Dynamics and Responses to Mortality Rates of Competing Predators Undergoing Predator–Prey Cycles

Total Page:16

File Type:pdf, Size:1020Kb

Dynamics and Responses to Mortality Rates of Competing Predators Undergoing Predator–Prey Cycles ARTICLE IN PRESS Theoretical Population Biology 64 (2003) 163–176 http://www.elsevier.com/locate/ytpbi Dynamics and responses to mortality rates ofcompeting predators undergoing predator–prey cycles Peter A. Abrams,a,Ã Chad E. Brassil,a and Robert D. Holtb a Department of Zoology, The University of Toronto, 25 Harbord Street, Toronto, Ont., Canada M5S 3G5 b Department of Zoology, University of Florida, P.O. Box 118525, Gainesville, FL 32611-8525, USA Received 30 April 2002 Abstract Two or more competing predators can coexist using a single homogeneous prey species ifthe system containing all three undergoes internally generated fluctuations in density. However, the dynamics ofspecies that coexist via this mechanism have not been extensively explored. Here, we examine both the nature ofthe dynamics and the responses ofthe mean densities ofeach predator to mortality imposed upon it or its competitor. The analysis ofdynamics uncovers several previously undescribed behaviors for this model, including chaotic fluctuations, and long-term transients that differ significantly from the ultimate patterns offluctuations. The limiting dynamics ofthe system can be loosely classified as synchronous cycles, asynchronous cycles, and chaotic dynamics. Synchronous cycles are simple limit cycles with highly positively correlated densities ofthe two predator species. Asynchronous cycles are limit cycles, frequently of complex form, including a significant period during which prey density is nearly constant while one predator gradually, monotonically replaces the other. Chaotic dynamics are aperiodic and generally have intermediate correlations between predator densities. Continuous changes in density-independent mortality rates often lead to abrupt transitions in mean population sizes, and increases in the mortality rate ofone predator may decrease the population size of the competing predator. Similarly, increases in the immigration rate ofone predator may decrease its own density and increase the density of the other predator. Proportional changes in one predator’s birth and death rate functions can have significant effects on the dynamics and mean densities of both predator species. All of these responses to environmental change differ from those observed when competitors coexist stably as the result ofresource (prey) partitioning. The patterns described here occur in many other competition models in which there are cycles and differences in the linearity of the responses of consumers to their resources. r 2003 Elsevier Science (USA) All rights reserved. 0. Introduction one species decreases its equilibrium density and increases the equilibrium density ofits competitor. Much current thought on competition is based upon Similar qualitative behaviors characterize many models the Lotka–Volterra model oftwo competing species. ofdirect competition in which there is stable coex- Because this model always has a stable equilibrium when istence. Similarly, increasing the immigration rate of two species coexist, the role ofpopulation cycles is that species will increase its density and decrease that of seldom considered in empirical studies when trying to its competitor. Because empirical studies ofcompetitor understand the interactions between coexisting compe- and community structure are guided by theoretical titors. The Lotka–Volterra model also leads to expecta- expectations, it is important to identify situations in tions about the responses ofthe densities ofeach which these expectations are unlikely to be realized. In competitor to parameters affecting the fitness of the this paper, we show that models with explicit resource other species, such as its mortality rate. For instance, dynamics, differences in the linearity of the predators’ continuous increase in the per capita mortality rate of responses, and the potential for sustained oscillations, can exhibit sharply different effects. Because it has long been known that consumer–resource interactions can ÃCorresponding author. Fax: +416-978-8532. E-mail addresses: [email protected] (P.A. Abrams), bras- easily produce cycles (Rosenzweig and MacArthur, [email protected] (C.E. Brassil), [email protected]fl.edu (R.D. 1963), and that cycles can alter conditions for coex- Holt). istence (Armstrong and McGehee, 1980), it is surprising 0040-5809/03/$ - see front matter r 2003 Elsevier Science (USA) All rights reserved. doi:10.1016/S0040-5809(03)00067-4 ARTICLE IN PRESS 164 P.A. Abrams et al. / Theoretical Population Biology 64 (2003) 163–176 that the implications ofcycling forinteractions between (resource), N; are given by competitors have not received more attention. dP1 B1C1N In a previous article (Abrams and Holt, 2002), we ¼ P1 À D1 ; dt 1 þ hC N argued that a mechanism ofcoexistence proposed by 1 dP2 Koch (1974) and by Armstrong and McGehee (1976a, b, ¼ P2ðB2C2N À D2Þ; 1980), McGehee and Armstrong (1977) may play an dt dN N C1NP1 important role in species coexistence in natural commu- ¼ rN 1 À À À C2NP2: ð1a; b; cÞ nities. This mechanism is based on differences in the dt K 1 þ hC1N nonlinearity oftwo competitors’ responses to a single The parameter Bi is the conversion efficiency of food resource combined with consumer–resource cycles gen- into offspring for predator i; h is the handling time per erated by the interaction ofone ofthose consumers with prey item for predator 1, Di is a density independent the resource. The more linear species has a relatively death rate, Ci is a searching predator’s attack rate, and r high resource requirement, and therefore cannot exclude and K are logistic growth parameters. The variables in the species with the more nonlinear response. The latter this equation can be scaled to reduce the number of 0 0 0 generates cycles when alone with the resource; these parameters, as follows: t ¼ rt; N ¼ N=K; and P1 ¼ 0 cycles increase the mean resource density so that linear P1=ðKB1Þ; and P2 ¼ P2=ðKB2Þ: After making substitu- species can invade. Ifthe ‘robustness’ ofcoexistence is tions and dropping the primes on the new variables, the measured by the range ofprey (resource) requirements model becomes for zero population growth (i.e., efficiencies) that allow dP1 a1N coexistence, then Armstrong and McGehee’s model can ¼ P1 À d1 ; produce very robust coexistence. The range ofefficien- dt 1 þ bN cies allowing coexistence via Armstrong and McGehee’s dP2 ¼ P2ða2N À d2Þ; mechanism is often as wide as the range of efficiencies dt allowing coexistence ofcompeting predators which do dN a1NP1 ¼ Nð1 À NÞÀ À a2NP2; ð2a; b; cÞ not cycle, but which have a high degree ofpartitioning dt 1 þ bN ofprey species ( Abrams and Holt, 2002). This observa- where the new parameters are a1 ¼ KB1C1=r; a2 ¼ tion, together with the fact that a significant number of KB2C2=r; b ¼ KC1h; d1 ¼ D1=r; d2 ¼ D2=r: Below we species cycle (Ellner and Turchin, 1995; Kendall et al., refer to predator 1 as the nonlinear predator, and 1998), suggests that cases ofcoexistence via the predator 2 as the linear predator. Armstrong–McGehee mechanism may be reasonably There is no equilibrium point with positive densities common. However, well-supported empirical examples ofall three species. However, the species can coexist for ofcoexistence due to competitor–resource cycles some range ofthe parameters a2 and d2 if P1 and N are absent from the published literature. By describing undergo limit cycles in the absence ofthe second the dynamics ofsuch competitive systems, and how predator (McGehee and Armstrong, 1977; Armstrong they respond to changes in mortality rates, we hope and McGehee, 1980). Limit cycles occur in the to find dynamical signals that may help identify subsystem lacking predator 2 if examples in natural systems. Moreover, Armstrong a1ðb À 1Þ and McGehee’s (1980) model exhibits a wider range d1o : ð3Þ ofdynamics than has been described previously, bðb þ 1Þ including chaos, alternative limit cycles, and long-lasting The right-hand side ofthis inequality will be referred to transients. as the stability threshold value of d1: Here we only consider cases where d1; a1 and b satisfy (3). We consider coexistence to occur ifeach predator species can increase 1. The model when it is rare and the other predator and prey are undergoing their limiting dynamics (stable point or limit We begin by analyzing the model that Armstrong and cycle).ThisdiffersfromArmstrong and McGehee’s McGehee (1980) used to illustrate nonequilibrial coex- (1980) definition ofcoexistence, and there are circum- istence oftwo species on a single biotic resource. This stances when such ‘mutual invasion’ definitions of system is characterized by logistic prey growth, a linear coexistence may be misleading (Armstrong and McGehee, functional response for one predator, and a type-2 1980). The most serious problem is the possibility that functional response for the other predator. We argue initial invasion is eventually followed by exclusion of the below that this model displays many dynamics that are invading species. This outcome was never observed in any common to a much broader set ofmodels characterized numerical solution ofEq. (2), or in any other model by differences in the linearity consumer species and that we consider here. Previous examples ofthis endogenously generated cycles. The dynamics ofthe two phenomenon (the reversal ofinitially successfulinva- predators (consumers), P1 and P2; and the prey sion) have had alternative attractors for the subsystem ARTICLE IN PRESS P.A. Abrams et al. / Theoretical Population Biology 64 (2003) 163–176 165 being invaded (Abrams and Shen, 1989; Case, 1995), a range of a1 values spanning the prey’s intrinsic growth unlike the models considered here. A second potential rate {a1 ¼ 0:2; a1 ¼ 1; a1 ¼ 5}. For each a1; we problem with the mutual invasion definition ofcoex- examined death rates, d1; approximately 20% or 60% istence is that invasion from very low densities may be below the stability threshold set by inequality (3); i.e. impossible, yet an attractor with bounded positive d1 ¼ 0:06545a1; and 0:03273a1: For each ofthese 6 densities ofall species may be attainable, given a parameter combinations, we numerically determined the sufficiently high initial density.
Recommended publications
  • Board of Advisors Vote Confidence
    Glenville State College .erruru ·Pioneering into the 21 st century­ one page at a time.· per to be Featured Board of Advisors Wheeling Symphony Vote Confidence Gralumt long and prosperous one. Under by Holly A. Willcewitz October 4 at 7 p.m. the the direction ofMaestra Worby, The Glenville State Col­ in the Fine Arts the symphony has experienced lege Board of Advisors voted will again experience substantial growth. During the unanimous confidence in the Hnllndll and textures of the 1994-1995 concert season, the leadership of President Wil­ &Om the Wheeling Sym­ orchestra offers its audience a liam K. Simmons last Thurs­ Orchestra. The sym­ fi~cert classical series, a day. under the direction of three~cert pops series, "The According to member Vinmwl's FiIst Lady Mae­ Nutcracker," four Young Janet James, athletic trainer, the Racbael Worby, performs a People's Concerts and two free DeIfUII'ellS Cooper decision was made after a IIIttriolic concert tit1~ "God summer concerts. 1994 marks lengthy discussion over recent America." The stirring se­ Worby's ninth season as musi­ ofNew York at Potsdam, for her controversies. The minutes, of pieces will include cal director and conductor ofthe work in the field of music and which are pending approval until Dr. W.uilUll K. Si",,,,ons Broadway and movie se­ Wheeling Symphony. which is education. the next meeting, listed the "di- as well as spiritual the oldest cuJtural institution in The symphony is very rection set forth in the Strategic Plan, Campus Master Plan and the West Vuginia. pleased to be sharing the stage State of the College Address" as being the determining factors in Demarcus Cooper, a so­ Worby is also the musical with such a talent as Demarcus the vote.
    [Show full text]
  • Record-High Grain Prices Bolster Rural Economy
    SATURDAY MARCH 8 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 KLBY/ABC News (N) Kake Movie: Road to Perdition TTT (2002, Crime Drama) A mobster News (N) American Idol Enter- H h (CC) News seeks vengeance during the Depression. Tom Hanks. (CC) (CC) Rewind Top 8 to 7 tainment KSNK/NBC News (N) Wheel of Law & Order: Law & Order: SVU Law & Order Quit News (N) Saturday Night Live (N) (CC) SATURDAYL j Fortune Criminal Intent Claim (CC) MARCH 8 KBSL/CBS News (N) Paid CSI: NY Heart of 48 Hours Mystery (CC) News (N) M*A*S*H Without a Trace He 1< NX (CC) Program Glass (CC) (CC) (CC) Saw, She Saw (CC) K15CG Pioneers6 PM of 6:30 The7 POsmondsM 7:30 50th Anniversary8 PM Reunion8:30 Peter,9 PM Bethany9:30 & Rufus:10 SpiritPM of10:30 Soundstage11 PM 11:30 d Television Sitcoms (CC) Woodstock (CC) Garbage (CC) KLBY/ABCESPN (5:00)News (N)SportsCenterKake CollegeMovie: Road GameDay to PerditionCollege TTT Basketball (2002, Crime: North Drama) Carolina A mobster at SportsCenterNews (N) American (Live) IdolMidnight Fast-Enter- HO_h (Live)(CC) (CC)News (Live)seeks (CC)vengeance duringDuke. the Depression.(Live) (CC) Tom Hanks. (CC) (CC) Rewind TopMadness 8 to 7 breaktainment KSNK/NBCUSA (4:30)News (N)Movie:Wheel The of Law & Order: SVU Law & Order: SVU Law & Order:Order Quit SVU NewsLaw & (N) Order:Saturday NightMovie: Live Friday (N) (CC) After LP^j Bone CollectorFortune Criminal Intent Claim (CC) Criminal Intent Next TZ (2002) KBSL/CBSTBS News(5:00) (N)Movie:Paid CSI:Movie: NY Bad Heart News of Bears48 HoursTTZ (2005, Mystery (CC)Movie: The Mask TTTNews (1994) (N) AnM*A*S*H ancient WithoutMovie: Snow a Trace Day He 1<P_NX (CC)Kicking & ScrmProgram GlassComedy) (CC) Billy Bob Thornton, Greg Kinnear.
    [Show full text]
  • Aliens, Predators and Global Issues: the Evolution of a Narrative Formula
    CULTURA , LENGUAJE Y REPRESENTACIÓN / CULTURE , LANGUAGE AND REPRESENTATION ˙ ISSN 1697-7750 · VOL . VIII \ 2010, pp. 43-55 REVISTA DE ESTUDIOS CULTURALES DE LA UNIVERSITAT JAUME I / CULTURAL STUDIES JOURNAL OF UNIVERSITAT JAUME I Aliens, Predators and Global Issues: The Evolution of a Narrative Formula ZELMA CATALAN SOFIA UNIVERSITY ABSTRACT : The article tackles the genre of science fiction in film by focusing on the Alien and Predator series and their crossover. By resorting to “the fictional worlds” theory (Dolezel, 1998), the relationship between the fictional and the real is examined so as to show how these films refract political issues in various symbolic ways, with special reference to the ideological construct of “global threat”. Keywords: film, science fiction, narrative, allegory, otherness, fictional worlds. RESUMEN : en este artículo se aborda el género de la ciencia ficción en el cine mediante el análisis de las películas de la serie Alien y Predator y su combinación. Utilizando la teoría de “los mundos ficcionales” (Dolezel, 1999), se examina la relación entre los planos ficcional y real para mostrar cómo estas películas reflejan cuestiones políticas de diversas formas simbólicas, con especial referencia a la construccción ideológica de la “amenaza global”. Palabras clave: film, ciencia ficción, narrativa, alegoría, alteridad, mundos fic- cionales In 2004 20th Century Fox released Alien vs. Predator, directed by Paul Anderson and starring Sanaa Latham, Lance Henriksen, Raoul Bova and Ewen Bremmer. The film combined and continued two highly successful film series: those of the 1979 Alien and its three successors Aliens (1986), Alien 3 (1992) and Alien Resurrection (1997), and of the two Predator movies, from 1987 and 1990 respectively.
    [Show full text]
  • Predator 2 Script
    IIPREDATOR 2II The Hunt Continues... Written by Jim Thomas & John Thomas SECOND DRAFT Decernber 15, 1989 'IPREDATOR 2:II The Hunt Continues... SLOW FADE-IN FROM BI,ACK: OPENING TTTLE SEQUENCE RUSHING FORWARD at ground Ievel, mottled shapes racing past camera, slowly resolving into trees whipping past, CAMERA RISING through the trees into an AERfAL VfEW, speeding on, looking down on a jungle canopy. We slow and CRANE UP, cresting the treeline, the startling sight of the LOS ANGELES BASIN, appearing before us. SUBTITLES: LOS ANGELES, ]-995 Title artwork crashes into center screen: PREDATOR 2. On thi-s the TITT,E BLEEDS INTO: PREDATOR VTSTON OF LOS ANGELES Scanning the skyline. Attracted by a strange, distant SOUND, his vision STEPS fN, downward, through the canyons of steel, the distorted WHINE of a SIREN, growing louder as the Predator's vision ZOOMS IN to the streets below, coming to rest on a bizarre scene: a loping YELLOW wave of FLAME, accompanied by distorted SOUNDS of CRACKLING and POPPfNG, blood-red STREAKS of LIGHT darting across the street, holding and fading for a second. EXT. OB.]ECTIVE CAIVIERA . HIGH ANGLE - MIDSTREET DAY The keening WAIL growing louder as we DESCEND through the thick smog and shirnmering ai-r of a blistering heat-wave; i.nto the rnidst of a raging BATTLEFIELD: At the mouth of a blind aIIey, a BOB-TAIL TRUCK Iies BURNING on its side, a late-mode1 CADfLLAC positioned before it, nose-first onto the sidewalk. Behind the truck, TEN MEN, heavily armed with AUTOMATIC RIFLES and SHOTGUNS, lay down a barrage of GUNFIRE, aimed at EIGHT POLICEMEN across the street, pinned down in doorways, stairwell-s and behind cars.
    [Show full text]
  • MGM-AVP-3Rd Pages
    S CHOLASTIC READERS A FREE RESOURCE FOR TEACHERS! ALIEN vs. Predator –– Extra Level 2 This level is suitable for students who have been learning English for at least two years and up to three years. It corresponds with the Common European Framework level A2. Suitable for users of CROWN/TEAM magazine. SYNOPSIS the world in the popular film Predator: These alien Predators A wealthy corporation, Weyland Industries, discovers a mysterious came to Earth specifically to hunt for prey. This successful film pyramid deep under the ice of the Antarctic; and the owner, spawned a sequel, Predator 2, set in Los Angeles. Charles Weyland, assembles a team to explore it. When they After Aliens and Predators met each other for the first time in enter the pyramid for the first time, an ancient alien machinery a Dark Horse Comics book, film company Twentieth Century is activated and an Alien Queen wakes and begins to lay eggs. Fox started developing scripts to bring both series together. Meanwhile three aliens of a different kind – Predators – have British director Paul W. S. Anderson wanted to set the film on come to the pyramid. As the humans try to escape the dangers present-day Earth, thereby setting it long before the action of of the pyramid, they discover the terrible truth: the pyramid was Alien. He wanted to feature a strong woman character in this built by the Predators centuries earlier as a place to breed film, too. Fans of the Alien series will notice that actor Lance Aliens and then hunt them as a test of their warrior status.
    [Show full text]
  • Concerts for Kids
    Concerts for Kids Study Guide 2014-15 San Francisco Symphony Davies Symphony Hall study guide cover 1415_study guide 1415 9/29/14 11:41 AM Page 2 Children’s Concerts – “Play Me A Story!” Donato Cabrera, conductor January 26, 27, 28, & 30 (10:00am and 11:30am) Rossini/Overture to The Thieving Magpie (excerpt) Prokofiev/Excerpts from Peter and the Wolf Rimsky-Korsakov/Flight of the Bumblebee Respighi/The Hen Bizet/The Doll and The Ball from Children’s Games Ravel/Conversations of Beauty and the Beast from Mother Goose Prokofiev/The Procession to the Zoo from Peter and the Wolf Youth Concerts – “Music Talks!” Edwin Outwater, conductor December 3 (11:30am) December 4 & 5 (10:00am and 11:30am) Mussorgsky/The Hut on Fowl’s Legs from Pictures at an Exhibition Strauss/Till Eulenspiegel’s Merry Pranks (excerpt) Tchaikovsky/Odette and the Prince from Swan Lake Kvistad/Gending Bali for Percussion Grieg/In the Hall of the Mountain King from Peer Gynt Britten/Storm from Peter Grimes Stravinsky/Finale from The Firebird San Francisco Symphony children’s concerts are permanently endowed in honor of Mrs. Walter A. Haas. Additional support is provided by the Mimi and Peter Haas Fund, the James C. Hormel & Michael P. NguyenConcerts for Kids Endowment Fund, Tony Trousset & Erin Kelley, and Mrs. Milton Wilson, together with a gift from Mrs. Reuben W. Hills. We are also grateful to the many individual donors who help make this program possible. San Francisco Symphony music education programs receive generous support from the Hewlett Foundation Fund for Education, the William Randolph Hearst Endowment Fund, the Agnes Albert Youth Music Education Fund, the William and Gretchen Kimball Education Fund, the Sandy and Paul Otellini Education Endowment Fund, The Steinberg Family Education Endowed Fund, the Jon and Linda Gruber Education Fund, the Hurlbut-Johnson Fund, and the Howard Skinner Fund.
    [Show full text]
  • PDF Download Alien Vs. Predator Pdf Free Download
    ALIEN VS. PREDATOR PDF, EPUB, EBOOK Michael Robbins | 74 pages | 17 May 2012 | Penguin Putnam Inc | 9780143120353 | English | New York, United States Alien Vs. Predator PDF Book Predator ". Set immediately after the events of the previous film, the Predalien hybrid aboard the Predator scout ship, having just separated from the mothership shown in the previous film, has grown to full adult size and sets about killing the Predators aboard the ship, causing it to crash in the small town of Gunnison, Colorado. In , Sega released a reboot, Aliens vs. The first featured Paul W. Predator: Requiem , directed by the Brothers Strause , and the development of a third film has been delayed indefinitely. Marines carry a wide arsenal including pulse rifles , flamethrowers, and auto-tracking smartguns. Archived from the original on December 19, Production began in late at Barrandov Studios in Prague, Czech Republic , where most of the filming took place. After the release of Alien 3 , Sigourney Weaver commented on her apparent exit from the franchise, joking that "they'd probably find a way to resurrect Ripley using the DNA in her fingernails". Soon, the team realize that only one species can win. No minimum to No maximum. However, the United States Marine Corps are humanity's last line of defense, and as such they are armed to the teeth with the very latest in high explosive and automatic weaponry. Main article: Alien vs. Chris Hewitt of Empire called it an "early but strong contender for worst movie of ". So there's nothing in this movie that contradicts anything that already exists.
    [Show full text]
  • 1. Adventures of Batman and Robin 2. Aladdin 3. Alex Kidd in the Enchanted Castle 4. Alien 3 5. Alien Storm 6. Altered Beast 7. Arcus Odyssey 8
    1. Adventures of Batman and Robin 2. Aladdin 3. Alex Kidd In The Enchanted Castle 4. Alien 3 5. Alien Storm 6. Altered Beast 7. Arcus Odyssey 8. Ariel - The Little Mermaid 9. Arnold Palmer Tournament Golf 10. Arrow Flash 11. Atomic RoboKid 12. Batman 13. Batman Returns 14. Battleсity 15. Battle Squadron 16. Battletech 17. Battletoads 18. Battletoads and Double Dragon 19. Beauty and the Beast - Roar of the Beast 20. Bimini Run 21. Blades of Vengence 22. Bonanza Bros 23. Bubble And Squeak 24. Cadash 25. Captain America & Avengers 26. Capt’n Havoc 27. Castle of Illusion 28. Castlevania - Bloodlines 29. Championship Pro-Am 30.Cliffhanger 31. Columns 32. Columns III 33. Combat Cars 34. Contra - Hard Corps 35. Crack Down 36. Cyborg Justice 37. Dangerous Seed 38. Dark Castle 39. Desert Demolition 40. Desert Strike - Return to the Gulf 41. Dick Tracy 42. DinoLand 43. Dinosaurs for Hire 44. Doki Doki Penguin Land 45. Doom Troopers - The Mutant Chronicles 46. Double Dragon 47. Double Dragon II 48. Dragon - The Bruce Lee Story 49. Dune - The Battle for Arrakis 50. Dynamite Duke 51. Ecco the Dolphin 52. Elemental Master 53. ESWAT Cyber Police - City Under Siege 54. Fantasia 55. Fantastic Dizzy 56. Fatal Labyrinth 57. Fighting Masters 58. Fire Shark 59. Flashback - The Quest for Identity 60. Flicky 61. The Flintstones 62. Frogger 63. Gain Ground 64. General Chaos 65. Ghostbusters 66. Ghouls ‘N Ghosts 67. Gods 68. Golden Axe 69. Golden Axe 3 70. Granada 71. Greendog 72. Growl (Runark) 73. Gunstar Heroes 74. Hellfire 75. Home Alone 2 76.
    [Show full text]
  • Pandora Box DX 3000-In-1 Games List
    Pandora Box DX 3000-In-1 Game List Stamp★Game Support 3Players/4Players Stamp▲Are 3D Game No. Game Name 1501 Maniac Square 1 Street Fighter EX Plus ▲3D 1502 Tetris-System 16A 2 Street Fighter EX2 Plus ▲3D 1503 Grand Tour 3 Capcom Vs.SNK 2000 Pro ▲3D 1504 Columns III 4 Mortal Kombat (coin version) ▲3D 1505 Stack Columns 5 Mortal Kombat 2(set1) ▲3D 1506 Poto Poto 6 Mortal Kombat 3 Trilogy ▲3D 1507 Mouja 7 Mortal Kombat 4 ▲3D 1508 News (set 1) 8 Tekken ▲3D 1509 Hebereke No Popoon 9 Tekken 2 ▲3D 1510 Hexa 10 Tekken 3 ▲3D 1511 Puyo Puyo 11 Street Fighter Zero 1512 Puyo Puyo 2 12 Street Fighter Zero2 1513 Puyo Puyo sun 13 Street Fighter Zero3 1514 Xor World 14 Street Fighter Alpha : W'Dreams 1515 Hexion 15 Street Fighter Alpha 2 1516 Eto Monogatari 16 Street Fighter Alpha 3 1517 Land Maker 17 Street Fighter III 3rd Strike 1518 Atomic Point 18 Street Fighter III 2nd Impact 1519 Puzzle & Action:Tant-R (Korea) 19 Street Fighter III : New Generation 1520 Puzzle & Action 2 Ichidant-R (En) 20 Marvel Super Heroes 1521 Puzzle & Action 2 Ichidant-R (Kor) 21 Marvel Super Heroes Vs. St Fighter 1522 The Newzealand Story 22 Marvel Vs. Capcom : Super Heroes 1523 Puzzle Bobble 23 X-Men : Children oF the Atom 1524 Puzzle Bobble 2 24 X-Men Vs. Street Fighter 1525 Puzzle Bobble 3 25 Hyper Street Fighter II : AE 1526 Puzzle Bobble 4 26 Super Street Fighter II : New C 1527 Bust-A-Move Again 27 Super Street Fighter II Turbo 1528 Puzzle De Pon! 28 Super Street Fighter II X : GMC 1529 Dolmen 29 Street Fighter II : The World Warrior 1530 Magical Drop II 30 Street
    [Show full text]
  • Spatial Partitioning of Predation Risk in a Multiple Predatorâ•Fimultiple Prey System
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln USDA National Wildlife Research Center - Staff U.S. Department of Agriculture: Animal and Publications Plant Health Inspection Service 2009 Spatial Partitioning of Predation Risk in a Multiple Predator–Multiple Prey System Todd C. Atwood Utah State University, Logan, Department of Wildland Resources Eric Gese USDA/APHIS/WS National Wildlife Research Center, [email protected] Kyran Kunkel Utah State University, Logan, Department of Wildland Resources Follow this and additional works at: https://digitalcommons.unl.edu/icwdm_usdanwrc Part of the Environmental Sciences Commons Atwood, Todd C.; Gese, Eric; and Kunkel, Kyran, "Spatial Partitioning of Predation Risk in a Multiple Predator–Multiple Prey System" (2009). USDA National Wildlife Research Center - Staff Publications. 871. https://digitalcommons.unl.edu/icwdm_usdanwrc/871 This Article is brought to you for free and open access by the U.S. Department of Agriculture: Animal and Plant Health Inspection Service at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in USDA National Wildlife Research Center - Staff Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Management and Conservation Article Spatial Partitioning of Predation Risk in a Multiple Predator–Multiple Prey System TODD C. ATWOOD,1 Department of Wildland Resources, Utah State University, Logan, UT 84322, USA ERIC M. GESE, United States Department of Agriculture/Animal and Plant Health Inspection Service/Wildlife Services/National Wildlife Research Center and Department of Wildland Resources, Utah State University, Logan, UT 84322, USA KYRAN E. KUNKEL, Department of Wildland Resources, Utah State University, Logan, UT 84322, USA ABSTRACT Minimizing risk of predation from multiple predators can be difficult, particularly when the risk effects of one predator species may influence vulnerability to a second predator species.
    [Show full text]
  • Copyright by An-Binh Thi Phung 2020
    Copyright by An-Binh Thi Phung 2020 The Thesis Committee for An-Binh Thi Phung Certifies that this is the approved version of the following Thesis: GREEN SCREEN AS AN INDEX FOR SEEING, HOW TO BE: GREEN APPROVED BY SUPERVISING COMMITTEE: Kristin Lucas, Supervisor Kathryn McCarthy Green Screen as an Index for Seeing (How to Be Green) by An-Binh Thi Phung Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts The University of Texas at Austin August 2020 Dedication For Me, Ba, Co Minh, Ba Co, and the rest of my extended family that are an infinite source of love and care. Abstract Green Screen as an Index for Seeing (How to Be Green) An-binh Thi Phung, MFA The University of Texas at Austin, 2020 Supervisor: Kristin Lucas An introduction to the history and usage of green screen in film and other forms of media culture and a descriptions of works made by An-Binh Thi Phung in conjunction with this research. The special effect is analyzed in relationship to philosophical concepts such as the gaze and a the supermodern “non-place” to formulate a system of representing identity. v Table of Contents List of Figures ................................................................................................................... vii Chapter 1: Introduction .......................................................................................................1 Chapter 2: Predator .............................................................................................................2
    [Show full text]
  • Final Curriculum Guide 2019-20
    CURRICULUM GUIDE Thank you for participating in the 68th annual SYMPHONY IN COLOR, a statewide art contest for students in grades one through six. Since 1951, this contest has been a labor of love for the Indianapolis Symphony Orchestra Association. Each year our members look forward to opening the boxes of beautiful and creative artwork sent in by our Indiana school children. After judging, framing and exhibiting, we are rewarded by the faces of the winners at our annual Awards Tea. We are pleased to have you participate this year. PURPOSES To encourage young children to appreciate symphonic music To encourage creative interpretation of music through visual arts To provide an opportunity for interdisciplinary study of the performing and visual arts To increase awareness of the Indianapolis Symphony Orchestra and its role as a cultural leader in the state of Indiana Symphony in Color sponsored by the Indianapolis Symphony Orchestra Association additional support from Printing Partners UPS Zionsville Store #3906 The Great Frame Up Propylaeum Historic Foundation special thanks to Indianapolis Symphony Orchestra Indiana State Museum TIMELINE Friday, January 31 at 5 PM Deadline for submitting artwork February 3-12 Contest week and judging February 19 Winning school & parent notification February 22 - March 23 Gold Ribbon Winners exhibited in the Oval Promenade of the Hilbert Circle Theatre March 1 at 11 AM Awards Tea for Gold Ribbon Winners and their guests at Hilbert Circle Theatre March 28 - May 3 Exhibition of 100 finalists at the Indiana State Museum MUSICAL SELECTIONS Art must be based upon one of the following Symphony in Color 2019-2020 music selections.
    [Show full text]