Despairing Over the Present Age
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Authenticity of Faith in Kierkegaard's Philosophy
The Authenticity of Faith in Kierkegaard’s Philosophy The Authenticity of Faith in Kierkegaard’s Philosophy Edited by Tamar Aylat-Yaguri and Jon Stewart The Authenticity of Faith in Kierkegaard’s Philosophy, Edited by Tamar Aylat-Yaguri and Jon Stewart This book first published 2013 Cambridge Scholars Publishing Layout and cover design by K.Nun Design, Denmark 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Tamar Aylat-Yaguri, Jon Stewart and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4990-1, ISBN (13): 978-1-4438-4990-6 TABLE OF CONTENTS List of Contributors vi Introduction vii Acknowledgements xvi List of Abbreviations xvii Chapter One Jacob Golomb: Was Kierkegaard an Authentic Believer? 1 Chapter Two Shai Frogel: Acoustical Illusion as Self-Deception 12 Chapter Three Roi Benbassat: Faith as a Struggle against Ethical Self-Deception 18 Chapter Four Edward F. Mooney: A Faith that Defies Self-Deception 27 Chapter Five Darío González: Faith and the Uncertainty of Historical Experience 38 Chapter Six Jerome (Yehuda) Gellman: Constancy of Faith? Symmetry and Asymmetry in Kierkegaard’s Leap of Faith 49 Chapter Seven Peter Šajda: Does Anti-Climacus’ Ethical-Religious Theory of Selfhood Imply a Discontinuity of the Self? 60 Chapter Eight Tamar Aylat-Yaguri: Being in Truth and Being a Jew: Kierkegaard’s View of Judaism 68 Chapter Nine Jon Stewart, Kierkegaard and Hegel on Faith and Knowledge 77 Notes 93 CONTRIBUTORS Tamar Aylat-Yaguri, Department of Philosophy, Tel-Aviv University, Ramat-Aviv, P.O.B 39040, Tel-Aviv 61390, Israel. -
Albert Camus and Absurd Communication: from Undecidability to Übercommunication
Albert Camus and Absurd Communication: From Undecidability to Übercommunication by Jorge Lizarzaburu B.A., USFQ, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Communication 2012 This thesis entitled: Albert Camus and Absurd Communication: From Undecidability to Übercommunication written by Jorge M. Lizarzaburu has been approved for the Department of Communication Gerard Hauser Janice Peck Robert Craig Date 5/31/2012 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline iii Lizarzaburu, Jorge M. (M.A., Communication, Department of Communication) Albert Camus and Absurd Communication: From Undecidability to Übercommunication Thesis directed by professor Gerard Hauser Communication conceived as understanding is a normative telos among scholars in the field. Absurdity, in the work of Albert Camus, can provide us with a framework to go beyond communication understood as a binary (understanding and misunderstanding) and propose a new conception of communication as absurd. That is, it is an impossible task, however necessary thus we need to embrace its absurdity and value the effort itself as much as the result. Before getting into Camus’ arguments I explain the work of Friedrich Nietzsche to understand the French philosopher in more detail. I describe eternal recurrence and Übermensch as two concepts that can be related to communication as absurd. Then I explain Camus’ notion of absurdity using a Nietzschean lens. -
A Kierkegaardian Understanding of Self and Society: an Existential Sociology
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-1998 A Kierkegaardian Understanding of Self and Society: An Existential Sociology Chris L. Jakway Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Theory, Knowledge and Science Commons Recommended Citation Jakway, Chris L., "A Kierkegaardian Understanding of Self and Society: An Existential Sociology" (1998). Dissertations. 1557. https://scholarworks.wmich.edu/dissertations/1557 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. A KIERKEGAARD IAN UNDERSTANDING OF SELF AND SOCIETY: AN EXISTENTIAL SOCIOLOGY by Chris L. Jakway A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Western Michigan University Kalamazoo, Michigan June 1998 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A KEERKEGAARDIAN UNDERSTANDING OF SELF AND SOCIETY: AN EXISTENTIAL SOCIOLOGY Chris L. Jakway, PhD. Western Michigan University, 1998 In examining the history and development of existential sociology, it becomes clear that in its initial phases it was not intended to oppose traditional sociological research, but to complement it. I intend to show that the contemporary chasm between the methodologies can be narrowed with a reconsideration of their common roots in the work of G.H. -
Introduction
INTRODUCTION It is one of the characteristics of the present age that books of the previous century are reissued with more or less— usually less—learned prefaces. The point is partly that the new edition should have something new in it; partly that the reader should be told what a great classic will confront him when he is done with the preface. The reader wants to be reassured that he is not going to waste his time. And he is also supposed to be anxious to know what he should think of the book—which is another way of saying that he is supposed to be afraid of having to think for himself, though this is after all the only kind of thinking there is. In Kierkegaard's words, in The Present Age, the reader must be reassured that ' something is going to happen,' for ' ours is the age of advertisement and publicity.' Indeed, the preface is expected to say what is going to happen—or, more precisely, which parts of what is about to happen may be safely forgotten, which points are memorable, and what observations about them should be remembered for use in conversation. The fact that a man wrote books to attack these and other features of the present age and that he strained to be offensive, especially to parsons and professors, provides no protection whatsoever. For it is also one of the features of the present age not to take offence, if only the author's reputation is above question and one can be sure that reading him is not a waste of time. -
The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and Drama Criticism Sheila O'brien Mcguckin University of New Hampshire, Durham
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1996 The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism Sheila O'Brien McGuckin University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation McGuckin, Sheila O'Brien, "The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism" (1996). Doctoral Dissertations. 1895. https://scholars.unh.edu/dissertation/1895 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
What Would Sam Waters Do? Guy Vanderhaeghe and Søren Kierkegaard
Stephen Dunning What Would Sam Waters Do? Guy Vanderhaeghe and Søren Kierkegaard He takes a step towards me [Ed]. I find myself thinking very hard. The inevitable question arises. What would Sam Waters do in such a situation? I have a good idea what Sam would do, but I know equally well that I am incapable of imitation. —Guy Vanderhaeghe, “Sam, Soren, and Ed” Reflection is not the evil; but a reflective condition and the deadlock which it involves, by transforming the capacity for action into a means of escape from action, is both corrupt and dangerous, and leads in the end to a retrograde movement. —Søren Kierkegaard, The Present Age Guy Vanderhaeghe is probably best known today as a regional, western Canadian writer with a strong bent towards historical fic- tion who, like his co-regionalists Robert Kroetsch and Rudy Wiebe, offers meticulously researched and darkly disturbing tales that challenge what were once comforting metanarratives of national expansion and consolida- tion. Witness The Englishman’s Boy in which Shorty McAdoo finally recounts his story of the infamous Cypress Hill Massacre (1873), thereby discredit- ing a Hollywood producer’s attempt to appropriate the event as nationalist propaganda. This authorial agenda, which here and elsewhere deconstructs European cultural pretensions, has led many to read Vanderhaeghe as a thoroughly secular, postmodern author in Jean-Francios Lyotard’s sense of the word, namely one deeply suspicious of all metanarrative—including, of course, religious metanarrative (xxiv).1 Sue Sorensen, however, proves an exception, showing in her recent essay that his fiction is deeply engaged with religious matters, which should not surprise given that Vanderhaeghe in an early interview not only identifies the Bible as his foremost influence, but also confesses to being a Christian, though he adds he may be “an eccentric and anarchic one” (28). -
Kierkegaard, Literature, and the Arts
Kierke gaard, Literature, and the Arts Engraving, ca. 1837, by Carl Strahlheim showing the Gendarmenmarkt in Berlin, with what was then the Schauspielhaus, or Theater (center)— now the concert house of the Konzerthausorchester Berlin— flanked by the German Cathedral (left) and the French Cathedral (right). Pictured in the background to the immediate right of the theater is the building, still standing today, in which Kierkegaard lodged during his four stays in Berlin, in 1841– 42, 1843, 1845, and 1846. It was there, as noted by a plaque outside, that Kierkegaard wrote the first drafts of Either/Or, Repetition, and Fear and Trembling. Kierkegaard, Literature, and the Arts Edited by Eric Ziolkowski northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2018 by Northwestern University Press. Published 2018. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Names: Ziolkowski, Eric Jozef, 1958– editor. Title: Kierkegaard, literature, and the arts / edited by Eric Ziolkowski. Description: Evanston, Illinois : Northwestern University Press, 2018. | Includes index. Identifiers: LCCN 2017029795 | ISBN 9780810135970 (cloth : alk. paper) | ISBN 9780810135963 (pbk. : alk. paper) | ISBN 9780810135987 (e-book) Subjects: LCSH: Kierkegaard, Søren, 1813–1855. | Kierkegaard, Søren, 1813– 1855—Aesthetics. | Literature—Philosophy. | Music and philosophy. | Art and philosophy. | Performing arts—Philosophy. Classification: LCC B4377 .K4558 2018 | DDC 198.9—dc23 LC record available at https://lccn.loc.gov/2017029795 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. -
Purity of Heart Is to Will One Thing by Sören Kierkegaard
Purity of Heart Is to Will One Thing by Sören Kierkegaard This book was first published by Harper in 1938. It was translated from the Danish and contains an introductory essay by Douglas V. Steere. Prepared for Religion Online by Ted and Willie Brock. Translator’s Introduction by Douglas V. Steere A helpful summary of Kierketaard's basic positions, written by an outstanding scholar of his work. Douglass Steere was Professor of philosophy at Haverford College. Preface A woman doing needlework on an altar cloth does not want the work admired or criticized, but rather that the intent of the work is that it be seen for its higher purpose. Kierkegaard desires his writing receive the same attention. Chapter 1: Introduction: Man and the Eternal In relation to the eternal, a man ages neither in the sense of time nor in the sense of an accumulation of past events. There is something eternal in a man, and the eternal must be able to exist and to be grasped within every change. Chapter 2: Remorse, Repentance, Confession: Eternity’s Emissaries to Man Remorse is a guide that calls out to the wanderer that he should take care. In confession one becomes at one with himself. Chapter 3: Barriers to Willing One Thing: Variety and Great Moments Are Not One Thing To will one thing can only mean to will the good, because every other object is not a unity. The will that only wills that another object, therefore, must become double-minded. Chapter 4: Barriers to Willing One Thing: The Reward-Disease If a man can will one thing, then he must will the Good, for the Good alone is one. -
19 Froм Тʜe Ouтside and in Retrospect a Child at Play Epitomizes
Diakrisis Yearbook of Theology and Philosophy Vol. 3 (2020): 19–37 DOI: 10.24193/diakrisis.2020.2 Boston College E-mail: chandlerdrogers@gmail. -
Camus, Qohelet, and the Confrontation with the Absurd
Morgan 1 Living in the Tensions: Camus, Qohelet, and the Confrontation with the Absurd A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Justin Keith Morgan 15 April 2011 Morgan 2 Liberty University School of Communication Master of Arts in English ___________________________________________________________________________ Dr. Mark Schmidt, Thesis Chair Date ___________________________________________________________________________ Dr. Karen Prior, First Reader Date ___________________________________________________________________________ Dr. Alan Fuhr, Second Reader Date Morgan 3 This thesis is dedicated to my best friend, Alicia Valere. Morgan 4 Acknowledgements I wish to express my deepest gratitude to: my professors and fellow classmates—for inspiring me to be a pursuer of God and His Truth; Dr. Mark Schmidt, Dr. Karen Prior, and Dr. Alan Fuhr—for your guidance and wisdom; my siblings—Ashley, Dallas, and Tahlia—for your friendship; my father and mother—for raising me in a God-fearing home; Alicia, my love—for the encouragement and distractions; Jesus Christ, author of my life—for redemption. Morgan 5 Table of Contents Signatures…………………………………………………………………………………….2 Dedication…………………………………………………………………………………….3 Acknowledgements………………………………………………………………………..…4 Table of Contents………………………………………………………………......………...5 Abstract…………………………………………………………………………………...…..6 Introduction: Connecting Camus and Qohelet………………………………..…………...…7 Chapter One: The Burden of Knowing: -
ABSTRACT the Legitimacy of the Comic: Kierkegaard and The
ABSTRACT The Legitimacy of the Comic: Kierkegaard and the Importance of the Comic for His Ethics and Theology Will Williams, Ph.D. Mentor: Paul Martens, Ph.D. While some consider the comic to be a trivial subject, fit mainly for amusement or distraction, Søren Kierkegaard disagrees. This dissertation examines Kierkegaard’s understanding of the nature of the comic and how he believes even the triviality of comic jest to be deeply tied to ethical and theological earnestness. First, I examine Kierkegaard’s understanding of the comic, irony, and humor, drawing primarily from Concluding Unscientific Postscript (1846). I argue that, for Kierkegaard, the comic is a contradiction or misrelation that is essentially though not absolutely painless, providing a “way out.” The comic is a contradiction between norms, suggesting that it springs from one’s perspective in a way that holds important implications for one’s ethical and theological worldview. Kierkegaard believes that subjective development is closely tied to one’s capacity to perceive the comic, making the comic both diagnostic of and formative for one’s subjective state. For him, the Christian is far from humorless, instead having the maximum human capacity to perceive the comic. Next, I show that the previously argued conception of the comic can be found in other works by Kierkegaard: Prefaces (1844), Upbuilding Discourses in Various Spirits (1847), and the Corsair affair (c.1845-1848). Then, I examine representatives of the Deconstructionist tradition of reading Kierkegaard, namely Louis Mackey, Roger Poole, Elsebet Jegstrup, and Mark C. Taylor. I argue that, while they accurately perceive the widespread irony in Kierkegaard’s corpus, they incorrectly conclude that such irony is a sign of his lack of earnest interest in philosophy and theology. -
Introduction
Notes Introduction 1. Using the terms more or less interchangeably, in accordance with their pre- theoretical use in everyday language. I’m certainly not using ‘character’ in the derivative moral sense in which we accuse someone of ‘lacking character.’ Seigel (2005) p. 317. 2. Aristotle (1975) p. 120. 3. See for instance Urmson (1988) p. 92. 4. Aristotle (1975) p. 120. 5. Aristotle (1975) p. 121. 6. Williams (1981) p. 14. 7. My thanks to Poul Lübcke and Paul Muench for pointing this objection out to me. 8. Korsgaard (1996) pp. 247–8. My defense of what Korsgaard would reject as a form of romanticism depends largely on a belief that the dichotomy between an action’s being either passively impelled or actively chosen is not exhaustive, precisely because the distinction is more ambiguous than it may appear. 9. This seems to be what Mooney has in mind in his claim that, for Kierkegaard, asking ‘what will my response now be?’ in reaction to an evaluatively- structured apprehension of a morally obligating situation (such as coming across a roadside accident) can constitute an ‘acting in reflecting.’ Though the phrase ‘acting in reflecting’ may sound somewhat un-Kierkegaardian, I think it is entirely compatible with Kierkegaard if we take it that this refers to an Aristotelian deliberation on the appropriate means of responding rather than a deliberation on whether I should respond. Mooney (1996) p. 67. 10. Aristotle (1975) p. 41: ‘Now we deliberate not about ends but about the means to ends. For neither does a doctor deliberate whether he should make people healthy, nor an orator whether he should persuade, nor a statesman whether he should enact good laws and enforce them, nor anyone else about whatever the end may be, but positing an end, each of them considers how and by what means that end can be brought about.’ This has seemed puz- zling to many.