Kierkegaard in the Present Age
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The Authenticity of Faith in Kierkegaard's Philosophy
The Authenticity of Faith in Kierkegaard’s Philosophy The Authenticity of Faith in Kierkegaard’s Philosophy Edited by Tamar Aylat-Yaguri and Jon Stewart The Authenticity of Faith in Kierkegaard’s Philosophy, Edited by Tamar Aylat-Yaguri and Jon Stewart This book first published 2013 Cambridge Scholars Publishing Layout and cover design by K.Nun Design, Denmark 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Tamar Aylat-Yaguri, Jon Stewart and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4990-1, ISBN (13): 978-1-4438-4990-6 TABLE OF CONTENTS List of Contributors vi Introduction vii Acknowledgements xvi List of Abbreviations xvii Chapter One Jacob Golomb: Was Kierkegaard an Authentic Believer? 1 Chapter Two Shai Frogel: Acoustical Illusion as Self-Deception 12 Chapter Three Roi Benbassat: Faith as a Struggle against Ethical Self-Deception 18 Chapter Four Edward F. Mooney: A Faith that Defies Self-Deception 27 Chapter Five Darío González: Faith and the Uncertainty of Historical Experience 38 Chapter Six Jerome (Yehuda) Gellman: Constancy of Faith? Symmetry and Asymmetry in Kierkegaard’s Leap of Faith 49 Chapter Seven Peter Šajda: Does Anti-Climacus’ Ethical-Religious Theory of Selfhood Imply a Discontinuity of the Self? 60 Chapter Eight Tamar Aylat-Yaguri: Being in Truth and Being a Jew: Kierkegaard’s View of Judaism 68 Chapter Nine Jon Stewart, Kierkegaard and Hegel on Faith and Knowledge 77 Notes 93 CONTRIBUTORS Tamar Aylat-Yaguri, Department of Philosophy, Tel-Aviv University, Ramat-Aviv, P.O.B 39040, Tel-Aviv 61390, Israel. -
Albert Camus and Absurd Communication: from Undecidability to Übercommunication
Albert Camus and Absurd Communication: From Undecidability to Übercommunication by Jorge Lizarzaburu B.A., USFQ, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Communication 2012 This thesis entitled: Albert Camus and Absurd Communication: From Undecidability to Übercommunication written by Jorge M. Lizarzaburu has been approved for the Department of Communication Gerard Hauser Janice Peck Robert Craig Date 5/31/2012 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline iii Lizarzaburu, Jorge M. (M.A., Communication, Department of Communication) Albert Camus and Absurd Communication: From Undecidability to Übercommunication Thesis directed by professor Gerard Hauser Communication conceived as understanding is a normative telos among scholars in the field. Absurdity, in the work of Albert Camus, can provide us with a framework to go beyond communication understood as a binary (understanding and misunderstanding) and propose a new conception of communication as absurd. That is, it is an impossible task, however necessary thus we need to embrace its absurdity and value the effort itself as much as the result. Before getting into Camus’ arguments I explain the work of Friedrich Nietzsche to understand the French philosopher in more detail. I describe eternal recurrence and Übermensch as two concepts that can be related to communication as absurd. Then I explain Camus’ notion of absurdity using a Nietzschean lens. -
Introduction
INTRODUCTION It is one of the characteristics of the present age that books of the previous century are reissued with more or less— usually less—learned prefaces. The point is partly that the new edition should have something new in it; partly that the reader should be told what a great classic will confront him when he is done with the preface. The reader wants to be reassured that he is not going to waste his time. And he is also supposed to be anxious to know what he should think of the book—which is another way of saying that he is supposed to be afraid of having to think for himself, though this is after all the only kind of thinking there is. In Kierkegaard's words, in The Present Age, the reader must be reassured that ' something is going to happen,' for ' ours is the age of advertisement and publicity.' Indeed, the preface is expected to say what is going to happen—or, more precisely, which parts of what is about to happen may be safely forgotten, which points are memorable, and what observations about them should be remembered for use in conversation. The fact that a man wrote books to attack these and other features of the present age and that he strained to be offensive, especially to parsons and professors, provides no protection whatsoever. For it is also one of the features of the present age not to take offence, if only the author's reputation is above question and one can be sure that reading him is not a waste of time. -
The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and Drama Criticism Sheila O'brien Mcguckin University of New Hampshire, Durham
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1996 The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism Sheila O'Brien McGuckin University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation McGuckin, Sheila O'Brien, "The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism" (1996). Doctoral Dissertations. 1895. https://scholars.unh.edu/dissertation/1895 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
What Would Sam Waters Do? Guy Vanderhaeghe and Søren Kierkegaard
Stephen Dunning What Would Sam Waters Do? Guy Vanderhaeghe and Søren Kierkegaard He takes a step towards me [Ed]. I find myself thinking very hard. The inevitable question arises. What would Sam Waters do in such a situation? I have a good idea what Sam would do, but I know equally well that I am incapable of imitation. —Guy Vanderhaeghe, “Sam, Soren, and Ed” Reflection is not the evil; but a reflective condition and the deadlock which it involves, by transforming the capacity for action into a means of escape from action, is both corrupt and dangerous, and leads in the end to a retrograde movement. —Søren Kierkegaard, The Present Age Guy Vanderhaeghe is probably best known today as a regional, western Canadian writer with a strong bent towards historical fic- tion who, like his co-regionalists Robert Kroetsch and Rudy Wiebe, offers meticulously researched and darkly disturbing tales that challenge what were once comforting metanarratives of national expansion and consolida- tion. Witness The Englishman’s Boy in which Shorty McAdoo finally recounts his story of the infamous Cypress Hill Massacre (1873), thereby discredit- ing a Hollywood producer’s attempt to appropriate the event as nationalist propaganda. This authorial agenda, which here and elsewhere deconstructs European cultural pretensions, has led many to read Vanderhaeghe as a thoroughly secular, postmodern author in Jean-Francios Lyotard’s sense of the word, namely one deeply suspicious of all metanarrative—including, of course, religious metanarrative (xxiv).1 Sue Sorensen, however, proves an exception, showing in her recent essay that his fiction is deeply engaged with religious matters, which should not surprise given that Vanderhaeghe in an early interview not only identifies the Bible as his foremost influence, but also confesses to being a Christian, though he adds he may be “an eccentric and anarchic one” (28). -
Kierkegaard, Literature, and the Arts
Kierke gaard, Literature, and the Arts Engraving, ca. 1837, by Carl Strahlheim showing the Gendarmenmarkt in Berlin, with what was then the Schauspielhaus, or Theater (center)— now the concert house of the Konzerthausorchester Berlin— flanked by the German Cathedral (left) and the French Cathedral (right). Pictured in the background to the immediate right of the theater is the building, still standing today, in which Kierkegaard lodged during his four stays in Berlin, in 1841– 42, 1843, 1845, and 1846. It was there, as noted by a plaque outside, that Kierkegaard wrote the first drafts of Either/Or, Repetition, and Fear and Trembling. Kierkegaard, Literature, and the Arts Edited by Eric Ziolkowski northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2018 by Northwestern University Press. Published 2018. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Names: Ziolkowski, Eric Jozef, 1958– editor. Title: Kierkegaard, literature, and the arts / edited by Eric Ziolkowski. Description: Evanston, Illinois : Northwestern University Press, 2018. | Includes index. Identifiers: LCCN 2017029795 | ISBN 9780810135970 (cloth : alk. paper) | ISBN 9780810135963 (pbk. : alk. paper) | ISBN 9780810135987 (e-book) Subjects: LCSH: Kierkegaard, Søren, 1813–1855. | Kierkegaard, Søren, 1813– 1855—Aesthetics. | Literature—Philosophy. | Music and philosophy. | Art and philosophy. | Performing arts—Philosophy. Classification: LCC B4377 .K4558 2018 | DDC 198.9—dc23 LC record available at https://lccn.loc.gov/2017029795 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. -
Despairing Over the Present Age
Despairing over the Present Age Author: Brodie John Gilchrist Persistent link: http://hdl.handle.net/2345/706 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2009 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of Political Science DESPAIRING OVER THE PRESENT AGE: SØREN KIERKEGAARD AND MODERNIZATION. A Thesis By Brodie Gilchrist submitted in partial fulfillment of the requirements for the degree of Masters of Arts May 2009 © copyright by BRODIE JOHN GILCHRIST 2009 Abstract Despairing over the Present Age by Brodie Gilchrist – Advisor Robert Faulkner 19th Century Danish thinker Søren Kierkegaard believed society alienates individuals from their true selves. Kierkegaard entitles this concept “despair.” As such, despair deals not only with Kierkegaard’s interpretation of the individual but also of the evolution of societies. While arguing that despair has existed throughout human history, this paper is an exploration of the ways in which modern or “Present Age” societies uniquely exacerbate despair according to Kierkegaard. This work begins with an in-depth look at Kierkegaard’s interpretation of the individual and of the self and then addresses the difference between modern and pre-modern societies. Analysis of Kierkegaard’s works concludes with a discussion of modern social institutions and their contributions to the problems of the present age. Chapter 1: Introduction 19 th Century Danish thinker Søren Kierkegaard has been revered for his penetrating theological works. In addition to his theological treatises, Kierkegaard also wrote a series of predictions and warnings regarding the development of the present age and the social evolution of the individual. -
Introduction
Notes Introduction 1. Using the terms more or less interchangeably, in accordance with their pre- theoretical use in everyday language. I’m certainly not using ‘character’ in the derivative moral sense in which we accuse someone of ‘lacking character.’ Seigel (2005) p. 317. 2. Aristotle (1975) p. 120. 3. See for instance Urmson (1988) p. 92. 4. Aristotle (1975) p. 120. 5. Aristotle (1975) p. 121. 6. Williams (1981) p. 14. 7. My thanks to Poul Lübcke and Paul Muench for pointing this objection out to me. 8. Korsgaard (1996) pp. 247–8. My defense of what Korsgaard would reject as a form of romanticism depends largely on a belief that the dichotomy between an action’s being either passively impelled or actively chosen is not exhaustive, precisely because the distinction is more ambiguous than it may appear. 9. This seems to be what Mooney has in mind in his claim that, for Kierkegaard, asking ‘what will my response now be?’ in reaction to an evaluatively- structured apprehension of a morally obligating situation (such as coming across a roadside accident) can constitute an ‘acting in reflecting.’ Though the phrase ‘acting in reflecting’ may sound somewhat un-Kierkegaardian, I think it is entirely compatible with Kierkegaard if we take it that this refers to an Aristotelian deliberation on the appropriate means of responding rather than a deliberation on whether I should respond. Mooney (1996) p. 67. 10. Aristotle (1975) p. 41: ‘Now we deliberate not about ends but about the means to ends. For neither does a doctor deliberate whether he should make people healthy, nor an orator whether he should persuade, nor a statesman whether he should enact good laws and enforce them, nor anyone else about whatever the end may be, but positing an end, each of them considers how and by what means that end can be brought about.’ This has seemed puz- zling to many. -
Navigating Authenticity in the Age of the Internet a Phenomenological Exploration of the Existential Effects of Social Media
University of Central Florida STARS HIM 1990-2015 2012 Navigating authenticity in the age of the internet a phenomenological exploration of the existential effects of social media Douglas Zimmerman University of Central Florida Part of the Philosophy Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Zimmerman, Douglas, "Navigating authenticity in the age of the internet a phenomenological exploration of the existential effects of social media" (2012). HIM 1990-2015. 1378. https://stars.library.ucf.edu/honorstheses1990-2015/1378 NAVIGATING AUTHENTICITY IN THE AGE OF THE INTERNET: A PHENOMENOLOGICAL EXPLORATION OF THE EXISTENTIAL EFFECTS OF SOCIAL MEDIA by DOUGLAS ZIMMERMAN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Philosophy in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term 2012 Thesis Chair: Dr. Michael Strawser ABSTRACT Our world is a world of technology, and technology is part of what has made human beings so adept at survival. Yet, the 21st century has seen a new type of technology that is unlike anything ever seen before. This new information technology is known as social media (including such things as Facebook, Twitter, MySpace, etc.), and it has the power to influence our very being. -
Kierkegaard, Camus, and the Philosophy of Love
University of Central Florida STARS HIM 1990-2015 2013 Upbuilding Oppositions: Kierkegaard, Camus, and the Philosophy of Love Jesus Luzardo University of Central Florida Part of the Philosophy Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Luzardo, Jesus, "Upbuilding Oppositions: Kierkegaard, Camus, and the Philosophy of Love" (2013). HIM 1990-2015. 1814. https://stars.library.ucf.edu/honorstheses1990-2015/1814 UPBUILDING OPPOSITIONS: KIERKEGAARD, CAMUS, AND THE PHILOSOPHY OF LOVE by JESUS LUZARDO A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Philosophy in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Fl Spring 2013 Thesis Chair: Dr. Michael Strawser ABSTRACT Despite the fact that they are both known as leading figures of existentialism, the relationship between 19th century Danish philosopher Søren Kierkegaard and 20th century French philosopher and novelist Albert Camus has largely gone unexplored in secondary scholarship. In the few times that their relationship is discussed, focus is heavily placed on the most obvious difference between the two thinkers: their religious orientations, which tends to prevent any further analysis or discussion. Furthermore, popular conceptions of each thinker — largely informed by their most popular works, arguably Fear and Trembling and The Myth of Sisyphus, respectively — tend to depict them as pessimistic and individualistic figures, the former basing his philosophy on an irrational leap of faith and the latter basing his own on the world’s meaninglessness and absurdity. -
Kierkegaard, Religion and the Nineteenth-Century Crisis of Culture
KIERKEGAARD, RELIGION AND THE NINETEENTH-CENTURY CRISIS OF CULTURE GEORGE PATTISON University of Aarhus PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CBRU,UK West th Street, New York, NY -,USA Williamstown Road, Port Melbourne, VIC , Australia Ruiz de Alarc´on , Madrid, Spain Dock House, The Waterfront, Cape Town , South Africa http://www.cambridge.org C George Pattison This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeface Baskerville /. pt System LATEX ε [TB] A catalogue record for this book is available from the British Library ISBN hardback ISBN x paperback Contents Preface page ix Acknowledgements xi List of abbreviations xiv The sublime, the city and the present age Kierkegaard and the world of the feuilletons The present age: the age of the city ‘Cosmopolitan faces’ Food for thought A literary scandal The reception of Either/Or New Year’s Day Kierkegaard and the nineteenth century () Manet Kierkegaard and the nineteenth century () Dostoevsky Learning to read the signs of the times Bibliography Index vii CHAPTER The sublime, the city and the present age I The concept of the sublime is, perhaps -
The Dialectic of Sin and Faith in “Being Able to Be Oneself”
Open Theology 2019; 5: 367–376 Phenomenology of Religious Experience III: Visuality, Imagination, and the Nikolaj Zunic* Lifeworld The Dialectic of Sin and Faith in “Being Able to be Oneself” https://doi.org/10.1515/opth-2019-0031 Received May 10, 2019; accepted September 10, 2019 Abstract: Kierkegaard understands the human self as a process of becoming that is situated in a dialectical relation between sin and faith. The chief task of each human being is to become a true self, instead of assuming a fraudulent identity. This authentic selfhood is grounded in the possibility to be oneself, a condition that is established in faith. Yet this achievement of true selfhood presupposes a state of sin in which the self is regarded as necessarily existing. Thus the aim of this essay is to demonstrate how Kierkegaard argues for a novel modern conception of the self as a dynamic interplay between possibility and necessity, sin and faith, in his attempt to respond to the spiritlessness of his age by vindicating the truth of Christianity. Keywords: Kierkegaard, authenticity, self-knowledge, paradox, possibility, Christianity 1 Introduction In our present age a widespread phenomenon, found particularly but not exclusively among young people, is the quest for self-discovery, or expressed more colloquially, “finding oneself”. This becomes an issue for many because of a sense of disorientation and confusion in one’s station in life and is pursued through various means, such as personal relationships, the education system, career choices, family situations, leisure activities, and so on. Human beings want to discover their place in the world, a situation which bestows meaning and value on their lives, but more importantly they are in search of realizing their true selves.