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  • A Kierkegaardian Understanding of Self and Society: an Existential Sociology
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-1998 A Kierkegaardian Understanding of Self and Society: An Existential Sociology Chris L. Jakway Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Theory, Knowledge and Science Commons Recommended Citation Jakway, Chris L., "A Kierkegaardian Understanding of Self and Society: An Existential Sociology" (1998). Dissertations. 1557. https://scholarworks.wmich.edu/dissertations/1557 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. A KIERKEGAARD IAN UNDERSTANDING OF SELF AND SOCIETY: AN EXISTENTIAL SOCIOLOGY by Chris L. Jakway A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Western Michigan University Kalamazoo, Michigan June 1998 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A KEERKEGAARDIAN UNDERSTANDING OF SELF AND SOCIETY: AN EXISTENTIAL SOCIOLOGY Chris L. Jakway, PhD. Western Michigan University, 1998 In examining the history and development of existential sociology, it becomes clear that in its initial phases it was not intended to oppose traditional sociological research, but to complement it. I intend to show that the contemporary chasm between the methodologies can be narrowed with a reconsideration of their common roots in the work of G.H.
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  • Kierkegaard, Literature, and the Arts
    Kierke gaard, Literature, and the Arts Engraving, ca. 1837, by Carl Strahlheim showing the Gendarmenmarkt in Berlin, with what was then the Schauspielhaus, or Theater (center)— now the concert house of the Konzerthausorchester Berlin— flanked by the German Cathedral (left) and the French Cathedral (right). Pictured in the background to the immediate right of the theater is the building, still standing today, in which Kierkegaard lodged during his four stays in Berlin, in 1841– 42, 1843, 1845, and 1846. It was there, as noted by a plaque outside, that Kierkegaard wrote the first drafts of Either/Or, Repetition, and Fear and Trembling. Kierkegaard, Literature, and the Arts Edited by Eric Ziolkowski northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2018 by Northwestern University Press. Published 2018. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Names: Ziolkowski, Eric Jozef, 1958– editor. Title: Kierkegaard, literature, and the arts / edited by Eric Ziolkowski. Description: Evanston, Illinois : Northwestern University Press, 2018. | Includes index. Identifiers: LCCN 2017029795 | ISBN 9780810135970 (cloth : alk. paper) | ISBN 9780810135963 (pbk. : alk. paper) | ISBN 9780810135987 (e-book) Subjects: LCSH: Kierkegaard, Søren, 1813–1855. | Kierkegaard, Søren, 1813– 1855—Aesthetics. | Literature—Philosophy. | Music and philosophy. | Art and philosophy. | Performing arts—Philosophy. Classification: LCC B4377 .K4558 2018 | DDC 198.9—dc23 LC record available at https://lccn.loc.gov/2017029795 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/.
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  • Purity of Heart Is to Will One Thing by Sören Kierkegaard
    Purity of Heart Is to Will One Thing by Sören Kierkegaard This book was first published by Harper in 1938. It was translated from the Danish and contains an introductory essay by Douglas V. Steere. Prepared for Religion Online by Ted and Willie Brock. Translator’s Introduction by Douglas V. Steere A helpful summary of Kierketaard's basic positions, written by an outstanding scholar of his work. Douglass Steere was Professor of philosophy at Haverford College. Preface A woman doing needlework on an altar cloth does not want the work admired or criticized, but rather that the intent of the work is that it be seen for its higher purpose. Kierkegaard desires his writing receive the same attention. Chapter 1: Introduction: Man and the Eternal In relation to the eternal, a man ages neither in the sense of time nor in the sense of an accumulation of past events. There is something eternal in a man, and the eternal must be able to exist and to be grasped within every change. Chapter 2: Remorse, Repentance, Confession: Eternity’s Emissaries to Man Remorse is a guide that calls out to the wanderer that he should take care. In confession one becomes at one with himself. Chapter 3: Barriers to Willing One Thing: Variety and Great Moments Are Not One Thing To will one thing can only mean to will the good, because every other object is not a unity. The will that only wills that another object, therefore, must become double-minded. Chapter 4: Barriers to Willing One Thing: The Reward-Disease If a man can will one thing, then he must will the Good, for the Good alone is one.
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  • Despairing Over the Present Age
    Despairing over the Present Age Author: Brodie John Gilchrist Persistent link: http://hdl.handle.net/2345/706 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2009 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of Political Science DESPAIRING OVER THE PRESENT AGE: SØREN KIERKEGAARD AND MODERNIZATION. A Thesis By Brodie Gilchrist submitted in partial fulfillment of the requirements for the degree of Masters of Arts May 2009 © copyright by BRODIE JOHN GILCHRIST 2009 Abstract Despairing over the Present Age by Brodie Gilchrist – Advisor Robert Faulkner 19th Century Danish thinker Søren Kierkegaard believed society alienates individuals from their true selves. Kierkegaard entitles this concept “despair.” As such, despair deals not only with Kierkegaard’s interpretation of the individual but also of the evolution of societies. While arguing that despair has existed throughout human history, this paper is an exploration of the ways in which modern or “Present Age” societies uniquely exacerbate despair according to Kierkegaard. This work begins with an in-depth look at Kierkegaard’s interpretation of the individual and of the self and then addresses the difference between modern and pre-modern societies. Analysis of Kierkegaard’s works concludes with a discussion of modern social institutions and their contributions to the problems of the present age. Chapter 1: Introduction 19 th Century Danish thinker Søren Kierkegaard has been revered for his penetrating theological works. In addition to his theological treatises, Kierkegaard also wrote a series of predictions and warnings regarding the development of the present age and the social evolution of the individual.
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  • Camus, Qohelet, and the Confrontation with the Absurd
    Morgan 1 Living in the Tensions: Camus, Qohelet, and the Confrontation with the Absurd A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Justin Keith Morgan 15 April 2011 Morgan 2 Liberty University School of Communication Master of Arts in English ___________________________________________________________________________ Dr. Mark Schmidt, Thesis Chair Date ___________________________________________________________________________ Dr. Karen Prior, First Reader Date ___________________________________________________________________________ Dr. Alan Fuhr, Second Reader Date Morgan 3 This thesis is dedicated to my best friend, Alicia Valere. Morgan 4 Acknowledgements I wish to express my deepest gratitude to: my professors and fellow classmates—for inspiring me to be a pursuer of God and His Truth; Dr. Mark Schmidt, Dr. Karen Prior, and Dr. Alan Fuhr—for your guidance and wisdom; my siblings—Ashley, Dallas, and Tahlia—for your friendship; my father and mother—for raising me in a God-fearing home; Alicia, my love—for the encouragement and distractions; Jesus Christ, author of my life—for redemption. Morgan 5 Table of Contents Signatures…………………………………………………………………………………….2 Dedication…………………………………………………………………………………….3 Acknowledgements………………………………………………………………………..…4 Table of Contents………………………………………………………………......………...5 Abstract…………………………………………………………………………………...…..6 Introduction: Connecting Camus and Qohelet………………………………..…………...…7 Chapter One: The Burden of Knowing:
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  • ABSTRACT the Legitimacy of the Comic: Kierkegaard and The
    ABSTRACT The Legitimacy of the Comic: Kierkegaard and the Importance of the Comic for His Ethics and Theology Will Williams, Ph.D. Mentor: Paul Martens, Ph.D. While some consider the comic to be a trivial subject, fit mainly for amusement or distraction, Søren Kierkegaard disagrees. This dissertation examines Kierkegaard’s understanding of the nature of the comic and how he believes even the triviality of comic jest to be deeply tied to ethical and theological earnestness. First, I examine Kierkegaard’s understanding of the comic, irony, and humor, drawing primarily from Concluding Unscientific Postscript (1846). I argue that, for Kierkegaard, the comic is a contradiction or misrelation that is essentially though not absolutely painless, providing a “way out.” The comic is a contradiction between norms, suggesting that it springs from one’s perspective in a way that holds important implications for one’s ethical and theological worldview. Kierkegaard believes that subjective development is closely tied to one’s capacity to perceive the comic, making the comic both diagnostic of and formative for one’s subjective state. For him, the Christian is far from humorless, instead having the maximum human capacity to perceive the comic. Next, I show that the previously argued conception of the comic can be found in other works by Kierkegaard: Prefaces (1844), Upbuilding Discourses in Various Spirits (1847), and the Corsair affair (c.1845-1848). Then, I examine representatives of the Deconstructionist tradition of reading Kierkegaard, namely Louis Mackey, Roger Poole, Elsebet Jegstrup, and Mark C. Taylor. I argue that, while they accurately perceive the widespread irony in Kierkegaard’s corpus, they incorrectly conclude that such irony is a sign of his lack of earnest interest in philosophy and theology.
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  • Navigating Authenticity in the Age of the Internet a Phenomenological Exploration of the Existential Effects of Social Media
    University of Central Florida STARS HIM 1990-2015 2012 Navigating authenticity in the age of the internet a phenomenological exploration of the existential effects of social media Douglas Zimmerman University of Central Florida Part of the Philosophy Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Zimmerman, Douglas, "Navigating authenticity in the age of the internet a phenomenological exploration of the existential effects of social media" (2012). HIM 1990-2015. 1378. https://stars.library.ucf.edu/honorstheses1990-2015/1378 NAVIGATING AUTHENTICITY IN THE AGE OF THE INTERNET: A PHENOMENOLOGICAL EXPLORATION OF THE EXISTENTIAL EFFECTS OF SOCIAL MEDIA by DOUGLAS ZIMMERMAN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Philosophy in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term 2012 Thesis Chair: Dr. Michael Strawser ABSTRACT Our world is a world of technology, and technology is part of what has made human beings so adept at survival. Yet, the 21st century has seen a new type of technology that is unlike anything ever seen before. This new information technology is known as social media (including such things as Facebook, Twitter, MySpace, etc.), and it has the power to influence our very being.
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  • Vanessa Parks Rumble
    Vanessa Parks Rumble Philosophy Department Stokes 239N tel.: (617) 552-3865 Boston College e-mail: [email protected] Chestnut Hill, MA 02467 EDUCATION Post-Graduate Affiliate Scholar, Boston Psychoanalytic Institute, 1999-2000 Graduate Ph.D., Philosophy, Emory University, December 1989 Dissertation: Reflections on Immediacy: The Anatomy of Self-Deception in Kierkegaard's Early Writings. Adviser: Prof. Thomas R. Flynn Undergraduate B.A., Philosophy, Mercer University, June 1981, Summa Cum Laude Specialization: Søren Kierkegaard Nineteenth Century Continental Thought Competence: Philosophy of Psychoanalysis German Romanticism History of Philosophy HONORS AND AWARDS 2005 Phi Beta Kappa’s Teacher of the Year Award, Boston College 2003 DAAD Grant: Language study in Berlin 1999 Boston College Nominee: CASE U.S. Professor of the Year 1987-1988 Charlotte W. Newcombe Doctoral Dissertation Fellowship 1986-1987 ITT International Fellowship: Søren Kierkegaard Biblioteket Copenhagen, Denmark July-August 1986 Hong Kierkegaard Library July-August 1988 Summer Research Fellow, St. Olaf College 1981-1984 Woodruff Fellow, Emory University 1979, 1980, 1981 Highest Academic Standing, Mercer University EDITORIAL BOARD English language critical edition of Kierkegaard Journals and Notebooks. Projected eleven volumes, contracted with Princeton University Press. Volume One, January 2007. Volume 6, Jan. 2013. Volume Two, February 2008. Volume 7, Sept. 2014. Volume Three, July 2010. Volume 8, Aug. 2015. Volume Four, July 2011. Volume 9, in preparation. Volume Five, Jan. 2012 LANGUAGES Danish (fluent), German (intermediate), French (reading knowledge) and Classical Greek (rudimentary reading knowledge). CONFERENCE (organizer) “After the Unspeakable: Trauma, Nachträglichkeit, and Coming to Terms,” March 22-24, 2012. ARTICLES “Why Moriah? On Weaning and the Trauma of Transcendence,” in Kierkegaard’s Fear and Trembling: A Critical Guide, ed.
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  • Kierkegaard's Repetition As a Comedy in Two Acts. University of Hartford
    Kierkegaard's Repetition as a Comedy in Two Acts Stuart Dalton University of Hartford He who knows how to keep silent discovers an alphabet that has just as many letters as the ordinary one; thus he can express everything in his jargon, and no sigh is so deep that he does not have the laughter that corresponds to it in his jargon, and no request so obtrusive that he does not have the witticism to fulfill the demand. (R 145) 2 Right in the middle of the opening Report which marks the beginning of the very strange book called Repetition , Constantin Constantius sets aside some sixteen pages—much more than he ever devotes to clarifying the technical, philosophical meaning of the con- cept “repetition,” which is supposedly what the book is all about—to explain to us why he loves to go to the Königstädter Theater to see a good farce. When pressed to account for this strange moment in the text, commentators have almost universally agreed on one thing: it is a digression. 3 Constantin Constantius’ love of farce and his long discussion of the way it is performed in the Königstädter Theater is essentially an aside which can safely be ignored. Repetition is a serious book with a serious message, commentators have agreed; and if you want to see that serious message you can’t afford to get bogged down in this strange digression about farce. In this essay I will argue that the failure to take seriously Constantin Constantius’ love of farce is a serious mistake. When the pseudonyms address the subject of comedy their comments tend to hold important insights for understanding the indirect communications of which they are the authors.
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  • HISTORICAL INTRODUCTION the Book on Adler Is Ostensibly About Adolph Peter Adler;1 Essen Tially It Is About the Concept of Au
    Copyrighted Material HISTORICAL INTRODUCTION The Book on Adler is ostensibly about Adolph Peter Adler;1 essen­ tially it is about the concept of authority. The book was never published because, in order to diminish emphasis on Adler and to concentrate on the concept of authority, the manuscript was re­ vised by Kierkegaard more than any other of his manuscripts. The present volume is version III, the last integral version. Part of version III (Addendum II) was eventually published, with minor changes, as the second part of Two Ethical-Religious Essays2 (May 19, 1849), of which he wrote, “This little book is very significant. It contains the key to the greatest potentiality of all my writing, but not the one at which I have been aiming. And the second essay contains the most important of all the ethical- religious concepts, the one I have deliberately omitted until its appearance there.”3 The second essay, “The Difference between 1 Adolph Peter Adler (1817–1869), Danish theologian, pastor, and writer. After finishing his theological studies, he wrote a dissertation (in Danish, as Kierkegaard did, by special permission) on isolated subjectivity, Den isolerede Subjektivitet i dens vigtigste Skikkelser (Copenhagen: 1840). During the winter of 1840, he gave philosophical lectures at the University of Copenhagen, and in 1841 he was appointed pastor in Hasle and Rutsker on the island of Born- holm. The next year his Populære Foredrag over Hegels objective Logik was pub­ lished. The following year a volume of sermons, Nogle Prædikener (Copenhagen: 1843), was published, and in the preface Adler asserted that he had received a revelation in which Christ dictated a new doctrine.
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  • Absurdity and Artistry in Twentieth Century American War Literature
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2016 Absurdity and Artistry in Twentieth Century American War Literature Brittany B. Hirth University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Hirth, Brittany B., "Absurdity and Artistry in Twentieth Century American War Literature" (2016). Open Access Dissertations. Paper 431. https://digitalcommons.uri.edu/oa_diss/431 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. ABSURDITY AND ARTISTRY IN TWENTIETH CENTURY AMERICAN WAR LITERATURE BY BRITTANY B. HIRTH A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2016 DOCTOR OF PHILOSOPHY DISSERTATION OF BRITTANY B. HIRTH APPROVED: Dissertation Committee: Major Professor: Naomi Mandel Valerie Karno Evelyn Sterne Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2016 ABSTRACT Fictional representation of historical war is a contentious subject. Two dominant modes of thought prevail: the realist and the anti-realist approach to representation. This dissertation argues that absurdity is a more constructive tool for investigating authors’ artistic renditions of war in the latter half of the twentieth century. The absurd novel contains comic exaggeration, parody, black humor, surrealism, the fantastic, and a general subversion of the traditional novel’s form. Absurdity, as an artistic technique, signals to readers that despite the real-life referents for historical war, the author’s fictionalization is not the representation.
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  • Existentialist Philosophy in the Supreme Court's Decision in Planned Parenthood V
    Hastings Constitutional Law Quarterly Volume 31 Article 5 Number 4 Summer 2004 1-1-2004 From Kierkegaard to Kennedy: Existentialist Philosophy in the Supreme Court's Decision in Planned Parenthood v. Casey and Its Effect on the Right to Privacy Rebecca Rabkin Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation Rebecca Rabkin, From Kierkegaard to Kennedy: Existentialist Philosophy in the Supreme Court's Decision in Planned Parenthood v. Casey and Its Effect on the Right to Privacy, 31 Hastings Const. L.Q. 611 (2004). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol31/iss4/5 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. From Kierkegaard to Kennedy: Existentialist Philosophy in the Supreme Court's Decision in Planned Parenthood v. Casey and Its Effect on the Right to Privacy by REBECCA RABKIN* I. Introduction In the landmark 1992 abortion rights case, Planned Parenthood v. Casey,' the Supreme Court advanced a novel constitutional perspective. The plurality's decision in that case added a new dimension to the right to privacy, which until that point had focused mainly on rights of physical autonomy, relating to reproduction, birth control, and abortion.2 In Casey, the plurality articulated a new aspect of this right, deemed to be implicit in the Due Process Clause of the Fourteenth Amendment: a right to philosophical privacy.
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