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The Music of Place, You Will Find the Addresses of Internet Sites You Can Visit to Hear Audio Clips Related to the Stories
THE MU T Kokopelli, the Flute Player S Sounds of the Colorado Plateau . S IC OF PLACE Where this symbol appears in the OF THE WE THE OF pages of Sojourns—The Music of S ☉ Place, you will find the addresses of Internet sites you can visit to hear audio clips related to the stories. himsical appropriations have a long history in Western , AND CANYON , society. New England is populated with commercial S We’ve also teamed up with KNAU renderings of Minutemen and stiff-lipped Pilgrims, the W Arizona Public Radio at the South has its Jonny Rebs, and here in the American Southwest we see University of Northern Arizona to howling coyotes steel-cast as yard ornaments and the hunchbacked PLATEAU , Kokopelli making appearances everywhere from hand towels to S bring you a sampling of music and earrings and coffee cups. Just as the clever canine hunter is tamed by sounds collected in conjunction with the addition of a neck bandana, the fierce flute-playing warrior is often the contents of this issue. To listen, depicted with a cock-eyed grin and sleepy eyes. go to the KNAU Web site at http:// www.knau.org/Sojourns. Thanks to The original Kokopelli, however, is an extremely powerful and ancient THE PEAK AMONG S John Stark, general manager, and supernatural driven by lust and the capacious winds of seasonal the KNAU staff for collaborating change. He is fecundity incarnate and a capricious trickster in his AUDIO LINKS INSIDE with Sojourns to offer this additional games of seducing and enticing the unwary. -
Of Monsters and Mothers: Representations of Motherhood in ‘Alien’
Aditya Hans Prasad WGSS 07 Professor Douglas Moody April 2018. Of Monsters and Mothers: Representations of Motherhood in ‘Alien’ Released in 1979, director Ridley Scott’s film Alien is renowned as one of the few science fiction films that surpasses most horror films in its power to terrify an audience. The film centers on the crew of the spaceship ‘Nostromo’, and how the introduction of an unknown alien life form wreaks havoc on the ship. The eponymous Alien individually murders each member of the crew, aside from the primary antagonist Ripley, who manages to escape. Interestingly, the film uses subtle representations of motherhood in order to create a truly scary effect. These representations are incredibly interesting to study, as they tie in to various existing archetypes surrounding motherhood and the concept of the ‘monstrous feminine’. In her essay ‘Alien and the Monstrous Feminine’, Barbara Creed discusses the various notions that surround motherhood. First, she writes about the “ancient archaic figure who gives birth to all living things” (Creed 131). Essentially, she discusses the great mother figures of the mythologies of different cultures—Gaia, Nu Kwa, Mother Earth (Creed 131). These characters embody the concept that mothers are nurturing, loving, and caring. Traditionally, stories, films, and other forms of material reiterate and r mothers in this nature. However, there are many notable exceptions to this representation. For example, the primary antagonist in many Brothers Grimm stories are the evil step-mother, a character completely devoid of the maternal warmth and nurturing character of the traditional mother. In Hindu mythology, the goddess Kali is worshipped as the mother of the universe. -
Predators As Agents of Selection and Diversification
diversity Review Predators as Agents of Selection and Diversification Jerald B. Johnson * and Mark C. Belk Evolutionary Ecology Laboratories, Department of Biology, Brigham Young University, Provo, UT 84602, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-801-422-4502 Received: 6 October 2020; Accepted: 29 October 2020; Published: 31 October 2020 Abstract: Predation is ubiquitous in nature and can be an important component of both ecological and evolutionary interactions. One of the most striking features of predators is how often they cause evolutionary diversification in natural systems. Here, we review several ways that this can occur, exploring empirical evidence and suggesting promising areas for future work. We also introduce several papers recently accepted in Diversity that demonstrate just how important and varied predation can be as an agent of natural selection. We conclude that there is still much to be done in this field, especially in areas where multiple predator species prey upon common prey, in certain taxonomic groups where we still know very little, and in an overall effort to actually quantify mortality rates and the strength of natural selection in the wild. Keywords: adaptation; mortality rates; natural selection; predation; prey 1. Introduction In the history of life, a key evolutionary innovation was the ability of some organisms to acquire energy and nutrients by killing and consuming other organisms [1–3]. This phenomenon of predation has evolved independently, multiple times across all known major lineages of life, both extinct and extant [1,2,4]. Quite simply, predators are ubiquitous agents of natural selection. Not surprisingly, prey species have evolved a variety of traits to avoid predation, including traits to avoid detection [4–6], to escape from predators [4,7], to withstand harm from attack [4], to deter predators [4,8], and to confuse or deceive predators [4,8]. -
Board of Advisors Vote Confidence
Glenville State College .erruru ·Pioneering into the 21 st century one page at a time.· per to be Featured Board of Advisors Wheeling Symphony Vote Confidence Gralumt long and prosperous one. Under by Holly A. Willcewitz October 4 at 7 p.m. the the direction ofMaestra Worby, The Glenville State Col in the Fine Arts the symphony has experienced lege Board of Advisors voted will again experience substantial growth. During the unanimous confidence in the Hnllndll and textures of the 1994-1995 concert season, the leadership of President Wil &Om the Wheeling Sym orchestra offers its audience a liam K. Simmons last Thurs Orchestra. The sym fi~cert classical series, a day. under the direction of three~cert pops series, "The According to member Vinmwl's FiIst Lady Mae Nutcracker," four Young Janet James, athletic trainer, the Racbael Worby, performs a People's Concerts and two free DeIfUII'ellS Cooper decision was made after a IIIttriolic concert tit1~ "God summer concerts. 1994 marks lengthy discussion over recent America." The stirring se Worby's ninth season as musi ofNew York at Potsdam, for her controversies. The minutes, of pieces will include cal director and conductor ofthe work in the field of music and which are pending approval until Dr. W.uilUll K. Si",,,,ons Broadway and movie se Wheeling Symphony. which is education. the next meeting, listed the "di- as well as spiritual the oldest cuJtural institution in The symphony is very rection set forth in the Strategic Plan, Campus Master Plan and the West Vuginia. pleased to be sharing the stage State of the College Address" as being the determining factors in Demarcus Cooper, a so Worby is also the musical with such a talent as Demarcus the vote. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
The Retriever, Issue 1, Volume 39
18 Features August 31, 2004 THE RETRIEVER Alien vs. Predator: as usual, humans screwed it up Courtesy of 20th Century Fox DOUGLAS MILLER After some groundbreaking discoveries on Retriever Weekly Editorial Staff the part of the humans, three Predators show up and it is revealed that the temple functions as prov- Many of the staple genre franchises that chil- ing ground for young Predator warriors. As the dren of the 1980’s grew up with like Nightmare on first alien warriors are born, chaos ensues – with Elm street or Halloween are now over twenty years Weyland’s team stuck right in the middle. Of old and are beginning to loose appeal, both with course, lots of people and monsters die. their original audience and the next generation of Observant fans will notice that Anderson’s filmgoers. One technique Hollywood has been story is very similar his own Resident Evil, but it exploiting recently to breath life into dying fran- works much better here. His premise is actually chises is to combine the keystone character from sort of interesting – especially ideas like Predator one’s with another’s – usually ending up with a involvement in our own development. Anderson “versus” film. Freddy vs. Jason was the first, and tries to allow his story to unfold and build in the now we have Alien vs. Predator, which certainly style of Alien, withholding the monsters almost will not be the last. Already, the studios have toyed altogether until the second half of the film. This around with making Superman vs. Batman, does not exactly work. -
[Japan] SALA GIOCHI ARCADE 1000 Miglia
SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th. -
Nhbs Monthly Catalogue New and Forthcoming Titles Issue: 2013/08 August 2013 [email protected] +44 (0)1803 865913
nhbs monthly catalogue new and forthcoming titles Issue: 2013/08 August 2013 www.nhbs.com [email protected] +44 (0)1803 865913 Welcome to the August 2013 edition of the NHBS Monthly Catalogue. This monthly Zoology: update contains all of the wildlife, science and environment titles added to nhbs.com in Mammals the last month. Birds Editor's Picks - New in Stock this Month Reptiles & Amphibians Fishes ● The Warbler Guide Invertebrates ● The Avian Migrant Palaeontology ● The Biology of Peatlands Marine & Freshwater Biology ● Birds of the Indian Ocean Islands General Natural History ● A Field Key to Lichens on Trees Regional & Travel ● Frogs of the United States and Canada (2-Volume Set) ● Mammals of China (Pocket Edition) Botany & Plant Science ● Marine Plants of the Canary Islands Animal & General Biology ● Reunion Island Orchids / Orchidees de La Reunion Evolutionary Biology ● Penguins: Natural History and Conservation Ecology ● Reptiles and Amphibians of the Pacific Islands: A Comprehensive Guide Habitats & Ecosystems ● River Conservation and Management Conservation & Biodiversity ● The Symbol: Wall Lizards of Ibiza and Formentera Find out more about services for libraries and organisations: NHBS Environmental Science LibraryPro Physical Sciences Sustainable Development Best wishes, -The NHBS Team Data Analysis Reference View this Monthly Catalogue as a web page or save/print it as a .pdf document. Mammals A Pictorial Guide to Non-human Primates of India 173 pages | colour illustrations, colour Sangita Mitra maps | This is a colorful pictorial guide for Indian Primates, which concisely describes all the 15 species Paperback | 01/2011 | 9788192061610 occurring in India including their distribution, habit, habitat, morphology, sexual dimorphism, | #207408A | £26.99 Add to basket natural diet, endemicity, interspecific .. -
Preston, John, & Bishop, Mark
Preston, John, & Bishop, Mark (2002), Views into the Chinese Room: New Essays on Searle and Artificial Intelligence (Oxford: Oxford University Press), xvi + 410 pp., ISBN 0-19-825057-6. Reviewed by: William J. Rapaport Department of Computer Science and Engineering, Department of Philosophy, and Center for Cognitive Science, State University of New York at Buffalo, Buffalo, NY 14260-2000; [email protected], http://www.cse.buffalo.edu/ rapaport ∼ This anthology’s 20 new articles and bibliography attest to continued interest in Searle’s (1980) Chinese Room Argument. Preston’s excellent “Introduction” ties the history and nature of cognitive science, computation, AI, and the CRA to relevant chapters. Searle (“Twenty-One Years in the Chinese Room”) says, “purely . syntactical processes of the implemented computer program could not by themselves . guarantee . semantic content . essential to human cognition” (51). “Semantic content” appears to be mind-external entities “attached” (53) to the program’s symbols. But the program’s implementation must accept these entities as input (suitably transduced), so the program in execution, accepting and processing this input, would provide the required content. The transduced input would then be internal representatives of the external content and would be related to the symbols of the formal, syntactic program in ways that play the same roles as the “attachment” relationships between the external contents and the symbols (Rapaport 2000). The “semantic content” could then just be those mind-internal -
Alien Vs Predator Old Game 1999 Download Free Alien Vs Predator Old Game 1999 Download Free
alien vs predator old game 1999 download free Alien vs predator old game 1999 download free. There is always this one thing you can be sure of no matter what, with Capcom: whatever this game you just put on is all about, if it was made by Capcom, you are going to have fun. And in the case of his little gem it is no different. It doesn’t really matter whether you are a fan of 20th Century Fox’s Alien or Predator franchise and neither does it matter whether you do condone the Alien vs. Predator crossover or not, for there is just something so satisfying and cool on grabbing a xenomorph under its neck and slapping it like a little wh*re, that you’re going to like it anyway. Although released in 1999, somewhat already past the glory days of arcades, Alien vs. Predator is a surprisingly entertaining and fun to play brawler. But what’s even more interesting about this game, though, is that it—wait for it—tells an actual story, not altogether different from the storylines of later AVP games for PCs and consoles. As usual, Weyland-Yutani and the military wants to weaponize xenomorphs and brings them to Earth. But some things just won’t go as planned and the hell breaks loose when the transported specimens break the containment and infest the largest city on the 22nd century American West Coast. There, two US Colonial Marines, major Shaefer and lieutenant Kurosawa, making their last stand in the infested city streets team up with two Predators, a warior and a hunter, and engage on a mission to put an end to the mayhem that WY and the military brought on them. -
Alien Vs. Predator Table Guide by Shoryukentothechin
Page 1 of 36 Alien vs. Predator Table Guide By ShoryukenToTheChin 6 7 5 8 9 3 4 2 10 11 1 Page 2 of 36 Key to Table Overhead Image – 1. Egg Sink Holes 2. Left Orbit 3. Left Ramp 4. Glyph Targets 5. Alien Target 6. Sink Hole 7. Plasma Mini – Orbit 8. Wrist Blade Target 9. Pyramid Mini – Orbit 10. Right Ramp 11. Right Orbit In this guide when I mention a Ramp, Lane, Hole etc. I will put a number in brackets which will correspond to the above Key, so that you know where on the Table that particular feature is located. Page 3 of 36 TABLE SPECIFICS Notice: This Guide is based off of the Zen Pinball 2 (PS4/PS3/Vita) version of the Table on default controls. Some of the controls will be different on the other versions (Pinball FX 2, etc...), but everything else in the Guide remains the same. INTRODUCTION Zen Studios has teamed up with Fox to give us an Alien vs. Predator Pinball Table. The Table was released within a pack titled “Aliens vs. Pinball” which featured 3 Pinball Tables based on Aliens Cinematic Universe. Alien vs. Predator Pinball sees you play through various Modes which see you play out key scenes in the blockbuster movie. The Table incorporates the art style of the movie, and various audio works from the movie itself. I hope my Guide will help you understand the Table better. Page 4 of 36 Skill Shot - *1 Million Points, can be raised* Depending on the launch strength you used on the Ball. -
Women in Film Time: Forty Years of the Alien Series (1979–2019)
IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Women in Film Time: Forty Years of the Alien Series (1979–2019) Susan George, University of Delhi, India. Abstract Cultural theorists have had much to read into the Alien science fiction film series, with assessments that commonly focus on a central female ‘heroine,’ cast in narratives that hinge on themes of motherhood, female monstrosity, birth/death metaphors, empire, colony, capitalism, and so on. The films’ overarching concerns with the paradoxes of nature, culture, body and external materiality, lead us to concur with Stephen Mulhall’s conclusion that these concerns revolve around the issue of “the relation of human identity to embodiment”. This paper uses these cultural readings as an entry point for a tangential study of the Alien films centring on the subject of time. Spanning the entire series of four original films and two recent prequels, this essay questions whether the Alien series makes that cerebral effort to investigate the operations of “the feminine” through the space of horror/adventure/science fiction, and whether the films also produce any deliberate comment on either the lived experience of women’s time in these genres, or of film time in these genres as perceived by the female viewer. Keywords: Alien, SF, time, feminine, film 59 IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Alien Films that Philosophise Ridley Scott’s 1979 S/F-horror film Alien spawned not only a remarkable forty-year cinema obsession that has resulted in six specific franchise sequels and prequels till date, but also a considerable amount of scholarly interest around the series.