Nirartha in the context of dynamics of Hindu and Islam in Bali. There are some significance questions that will be addressed in this study. Firstly, to what extend the relationship between the historical relation that occurred between the Wali Songo figure and the Dang Hyang Nirartha? Secondly, how can we view the religious perception of both religious figures? And thirdly, how the impacts of those relationship in the context of diversity in relation to the various religious beliefs not only in the present time, but also in the future times. These are some questions that will be examined in the context of the role of Islamic religious figures, Syekh Siti Jenar and Danghyang Nirartha in which Dang Hyang Nirartha is believed to install the Balinese religious and cultural foundation in Bali untuil at the present time. Key Words: Islamisation, Hinduisasion, Wali Songo, Syekh Siti Jenar, and Dang Hyang Nirartha I. -
A History of Southeast Asia
ARTHUR AHISTORYOF COTTERELL SOUTHEAST AHISTORYOF ASIA SOUTHE A HISTORY OF OF HISTORY About the Author A History of Southeast Asia is a sweeping and wide-ranging SOUTHEAST Arthur Cotterell was formerly principal of Kingston narration of the history of Southeast Asia told through historical College, London. He has lived and travelled widely anecdotes and events. in Asia and Southeast Asia, and has devoted ASIA much of his life to writing on the region. In 1980, Superbly supported by over 200 illustrations, photographs and he published !e First Emperor of China, whose maps, this authoritative yet engagingly written volume tells the account of Qin Shi Huangdi’s remarkable reign was history of the region from earliest recorded times until today, translated into seven languages. Among his recent covering present-day Myanmar, !ailand, Cambodia, Laos, AS books are Western Power in Asia: Its Slow Rise and Vietnam, Malaysia, Singapore, Brunei, the Philippines, Indonesia Swift Fall 1415–1999, and Asia: A Concise History, and East Timor. T A published in 2011, the "rst ever coverage of the entire continent. “Arthur Cotterell writes in a most entertaining way by putting a human face on the history of Asia. Far too often, “Arthur Cotterell writes in a most entertaining history books are dry and boring and it is refreshing SIA way by putting a human face on the history of Asia.” to come across one which is so full of life. - to be changed” – Peter Church, OAM, author of A Short History of South East Asia, on Arthur Cotterell – Professor Bruce Lockhart -
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J. Noorduyn Bujangga Maniks journeys through Java; topographical data from an old Sundanese source In: Bijdragen tot de Taal-, Land- en Volkenkunde 138 (1982), no: 4, Leiden, 413-442 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/30/2021 08:56:21AM via free access J. NOORDUYN BUJANGGA MANIK'S JOURNEYS THROUGH JAVA: TOPOGRAPHICAL DATA FROM AN OLD SUNDANESE SOURCE One of the precious remnants of Old Sundanese literature is the story of Bujangga Manik as it is told in octosyllabic lines — the metrical form of Old Sundanese narrative poetry — in a palm-leaf MS kept in the Bodleian Library in Oxford since 1627 or 1629 (MS Jav. b. 3 (R), cf. Noorduyn 1968:460, Ricklefs/Voorhoeve 1977:181). The hero of the story is a Hindu-Sundanese hermit, who, though a prince (tohaari) at the court of Pakuan (which was located near present-day Bogor in western Java), preferred to live the life of a man of religion. As a hermit he made two journeys from Pakuan to central and eastern Java and back, the second including a visit to Bali, and after his return lived in various places in the Sundanese area until the end of his life. A considerable part of the text is devoted to a detailed description of the first and the last stretch of the first journey, i.e. from Pakuan to Brëbës and from Kalapa (now: Jakarta) to Pakuan (about 125 lines out of the total of 1641 lines of the incomplete MS), and to the whole of the second journey (about 550 lines). -
Introduction to Old Javanese Language and Literature: a Kawi Prose Anthology
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES THE MICHIGAN SERIES IN SOUTH AND SOUTHEAST ASIAN LANGUAGES AND LINGUISTICS Editorial Board Alton L. Becker John K. Musgrave George B. Simmons Thomas R. Trautmann, chm. Ann Arbor, Michigan INTRODUCTION TO OLD JAVANESE LANGUAGE AND LITERATURE: A KAWI PROSE ANTHOLOGY Mary S. Zurbuchen Ann Arbor Center for South and Southeast Asian Studies The University of Michigan 1976 The Michigan Series in South and Southeast Asian Languages and Linguistics, 3 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 76-16235 International Standard Book Number: 0-89148-053-6 Copyright 1976 by Center for South and Southeast Asian Studies The University of Michigan Printed in the United States of America ISBN 978-0-89148-053-2 (paper) ISBN 978-0-472-12818-1 (ebook) ISBN 978-0-472-90218-7 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ I made my song a coat Covered with embroideries Out of old mythologies.... "A Coat" W. B. Yeats Languages are more to us than systems of thought transference. They are invisible garments that drape themselves about our spirit and give a predetermined form to all its symbolic expression. When the expression is of unusual significance, we call it literature. "Language and Literature" Edward Sapir Contents Preface IX Pronounciation Guide X Vowel Sandhi xi Illustration of Scripts xii Kawi--an Introduction Language ancf History 1 Language and Its Forms 3 Language and Systems of Meaning 6 The Texts 10 Short Readings 13 Sentences 14 Paragraphs..