Real-Time Programming and Processing of Music Signals Arshia Cont
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Automatic Music Transcription: an Overview Emmanouil Benetos Member, IEEE, Simon Dixon, Zhiyao Duan Member, IEEE, and Sebastian Ewert Member, IEEE
1 Automatic Music Transcription: An Overview Emmanouil Benetos Member, IEEE, Simon Dixon, Zhiyao Duan Member, IEEE, and Sebastian Ewert Member, IEEE I. INTRODUCTION IV-F, as well as methods for transcribing specific sources The capability of transcribing music audio into music within a polyphonic mixture such as melody and bass line. notation is a fascinating example of human intelligence. It involves perception (analyzing complex auditory scenes), cog- A. Applications & Impact nition (recognizing musical objects), knowledge representation A successful AMT system would enable a broad range (forming musical structures) and inference (testing alternative of interactions between people and music, including music hypotheses). Automatic Music Transcription (AMT), i.e., the education (e.g., through systems for automatic instrument design of computational algorithms to convert acoustic music tutoring), music creation (e.g., dictating improvised musical signals into some form of music notation, is a challenging task ideas and automatic music accompaniment), music production in signal processing and artificial intelligence. It comprises (e.g., music content visualization and intelligent content-based several subtasks, including (multi-)pitch estimation, onset and editing), music search (e.g., indexing and recommendation of offset detection, instrument recognition, beat and rhythm track- music by melody, bass, rhythm or chord progression), and ing, interpretation of expressive timing and dynamics, and musicology (e.g., analyzing jazz improvisations and other non- score typesetting. Given the number of subtasks it comprises notated music). As such, AMT is an enabling technology with and its wide application range, it is considered a fundamental clear potential for both economic and societal impact. problem in the fields of music signal processing and music AMT is closely related to other music signal processing information retrieval (MIR) [1], [2]. -
Miller Puckette 1560 Elon Lane Encinitas, CA 92024 [email protected]
Miller Puckette 1560 Elon Lane Encinitas, CA 92024 [email protected] Education. B.S. (Mathematics), MIT, 1980. Ph.D. (Mathematics), Harvard, 1986. Employment history. 1982-1986 Research specialist, MIT Experimental Music Studio/MIT Media Lab 1986-1987 Research scientist, MIT Media Lab 1987-1993 Research staff member, IRCAM, Paris, France 1993-1994 Head, Real-time Applications Group, IRCAM, Paris, France 1994-1996 Assistant Professor, Music department, UCSD 1996-present Professor, Music department, UCSD Publications. 1. Puckette, M., Vercoe, B. and Stautner, J., 1981. "A real-time music11 emulator," Proceedings, International Computer Music Conference. (Abstract only.) P. 292. 2. Stautner, J., Vercoe, B., and Puckette, M. 1981. "A four-channel reverberation network," Proceedings, International Computer Music Conference, pp. 265-279. 3. Stautner, J. and Puckette, M. 1982. "Designing Multichannel Reverberators," Computer Music Journal 3(2), (pp. 52-65.) Reprinted in The Music Machine, ed. Curtis Roads. Cambridge, The MIT Press, 1989. (pp. 569-582.) 4. Puckette, M., 1983. "MUSIC-500: a new, real-time Digital Synthesis system." International Computer Music Conference. (Abstract only.) 5. Puckette, M. 1984. "The 'M' Orchestra Language." Proceedings, International Computer Music Conference, pp. 17-20. 6. Vercoe, B. and Puckette, M. 1985. "Synthetic Rehearsal: Training the Synthetic Performer." Proceedings, International Computer Music Conference, pp. 275-278. 7. Puckette, M. 1986. "Shannon Entropy and the Central Limit Theorem." Doctoral dissertation, Harvard University, 63 pp. 8. Favreau, E., Fingerhut, M., Koechlin, O., Potacsek, P., Puckette, M., and Rowe, R. 1986. "Software Developments for the 4X real-time System." Proceedings, International Computer Music Conference, pp. 43-46. 9. Puckette, M. -
2007–09 Program Requirements (.Pdf)
1 FOREWORD F ROM THE DEAN http://www.yorku.ca/grads/calendar/ Graduate study involves a level of engagement with subject matter, in Business, Law, Education, Translation and Social Work and in fellow students, and faculty members that marks a high point in health-related disciplines focused through York’s new Faculty of one’s intellectual and creative development. At the master’s and Health. Innovative and unique interdisciplinary programs have Doctoral levels, graduate study in one way or another is at the centre been created in such areas as Environmental Studies, Earth & Space of research and scholarly intensity within the University and provides Science, Social & Political Thought, Interdisciplinary Studies, exciting challenges and opportunities. Women’s Studies, and our most recent programs: Humanities, Human Resources Management, and Critical Studies in Disability. Since its inception in 1963, the Faculty of Graduate Studies has A further innovative dimension has involved the creation of a grown from 11 students in a single graduate program to more number of specialized graduate diplomas—such as Early Childhood than 5000 students in 46 programs. York’s graduate studies are Education, and Environmental/Sustainability Education—which expanding, with five new graduate programs in development, three may be earned concurrently with the master’s or Doctoral degree of which begin this year; 11 more programs are expanding, either in several programs, and which may also be taken as stand-alone adding a doctoral program where there is an existing master’s, graduate diplomas. York offers 32 graduate diplomas. The Faculty or adding new fields or different master’s programs. -
21065L Audio Tutorial
a Using The Low-Cost, High Performance ADSP-21065L Digital Signal Processor For Digital Audio Applications Revision 1.0 - 12/4/98 dB +12 0 -12 Left Right Left EQ Right EQ Pan L R L R L R L R L R L R L R L R 1 2 3 4 5 6 7 8 Mic High Line L R Mid Play Back Bass CNTR 0 0 3 4 Input Gain P F R Master Vol. 1 2 3 4 5 6 7 8 Authors: John Tomarakos Dan Ledger Analog Devices DSP Applications 1 Using The Low Cost, High Performance ADSP-21065L Digital Signal Processor For Digital Audio Applications Dan Ledger and John Tomarakos DSP Applications Group, Analog Devices, Norwood, MA 02062, USA This document examines desirable DSP features to consider for implementation of real time audio applications, and also offers programming techniques to create DSP algorithms found in today's professional and consumer audio equipment. Part One will begin with a discussion of important audio processor-specific characteristics such as speed, cost, data word length, floating-point vs. fixed-point arithmetic, double-precision vs. single-precision data, I/O capabilities, and dynamic range/SNR capabilities. Comparisions between DSP's and audio decoders that are targeted for consumer/professional audio applications will be shown. Part Two will cover example algorithmic building blocks that can be used to implement many DSP audio algorithms using the ADSP-21065L including: Basic audio signal manipulation, filtering/digital parametric equalization, digital audio effects and sound synthesis techniques. TABLE OF CONTENTS 0. INTRODUCTION ................................................................................................................................................................4 1. -
Music Similarity: Learning Algorithms and Applications
UNIVERSITY OF CALIFORNIA, SAN DIEGO More like this: machine learning approaches to music similarity A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Computer Science by Brian McFee Committee in charge: Professor Sanjoy Dasgupta, Co-Chair Professor Gert Lanckriet, Co-Chair Professor Serge Belongie Professor Lawrence Saul Professor Nuno Vasconcelos 2012 Copyright Brian McFee, 2012 All rights reserved. The dissertation of Brian McFee is approved, and it is ac- ceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2012 iii DEDICATION To my parents. Thanks for the genes, and everything since. iv EPIGRAPH I’m gonna hear my favorite song, if it takes all night.1 Frank Black, “If It Takes All Night.” 1Clearly, the author is lamenting the inefficiencies of broadcast radio programming. v TABLE OF CONTENTS Signature Page................................... iii Dedication...................................... iv Epigraph.......................................v Table of Contents.................................. vi List of Figures....................................x List of Tables.................................... xi Acknowledgements................................. xii Vita......................................... xiv Abstract of the Dissertation............................. xvi Chapter 1 Introduction.............................1 1.1 Music information retrieval..................1 1.2 Summary of contributions..................1 -
Analog Signal Processing Christophe Caloz, Fellow, IEEE, Shulabh Gupta, Member, IEEE, Qingfeng Zhang, Member, IEEE, and Babak Nikfal, Student Member, IEEE
1 Analog Signal Processing Christophe Caloz, Fellow, IEEE, Shulabh Gupta, Member, IEEE, Qingfeng Zhang, Member, IEEE, and Babak Nikfal, Student Member, IEEE Abstract—Analog signal processing (ASP) is presented as a discrimination effects, emphasizing the concept of group delay systematic approach to address future challenges in high speed engineering, and presenting the fundamental concept of real- and high frequency microwave applications. The general concept time Fourier transformation. Next, it addresses the topic of of ASP is explained with the help of examples emphasizing basic ASP effects, such as time spreading and compression, the “phaser”, which is the core of an ASP system; it reviews chirping and frequency discrimination. Phasers, which repre- phaser technologies, explains the characteristics of the most sent the core of ASP systems, are explained to be elements promising microwave phasers, and proposes corresponding exhibiting a frequency-dependent group delay response, and enhancement techniques for higher ASP performance. Based hence a nonlinear phase response versus frequency, and various on ASP requirements, found to be phaser resolution, absolute phaser technologies are discussed and compared. Real-time Fourier transformation (RTFT) is derived as one of the most bandwidth and magnitude balance, it then describes novel fundamental ASP operations. Upon this basis, the specifications synthesis techniques for the design of all-pass transmission of a phaser – resolution, absolute bandwidth and magnitude and reflection phasers -
Impact of Audio Signal Processing and Compression Techniques on Terrestrial FM Sound Broadcasting Emissions at VHF
Report ITU-R BS.2213-4 (10/2017) Impact of audio signal processing and compression techniques on terrestrial FM sound broadcasting emissions at VHF BS Series Broadcasting service (sound) ii Rep. ITU-R BS.2213-4 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Annex 1 of Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Reports (Also available online at http://www.itu.int/publ/R-REP/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management Note: This ITU-R Report was approved in English by the Study Group under the procedure detailed in Resolution ITU-R 1. -
MUS421–571.1 Electroacoustic Music Composition Kirsten Volness – 20 Mar 2018 Synthesizers
MUS421–571.1 Electroacoustic Music Composition Kirsten Volness – 20 Mar 2018 Synthesizers • Robert Moog – Started building Theremins – Making new tools for Herb Deutsch – Modular components connected by patch cables • Voltage-controlled Oscillators (multiple wave forms) • Voltage-controlled Amplifiers • AM / FM capabilities • Filters • Envelope generator (ADSR) • Reverb unit • AMPEX tape recorder (2+ channels) • Microphones Synthesizers Synthesizers • San Francisco Tape Music Center • Morton Subotnick and Ramon Sender • Donald Buchla – “Buchla Box”– 1965 – Sequencer – Analog automation device that allows a composer to set and store a sequence of notes (or a sequence of sounds, or loudnesses, or other musical information) and play it back automatically – 16 stages (16 splices stored at once) – Pressure-sensitive keys • Subotnick receives commission from Nonesuch Records (Silver Apples of the Moon, The Wild Bull, Touch) Buchla 200 Synthesizers • CBS buys rights to manufacture Buchlas • Popularity surges among electronic music studios, record companies, live performances – Wendy Carlos – Switched-on Bach (1968) – Emerson, Lake, and Palmer, Stevie Wonder, Mothers of Invention, Yes, Pink Floyd, Herbie Hancock, Chick Corea – 1968 Putney studio presents sold-out concert at Elizabeth Hall in London Minimoog • No more patch cables! (Still monophonic) Polyphonic Synthesizers • Polymoog • Four Voice (Oberheim Electronics) – Each voice still patched separately • Prophet-5 – Dave Smith at Sequential Circuits – Fully programmable and polyphonic • GROOVE -
Interactive Electroacoustics
Interactive Electroacoustics Submitted for the degree of Doctor of Philosophy by Jon Robert Drummond B.Mus M.Sc (Hons) June 2007 School of Communication Arts University of Western Sydney Acknowledgements Page I would like to thank my principal supervisor Dr Garth Paine for his direction, support and patience through this journey. I would also like to thank my associate supervisors Ian Stevenson and Sarah Waterson. I would also like to thank Dr Greg Schiemer and Richard Vella for their ongoing counsel and faith. Finally, I would like to thank my family, my beautiful partner Emma Milne and my two beautiful daughters Amelia Milne and Demeter Milne for all their support and encouragement. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. …………………………………………… Table of Contents TABLE OF CONTENTS ..................................................................................................................I LIST OF TABLES..........................................................................................................................VI LIST OF FIGURES AND ILLUSTRATIONS............................................................................ VII ABSTRACT..................................................................................................................................... X CHAPTER ONE: INTRODUCTION............................................................................................. -
Read Book Microsound
MICROSOUND PDF, EPUB, EBOOK Curtis Roads | 424 pages | 17 Sep 2004 | MIT Press Ltd | 9780262681544 | English | Cambridge, Mass., United States Microsound PDF Book Phantoms Canoply Games listeners. I have no skin in the game either way and think you should just use what you want to use…Just make music any way you see fit. Miller Puckette Professor, Department of Music, University of California San Diego Microsound offers an enticing series of slice 'n' dice audio recipes from one of the pioneering researchers into the amazingly rich world of granular synthesis. In a single row of hp we find the Mimeophon offering stereo repeats and travelling halos. Browse our collection here. Make Noise modules have an uncanny knack of fitting well together. Electronic Sounds Live. Search Search. Connect to Spotify. Electronic and electroacoustic music. Taylor Deupree. He has also done some scoring for TV and movies, and sound design for video games. Search Search. Join the growing network of Microsound Certified Installers today. Taylor Deupree 71, listeners. Microsound grew up with most of us. El hombre de la Caverna, Disco 1. Everything you need to know about Microsound Products. Sounds coalesce, evaporate, and mutate into other sounds. Connect your Spotify account to your Last. Microsound Accreditation Carry the Certified Microsound Installer reputation with you wherever you go. The Morphagene acts as a recorder of sound and layerer of ideas while the Mimeophon mimics and throws out echoes of what has come before. Help Learn to edit Community portal Recent changes Upload file. More Love this track Set track as current obsession Get track Loading. -
Signal Processing for Music Analysis Meinard Müller, Member, IEEE, Daniel P
IEEE JOURNAL OF SELECTED TOPICS IN SIGNAL PROCESSING, VOL. 0, NO. 0, 2011 1 Signal Processing for Music Analysis Meinard Müller, Member, IEEE, Daniel P. W. Ellis, Senior Member, IEEE, Anssi Klapuri, Member, IEEE, and Gaël Richard, Senior Member, IEEE Abstract—Music signal processing may appear to be the junior consumption, which is not even to mention their vital role in relation of the large and mature field of speech signal processing, much of today’s music production. not least because many techniques and representations originally This paper concerns the application of signal processing tech- developed for speech have been applied to music, often with good niques to music signals, in particular to the problems of ana- results. However, music signals possess specific acoustic and struc- tural characteristics that distinguish them from spoken language lyzing an existing music signal (such as piece in a collection) to or other nonmusical signals. This paper provides an overview of extract a wide variety of information and descriptions that may some signal analysis techniques that specifically address musical be important for different kinds of applications. We argue that dimensions such as melody, harmony, rhythm, and timbre. We will there is a distinct body of techniques and representations that examine how particular characteristics of music signals impact and are molded by the particular properties of music audio—such as determine these techniques, and we highlight a number of novel music analysis and retrieval tasks that such processing makes pos- the pre-eminence of distinct fundamental periodicities (pitches), sible. Our goal is to demonstrate that, to be successful, music audio the preponderance of overlapping sound sources in musical en- signal processing techniques must be informed by a deep and thor- sembles (polyphony), the variety of source characteristics (tim- ough insight into the nature of music itself. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Unsampled Digital Synthesis and the Context of Timelab a Dissertation Submitted in Partial S
UNIVERSITY OF CALIFORNIA, SAN DIEGO Unsampled Digital Synthesis and the Context of Timelab A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by David Medine Committee in charge: Professor Miller Puckette, Chair Professor Anthony Burr Professor David Kirsh Professor Scott Makeig Professor Tamara Smyth Professor Rand Steiger 2016 Copyright David Medine, 2016 All rights reserved. The dissertation of David Medine is approved, and it is acceptable in quality and form for publication on micro- film and electronically: Chair University of California, San Diego 2016 iii DEDICATION To my mother and father. iv EPIGRAPH For those that seek the knowledge, it's there. But you have to seek it out, do the knowledge, and understand it on your own. |The RZA Always make the audience suffer as much as possible. —Aflred Hitchcock v TABLE OF CONTENTS Signature Page.................................. iii Dedication..................................... iv Epigraph.....................................v Table of Contents................................. vi List of Supplemental Files............................ ix List of Figures..................................x Acknowledgements................................ xiii Vita........................................ xv Abstract of the Dissertation........................... xvi Chapter 1 Introduction............................1 1.1 Preamble...........................1 1.2 `Analog'...........................5 1.3 Digitization.........................7 1.4