Purity of Heart Is to Will One Thing by Sören Kierkegaard
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Robert R. Cook S~Ren Kierkegaard
EQ 87:4 (1987), 311-327 Robert R. Cook S~ren Kierkegaard: Missionary to Christendom It was, we understand, Professor Gordon Rupp who coined the usejUl word 'rebunk' to denote a more positive activity than the much more common practice of 'debunking' ideas and people. Mr Cook, a teapher at the Scott Theological College in Kenya, offers an essay which falls into this helpful category of showing us what we may learn from a figure who has not always been appreciated by evangelical Christians. I. A Reappraisal Evangelicals have tended to be very wary of Kierkegaard. His profound influence on the early Barth is well known and the consequent Neo-Orthodox obsessions with God as utterly trans cendent and revelation as irrational and non-propositional have been profoundly regretted. Similarly Bultmann's lamentable disinterest in the Jesus of history can clearly be traced back to Kierkegaard,1 In fact a wide variety of modernist themes are embryonically present in lesser known strands of his thought. For example, does not the following sound like an extract from a Tillich sermon?: '.. while the jesting phrase winds its way drolly through the rest of the conversation, the speaker may privately have a rendezvous with the deity, who is present as soon as the uncertainty of all things is thought infinitely.'2 Or when Kierkegaard asserts that the sincere idol worshipper is enjoying a relationship with the living God for ' ... if only the mode of this relationshp is in the truth, the individual is in the truth even if it should happen to be thus related to what is not true',3 he is surely an unwitting precursor of such religious pluralists asJ. -
Cutting Patterns in DW Griffith's Biographs
Cutting patterns in D.W. Griffith’s Biographs: An experimental statistical study Mike Baxter, 16 Lady Bay Road, West Bridgford, Nottingham, NG2 5BJ, U.K. (e-mail: [email protected]) 1 Introduction A number of recent studies have examined statistical methods for investigating cutting patterns within films, for the purposes of comparing patterns across films and/or for summarising ‘average’ patterns in a body of films. The present paper investigates how different ideas that have been proposed might be combined to identify subsets of similarly constructed films (i.e. exhibiting comparable cutting structures) within a larger body. The ideas explored are illustrated using a sample of 62 D.W Griffith Biograph one-reelers from the years 1909–1913. Yuri Tsivian has suggested that ‘all films are different as far as their SL struc- tures; yet some are less different than others’. Barry Salt, with specific reference to the question of whether or not Griffith’s Biographs ‘have the same large scale variations in their shot lengths along the length of the film’ says the ‘answer to this is quite clearly, no’. This judgment is based on smooths of the data using seventh degree trendlines and the observation that these ‘are nearly all quite different one from another, and too varied to allow any grouping that could be matched against, say, genre’1. While the basis for Salt’s view is clear Tsivian’s apparently oppos- ing position that some films are ‘less different than others’ seems to me to be a reasonably incontestable sentiment. It depends on how much you are prepared to simplify structure by smoothing in order to effect comparisons. -
Kierkegaard on Selfhood and Our Need for Others
Kierkegaard on Selfhood and Our Need for Others 1. Kierkegaard in a Secular Age Scholars have devoted much attention lately to Kierkegaard’s views on personal identity and, in particular, to his account of selfhood.1 Central to this account is the idea that a self is not something we automatically are. It is rather something we must become. Thus, selfhood is a goal to realize or a project to undertake.2 To put the point another way, while we may already be selves in some sense, we have to work to become real, true, or “authentic” selves.3 The idea that authentic selfhood is a project is not unique to Kierkegaard. It is common fare in modern philosophy. Yet Kierkegaard distances himself from popular ways of thinking about the matter. He denies the view inherited from Rousseau that we can discover our true selves by consulting our innermost feelings, beliefs, and desires. He also rejects the idea developed by the German Romantics that we can invent our true selves in a burst of artistic or poetic creativity. In fact, according to Kierkegaard, becom- ing an authentic self is not something we can do on our own. If we are to succeed at the project, we must look beyond ourselves for assistance. In particular, Kierkegaard thinks, we must rely on God. For God alone can provide us with the content of our real identi- ties.4 A longstanding concern about Kierkegaard arises at this point. His account of au- thentic selfhood, like his accounts of so many concepts, is religious. -
Søren Kierkegaard's View of Faith Found in Fear And
SØREN KIERKEGAARD’S VIEW OF FAITH FOUND IN FEAR AND TREMBLING AND PRACTICE IN CHRISTIANITY David Pulliam Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of Philosophy Indiana University September 2016 ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Dr. Samuel J.M. Khan, PhD __________________________________ Dr. Cornelis de Waal, PhD __________________________________ Dr. David Pfeifer, PhD iii David Pulliam Søren Kierkegaard’s view of Faith found in Fear and Trembling and Practice in Christianity In this paper I discuss two key works written by Søren Kierkegaard, Fear and Trembling and Practice in Christianity, under the pseudonyms Johannes de Silentio and Anti-Climacus respectively. I focus on three questions: what is Johannes view of faith, what is Anti-Climacus’ view of faith and how are these Kierkegaard’s conclusions? I argue that stemming from Johannes’ and Anti-Climacus’ points of view, Kierkegaard’s view of faith is the aligning of the self in a trusting relationship with the God-man. One outside of faith can perceive faith to be a paradox or find faith offensive; one must have faith to avoid offense and overcome the paradox. Chapter 1 focuses on the connection between Kierkegaard and his pseudonyms using his work The Point of View. In this chapter I map out Kierkegaard’s method of communication and the purpose for his use of pseudonyms. Chapter 2 focuses on Johannes’ view of faith in Fear and Trembling. -
The Use of Tactical Absurdity in (Post-)Conceptual Art Practice
University of Southampton Faculty of Arts and Humanities Winchester School of Art The Use of Tactical Absurdity in (Post-)Conceptual Art Practice by Dave Ball Thesis for the degree of Doctor of Philosophy Sep 2020 1 University of Southampton Abstract Faculty of Arts and Humanities, Winchester School of Art The Use of Tactical Absurdity in (Post-)Conceptual Art Practice by Dave Ball The ‘tactical absurdity’ forwarded in this research emerged out of my own practice. I, like many other artists working in a conceptual tradition, was producing work that appeared to operate through some sort of absurdity, and with some sort of intentionality. There was, however, almost nothing in the literature that could account for this approach. The term ‘absurdity’ is deployed by artists, critics, and curators alike with little precision or consistency; usages borrowed from literature or existential philosophy sit alongside everyday understandings, and frequently fail to discriminate between absurdity as a formal device and absurdity as a subject-matter. Its meaning is treated as self-evident. Adopting an emergent and autoethnographic practice-based methodology, this research furnishes a practical and theoretical understanding of the operation of tactical absurdity deployed as a device in (post-)conceptual art practice. Over the course of the research, five objectives are achieved: (i) to define the concept of absurdity; (ii) to establish a context for the use of tactical absurdity in contemporary (post-)conceptual art practice; (iii) to develop a body of work that operates through tactical absurdity; (iv) to account for its emergence within a practice; and (v) to forward a theoretical analysis of its functionality and value modelled through notions of relativity, generativity, and criticality. -
Søren Kierkegaard Newsletter
Søren Kierkegaard Newsletter A Publication of the Howard and Edna Hong Kierkegaard Library NUMBER 66: December 2016 Contents ‘ ANNOUNCEMENTS AND NEWS 2 BOOK REVIEWS The Isolated Self: Irony as Truth and Untruth in Søren Kierkegaard's On the Concept of Irony by Brian Söderquist 2 Reviewed by Will Williams Kierkegaard and the Refusal of Transcendence by Steven Shakespeare Reviewed by Lucas Piccinin Lazzaretti 5 Unto the Abyss of Despair—Kierkegaard’s Aesthetic Sphere of Existence (走向绝望的深渊——克尔凯郭尔的美学生活境界) by Wang Qi (王齐) 6 Reviewed by Chingshun J. Sheu ARTICLES Philosophical Fragments: The Infinite Comic Drama Anthony Eagan 8 Tribute to David Kangas Martin Kavka 16 Tribute to Per Lønning Rune Engebretsen 18 Editor: Gordon D. Marino Editorial Intern: Lucas Shurson Assistant Editorial Intern: Emily Shimota Managing Editor: Eileen Shimota Assistant Editor: Begonya Saez Tajafuerce Assistant Editor: Rafael García Pavón Assistant Editor: Catalina Elena Dobre Assistant Editor: Leo Stan Assistant Editor: Christina Danko 1 ANNOUNCEMENTS AND NEWS Professor Anthony Rudd will deliver the lecture in spring 2017. International Kierkegaard Conference Though an exact date has not been established yet, the Library will host the Eighth International Kierkegaard Conference in the summer of 2018. Dr. Richard Purkarthofer will give the plenary lecture. In addition, for more information from the Hong Kierkegaard Library and other news from Kierkegaard scholars and related groups around the world, please see the website of the Hong Kierkegaard Library at http://wp.stolaf.edu/kierkegaard/. K. Brian Söderquist. The Isolated Self: Irony as Truth and Untruth in Søren Kierkegaard's On the Concept of Irony Copenhagen: Søren Kierkegaard Research Centre and C. -
Kierkegaard And/Or Catholicism: a Matter of Conjunctions Center for Catholic Studies, Seton Hall University
Seton Hall University eRepository @ Seton Hall Center for Catholic Studies Faculty Seminars and Center for Catholic Studies Core Curriculum Seminars 2008 Kierkegaard and/or Catholicism: A Matter of Conjunctions Center for Catholic Studies, Seton Hall University Follow this and additional works at: https://scholarship.shu.edu/catholic-studies Part of the Christianity Commons, Practical Theology Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Center for Catholic Studies, Seton Hall University, "Kierkegaard and/or Catholicism: A Matter of Conjunctions" (2008). Center for Catholic Studies Faculty Seminars and Core Curriculum Seminars. 14. https://scholarship.shu.edu/catholic-studies/14 Seton Hall University eRepository @ Seton Hall Center for Catholic Studies Faculty Seminars Proceedings Summer 2008 Kierkegaard and/or Catholicism: A Matter of Conjuctions Center for Catholic Studies, Seton Hall University Follow this and additional works at: http://scholarship.shu.edu/summer-seminars Part of the Christianity Commons, Practical Theology Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Center for Catholic Studies, Seton Hall University, "Kierkegaard and/or Catholicism: A Matter of Conjuctions" (2008). Center for Catholic Studies Faculty Seminars. Paper 4. http://scholarship.shu.edu/summer-seminars/4 ―Kierkegaard and/or Catholicism: A Matter of Conjuctions‖ 2008 Summer Seminar Center for Catholic Studies Seton Hall University CENTER FOR CATHOLIC STUDIES Faculty Summer Seminar 2008 ―Kierkegaard and/or Catholicism: A Matter of Conjunctions‖ Facilitator: William Cahoy Dean, School of Theology and Seminary, Saint John’s University May 20-22 (8:30 am to 12:00 pm) “Kierkegaard and/or Catholicism: A matter of conjunctions” It is often said (accurately) that one of the distinguishing marks of a Catholic understanding of life is its both-and approach in contrast to the either-or approach more characteristic of a Protestant sensibil- ity. -
(Updated: 12/01/2020) Department of Philosophy SO
MARINA PAOLA BANCHETTI CURRICULUM VITAE (Updated: 12/01/2020) Department of Philosophy SO 283 – P.O. Box 3091 Florida Atlantic University 777 Glades Road Boca Raton, Florida 33431-0991 [email protected] ________________________________________________________________________ EDUCATION Ph.D. Philosophy (1991) University of Miami Dissertation: “Edmund Husserl: Intentionality and Meaning” Master of Arts Philosophy (1990) University of Miami Bachelor of Arts English, Philosophy (1985) Minors: History, Chemistry University of Miami MAJOR FIELDS • Phenomenology • Philosophy of Science • Philosophy of Language • Philosophy of Mind • Philosophical Orientation: Analytico-Phenomenological 2 LANGUAGES • Italian (Native/bilingual speaking, reading, and writing proficiency) • French (Native/bilingual speaking, reading, and writing proficiency) • Spanish (Native/bilingual speaking, reading, and writing proficiency) • Portuguese (Full reading proficiency) PROFESSIONAL EXPERIENCE 2001- Associate Professor Present Department of Philosophy Florida Atlantic University 1995- Assistant Professor 2001 Department of Philosophy Florida Atlantic University 1993- Visiting Assistant Professor 1995 Department of Philosophy Florida Atlantic University Summer Adjunct Professor of Humanities 1993 Miami-Dade Community College 1992- Adjunct Professor of Philosophy 1993 Florida A&M University 1990- Instructor, Dept. of Philosophy 1991 University of Miami 1986- Teaching Assistant, Dept. of Philosophy 1989 University of Miami ADMINISTRATIVE EXPERIENCE 2017- Chair 2019 Department -
The Reader and the Poet
THE READER AND THE POET THE TRANSFORMATION OF LATIN POETRY IN THE FOURTH CENTURY A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Aaron David Pelttari August 2012 i © 2012 Aaron David Pelttari ii The Reader and the Poet: The Transformation of Latin Poetry in the Fourth Century Aaron Pelttari, Ph.D. Cornell University 2012 In Late Antiquity, the figure of the reader came to play a central role in mediating the presence of the text. And, within the tradition of Latin poetry, the fourth century marks a turn towards writing that privileges the reader’s involvement in shaping the meaning of the text. Therefore, this dissertation addresses a set of problems related to the aesthetics of Late Antiquity, the reception of Classical Roman poetry, and the relation between author and reader. I begin with a chapter on contemporary methods of reading, in order to show the ways in which Late Antique authors draw attention to their own interpretations of authoritative texts and to their own creation of supplemental meaning. I show how such disparate authors as Jerome, Augustine, Servius, and Macrobius each privileges the work of secondary authorship. The second chapter considers the use of prefaces in Late Antique poetry. The imposition of paratextual borders dramatized the reader’s involvement in the text. In the third chapter, I apply Umberto Eco’s idea of the open text to the figural poetry of Optatianus Porphyrius, to the Psychomachia of Prudentius, and to the centos from Late Antiquity. -
Choices Made
CHOICES MADE CHOICE MADE A Memoir by David T. McLaughlin with Howard J. Coffin HANOVER NEW HAMPSHIRE 2007 THIS PUBLICATION HAS BEEN BROUGHT ABOUT THROUGH AN INITIATIVE BY AND THE ONGOING ENCOURAGEMENT OF Frederick B. Whittemore ALSO CENTRAL TO PROJECTION OF THE BOOK HAVE BEEN Berl Bernhard, John L. Callahan Jr., and Mona M. Chamberlain AND OVERALL PREPARATION HAS BEEN COORDINATED BY Edward Connery Lathem Copyright © 2007 by Judith Landauer McLaughlin TITLE-PAGE ILLUSTRATION: DAVID T. MCLAUGHLIN in the entryway of the President's Office at Dartmouth College —1984 Photograph by Nancy Wasserman CONTENTS Introduction • vii 1: Doing the Right Thing • 3 2: The Beginning 1 • 14 3 : Formative Values • 25 4: The Test • 34 5: Service • 43 6 : The Beginning 11-50 7: Knowing When to Leave • 60 8: Knowing When to Arrive • 72 9: Transition • 90 10 : Hard Choices • 103 11: Pomp and Ceremony • 114 12: Priorities • 130 13: Reality 1 • 140 14: Reality 11 • 153 15: Using Authority • 169 16 : Providing for the Future • 187 17: Below the Line • 199 18 : Life Goes On • 208 Chronology • 225 Index • 229 BY WAY OF PREFACE AT his death in 2004, David McLaughlin left behind the text here pub- JLJL lished. In a statement he drafted regarding the nature of his projected volume, he characterized what had been written by him and his collabora tor as being "a personal memoir, one focusing centrally upon my relation ship during more than half a century to my alma mater, Dartmouth Col lege." However, it was of course, he emphasized, "not intended as a history of the college during the time discussed." He then went on to indicate that what had been produced was also, essentially, "about institutional gover nance within the context of higher education"—declaring: "It is hoped that this publication may serve to inform boards of trustees about certain criteria that can be employed in choosing presidential succes sors. -
A Kierkegaardian Understanding of Self and Society: an Existential Sociology
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-1998 A Kierkegaardian Understanding of Self and Society: An Existential Sociology Chris L. Jakway Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Theory, Knowledge and Science Commons Recommended Citation Jakway, Chris L., "A Kierkegaardian Understanding of Self and Society: An Existential Sociology" (1998). Dissertations. 1557. https://scholarworks.wmich.edu/dissertations/1557 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. A KIERKEGAARD IAN UNDERSTANDING OF SELF AND SOCIETY: AN EXISTENTIAL SOCIOLOGY by Chris L. Jakway A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Western Michigan University Kalamazoo, Michigan June 1998 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A KEERKEGAARDIAN UNDERSTANDING OF SELF AND SOCIETY: AN EXISTENTIAL SOCIOLOGY Chris L. Jakway, PhD. Western Michigan University, 1998 In examining the history and development of existential sociology, it becomes clear that in its initial phases it was not intended to oppose traditional sociological research, but to complement it. I intend to show that the contemporary chasm between the methodologies can be narrowed with a reconsideration of their common roots in the work of G.H. -
The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and Drama Criticism Sheila O'brien Mcguckin University of New Hampshire, Durham
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1996 The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism Sheila O'Brien McGuckin University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation McGuckin, Sheila O'Brien, "The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism" (1996). Doctoral Dissertations. 1895. https://scholars.unh.edu/dissertation/1895 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.