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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
R²-Jazzcube |Kuratiert Von Jens Düppe
R²-JazzCube | kuratiert von Jens Düppe JARRY SINGLA »Eastern Flowers« Jarry Singla | Ramesh Shotham | Christian Ramond R²-JazzCube Mittwoch 11. Mai 2016 20 Uhr Eintritt: 16,- € Der deutsch-indische, in Köln und La Paz lebende Pianist und Komponist Jarry Singla rief 2009 mit dem Trio »Eastern Flowers« ein Ensemble ins Leben, das seiner Intention der musikalischen Interkulturalität vollkommen entspricht. Seine beiden hochrenommierten musikalischen Begleiter, der Perkussionist Ramesh Shotham stammt ursprünglich aus dem südindischen Madras (dem heutigen Chennai) und ist nicht nur dank seiner Präsenz auf über 150 Alben einer der meistbeschäftigten indischen Jazz-Perkussionisten überhaupt. Christian Ramond hat gleichfalls einen deutsch-indischen Background und spielte schon mit Jazzlegenden wie Albert Mangelsdorff, Kenny Wheeler und Lee Konitz. Zahlreiche Instrumente des indischen Kulturkreises mischen sich in der Musik des Trios mit den »europäischen« Klängen von Kontrabass und (präpariertem) Klavier: die Trommeln Dholak, Tavil, Kanjira und Mridangam, der Tonkrug Ghatam, die Morsing (Maultrommel) und das indische Harmonium. »Eastern Flowers« legten mit der im November 2013 veröffentlichten und durch die Kunststiftung NRW geförderten CD »Mineralle« ein Album vor, auf dem die Vielfalt indischer Musikkultur auf europäische Harmonik trifft. In dem dicht verwobenen, häufig intuitiv wirkenden Zusammenspiel spüren die drei Künstler sichtlich den Wurzeln ihrer indischen Herkunft nach, doch zugleich lassen sie ihrem avantgardistischen Forscherdrang freien Lauf. Allein vier Stücke wurden inspiriert von einer vom Goethe-Institut unterstützten Tournee durch Indien, die die drei Musiker im Dezember 2011 nach Neu-Delhi, Chennai, Bangalore, Kolkata und Mumbai geführt hatte. Nähere Informationen zur Veranstaltung lesen Sie im Internet: www.bvb-remmel.de/termine ANMELDUNG ERWÜNSCHT • PLÄTZE KÖNNEN AB SOFORT ÜBER DIE BUCHHANDLUNG RESERVIERT WERDEN Buchhandlung R² | Holzgasse 45 | D-53721 Siegburg | T 02241.8667170. -
Fortisian Feb Issue 2016
FEBRUARY 2016 HAPPENINGS IN THE WORLD OF FORTIS STARTING POINT Message from the Chief Executive Officer HAPPENINGS IN THE WORLD OF FORTIS NEW BEGINNINGS & LAUNCHES My dear fellow Fortisians, My greetings to all of you in this Spring issue of our magazine. Fortis is the first in India to monitor and publish clinical outcomes in As you all know, our focus continues to be on the delivery of value-based Cardiology based on global ICHOM norms healthcare. As is the case with most services, it is sometimes challenging to illustrate the value proposition in healthcare prior to the service is experienced As part of its continued endeavour to strengthen patient-centric or consumed. Perceptions, therefore, tend to be ephemeral and quite often health services, Fortis Healthcare has become the first private coloured and perhaps even confusing. Indian healthcare chain to monitor and publish clinical outcome To understand reality and demonstrate what is truly good, it is important to data for major Cardiac Sciences procedures, based on global adopt global benchmarks that stand for best practices which will help us norms specified by the International Consortium for Health measure our performance. In order to demonstrate the robustness, Outcomes Measurement (ICHOM). predictability and repeatability of our procedures, we have embarked upon a These norms enable comparison with best-in-class results worldwide, and allow hospitals to analyse and understand how journey of making our clinical outcomes transparent. To begin with, we have they stack up globally on factors that determine clinical published data from the Fortis Escorts Heart Institute for major Cardiology outcomes. -
Das Zu Ende Gehende Jahr 2016 War Geprägt Von Um- Fangreichen
EDITORIALS Liebe Leserinnen, liebe Leser! as zu Ende gehende Jahr 2016 war geprägt von um- Auch die Gründung eines Zentrums für Gegenwartsmusik fangreichen Verhandlungen der sächsischen Hoch- wird neue Schwerpunktsetzungen ermöglichen, die ich be- Dschulen mit der Landesregierung zum Hochschul- reits bei meinem Amtsantritt angekündigt hatte. Neben entwicklungsplan 2025, zur Zuschussvereinbarung für die der brillanten Ausbildung unserer Studierenden in der Mu- Jahre 2017-2024 und zu den damit verbundenen Zielver- sik vergangener Jahrhunderte wird die Musik der Gegen- einbarungen, die bis 2020 abgeschlossen wurden. Dies gibt wart eine zunehmend wichtigere Rolle spielen. uns finanzielle und inhaltliche Planungssicherheit für viele Jahre und bedeutet, dass wir nun nicht für jeden Doppel- Ich freue mich, dass wir in dieser Ausgabe unseres MT- haushalt neu verhandeln müssen, welche Mittel uns zur Journals wieder auf viele wunderbare Ereignisse zurück- Verfügung gestellt werden. Damit konnten wir einige neue schauen und interessante Konzerte und Projekte ankün- Entwicklungen anschieben, über die zum Teil schon in die- digen können. sem MT-Journal berichtet wird: In diesem Sinne wünsche ich Ihnen ein anregendes Lese- Die immer wieder geforderten Synergie-Effekte werden vergnügen! am offenkundigsten in dem Kooperationsvertrag mit der Universität Leipzig, in dem wir die Zusammenarbeit auf dem Gebiet der Musikwissenschaft in einem hochschul- übergreifenden Institut vereinbart haben. Künftig werden gemeinsame Forschung und gemeinsame Lehre unsere bei- Ihr Prof. Martin Kürschner den Hochschulen und die Musikstadt Leipzig bereichern. Rektor Liebe Leserinnen und Leser, wie schon im obenstehenden Editorial erwähnt, erfolgten die Schweiz, nach Graz, Bayreuth, Berlin, auf die Insel Rügen im Wintersemester 2016/17 zwei Zentrumsgründungen und auch an andere Kulturstätten in Leipzig. -
Rabindrnath Tagore's Nauka Dubi - from Page to Screenn Prof
Rabindrnath Tagore's Nauka Dubi - From Page to Screenn Prof. Shailee Dhamsania A journey of a literary work fiom page to screen makes adaptation interesting. The adaptation of print medium into film took place for certain reasons. Firstly, the director gets fascinated by the story and believes the story lends itself beautihlly to the medium of film. Secondly, many a time he wishes to present his personal interpretation of the original story through his own language of film. Thirdly, he wishes to take up the challenge of recreating a period in history, and the original literary source is picked up mainly for the period element than for its theme of plot. Fourthly, he would like to use film because the story as literature reflects it, is in some way or another his own ideological stand on a particular subject or issue, and his use of the film medium conveys this ideology to his audience. Rabindranath Tagore is a milestone in Bengali literature. With the publication of Gitanjali, his fame attained a luminous height taking him across continents. For the world he became the voice of India's spiritual heritage; and for India, especially for Bengal he became a great living institution. Tagore was philosophic, spiritual and experimental in his expression. He was more inclined to poetry but contributed and enriched all most all forms of art and literature. There is no exaggeration if we call him the best literary stalwart of India. His famous work e.g. 'Gora', 'Chokher-Bali', 'Nauka Dubi', 'Char Ad*' fall into the category of the best Bengali novels, extremely popular and reached the masses through the,original and translated versions of his works. -
Malayalam Biopics: from Books to Films
MALAYALAM BIOPICS: FROM BOOKS TO FILMS Gayatri Binu Registered Number: 1324032 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Science in Communication Christ University Bengaluru 2015 Program Authorized to Offer Degree Department of Media Studies II Authorship Christ University Declaration Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Gayatri Binu Registered Number: 1324032 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ _____________________________________________________ Date: __________________________________ III IV I, Gayatri Binu, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: V VI Abstract Malayalam Biopics: From Books to Films Gayatri Binu MS in Communication, Christ University, Bangalore This article talks about the difficulties that emerge when considering biographical films that are focused around biographical or autobiographical works of writing utilizing careful investigations of three Malayalam films. -
MM Vol. XXIII No. 20.Pmd
Registered with the Reg. No. TN/CH(C)/374/12-14 Registrar of Newspapers Licenced to post without prepayment for India under R.N.I. 53640/91 Licence No. TN/PMG(CCR)/WPP-506/12-14 Publication: 15th & 28th of every month Rs. 5 per copy (Annual Subscription: Rs. 100/-) WE CARE FOR MADRAS THAT IS CHENNAI INSIDE • Short ‘N’ Snappy • Attention-drawing calendar • A doyen of Philately • What’s in street names? • What ails TN cricket? Vol. XXIII No. 20 MUSINGS February 1-15, 2014 If Chennai is to be 52 places for the G Can we recognise that the footpath is a necessity for a tourist walking and easy access traveller in 2014 and therefore cannot be encroached upon? (according to the New York Times) destination... G Can we, while designing our buildings, respect the Witness a city in transformation, glimpse exotic animals, neighbours’ space and also explore the past and enjoy that beach before the crowds. Chennai, in the State of Tamil Nadu (and formerly ensure that those who “known as Madras), was long considered the gateway to are otherwise abled can 1. Cape Town, 26. Chennai, India popular South Indian tourist destinations like Kerala but South Africa 27. Seychelles easily gain access to our 2. Christchurch, 28. Krabi, Thailand was overlooked as an attraction itself. It is, however, a na- buildings? tional cultural capital and home to several dance and mu- New Zealand 29. Aspen, Colo. G Can we have a law to pro- 3. North Coast, California 30. Highlands, Iceland sic schools like Kalakshetra for dance and the Music Acad- 4. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Sexual Myths and Self-Body Consciousness: in Rituporno Ghosh’S Adaptation of Tagore’S Chitrangada
Pratidhwani the Echo A Peer-Reviewed International Journal of Humanities & Social Science ISSN: 2278-5264 (Online) 2321-9319 (Print) Impact Factor: 6.28 (Index Copernicus International) Volume-IV, Issue-I, July 2015, Page No. 40-43 Published by Dept. of Bengali, Karimganj College, Karimganj, Assam, India Website: http://www.thecho.in Sexual myths and self-body consciousness: In Rituporno Ghosh’s adaptation of Tagore’s Chitrangada. Barnali Sikder. Assistant Professor, Janata College, Serfanguri. Assam, India Abstract The traditionally sanctioned space of heterosexuality is being increasingly challenged in art and aesthetics today. Homosexuality as a taboo and part of a trangressive space is being negated on basis of both western feminist interventions as much as a neo-liberalist reterritorialization of body and sexuality as a subversive symbol against commoditification of the body as an intrusion into identity of the body, hence of self. Noted film-maker Rituporno Ghosh appropriates Rabindranath Tagore’s Chitrangada with a telling effect, cinematizing on the dilemma of homosexuals embedded in a society which can’t define desire and pleasure beyond the body- negating other identitarian possibilities for which the body is a metaphor. In his film, Ghosh has thoroughly dealt with the issue of homosexuals and aesthetized a vision for a transformation in our outlook. This aesthetised vision can be achieved with the realization that the body can never be considered as the epitome of an individuated identity. Here, in Rituporno Ghosh’s adaptation of Tagore’s Chitrangada literature has come to life through the lense of his camera putting a strong statement against a mythicised truth. -
11 Top Directors for Mumbai Cutting
11 top directors for Mumbai Cutting balleballeradio.blogspot.com/2008/04/11-top-directors-for-mumbai-cutting.html The first of its kind film on Mumbai's various facets Sahara One Motion Pictures' Mumbai Cutting is a film that shows the various facets of Mumbai through the eyes of its 11 writer-directors. Sahara- One Motion Pictures' Mumbai Cutting… A City unfolds is a film directed by 11 Indian directors who are known to weave magic on Indian celluloid, is already making waves internationally with the IFFLA Fest selection. The directors have flown to IFFLA at Los Angeles currently with th Sahara One Motion Pictures' team. The film unfolds various facets of this metro that is known for absorbing newer cultures and merging them into its own. 11 top directors, Sudhir Mishra, Rahul Dholakia, Revati, Rituparno Ghosh, Kundan Shah, Anurag Kashyap, Shashanka Ghosh, Ruchi Narain, Jahnu Barua, Manish Jha, Ayush Raina weild the megaphone in the films that star Soha Ali Khan, Jimmy Shergill, Sonali Kulkarni, Ranvir Shorey, Vinay Pathak, Sushant Singh, Tara Sharma, Tejaswini Kolhapure, Raima Sen, Palash Sen, Shruti Seth, Rahul Dev, Deepak Dobriyal, Dipannita Sharma, Kavita Kaushik, Samrin, Sanjay Narvekar, Mahek Chel among others. The music also lends diverse flavours from Euphoria, Indian Ocean, Ali Azmat, Fuzon, Sanjeev Shrivastav, Jeet Ganguly, Amartya and Papon, with vocals by Shreya Goshal, Shafquat Amanat Ali Khan, Sunidhi Chauhan, Nachiketa, Papon and Ali Azmat. "Sahara-One Motion Pictures looks at promoting Indian talent globally with cutting edge concepts in cinema. Mumbai Cutting is simple one step in that direction," says Seemanto Roy, Head, Sahara One Media And Entertainment. -
Jarry Singla – Eastern Flowers
Jarry Singla „Eastern Flowers“ Jarry Singla Klavier, präpariertes Klavier, indisches Harmonium, Kompositionen, Arrangements Ramesh Shotham Ghatam, Dholak, Kanjira, Cajatom, Konakol, Tavil, Morsing, Mridangam Christian Ramond Kontrabass Der deutsch-indische Pianist und Komponist Jarry Singla rief 2009 mit dem Trio Eastern Flowers ein Ensemble ins Leben, das seiner Intention der musikalischen Interkulturalität vollkommen entspricht und das für das moderne, weltoffene Deutschland des 21. Jahrhunderts steht. Jarry Singlas hoch renommierte musikalische Begleiter, der Perkussionist Ramesh Shotham und der Kontrabassist Christian Ramond, haben ebenfalls indische Wurzeln. Ramesh Shotham stammt ursprünglich aus dem südindischen Madras (dem heutigen Chennai) und ist nicht nur dank seiner Präsenz auf über 150 Alben einer der meistbeschäftigten indischen Jazz-Perkussionisten überhaupt. Christian Ramond hat gleichfalls einen deutsch-indischen Background und spielte schon mit Jazzlegenden wie Albert Mangelsdorff, Kenny Wheeler und Lee Konitz. Zahlreiche Instrumente des indischen Kulturkreises mischen sich in der Musik des Trios mit den „europäischen“ Klängen von Kontrabass und (präpariertem) Klavier: die Trommeln Dholak, Tavil, Kanjira und Mridangam, der Tonkrug Ghatam, die Morsing (Maultrommel) und das indische Harmonium. Eastern Flowers legten mit der im vergangenen November veröffentlichten und durch die Kunststiftung NRW geförderten CD „Mineralle“ ein Album vor, auf dem die Vielfalt indischer Musikkultur auf europäische Harmonik trifft. In dem dicht -
Film Chokher Bali Full Movie Download
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